Showing 812 items
matching children's clothing
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Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY MITTENS, Early 1940's
Machine knitted and stitched baby mittens. Salmon pink wool. Knitted woollen ties at wrist.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby mittens -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY VEST
Salmon pink hand knitted woollen baby vest. Patterned yolk with rib pattern body. Cap sleeves with crocheted edges. Neckline with crocheted edge. Twisted wool tie around neck.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby vest -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY NIGHTIE, Early 1940's
Cream coloured flannelette baby nightie with long sleeves. Yolk at front and back. Edges of sleeves and neckline edged with nylon lace. Back opening with two buttons. Row of three pintucks above hemline.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, cotton flannelette baby nightie -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY NIGHTIE, Early 1940's
Cream coloured flannelette baby nightie with long sleeves. Gathered at waist. Long ties attached at waist with an insert band with pink and blue embroidered word ''Baby''. Back opening at neck with cotton tape ties.Edges of sleeves and neckline have crocheted edges in silk thread.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, cotton flannelette baby nightie -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY NIGHTIE, Early 1940's
Cream coloured flannelette baby nightie with long sleeves. Gathered at waist. Long ties attached at waist with an insert band with pink and blue embroidered flowers. Back opening with cotton ribbon ties. Edges of sleeves and neckline have crocheted edges in silk thread.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn. .costume, children's, cotton flannelette baby nightie -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY NIGHTIE, Early 1940's
Cream coloured flannelette baby nightie with long sleeves. Gathered at waist. Long ties attached at waist with an insert band with pink and blue embroidered flowers. Back opening at neck with cotton ribbon ties. Edges at sleeves and neckline have crocheted edges in silk thread.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, cotton flannelette baby nightie -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: NAPPY, 1940's
Cream coloured cotton flannelette nappy.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, flannelette nappy -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: NAPPY
Cream coloured cotton flannelette nappy.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, flannelette nappy -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY WOOL DRESS, Early 1940's
Cream wool hand knitted square necked dress. Small balloon sleeves, short cream satin ribbon tie at waist. Yolk has an open pattern, while skirt is stocking stitch, with a band of diamond shaped patterning 13 cms wide, and a bottom band of garter stitch. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby dress -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY JACKET, Early 1940's
Cream coloured hand knitted baby jacket with long sleeves. Fold back collar in zig zag pattern. Body of jacket with vertical zig zag pattern. Sleeves with zig zag pattern. Front opening. Collar, cuffs and hem have crocheted edges in silk thread. Cream satin ribbon tie at neck.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABIES COAT, Early 1940's
Cream coloured long sleeves hand knitted woollen baby coat with collar. Stocking stitch with three rows of diamond pattern on yolk, on lower skirt and on sleeves. Front opening and hemline edged with moss stitch. Fastened at neck with one pearl button. Cream satin ribbon tie at waist.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby coat -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY DRESS, early 1940s
Cream coloured hand knitted woollen baby dress. Square neck at front with shoulder opening on each side, fastened with a pearl button. Short puffed sleeves. All over lacy ribbed pattern. Ribbed edging on neck, sleeves and hem.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby dress -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY JACKET, early 1940s
Cream coloured crocheted woollen baby jacket. Yolk with fold down collar- stitched down. Long sleeves. Front opening. Fastened at neck with twisted woollen rope tie.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY PANTS
Machine knitted woollen short baby pants. Cream coloured. Hemmed at waist and legs. Fine lacy pattern all over. Side opening. RHS fastened with one button.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby pants -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABIES' VEST, early 1940s
Cream coloured hand knitted woollen baby vest. All over ribbed pattern. Crocheted edge around neck and sleeves. Cream coloured satin ribbon tie at neck.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby vest -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY JACKET, 1940s
Cream coloured hand knitted baby jacket. Stocking stitch yolk with patterned body and sleeves. Front opening with two pearl buttons at yolk. Long sleeves with raglan insert.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY JACKET, 1940s
Cream coloured hand crocheted woollen baby jacket. All over fan pattern. Front opening with cream coloured satin ribbon at neck. Long sleeves with satin ribbon ties at cuff. Crocheted shell pattern edging.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY DRESS, 1940s
Cream coloured hand knitted woollen baby dress. Round neck with small shoulder openings each with a small plastic button. Bodice has three rows of pattern front and back. Short puffed sleeves with one row of pattern and gathered edge. Satin ribbon ties on lower edge of sleeves. Skirt has stocking stitch with three patterned rows around lower edge. Moss stitch pattern around lower edge. Cream satin ribbon tie around waist. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby dress -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY BOOTIES, 1940s
Hand knitted cream coloured woollen baby booties. Cream ribbon ties. Garter stitch on foot. Patterned upper.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby booties -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY VEST, 1940s
Cream coloured hand knitted woollen baby vest.Cream coloured cotton tie at neck. Patterned yolk and lower edge. Stocking stitch. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby vest -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY JACKET, 1940s
Cream coloured hand knitted woollen baby jacket. Front opening with two buttons. Foldover collar and fold back cuffs. Yolk and sleeves with open pattern. Front and back feather and fan pattern with garter stitch edging.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY PANTS, 1940s
Cream coloured hand knitted woollen baby pants. Cream cotton ribbon tie at waist. Crocheted edge on legs. Stocking stitch on lower part with three pattern rows on top half back and front. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby pants -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY JACKET, 1948 s
Hand knitted baby jacket cream coloured. Front opening. Embroidered silk thread trim on cuffs, collar and hem. Ribbon tie at neck , foldover collar. Rib pattern. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket -
Bendigo Historical Society Inc.
Clothing - CHILD'S DRESS - PINK SILK TRIMMED WITH BLACK LACE
... COSTUME Children's party dress Clothing. Child's dress - pink silk ...Clothing. Child's dress - pink silk trimmed with black lace, Pink silk, lined with muslin. Waisted - skirt gathered at back, 3 small pleats at either side of front. Small band at 3 '' pin tuck '' liked rows of fabric at waist. Smalloocket inserted in one at front seams. Five 1cm pleats at each side of centre bodice front. Square neckline banded with 3 rowa of narrow black velvet ribbon, and one row of 4 cm deep black lace. These rows of ribbon and lace repeated on the short sleeves, and at the lower hemline.Back bodice has boning on either side at centre back and eyelets for lacing (No lacing present). Bodice lined with cream calico. Hand and machine stitched.costume, children's, party dress -
Bendigo Historical Society Inc.
Clothing - BLACK PATENT SHOES - ONE PAIR, 1950's to present day
Clothing. One pair child's black patent leather court shoes. Trimmed with a black patent bow. Flat heel.On sole: Vinyl sole, F&T Footwear; sale by ANCO inside: Knightcostume, children's, shoes -
Bendigo Historical Society Inc.
Document - TOWN HALL, THE BENDIGO CHORAL SOCIETY, 14 June, 1922
Town Hall, The Bendigo Choral Society. Souvenir program 3d. With and oval picture of Mr. W C Frazier A.R.C.O.-Conductor on front cover. Gounod's 'Faust'. For Bendigo Benevolent Asylum, 5000 pounds. Town Hall, Bendigo, Wednesday, June 14th, 1992, at 8pm. Principals: Miss Phyllis Hannaford (Mrs J R Clark); Miss Essa McSwiney, L.A.B. Mr E H Collett, Mr E A Miller, Mr Gerson Krost, Conductor: Mr W C Frazier, A.R.C.O. Pianiste: Miss Eileen Hains, A.T.C.L. Picture of Benevolent Asylum on front cover. J G Austen, Secretary Appeal Fund. J Hudspeth & Z S Martin Secretaries Choral Society. Concert to commence at 8pm. Artists; Mr Gerson Krost, Miss Essa McSwiney, Mr E A Miller, Miss Phyllis Hannaford. Cast; Mrs J R Clark, Miss Essa McSwiney, Mr E H Collett, Mr E A Miller. Choruses, etc. by Choral Society. In the Homeland Mr Frazier found it the increasing practice to take the great opera masterpieces and give them on the concert platform in more of less liberal excerpts. With characteristic generosity. He purchased the copies and presented them to the Choral Society. Bendigo has thus an opportunity to hear the latest idea. We are sure the musical public will appreciate this, though of course. . . . . It is interesting to note that when this great work was first performed in Paris, on March 19th, 1859, it was somewhat coldly received, to the composer's great grief, as he, with the instinct of genius, . . . . The Compact: Introduction: Faust, aged and worn, weary with long pondering over learned treatises, in a pessimistic mood wonders whether the work is worth while. Memories of an early love stir strangely in his being, and he, in his doubting mood, questions all things, In despair he would welcome death, and finding no answer from the heavens, he appeals to the powers of ill. To his great surprise, he is at once answered by Mephistopheles and a colloquy then ensues in which the Evil One promises him Gold? Glory? A Kingdom? No! No! It mist be 'Youth!' That can be done also. Faust is dubious, but on Mephistopheles bringing a vision of beauteous Margarita at is dubious, but on Mephistopheles be 'Youth!' That can be done also. Faust is dubious, but on Mephistopheles bringing a vision of beauteous Margarita at her wheel he agrees, and signs the compact. 'Up Here I am at thy command, Down There thou servest me!' At The Fair: Mephistopheles then asks Faust to the Fair where they mix with the revelry of the students, soldiers and merry maidens. He gets a glimpse of Margarita. The Evil One is again busy putting Suspicious and quarrelsome thoughts into good comrades minds. . . . The Wooing: Poor Siebel, the ardent, faithful lover of Margarita, finds himself somewhat overshadowed by the young and handsome Faust. Mephistopheles in a mocking mood tells him that every flower that he plucks will perish in his hands. He finds this prediction verified when he plucks the flowers for his lady love, but when in faith he scouts the Evil One, he conquers, and the spell is broken. Faust, filled with an ardent and pure passion, approaches the dwelling of Margarita, with an offering of priceless jewels, provided by the . . . . . The Return Of Valentine: Valentine, the soldier brother of Margarita, leaves for the wars, giving the care of his sister to her faithful lover, Siebel. On his return, covered with glory, and ardent to meet his people again, he hears the story of the flouting of Margarita by Faust. In this part the soldiers are welcomed home by their comrades in the male part of the song 'Fold the flag my brothers,' followed by the celebrated chorus (usually known as the 'Soldier's Chorus' Glory and love to the men of old.' It has been set, in this edition, for full choir. Mephistopheles, the evil genius, in a spirit of raillery, and exultant that his plans are working to . . . . The Price: Faust, repentant, desires to do justice to Margarita and again be her lover. Margarita is almost demented at the loss of her brother. Mephistopheles not to be cheated, thwarts the good impulse of Faust and demands his price. He also endeavors to make Margarita despair, but owing to the simple faith of the . . . . The End. A Question You give you name, your time, your pelf To ease your woe: But what do you give of your own self To pay the debt you owe? You open a Home for helpless ones, And you shut them in with care; Of what think you is their share? You talk and you write; you organise; All this, we know, is true; But how do you spread the spark divine, The deep-down soul of you? -A Simkins. Benevolent Asylum Appeal. The Committee of Management directing the works of the Asylum desire to bring before an always generous public the claims of the Instruction for financial support. The Appeal for 5000 pounds has been launched in the full belief that the case is a good one, and in the confident hope that it will be successful. The work carried on by the Asylum covers a big field, extending as it does from Swan Hill in the north and Melbourne in the south. Inmates from all parts of the State are given a comfortable home, and properly cared for in the eventide of their lives. There are at present in the Asylum 164 old men and women. In addition to this work the Committee thoroughly investigate and dispense relief in food to from 150 to 200 adults and from 300 to 400 children each week, and also issues a large number of blankets, boots and clothing garments to necessitious applicants. The recipients of this relief are principally widow and their little ones, and the wives and children who are dependents of miners suffering from the dread Miners' Complaint. The Committee in orgainising this branch of its charity work, has, to a great extent, prevented a large amount of waste, through overlapping and duplication of effort. It now appeals to the public for the above amount in order that be may still be able to continue charity work among the poor and necessitous of Bendigo and District. 'Organized Charity is Love with Judgment.'Cambridge Press Printprogram, theatre, town hall, town hall, the bendigo choral society. souvenir program 3d. with and oval picture of mr. w c frazier a.r.c.o.-conductor on front cover. gounod's 'faust'. for bendigo benevolent asylum, 5000 pounds. town hall, bendigo, wednesday, june 14th, 1992, at 8pm. principals: miss phyllis hannaford (mrs j r clark); miss essa mcswiney, l.a.b. mr e h collett, mr e a miller, mr gerson krost, conductor: mr w c frazier, a.r.c.o. pianiste: miss eileen hains, a.t.c.l. picture of benevolent asylum on front cover. j g austen, secretary appeal fund. j hudspeth & z s martin secretaries choral society. concert to commence at 8pm. artists; mr gerson krost, miss essa mcswiney, mr e a miller, miss phyllis hannaford. cast; mrs j r clark, miss essa mcswiney, mr e h collett, mr e a miller. choruses, etc. by choral society. in the homeland mr frazier found it the increasing practice to take the great opera masterpieces and give them on the concert platform in more of less liberal excerpts. with characteristic generosity. he purchased the copies and presented them to the choral society. bendigo has thus an opportunity to hear the latest idea. we are sure the musical public will appreciate this, though of course. it is interesting to note that when this great work was first performed in paris, on march 19th, 1922. the compact. at the fair. the wooing. the return of valentine. the price. benevolent asylum appeal. the committee of management directing the works of the asylum desire to bring before an always generous public the claims of the instruction for financial support. the appeal for 5000 pounds has been launched in the full belief that the case is a good one, and in the confident hope that it will be successful. the work carried on by the asylum covers a big field, extending as it does from swan hill in the north and melbourne in the south. inmates from all parts of the state are given a comfortable home, and properly cared for in the eventide of their lives. there are at present in the asylum 164 old men and women. in addition to this work the committee thoroughly investigate and dispense relief in food to from 150 to 200 adults and from 300 to 400 children each week, and also issues a large number of blankets, boots and clothing garments to necessitious applicants. the recipients of this relief are principally widow and their little ones, and the wives and children who are dependents of miners suffering from the dread miners' complaint. the committee in orgainising this branch of its charity work, has, to a great extent, prevented a large amount of waste, through overlapping and duplication of effort. it now appeals to the public for the above amount in order that be may still be able to continue charity work among the poor and necessitous of bendigo and district. 'organized charity is love with judgment.' -
Bendigo Historical Society Inc.
Photograph - COOK COLLECTION: SPRING GULLY SCHOOL STUDENTS 25/5/1920
Photograph: black and white photo mounted on tan board. 52 school students standing/seated in five rows, outside school weatherboard building. Male teacher standing on Right Hand side, dressed in three piece suit, wing collar and tie. Students are dressed in various types of clothing, not uniform. Student centre front row is holding blackboard with '3505, Spring Gully, 25.5.20' written in white chalk. On back of photo is written in biro: Mrs. J. Noble, 232 Carpenter Street, Spring Gully, Bendigo Bottom Right Hand side of board : Photo, G.W. Bolton, Artist.G.W.Boltonphotograph, person, school children, spring gully, g.w. bolton, cook, noble, j. spring gully school. education -
Bendigo Historical Society Inc.
Photograph - COOK COLLECTION: SPRING GULLY SCHOOL STUDENTS
Photograph: black and white photo of 49 school children standing/sitting in four rows. Male teacher on Right Hand side. Children are dressed in various styles of clothing. J. Noble, 232 Carpenter Street, Spring Gullyg, some in uniform. Written on back.photograph, person, school children, spring gully, noble, j., cook, spring gully school, education -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: SCHOOL HOLIDAY PROGRAM PERMISSION FORM 98
Blank School Holiday Program Sept/Oct 98 Permission Form. Activities for the 29 & 39 September and 1 October with times are detailed. Children must wear shoes and suitable clothing and bring lunch and a drink each day. Permission has space for child/rens name, address, phone no. and contact person & phone no. Mentioned is that children will obey all instructions. Also details are given if the child needs medical attention.bendigo, history, long gully history group, the long gully history group - school holiday permission form 98, long gully community house inc -
Bendigo Historical Society Inc.
Clothing - MERLE HOULDEN COLLECTION: BABY'S WHITE COTTON NIGHTGOWN, 1885
Fine white cotton round neckline edged with lace. Three lace panels on centre bodice. Long ties are stitched down at the centre of the gown, with an embroidered cotton lace overlay, defining the bodice and skirt. Narrow pleats between the three lace panels, give fullness to the front bodice. Long sleeves are edged with narrow lace, and slight gathering gives the impression of a cuff. A six cm band of cotton lace edges the hemline. Six cm wide band of lace at hemline.costume, children's, night gown