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Flagstaff Hill Maritime Museum and Village
Wood encrustation, 1855
The object is a mass of small shipwreck debris that has been concreted together by sediment and marine growth. It was retrieved from the wreck-site of the SCHOMBERG, which ran aground near the mouth of the Curdies River near Peterborough in 1855. The conglomerate of preserved wood impressions, rusted metal pieces, a small square of copper alloy, and black glass-like stones, presents too disjointed a collection to provide information on their purpose or function on the ship. The natural and gradual process of limestone accretion is a significant feature of the wreck-site, which was rediscovered by fishermen and skindivers in 1973. In his book “Exploring Shipwrecks of Western Victoria”, experienced diver and former director at Flagstaff Hill, Peter Ronald writes that the SCHOMBERG’s “triple layered wooden hull has disintegrated almost without trace…The turbulent shallow waters have promoted particularly heavy marine growth which tend to disguise the wreckage…the most prominent feature being a corroded mass of railway iron…Close inspection reveals small artefacts firmly embedded in the marine concretion which…is quite literally as hard as iron”. The huge oblong mass of concretion that now distinguishes the site covers the remains of this heavy cargo. A contemporary account of the SCHOMBERG’s fate (told by two of her passengers to the Melbourne Argus) alleges the ship “was overloaded, drawing over 25 feet when she left, and the cargo was chiefly iron and plant for the Geelong Railway”. The SCHOMBERG was a 2,000 ton clipper ship, specifically designed for the Australian immigration trade (back-loading wool for Britain’s mills), and constructed in Hall’s shipyard in Aberdeen, Scotland. She was owned by the Black Ball Line and launched in 1855. Alexander Hall & Son were renowned builders of sleek and fast 1,000 ton clippers for the China trade (opium in, tea out) and were keen to show they could also outclass the big North American ships built by Donald Mackay. Consequently the SCHOMBERG was ‘overbuilt’. Her hull featured five ‘skins’ of Scotch Larch and Pitch Pine overlaying each other in a diagonal pattern against a stout frame of British Oak. Oak has been favoured by builders of wooden ships for centuries. Its close, dense grain made it harder to work, but also gave it great strength and durability. In addition, the lateral spread of its branches supplied a natural curvature for the ribs of a vessel’s hull, as well as providing the small corner or curved pieces (‘knees’ and ‘elbows’) that fit them together. The shape and texture of this wood sample suggests a dense hardwood like Oak. The timber has been cut off at one end since its recovery from the sea, exposing a smooth and almost shiny surface. Seasoned English Oak has a similar light brown colour and tight grained finish. At the launch the SCHOMBERG’s 34 year old master, Captain ‘Bully’ Forbes, had promised Melbourne in 60 days, "with or without the help of God." James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; MARCO POLO and LIGHTNING. In 1852 in the MARCO POLO he made the record passage from London to Melbourne in 68 days. There were 53 deaths on the voyage but the great news was of the record passage by the master. In 1954 Captain Forbes took the clipper LIGHTNING to Melbourne in 76 days and back in 63 days, this was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his own records. He cared little for the comfort of the passengers. On this, the SCHOMBERG’s maiden voyage, he was going to break records. SCHOMBERG departed Liverpool on her maiden voyage on 6 October 1855 flying the sign “Sixty Days to Melbourne”. She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, 90,000 gallons of water for washing and drinking. It also carried 17,000 letters and 31,800 newspapers. The ship and cargo was insured for $300,000, a fortune for the time. The winds were poor as she sailed across the equator, slowing SCHOMBERG’s journey considerably. Land was first sighted on Christmas Day, at Cape Bridgewater near Portland, and Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the Third Mate Henry Keen, who reported land about 3 miles off, Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26 December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to SCHOMBERG and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS QUEEN at dawn and signalled the steamer. The master of the SS QUEEN approached the stranded vessel and all of SCHOMBERG’s passengers and crew were able to disembark safely. The SCHOMBERG was lost and with her, Forbes’ reputation. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the SCHOMBERG. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot! Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach SCHOMBERG, salvage efforts were abandoned. Parts of the SCHOMBERG were washed ashore on the south island of New Zealand in 1870, nearly 15 years after the wreck. The wreck now lies in 825 metres of water. Although the woodwork is mostly disintegrated the shape of the ship can still be seen due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. Flagstaff Hill holds many items salvaged from the SCHOMBERG including a ciborium (in which a diamond ring was concealed), communion set, ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the SCHOMBERG. One of the SCHOMBERG bells is in the Warrnambool Library. This object is listed on the Shipwreck Artefact Register, No S/49, and is significant because of its association with the ship SCHOMBERG. The SCHOMBERG collection as a whole is of historical and archaeological significance at a State level, listed on the Victorian Heritage Register VHR S612. Flagstaff Hill’s collection of artefacts from the SCHOMBERG is significant for its association with the Victorian Heritage Registered shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the SCHOMBERG. The SCHOMBERG collection is archaeologically significant as the remains of an international passenger ship. The shipwreck collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day. The SCHOMBERG collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. The object is an aggregate of limestone sediment that formed at the wreck-site of the SCHOMBERG (1855). It is an irregularly shaped conglomerate of sand, shell-grit and marine worm casings from the ocean floor, but also incorporates an assortment of manufactured metal pieces and pipe fittings (corroded with red rust), a small rectangular piece of copper sheet, some ‘petrified’ wood remains (hardened and a soft brown colour), and pieces of black shiny stone (roughly cube shaped and possibly glass or porcelain remnants). There is an impression left in the stone of a joist or plank end but the original timber that the sediment formed around has since been dispersed by the sea.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwreck timber, alexander hall and son, shipwreck debris, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen -
Orbost & District Historical Society
black and white photograph, 1936
This is a photograph of a fishing party at Marlo, East Gippsland, in 1936. On the back is a description written by Ruby Richardson. Ruby Richarson was born 1902 in Orbost. Her father was Albert Eli and mother Lettice Tomlinson. Ruby had sisters, Mary Agnes Jessie born 1897 and Grace Jane born 1905. Albert Eli Richardson, died in 1851 aged 90i Orbost, His father was given as George Samuel Richardson and mother Jane Farndon, (research - Lois Crisp) The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted The Governor-in-Council declared Marlo to be a township on 18 February 1889. During May 1889, the government surveyor, E.L. Bruce set out 19 sections of the new township, with the first sales of subdivided land occurring the following May. At this time, Stirling's Marlo Hotel was the unofficial hub for the community. It was a general store, accommodation house and the unofficial post office, with settlers taking turns in bringing the mail from Orbost or Cunningham. This continued until Aug 1942, and in 1969 was located in a house adjacent to the Marlo Hotel, before being transferred to the Marlo General Store in this year. The official Post Office List states the Marlo Post Office opened around 1902.[ In 1925, the "Marlo House" (a nine room accommodation guest house) was granted a liquor licence. The "Marlo House" became "The Marlo Hotel". The Marlo Hotel was popular with many Orbost and district settlers, who travelled to Marlo by horseback or buggy. Marlo has always been a popular destination for fishermen. A small black / white photograph of a group of men and women on a small boat.on back - "Fishing party..................Ruby Richardson"marlo-fishing recreation-fishing -
Kiewa Valley Historical Society
Book - Kiewa River, Stocking and Crossing the Kiewa River by Jan Hunter (nee Chick), 2020
The Chick brothers, Alf, Les and Allan, plus friends, began trout fishing and camping in the Kiewa Valley before the early 1930s. Les continued his connection with the Kiewa River until his death in 1972. Fingerlings were placed in the Kiewa River from the early 1880s. Keegan's Bridge is a crossing near Upper Gundowring and about 4 km south east of Dederang. References to the crossing were made in the early 1900s and a petition presented to Council in 1904 calling for a bridge.The bridge was built and opened in 1907. The photos are of the release of fingerling trout in the Kiewa River, thought to be at Keegan's Bridge. The fingerlings were transported in drums on the back of trucks. The photos are c1940s.The Kiewa Valley has been a popular spot for fishermen, tourists and campers from the 1880s. One of the many attractions has been the excellent fishing along the Kiewa River due to the regular release of fish especially brown trout. This continues to the present day (2020) when a few fish were marked with $$ signs for the lucky fisherman who caught them. This attracts visitors, their families and boosts the economy and dates back to visits at the Tawonga Pub prior to the Kiewa Hydro Electric Scheme.19 page book with black plastic spine and clear plastic cover over the beige paper cover with title , author and black & white photo. Note: In KVHS photo collection there are 4 good quality reproduction photos on photographic paper. These have been produced professionally. These photos of Jan Hunter's are featured on the second page of her book. These also have a letter attached. The book is a pre-research paper & is No 33 of the Albury and District Historical Society Papers. The sub-title is "Trout releases and Keegan's Bridge / from the newpapers, 1882-1935"None on the book but a letter is attached from Jan Hunter, the author as a follow up to the photos she donated. On the photos - On the back: Fujifilm / Fujicolor Crystal Archive / Paper / Production - run codekiewa river; trout; fish; keegan's crossing; keegan's bridge; fingerlings; chick family; camping; tourism -
Mission to Seafarers Victoria
Book, Dr Ashley's Pleasure Yacht: John Ashley, the Bristol Channel Mission and all that Followed, 2017
Institutional foundation stories have a tendency to change and develop with the passage of time and much repetition. Maritime social historian R.W.H. Miller here explores the life of The Rev. John Ashley and his association with the foundation storyof the Mission to Seafarers, the work of which society is much admired by its present Patron, HRH the Princess Royal. The traditional story is that Ashley's son, out walking by the Bristol Channel with his father, in the early 1830s, asked how the islanders could go to church. Ashley went to see, and from the islands of Flat Holm and Steep Holm seeing large fleets of wind bound ships, asked himself the same question. He used his own money (deriving mainly from the trade of sugar and slaves) to build a schooner, which he sailed in all weathers to provide an answer, in the process creating for himself a place in the ancestry of several Anglican and Catholic societies, of which the Mission to Seafarers, the Royal National Mission to Deep Sea Fishermen, and the Apostleship of the Sea, continue to provide seafarers with a valued and often heroic service.A 123-page book by R.W.H. Miller with a monochrome coloured cover featuring the British Channel Mission's signal flags and the Bristol Channel Mission Cutter Eirene. non-fictionInstitutional foundation stories have a tendency to change and develop with the passage of time and much repetition. Maritime social historian R.W.H. Miller here explores the life of The Rev. John Ashley and his association with the foundation storyof the Mission to Seafarers, the work of which society is much admired by its present Patron, HRH the Princess Royal. The traditional story is that Ashley's son, out walking by the Bristol Channel with his father, in the early 1830s, asked how the islanders could go to church. Ashley went to see, and from the islands of Flat Holm and Steep Holm seeing large fleets of wind bound ships, asked himself the same question. He used his own money (deriving mainly from the trade of sugar and slaves) to build a schooner, which he sailed in all weathers to provide an answer, in the process creating for himself a place in the ancestry of several Anglican and Catholic societies, of which the Mission to Seafarers, the Royal National Mission to Deep Sea Fishermen, and the Apostleship of the Sea, continue to provide seafarers with a valued and often heroic service.cutter, eirene, shipping, r.w.h. miller, mission to seamen, seafarers welfare, reverend john ashley (1801-1886) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - panoramic view of Portland, n.d
Black and white photo. Fishermans wharf in background. Long pier. Ocean pier. Baths. Cypress trees in foreground of Bentinck Street. Electric light poles. Ute carying wool bales.Front: Portland Victoria. (Length of Ocean Pier 2880ft).portland, photography, fishermens wharf -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland Harbour, n.d
Black and white photo - 2 photos joined together. Ship on left. Ship at Pier. Fishermans wharf. Railway pier. Long pier. 3rd baths in foreground. Van on road below cliff. 2 cypress trees in foreground. 2 people on beach.fishermens wharf, portland baths, railway pier, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Fisherman's Wharf, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: No. 6 written in biro.port of portland archives, fishermens wharf, portland -
Kiewa Valley Historical Society
Brochure - Tawonga Caravan Park, Tawonga - Mt Beauty
Tawonga Caravan park is on the Kiewa River situated north of Mt Beauty and 30 km from Falls Creek. Tawonga Caravan park has always been popular for families and fishermen with plenty to do.Colored cardboard brochure with 3 small photos on the front and information printed on the back with a small map.tawonga caravan park, trout fishing -
Orbost & District Historical Society
fishing bag and reel, First half 20th century
The Marlo area has always been a destination for fishermen. This item was probably used in the first half of the 20th century in Marlo.A canvas fishing bag with rope handles - 1423.1. The fishing reel is a wooden reel with a wooden handle,brass star shaped back ratchet and lever. It has a nylon line.fishing-reel recreation -
Flagstaff Hill Maritime Museum and Village
Instrument - Barometer, 1867
Langlands Company History: Langlands foundry was Melbourne's first foundry and iron shipbuilder established in 1842, only 8 years after the founding of the Victorian colony by two Scottish immigrants, Robert Langlands and Thomas Fulton, who had formed a partnership before emigrating (1813–1859). The business was known as the 'Langlands Foundry Co'. Henry Langlands (1794-1863), left Scotland in 1846 with his wife Christian, née Thoms, and five surviving children to join his brother Robert. By the time he arrived in early January of 1847 the partnership of Robert Langlands and Fulton had dissolved as Fulton had gone off to establish his own works. It was at this time that the two brothers took over ownership of Langlands foundry. Several years later Robert retired and Henry became sole the proprietor. The foundry was originally located on Flinders Lane between King and Spencer streets. Their sole machine tool, when they commenced as a business, was a small slide rest lathe turned by foot. In about 1865 they moved to the south side of the Yarra River, to the Yarra bank near the Spencer Street Bridge and then in about 1886 they moved to Grant Street, South Melbourne. The works employed as many as 350 workers manufacturing a wide range of marine, mining, civil engineering, railway and general manufacturing components including engines and boilers. The foundry prospered despite high wages and the lack of raw materials. It became known for high-quality products that competed successfully with any imported articles. By the time Henry retired, the foundry was one of the largest employers in Victoria and was responsible for casting the first bell and lamp-posts in the colony. The business was carried on by his sons after Henry's death. The company was responsible for fabricating the boiler for the first railway locomotive to operate in Australia, built-in 1854 by Robertson, Martin & Smith for the Melbourne and Hobson's Bay Railway Company. Also in the 1860s, they commenced manufacture of cast iron pipes for the Board of Works, which was then laying the first reticulated water supply system in Melbourne. Langlands was well known for its gold mining equipment, being the first company in Victoria to take up the manufacture of mining machinery, and it played an important role in equipping Victoria's and Australia's first mineral boom in the 1850s and 1860s. Langlands Foundry was an incubator for several engineers including Herbert Austin (1866–1941) who worked as a fitter at Langlands and went on to work on the Wolesely Shearing machine. He also founded the Austin Motor Company in 1905. Around the 1890s Langlands Foundry Co. declined and was bought up by the Austral Otis Co. in about 1893. History for Grimoldi: John Baptist Grimoldi was born in London UK. His Father was Domeneck Grimoldi, who was born in Amsterdam with an Italian Father and Dutch mother. Domeneck was also a scientific instrument maker. John B Grimoldi had served his apprenticeship to his older brother Henry Grimoldi in Brooke Street, Holburn, London and had emigrated from England to Australia to start his own meteorological and scientific instrument makers business at 81 Queens St Melbourne. He operated his business in 1862 until 1883 when it was brought by William Samuel and Charles Frederick, also well known scientific instrument makers who had emigrated to Melbourne in 1875. John Grimoldi became successful and made a number of high quality measuring instruments for the Meteorological Observatory in Melbourne. The barometer was installed at Warrnambool's old jetty and then the Breakwater as part of the Victorian Government's insistence that barometers be placed at all major Victorian ports. This coastal barometer is representative of barometers that were installed through this government scheme that began in 1866. The collecting of meteorological data was an important aspect of the Melbourne Observatory's work from its inception. Just as astronomy had an important practical role to play in navigation, timekeeping and surveying, so the meteorological service provided up to date weather information and forecasts that were essential for shipping and agriculture. As a result, instruments made by the early instrument makers of Australia was of significant importance to the development and safe trading of companies operating during the Victorian colonies early days. The provenance of this artefact is well documented and demonstrates, in particular, the importance of the barometer to the local fishermen and mariners of Warrnambool. This barometer is historically significant for its association with Langlands’ Foundry which pioneered technology in the developing colony by establishing the first ironworks in Melbourne founded in 1842. Also, it is significant for its connection to John B Grimoldi who made the barometer and thermometer housed in the cast iron case. Grimoldi, a successful meteorological and scientific instrument maker, arrived in the colony from England and established his business in 1862 becoming an instrument maker to the Melbourne Observatory. Additional significance is its completeness and for its rarity, as it is believed to be one of only two extant barometers of this type and in 1986 it was moved to Flagstaff Hill Maritime Village as part of its museum collection. Coast Barometer No. 8 is a tall, red painted cast iron pillar containing a vertical combined barometer and thermometer. Half way down in the cast iron framed glass door is a keyhole. Inside is a wooden case containing a mercury barometer at the top with a thermometer attached underneath, each with a separate glass window and a silver coloured metal backing plate. Just below the barometer, on the right-hand side, is a brass disc with a hole for a gauge key in the centre. The barometer has a silvered tin backing plate with a scale, in inches, of "27 to 31" on the right side and includes a Vernier with finer markings, which is set by turning the gauge key. The thermometer has a silvered tin backing plate with a scale on the left side of "30 to 140". Each of the scales has markings showing the units between the numbers.Inscription at the top front of the pillar reads "COAST BAROMETER" Inscribed on the bottom of the pillar is "No 8". and "LANGLANDS BROS & CO ENGINEERS MELBOURNE " The barometer backing plate is inscribed "COAST BAROMETER NO. 8, VICTORIA" and printed on the left of the scale, has "J GRIMOLDI" on the top and left of the scale, inscribed "Maker, MELBOURNE". There is an inscription on the bottom right-hand side of the thermometer scale, just above the 30 mark "FREEZING" Etched into the timber inside the case are the Roman numerals "VIII" (the number 8)flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, warrnambool breakwater, coast barometer, coastal barometer, barometer, weather warning, ports and harbours, fishery barometer, sea coast barometer, austral otis co, coast barometer no. 8, henry grimoldi, henry langlands, john baptist grimoldi, langlands foundry co, meteorological instrument maker, robert langlands, scientific instrument maker, thermometer, thomas fulton -
Flagstaff Hill Maritime Museum and Village
Equipment - Net Floats, 20th century
These net floats are handmade from lightweight cork wood and are used for suspending fishing nets in the water. Newspaper articles dated from 1848 to 1916 mention net fishing in Warrnambool's Hopkins and Merri rivers and Lady Bay. The Melbourne Argus dated January 11, 1848, published a quote from Captain Theobald of the vessels ELLEN and ELIZABETH, made on his first visit to Warrnambool "“…Fish are very plentiful here; on Christmas day a net was thrown into the Hopkins, and, after two or three draws, a boat load of beautiful fish was obtained…” The Argus, Melbourne, Sat. 29 May 1858, forwarded from The Examiner newspaper; "Extraordinary Fish. We have been presented with a very singular fish, caught by Mr. Meek in the Hopkins [Hopkins River, Warrnambool] last week. It is about three inches long, with a slate-coloured body, and a beautiful wing on each side. It was caught with other fish at night, in a net, and its eyes shone as bright as diamonds." A method for making cork net floats mentioned, in a 15th-century book, advised cutting the corks and then burning a hole through the centre of each one with a hot iron. The prepared corks were then joined together with a horsehair line. The cork's size and the line's thickness depended on the net's weight.The net floats are an example of fishing equipment used for many centuries and still in use today. In Warrnambool net fishing was a common practice from 1848 and became a livelihood for many fishermen. Net floats; cylindrical blocks of 16 corks threaded onto string with a hook-holding device at the end. warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, net floats, cork net floats, fishing, fisheries, fishing equipment, handmade, net fishing, fisheries act, andrew ferrier, william flett, warrnambool breakwater, merri river, hopkins river, captain theobald, ellen, elizabeth -
Flagstaff Hill Maritime Museum and Village
Equipment - Net Floats, 20th century
These net floats are handmade from lightweight cork wood and are used for suspending fishing nets in the water. Newspaper articles dated from 1848 to 1916 mention net fishing in Warrnambool's Hopkins and Merri rivers and Lady Bay. The Melbourne Argus dated January 11, 1848, published a quote from Captain Theobald of the vessels ELLEN and ELIZABETH, made on his first visit to Warrnambool "“…Fish are very plentiful here; on Christmas day a net was thrown into the Hopkins, and, after two or three draws, a boat load of beautiful fish was obtained…” The Argus, Melbourne, Sat. 29 May 1858, forwarded from The Examiner newspaper; "Extraordinary Fish. We have been presented with a very singular fish, caught by Mr. Meek in the Hopkins [Hopkins River, Warrnambool] last week. It is about three inches long, with a slate-coloured body, and a beautiful wing on each side. It was caught with other fish at night, in a net, and its eyes shone as bright as diamonds." A method for making cork net floats mentioned, in a 15th-century book, advised cutting the corks and then burning a hole through the centre of each one with a hot iron. The prepared corks were then joined together with a horsehair line. The cork's size and the line's thickness depended on the net's weight.The net floats are an example of fishing equipment used for many centuries and still in use today. In Warrnambool net fishing was a common practice from 1848 and became a livelihood for many fishermen.Net floats; cylindrical blocks of 18 corks of various sizes threaded onto string.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, net floats, cork net floats, fishing, fisheries, fishing equipment, handmade, net fishing, fisheries act, andrew ferrier, william flett, warrnambool breakwater, merri river, hopkins river, captain theobald, ellen, elizabeth -
Flagstaff Hill Maritime Museum and Village
Equipment - Net Floats
These net floats are handmade from lightweight cork wood and are used for suspending fishing nets in the water. Newspaper articles dated from 1848 to 1916 mention net fishing in Warrnambool's Hopkins and Merri rivers and Lady Bay. The Melbourne Argus dated January 11, 1848, published a quote from Captain Theobald of the vessels ELLEN and ELIZABETH, made on his first visit to Warrnambool "“…Fish are very plentiful here; on Christmas day a net was thrown into the Hopkins, and, after two or three draws, a boat load of beautiful fish was obtained…” The Argus, Melbourne, Sat. 29 May 1858, forwarded from The Examiner newspaper; "Extraordinary Fish. We have been presented with a very singular fish, caught by Mr. Meek in the Hopkins [Hopkins River, Warrnambool] last week. It is about three inches long, with a slate-coloured body, and a beautiful wing on each side. It was caught with other fish at night, in a net, and its eyes shone as bright as diamonds." A method for making cork net floats mentioned, in a 15th-century book, advised cutting the corks and then burning a hole through the centre of each one with a hot iron. The prepared corks were then joined together with a horsehair line. The cork's size and the line's thickness depended on the net's weight.The net floats are an example of fishing equipment used for many centuries and still in use today. In Warrnambool net fishing was a common practice from 1848 and became a livelihood for many fishermen.Cork net floats; lengths of 15 various sized cylindrical blocks of cork threaded onto string. warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, net floats, cork net floats, fishing, fisheries, fishing equipment, handmade, net fishing, fisheries act, andrew ferrier, william flett, warrnambool breakwater, merri river, hopkins river, captain theobald, ellen, elizabeth -
Flagstaff Hill Maritime Museum and Village
Equipment - Net Floats, 20th century
These net floats are handmade from lightweight cork wood and are used for suspending fishing nets in the water. Newspaper articles dated from 1848 to 1916 mention net fishing in Warrnambool's Hopkins and Merri rivers and Lady Bay. The Melbourne Argus dated January 11, 1848, published a quote from Captain Theobald of the vessels ELLEN and ELIZABETH, made on his first visit to Warrnambool "“…Fish are very plentiful here; on Christmas day a net was thrown into the Hopkins, and, after two or three draws, a boat load of beautiful fish was obtained…” The Argus, Melbourne, Sat. 29 May 1858, forwarded from The Examiner newspaper; "Extraordinary Fish. We have been presented with a very singular fish, caught by Mr. Meek in the Hopkins [Hopkins River, Warrnambool] last week. It is about three inches long, with a slate-coloured body, and a beautiful wing on each side. It was caught with other fish at night, in a net, and its eyes shone as bright as diamonds." A method for making cork net floats mentioned, in a 15th-century book, advised cutting the corks and then burning a hole through the centre of each one with a hot iron. The prepared corks were then joined together with a horsehair line. The cork's size and the line's thickness depended on the net's weight.The net floats are an example of fishing equipment used for many centuries and still in use today. In Warrnambool net fishing was a common practice from 1848 and became a livelihood for many fishermen.Cork net floats; a set of two cylindrical blocks of varying sizes threaded onto strings.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, net floats, cork net floats, fishing, fisheries, fishing equipment, handmade, net fishing, fisheries act, andrew ferrier, william flett, warrnambool breakwater, merri river, hopkins river, captain theobald, ellen, elizabeth -
Port Melbourne Historical & Preservation Society
Photograph - Alan Mathews and workmates, Commonweakth Aircraft Corporation, Fishermen's Bend, 8 May 1987
The Mathews family have been in continuous ownership of 395 Howe Parade (was 8 Howe Parade until 1964 when addresses re-assigned), Port Melbourne from 1938 to the present (Sept 2019)Six folders of assorted documents relating to the life of Alan Mathews and his family. Employment documents. Alan commenced work with CAC Commonwealth Aircraft Corporation on 27/4/1953. Group photo of workmates from the department..industry, workers, alan mathews, commonwealth aircraft corporation, cac -
Port Melbourne Historical & Preservation Society
Photograph - Alan Mathews, Car park card, Commonweakth Aircraft Corporation, Fishermen's Bend, 13 Apr 1973
The Mathews family have been in continuous ownership of 395 Howe Parade (was 8 Howe Parade until 1964 when addresses re-assigned), Port Melbourne from 1938 to the present (Sept 2019)Six folders of assorted documents relating to the life of Alan Mathews and his family. Employment documents. Alan commenced work with CAC Commonwealth Aircraft Corporation on 27/4/1953. Card: Commonwealth Aircraft Corp P/L Car park - airfield..industry, transport - aviation and aerodrome, alan mathews, commonwealth aircraft corporation, cac -
Port Melbourne Historical & Preservation Society
Photograph - Alan Mathews and workmates, Commonweakth Aircraft Corporation, Fishermen's Bend, 8 May 1987
The Mathews family have been in continuous ownership of 395 Howe Parade (was 8 Howe Parade until 1964 when addresses re-assigned), Port Melbourne from 1938 to the present (Sept 2019)Six folders of assorted documents relating to the life of Alan Mathews and his family. Employment documents. Alan commenced work with CAC Commonwealth Aircraft Corporation on 27/4/1953. Group photo of workmates from the department at the farewell.industry, workers, alan mathews, commonwealth aircraft corporation, cac -
Port Melbourne Historical & Preservation Society
Photograph - Progress' mural, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southwest corner of hall and 'Progress' muralindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - GMH Social Centre, Fishermen's Bend, David Thompson, 1997
David THOMPSON photographed the cafeteria in 1997 by arrangement with member Wendy MORRIS archivist for GMH.From a series of black and white photos of GMH Cafeteria ('Social Centre') by David Thompson:(Entrance foyer labelled 'Social Centre' is a late addition.) Facade from across Salmon Streetindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - GMH Social Centre, Fishermen's Bend, David Thompson, 1997
David Thompson photographed the cafeteria in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Cafeteria ('Social Centre') by David Thompson:(Entrance foyer labelled 'Social Centre' is a late addition.) Facade from entrance walkwayindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - GMH Social Centre, Fishermen's Bend, David Thompson, 1997
David Thompson photographed the cafeteria in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Cafeteria ('Social Centre') by David Thompson:(Entrance foyer labelled 'Social Centre' is a late addition.) Upper facade from entrance walkwayindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Interior, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
David Thompson photographed the cafeteria in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Cafeteria ('Social Centre') by David Thompson:(Entrance foyer labelled 'Social Centre' is a late addition.) Hall view to south, chairs stacked (1)industry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Interior, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
David Thompson photographed the cafeteria in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Cafeteria ('Social Centre') by David Thompson:(Entrance foyer labelled 'Social Centre' is a late addition.) Hall view to south, chairs stacked (2)industry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Interior, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
David Thompson photographed the cafeteria in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Cafeteria by David Thompson: Hall view to south, chairs stacked (3)industry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Murals, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: South end of hall showing both muralsindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Pioneer' mural, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southeast corner of hall and 'Pioneer' muralindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Pioneer' mural (close up), GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southeast corner of hall and 'Pioneer' mural, close upindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Progress' mural (close up), GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southwest corner of hall and 'Progress' mural, close up, angledindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Progress' mural (close up), GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southwest corner of hall and 'Progress' mural, close upindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Stairway and servery, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southeast corner - stairway and serveryindustry - manufacturing, built environment, david thompson, general motors-holden, gmh