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Coal Creek Community Park & Museum
Tin, sweets
The picture on lid of tin is 'Geoff' (1931) by W. B. McINNES. Medium : oil on canvas Measurements: 116.8 x 86.2 cm Accession Number : 4574-3 National Gallery of Victoria, Melbourne. Felton Bequest, 1931. Rectangular metal tin with fitted lid, depicting a boy with fishing rod seated on trunk and surrounded by fishing gear on the lid, gold, silver and black pattern around edge.Geoff by W B McInnes after original in National Gallery Melbourne, Victoria. -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Historical Society, Galleries (Kew), 2009
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Various newspaper articles/clippings about exhibitions at Cotham Gallery, East West Art Gallery, Leo Baeck Arts Centre, Bird’s Gallery, QArtStudio, Galerie Tara, all of which were/are galleries in Kew.kew historical society - archives, galleries - kew (vic), arts - kew (vic)kew historical society - archives, galleries - kew (vic), arts - kew (vic) -
Robin Boyd Foundation
Painting, Tony Woods, Man on Sofa, 1967
The painting was purchased at an exhibition at Australian Galleries. This Melbourne institution was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. After hanging this artwork in the living room, Robin Boyd arranged to have the three-seater sofa in this room reupholstered in red (previously yellow) to match the Wood's painting. Tony Woods won a Harkness Scholarship in 1968 and travelled to the USA - he abandoned figuration after leaving Australia. Another figurative painting by Tony Woods, titled "In the Studio Psychologically Challenged", also hangs in Walsh Street.Man with closed eyes, with various arm positions, on a red sofa.The reverse is inscribed with Australian Galleries and the title and Woods '67.tony woods, australian galleries, purves, robin boyd, walsh st artwork, ohm2022, ohm2022_19 -
Robin Boyd Foundation
Book, Robyn Brady Pty Ltd, Twentieth Century Australian Art
Gallery Cataloguewalsh st library -
Federation University Art Collection
Sculpture, Rodney Scherer, 'Cornucopia' by Rodney Scherer, 2015
Rodney SCHERER (24/02/1951 - ) BOrn Campbelltown, NSW Rodney Scherer studied at the National Art School, East Sydney Technical College (1968 -1972); the Canberra School of Art (1973-75) Dip, Art Gippsland Institute of Advanced Education (1978); and a Grad, Dip, Art (Painting) at Gippsland Institute of Advanced Educaton (1985). He curated a number of significant exhibitions for the Gippsland region of Victoria, including the first national travelling exhibition of regional artist "Contemporary Gippsland Artists 1990-92". Rodney Scherer is a painter, printmaker, sculptor, Curator, retired Public Gallery Director, and fine art consultant. He was the founding chair of the Art Resource Colelction, arcYinnar. He was an Artist in Residence at teh Gippsland TRades and Labour Council, Yallourn Power Startion in 1991, and site manager of the Fifth Sculpture Triennial at the 1992 Melbourne International Arts Festival. In 2021 he curated "The Happy Wanderer. Victoria Cobb 1876-1945" at the Gippsland Art Gallery, Sale, Victoria.This work was purchased by the donor from Rodney Scherer's solo exhibition 'Ubiquitous Orange' at SParc Gallery, Yinnar.rodney scherer, alumni, sculpture -
Bendigo Historical Society Inc.
Document - PUBLISHED ARTICLES: THE PAINTER GEORGE ROWE
Published articles about the painter George Rowe: a. article from un-named magazine - ''A nineteenth century romance - George Rowe and his wife Philippa Curtis’’ (2 pages); b. second part of article, continued from a. (3 pages); c. single page titled ''George Rowe's Town'' re exhibition devoted to George Rowe's life in Cheltenham, England (no date). (Transferred to Box 652 June 8 2021) g. Laminated Print of George Rowe's watercolour painting of Pall Mall Sandhurst 1857. Original held by Bendigo Art Gallery.George Rowe, Pall Mall, Sandhurst, 1857. Water Colour. Bendigo Art Gallery.ephemera, mementoes, general interest, george rowe. cheltenham -
Surrey Hills Historical Society Collection
Book, The marketing mix: promoting museums, galleries and exhibitions, 1995
This publication introduces marketing to museums and gallery staff and volunteers who would like to know more about it and assistance in ensuring that marketing is used to its full advantage.This publication introduces marketing to museums and gallery staff and volunteers who would like to know more about it and assistance in ensuring that marketing is used to its full advantage.museums - australia, exhibitions, marketing, (dr.) (ms) sharron dickman -
Port Melbourne Historical & Preservation Society
Flyer - Gretz Gallery Summer Arts Festival, A Community Invitation, c. 1990
Gretz was located at Ingles/Bay/Garton Streets and run by the Stuart family (Helen, Gerry, Claire, Kristin?) in the late 1980s, later moving to Victoria Avenue, Albert Park, with the girls using the vacated St Josephs Primary as studios through the 1990s.Pale green, A6 invitation to a Gretz Gallery Summer Arts Festival, 1 December c1990 - letterboxed to Port residentsarts and entertainment - visual arts, celebrations fetes and exhibitions, gretz gallery -
City of Ballarat
Artwork, other - Public Artwork, Diana Nikkelson, Goanna Ground by Diana Nikkelson, 2006
This is an Aboriginal artwork that depicts a Goanna Totem. Designed by Ballarat-based, Gunditjmara artist Aunty Diana Nikkelson, the design is inspired by the artist’s totem and is a tribute to the first artists of the region, the Wadawurrung people. It acknowledges Aboriginal survival and the dynamic regeneration of the Aboriginal art and culture in the region. The artwork is in-set to the basalt paving along Police Lane by a series of etched footsteps, which evolve from human footprints to goanna prints as viewers approach the rear of the Art Gallery of Ballarat. The artwork was originally located only outdoors and half of it was brought into the Art Gallery of Ballarat in 2011, when the former Federation Plaza was enclosed to form the Art Gallery of Ballarat's McCain Annexe. The artwork was created in 2006 as part of the cultural festival of the Commonwealth Games. The artwork is of cultural and aesthetic significance to the people of BallaratSand blasted petroglyph forms into bluestone on laneway surface. The carved inlay of the Goanna Totem design into the bluestone of Police Lane (beside Art Gallery of Ballarat) continues inside the building.goanna totem ballarat, goanna totem, diana nikkelson, aboriginal, dreaming, nikkelson, gunditjmara -
Bendigo Historical Society Inc.
Book - POST OFFICE GALLERY - ART FOR THE PEOPLE - BENDIGO ART GALLERY 1887-2013, 2013
28 page soft cover booklet for the Post Office Gallery exhibition Aug 2013 to Jan 2014. 'Art for the people: Bendigo Art Gallery 1887-2013'. A brief history of the Bendigo Art Gallery with colour and B&W photos. Published 2013 by the Bendigo Art Gallery.Simone Bloomfield -
Bendigo Historical Society Inc.
VICTORIAN VICTORIA
A booklet titled ' Victorian Victoria.' Relating to an exhibition showing the early development of public art collections in regional Victoria. The works are from the collections of the Ballarat Fine Art Gallery, Bendigo Art Gallery, Warrnambool Art Gallery and Geelong Art Gallery. Organized by the Bendigo Art Gallery as part of Victoria's 150th. Anniversary Celebration, Catalogue compiled by Doug Hall with research assistance by Sharyn Black.artwork, exhibition, catalogue, exhibition, bendigo art gallery, australian art, victorian art, ballarat art gallery, warnambool art gallery, geelong art gallery, public art, artwork, art, victoria, art galleries -
Flagstaff Hill Maritime Museum and Village
Painting - Vessel - Steamship, Mike McCrea (artist), ca 1985
This is one of a pair of paintings by artist Mike McCrea, created when he was in Warrnambool in 1985. The painting was framed and sold by Patana Galleries, Paton Place, Manly Vale, NSW. It was later purchased by athe company of Master Mariners of Australia and who donated the pair to Flagstaff Hill. The pair of paintings are significant for their association with steamships and the Master Mariners of Australia group. The paintings represent a time in local history when many steamships were sailing the coast and transporting passengers and goods.Painting; timber framed oil painting with the image of a cargo steamship off the coast of Warrnambool. Artist is Mike McCrea. Framed by Patana Galleries, Manly Vale, NSW. Hand written, "Red. No. 390 A" Sticker "61"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, mic mccrea, patana galleries, master mariners of australia, steamship -
Friends of Westgarthtown
Lamp, paraffin
Clear glass fuel reservoir with radial ribbed design and handle. Glass chimney."Victor" embossed on gallery.lighting, domestic, glass, lamp, lighting. -
Bendigo Historical Society Inc.
Book - COMMON WITNESS EXHIBITION, COMMEMORATING THE CENTENARY OF THE DEATH OF REV. DEAN BACKHAUS
COMMON WITNESS EXHIBITION, COMMEMORATING THE CENTENARY OF THE DEATH OF REV. DEAN BACKHAUS 4 pages with illustrations. Exhibition items are catalogued in the booklet. September 6 - October 3 1982Bendigo Art Galleryevent, exhibition, bendigo art gallery backhaus ex., bendigo, backhaus, bendigo art gallery, exhibitions -
Bendigo Historical Society Inc.
Document - Lydia Chancellor (Pethard)
Lydia Chancellor (1889-Dec 1979) Her parents were George Pethard and Miriam Peatling. George founded Tarax soft drinks in Numurkah in 1898 before moving to Bendigo in 1902 and establishing a brewing factory there. He also built the home "Taraxville" in Panton St. The factory ceased operation in Bendigo during WW1. After the war, the firm was re-established by George jnr, brewing in Melbourne. Lydia married Norman George Chancellor in 1924 but he died 2 yrs later. Lydia returned to Bendigo to care for her mother and began an extensive collection of Toby jugs. She donated 100 jugs to the Bendigo Art Gallery in 1973. She broadcast weekly on 3BO under the name "Chance" and in this capacity, she delivered tennis results and notesA paper detailing the life of Lydia Pethard, Tarax Cola and her contributions to the Bendigo Art Gallery and Tennis/tarax, bendigo art gallery, lydia chancellor -
Port Melbourne Historical & Preservation Society
Manual, Terri Janke et al, First Peoples: A Roadmap for Enhancing Indigenous Engagement in Museums and Galleries, 2018
"First Peoples: A Roadmap for Enhancing Indigenous Engagement in Museums and Galleries" Guide prepared by Terri Janke on behalf of AMAGA (Australian Museums and galleries Association), to advise on how best to advance Indigenous engagement and employment in the museums and galleries sector.celebrations fetes and exhibitions, indigenous australians, museums, terri janke, sarah grant, first peoples, australian museums and galleries association (amaga) -
National Wool Museum
Shearing Handpiece
Used by 'fake' shearer in Gallery 1.Golden Lister -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Oh! That this too solid flesh would melt, James Gillray
British 1757 - 1815Hand coloured etching [for the Shakespeare Gallery]Titled and inscribed -
Bendigo Historical Society Inc.
Photograph - SAILOR'S GULLY HOTEL, 1970s
A Façade of Sailor's Gully Hotel, converted to Sailor's Gully Galleries B Interior of Sailor's Gully Galleries ( formerly Sailor's Gully Hotel) -
Warrnambool and District Historical Society Inc.
Work on paper - Invitation, From the Sacred to the Profane, 2014
This is the program of the 2014-5 exhibition at the Warrnambool Art Gallery, ‘From the Sacred to the Profane – The Challenges and Possibilities of Renaissance Art’. This exhibition was a joint project between the National Gallery of Victoria and the Warrnambool Art Gallery and was officially opened in December 2014 by the Director of the National Gallery of Victoria, Tony Ellwood. This program is of interest as a souvenir of an exhibition in Warrnambool that was an important one as it featured historical and valuable works of art from the National Gallery of Victoria. This is a sheet of paper folded to make six sides. One side has a plasticized surface. The pages have a black background with white and red printing on five sides and a colour photograph of a painting on the front page. The back page has the logos of the Warrnambool Art Gallery Foundation, the Victorian State Government, Arts Victoria, Warrnambool City Council and Deakin Worldly.national gallery of victoria, warrnambool art gallery, art in victoria, renaissance art, warrnambool history -
Clunes Museum
Photograph, DIAMOND DRILL NO. 7 L
MINING IN CLUNESWOODEN FRAMED PHOTOGRAPH UNDER GLASS MOUNTED ON MATT BOARD. DIAMOND DRILL NO. 7L. DRILLED 17 HOLES AT CLUNES BETWEEN OCTOBER 1885 AND APRIL 1887. PRINTED EXPLANATION AT BOTTOMRINGWOOD FRAMING GALLERY STICKERmining, equipment, 18990, diamond drill no 7l -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/07/2002 12:00:00 AM
Also another colour photograph taken of glass art by Tricia Allen of Hot House Studio three clear glass figurines Nudettes on exhibition at Gary McEwan Gallery St Kilda July 2002 number 04074.1 size 10 x 15 cmColour photograph of a pair of glass vases blown by Tricia Allen of Hot House Glass Studio exhibition at Garry McEwan Gallery St Kilda titled Daria's Sisters St Kilda Victoriaarts, people -
Federation University Historical Collection
Letter - Correspondence, Neville Bunning: Ballarat Art Society Proposal, 1946
Neville Bunning was a staffmember at the Ballarat Technical Art School.Two page hand written letter relating to setting up a Ballarat Art Society. From Neville Bunning to the Ballarat Art Gallery.604 Dana Street Ballarat 20th Aug 46 The Secretary Ballarat Art Gallery Dear Sir, I submit the attached proposition for the formation of the Ballarat Art Society. I am convinced that it is needed as an outlet of expression for teh Art School and for the development of sculpture and Painting in Ballarat. I have taken the liberty of suggesting that your committee shld form the society because I imaginbe that a society formed withou your support would be unlikely to succeed. If it failed it would mean a set-back for many years. U trust that you will be interested in the proposition Yours faithfully Neville M. Bunning. neville bunning, ballarat art society, ballarat art gallery, art gallery of ballarat, ballarat fine art gallery -
Ballarat Heritage Services
Photograph, Art Gallarat of Ballarat, 2018, 08/08/2018
Three photographs of the facade of the Art Gallery of Ballarat.art gallery of ballarat, lydiard street ballarat, ballarat fine art gallery -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, Makers and Shapers Exhibition Warrnambool - text panel example, April 2012
Colour photograph of textpanels in the Warrnambool Art Gallery. warrnambool art gallery, exhibition, makers and shapers, innovation, invention, cultural heritage, heritage festival, text panel -
Bendigo Historical Society Inc.
Slide - BENDIGO & EASTER FAIR, 1963
Bendigo Art Gallery, View Street, Bendigo.slide, bendigo, art gallery -
Bendigo Historical Society Inc.
Book - TOWER HILL AND OTHER VOLCANOES
A book titled ' Tower Hill and Other Volcanoes a survey ' by Shay Docking. Warrnambool Art Gallery February - March 1987. Bendigo Art Gallery April 1987. Swan Hill Regional Art Gallery May - June 1987. Supported by the Telecom Exhibition Development Fund. Photography by Gil Docking and Greg Weight. Publislhed by the Warrnambool Art Gallery, February, 1987.artwork, tower hill, book, books, artist, tower hill, volcanoes, shay docking, female, person, individual, warrnambool art gallery, artwork, sciences, photography, place, david hansen, gil docking, survey, exhibition -
Whitehorse Historical Society Inc.
Letter - Correspondence, Louise Taylor, 1998 - 2000
Correspondence between Dora Wood and Shepparton Art Gallery regarding donation of pottery pieces by Louise Taylor to the gallery. D. Wood is L. Taylor's daughter.Correspondence between Dora Wood and Shepparton Art Gallery regarding donation of pottery pieces by Louise Taylor to the gallery. D. Wood is L. Taylor's daughter.Correspondence between Dora Wood and Shepparton Art Gallery regarding donation of pottery pieces by Louise Taylor to the gallery. D. Wood is L. Taylor's daughter.taylor, louise, wood, dora, shepparton art gallery, pottery -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: 'OUR ART: WELL HOUSED IN BENDIGO.'
A Bendigo Advertiser supplement titled 'Our Art: well housed in Bendigo.' The Education Officer of the Bendigo Art Gallery, Geoff Paynter, gives an insight into some of the acquisitions purchased by, or donated to, the gallery. There is also an article imbedded within this article on 'Woman of the franchise era.' 14/5/1969.bendigo, buildings, bendigo art gallery, lydia chancellor collection, collection, bendigo, bendigo art gallery, gallery, art, art work, recreation, landscapes, australian landscape, history, r.h.s. abbott prize , john rowell, 'mountain road, ' 'gums, ' sir hans heyton, alfred sisley, 'canal scene, ' dr. and mrs. j. a. neptune scott, impressionism, 'the derelict, ' sali herman, bendigo art prize, emmeline pankhurst, victorian women's franchise league, print, photograph, porcelain, porcelain study design no. 599, w. j. strauchair, 'bondi 1961, ' william dobell, william beebe, arthur boyd, 'pinchin's farm, ' 'the clearing, ' louis buvelot, george bell, 'farm buildings, ' franz kempf, 'burnt orange fern at the wind's return, ' 'old bendigo art gallery, ' kenneth jack, 'the digger and his log, ' sir arthur streeton -
Federation University Historical Collection
Coloured photograph, Former Ballarat Library, c2004
Coloured photograph of the section on the corner of Camp and Sturt Streets Ballarat showing the extension to the Ballarat Fine Art Gallery. These are the former Library (white building) and shops. In the background on the right can be seen the back of the former Mining Exchange.Coloured photograph of the section on the corner of Camp and Sturt Streets Ballarat showing the extension to the Ballarat Fine Art Gallery. These are the former Library (white building) and shops. In the background on the right can be seen the back of the former Mining Exchange.camp street, sturt street, library, mining exchange