Point to Sky is one of Akio Makigawa’s final works, the commission was completed posthumously. It is the only public artwork by the celebrated Australian-Japanese sculptor of this scale located in regional Victoria. You will see two stainless steel forms, a smaller more rectangle form and the towering geometric form, with seed pod shapes at the peak. These forms represent the house, the artist is expressing that home is a shelter and also a place for gathering. The house form grows into a tower to symbolise the achievements of mankind and the action taken to protect the rights of the community during the Eureka Stockade. The top seed pod is gold, referencing Ballarat as the centre of the gold rush in Victoria, as well as representing the sun as the source of life. The paving of the forecourt was designed in bluestone, typical of the work of Makigawa. Stainless steel panelling and shaping on armature. Set into raised platform of bluestone pavers.Point to Sky, 1999 / Akio Makigawa (1948-1999)/ stainless steel/ Born in Japan, Akio Makigawa arrived in Australia in 1974. He worked as a sail maker in Perth before studying sculpture at the Claremont School of Art and WAIT (now known as Curtin University). He moved to Melbourne in 1981 to do post graduate studies in sculpture at the Victorian College of the Arts and set up his studio. From 1984 he was involved in many public commissions in Victoria and interstate and Japan. / Commissioned by the Victorian Government and the City of Ballarat in 1999. point to sky, akio makigawa, modern, australian sculpture

A Short History of the Harvey and Clark Familes in Australia.1: Yellow card with Black Plastic Binding. Black Design with Text Inside. 2: Orange Paper with black design Text inside.The Ranks of The old Pioneers by Harvey A.L. Clark A Family History Inside: Donated to the Stawell Historical Society by Harvey A L Clarkstawell, harvey

This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.Marine art, Maritime artThis oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin, reproduction

Soft cover red and yellow book titled Celebrating Mooroolbark - Mooroolbark Community Centre and Festivals compiled by the Mooroolbark History Group IncForeword by Shire of Lillydale West Riding Councillors, 1979-1980 - Kevin Lonergan, Alan Smith, Allister Lee Archer, Robyn Barker, and Yarra Ranges Councillors for Mooroolbark, 2012 - Terry Avery, Len Cox, Richard Higgins.

William Buckley was born in 1780 at Macclesfield, Cheshire, England. After time as a bricklayer and soldier he was caught with stolen property, sentenced on 2 August 1802, and transported to Australia. Between October, 1803, and January, 1804, he escaped from Sullivan's Bay in the Port Phillip district and spent the next 32 years in the company of aborigines wandering between Port Phillip and the near western district as far as Lake Corangamite. In about 1835 he was discovered by three white men, members of John Batman's Port Phillip Association investigating the area with a view to future settlement.Wild white man. Kevin Hayden. Marine History Publications; Geelong (Vic); nd. 28 p.; illus.; map. Soft cover.william buckley; aborigines; otway ranges;

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph looking down the Stony Point Jetty with the S.S."Killara" being unloaded by Derrick.local history, photography, photographs, maritime technology, cargo handling, stony point jetty with s, "killara" background, shipping, steam ships, ss killara, stony point, phillip island produce, john jenner, bryant west

References to "Kangaroo Point" taken from The Diamond Valley Story by Dianne H. Edwards, pages 31-32, 97, 109. 4 photocopied pages. kangaroo point

A brief history of the Lidgerwood family, including their businesses and civic roles in Box Hill.non-fictionA brief history of the Lidgerwood family and pioneer businesses in Box Hill.lidgerwood family, box hill shops, early 20th century

The History of the Victorian Athletic League, as told through it's A.G.M. minutes.Clear plastic front cover over white paper with black print. Plastic binding, and black card rear cover..100 Years of Victorian Athletic League History 1895 - 1995. Donated to Stawell Historical Society by Stewart Bradley November 2003stawell sport, v.a.l.

Work produced during Paul Lambeth's photography class The photograph shows the back beach at Point Lonsdale, below the Point Lonsdale Lighthouse. This area was where many sailing ship coming to Melbourne were wrecked. This was due to the narrow passage through The Rip and the tides at certain times. A Pilot Station was established and ship captains could signal for a Pilot to steer them through The Rip and into Port Philip Bay. Black and white photograph adhered to a beige coloured mount card showing a girl down a hole in the sand with her dalmation dog sitting in a rock pool.paul lambeth, point lonsdale, back beach, sailing ships, ship wrecks, the rip, port philip bay, pilot station, girl, dalmation dog

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Cumberland Creek, near Point Sturt’ : Views of Victoria (General Series) No.59 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Cumberland Creek is so named from the close resemblance it bears to the place bearing that name in the mother country. The present illustration represents the precipices and hills which surround the Cumberland Creek. The soil around the hills is mostly sandstone rubble, hence the only vegetation identical with the spot is the inevitable sword grass and salt scrub, which frequently exist where no other vegetation can be found.’nicholas caire (1837-1918), landscape photography

Details the history of Diamond Creek Medical Centre and the Cordner family's work in the area, including Greensborough and Diamond Creek.The Cordner family were well known in the Greensborough area.2 x A4 pages printed from RACGP website - general practice histories.cordner family, diamond creek medical centre, doctors, greensborough

Covers some pioneer women in the Wimmera District of Victoria, featuring "Glywylln' Stationm F=Green's Creek & Kirkella. Written by MRs Gilbert as a history option for HSC. Pink Card cover under clear plastic Woman in Australian History with particular reference to Gkywyllan near Stawell, Victoria in the 1850s and 1860s By Mrs E.M. Gilbertstawell

This history was complied for the Stawell Football & Netball Club 1874-2011Black Card Cover with black initials in red circle, above grey print, above white print above logo, below which is The Authors Name.Grey Print: A History of White print: The Stawell Football club Print in Logo: Stawell Football & Netball Club Warriors By H.J. Melbourne stawell sport

A proforma letter from the Advisory, Tradition and History Committee asking Legatees for their opinion whether to update the Club's history. The first history of Melbourne Legacy was published in 1932. It summarised each year from 1923 to 1931. An update was not published in the same format.A record of Legacy requesting the opinions of members before spending money on updating the history publication.Letter dated 15 March 1960 on Melbourne Legacy letterhead requesting input of Legatees on the topic of producing an updated history of Melbourne Legacy.history

The history of the Stawell HospitalMulti colour card cover with drawing of a brick building with three people in front.History of the Stawell Hospital 1858 - 2009 Pleasant Creek Hospital Gary S. Withers Stawell Historical Society To Stawell Historical Society G Withersstawell medicine

A Brief history of Fyans Creek School No 1789Paper cover with B/W/ photo of building with two children standing in front of it. Grey Tape over spineDays Gone by a Brief history and memories of State School No 1789 Inside: Days Gone By. Dedicated to Past Teachers and Pupils of State School No 1789.stawell education

Depicts lying up point at last light of a five man SAS patrol. All members are lying in a circle with heads inner most at touching distance from each other to warn of snoring or enemy. Backpacks are handy, belts are used as pillows.diorama, lup