This is one in a series of letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild during the 1920s. She seems to have struck up a number of friendships with seafarers who used the facility. The Ladies' Harbour Lights Guild was responsible for much of the fundraising that constructed and maintained the organisation from its inception in 1902. They were also responsible for arranging dances and other social activities designed to make seafarers welcome in a strange environment.The purpose of the Mission to Seafarers is, as it always was, to provide comfort and welfare services to visiting seafarers. This letter, and the series of which it is a part, underscores the importance of making relationships abroad for those who earned their living on the seas.Handwritten letter in four parts consisting of an envelope with three pages of handwritten text in black ink using only the face of each page.Postmark in top right hand corner of envelope is indecipherable. Postmark in bottom left hand corner of envelope: PORT SAID/indecipherable/12JA.28.8-9A/indecipherablemelbourne, ted, letters, somerset, lillie duncan, lillian duncan, ladies harbour lights guild, lhlg, port said, mission to seafarers, stamp, africa, seamen's mission, ss mandasor

This is one in a series of letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild during the 1920s. She seems to have struck up a number of friendships with seafarers who used the facility. The Ladies' Harbour Lights Guild was responsible for much of the fundraising that constructed and maintained the organisation from its inception in 1902. They were also responsible for arranging dances and other social activities designed to make seafarers welcome in a strange environment.The purpose of the Mission to Seafarers is, as it always was, to provide comfort and welfare services to visiting seafarers. This letter, and the series of which it is a part, underscores the importance of making relationships abroad for those who earned their living on the seasHandwritten letter in four part consisting of a white envelope with three blue pages of handwritten text in black ink, using only the face of the page.Two postmarks on bottom left hand corner. The first is indecipherable and the second reads: ORAN PREFECTURE/indecipherable/17 40/2 -11/indecipherableted, letters, handwriting, mission-to-seafarers, ladies-harbour-lights-guild, algeria, oran-prefecture, oran, ss mandasor, lhlg, lillie duncan

This is one in a series of letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild during the 1920s. She seems to have struck up a number of friendships with seafarers who used the facility. The Ladies' Harbour Lights Guild was responsible for much of the fundraising that constructed and maintained the organisation from its inception in 1902. They were also responsible for arranging dances and other social activities designed to make seafarers welcome in a strange environment.The purpose of the Mission to Seafarers is, as it always was, to provide comfort and welfare services to visiting seafarers. This letter, and the series of which it is a part, underscores the importance of making relationships abroad for those who earned their living on the seasHand written letter in five parts consisting of a white envelope with four white pages of handwritten text in black ink using only the face of the page. There are two post marks, one at the top and central on the face of the envelope, the other at the top right. The first reads: 31 AU 28 3.50/ PORT SAID/A". The second post mark reads: "31 AU28 0.50/ PORT SAID/A""melbourne, ted, letters, 1928, stamps, envelope, missions-to-seamen, mission-to-seafarers-melbourne, ladies-harbour-lights-guild, 11-paxton-street-east-malvern-melbourne-australia, lhlg, lillie duncan, port said, ss mandasor

This is one in a series of letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild during the 1920s. She seems to have struck up a number of friendships with seafarers who used the facility. The Ladies' Harbour Lights Guild was responsible for much of the fundraising that constructed and maintained the organisation from its inception in 1902. They were also responsible for arranging dances and other social activities designed to make seafarers welcome in a strange environment.The purpose of the Mission to Seafarers is, as it always was, to provide comfort and welfare services to visiting seafarers. This letter, and the series of which it is a part, underscores the importance of making relationships abroad for those who earned their living on the seasHandwritten letter in three parts consisting of a white envelope with two white pages of handwritten text in black ink, using only the face of the page. \there is a blue coloured postage stamp in the top right cornerTwo circular postmarks at the top of the envelope, one to the left and the other to the right. The first is reads: ALICANTE/4 MAR 29/indecipherable, and the second postmark is identical. Stamp horizontally through the circular postmark, is a third which reads: ESPANA/SOLO EXPORTA/ACEITE PURO/DE OLIVA. On the reverse side of the envelope is printed with: ANCHOR-BROCKLEBANK LINE/OF CALCUTTA STEAMERSted, lillie duncan, lhlg, alicante, ss mandasor

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a section of a window of a white rendered brick house. The double hung window, with lead lights glass in the top pane, has a decorative bracket above it and unpainted feature variegated brown bricks below. "7' is on the edge of the frame. 7murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, sash windows, lead lights, rendered houses, brick features

Vinyl Black and White Mural of Vietnam Timeline. superimposed on two photos. On the left - an infantry patrol, and of the right - a series of APC's transporting infantry. Led strip lights and woodgrain trim with a black plastic cut out of a Huey attached to the top.Vietnam Timeline. the Spiritual Home Of Vietnam Veterans, this display was kindly donated by Phillip Island RSLtimeline

Presented to Latrobe Valley & District Ambulance Service By Frank Dean Morwell Panel Works 26 August 1966. At one time, this model was located on the board room desk of the Latrobe Valley District Ambulance Service (refer to photograph inside AHSV1343)Pressed tin station wagon model on timber base with Ambulance Service Victoria logo mounted on poles behind car. Car has flashing lights, electrical mechanism inside car and on/off switch on right hand back doorPresented to Latrobe Valley & District Ambulance Service By Frank Dean Morwell Panel Works 26-8-66 latrobe valley ambulance service

Yields information about the tram decorated for the Ballarat Begonia Festival featuring a paddle wheel for the 1969 festival.Digital image of No. 21 decorated for the 1969 Begonia Festival, using the Festival Showboat theme, at the City terminus with the Post Office in the background. The tram has the destination of View Point. The ANZ bank is on the corner. Note the colour lights at the tram stop.trams, tramways, sturt st, city, begonia festival, decorated trams, tram 21

Photograph of the intersection of Ryrie and Moorabool Streets Geelong looking south along Moorabool St, showing the bar type traffic lights and two bogie trams in Ryrie St, one with safety or hazard stripes. Has the Bank of NSW in the view. trams, tramways, geelong, ryrie st, moorabool st, traffic lights

Night photograph of single truckers 26 (front) and 28 parked in City Loop, with lights on. Taken early 1970's. Two cars parked kerb, Holden and a Morris Minor, with parking meters. In rear is the buildings of Edments Hartleys, and Patersons.trams, tramways, ballarat, sturt st., city loop , tram 26, 28

Hall built July 1926, funded mainly by public donation, lighting was originally by kerosene lamps, later 'gloria lights', then a generator, until electricity connected in 1964.Colour photograph of the entry to the Nowa Nowa Community Hall, shows a timber dwelling with gable roof, weather shield over main door. Nowa Nowa Victoria.halls

The Panther lamp was made by Powell and Hanmer of Birmingham. (see Item 7354) This model appears to be dated from the 1920's. Early models of the automobile, motorbike and bicycles used carbide lamps as headlamps. Acetylene gas, derived from carbide, enabled early automobiles to drive safely at night. Thick concave mirrors combined with magnifying lenses projected the acetylene flame light. These type of lights were used until reliable batteries and dynamos became available, and manufacturers switched to electric lights.Carbide Vehicle Lamp.-Silvered Metal, Lens Assembly . Small Green lens on both sides of the assembly, with a clear lens in front. 'Panther B'Ham' is stamped on the lower part of the assembly. In addition a Logo is Stamped with 'P H' and 'Ltd' under those letters. Carbide Gas section missing.Panther B'Ham

Selection from a collection of photographs given to John Jansson from the Estate of Bill Barrett - Fisheries & Wildlife on Phillip Island441-01: 2nd year growth of Fathom Hen Seeds underwater dormant for 12 years. 441-02: Photo of Bill checking nesting boxes in Rhyll Swamp 441-03: Black & White photo of Bill & helper 441-04: Bee Hive at Rhyll Swamp 441-05: Royal Spoon Bill with 12 eggs 441-06: Ibis Hatchlings 441-07:Chestnut Teal Duck eggs at Rhyll Swamp 441-08: Photo of a painting of a Mallard Duck with 6 ducklings. Descriptions written on back of photographsrhyll swamp phillip island, mallard duck, royal swamp hen, royal spoon bill, bill barrett, chestnut teal duck eggs, beehive at rhyll swamp, fathom hen plants at rhyll swamp, nesting boxes rhyll swamp, john jansson

Tree was a landmark during past Christmas and New Year festivities when it was decorated with coloured lights.|Also six other photographs showing various stages of removal of tree.Colour photograph showing the removal of the large Norfolk Island pine tree in the corner of the garden at 12 Roadknight Street, Lakes Entrance, Victoria. township, memorials

A battery operated illuminating candle which lights up a small red flame when the red button is depressed. This candle was most likely sold at the Carols by Candlelight concert.1 plastic candle with lightcarols by candlelight, royal victorian institute for the blind, fundraising

Used on some FCV passenger vehicles during the fire season. Could be activated from inside the vehicle as needed Fire tankers had lights and sirens permanently attachedNot common usage on passenger vehiclesRed flashing light and two sirens mounted on car roof rack. Includes FCV sign, radio aerial and public announcement (PA) system Could be operated from inside vehicleForests Commission Victoriabushfire, forests commission victoria (fcv)

Black and white postcard, showing Baths in Upper Reserve, Bendigo. Image shows three separate pools, divided with timber walkways. In background, bathing sheds, lights suspended over pools. On back of card ' Valentine's Post Card , genuine photograph'Valentine's Post Cardbendigo, hospital, bendigo, baths, upper reserve, pool, sport, swimming

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 postcards. See 1400 Coloured image entitled 'Storm off Brighton'. Dark moonlit night with rough seas. Just visible is a pier on the right. Lights of a house in background. Hull of a ship in centre? Addressee - Miss H.Y. Shatford, Watson's Creek, via Kangaroo Grounds, Melbourne Sender J Y D Dated Jan 31, 1906 postcard, collector, alice mcgregor

Account to Court King of the Forest from the Long Gully Mechanic's Institute dated June 14 for candles supplied 9/-, Special Audit Lights 11/- and Sep 20 1876 Rent £2. Total £3. Paid 21/9/76societies, correspondence, ancient order of foresters no. 3770 collection - account/receipt, court king of the forest, long gully mechanic's institute

A black and white photograph of Grimshaw Street rail crossing, Greensborough mid 1950s; and the removed crossing lights from the 1960s. The train line was lowered in the 1970s to remove the level crossing.Digital copy of one black and white photograph, and one colour photographgrimshaw street greensborough, watsonia station, rail crossing greensborough

Linda Reid Kerferd (born 1875) was a long time member of the Harbour Lights Guild. She died 23 July 1957. Daughter of George B. Kerferd and Ann Martindale.Arched windows depicting a nativityst peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, linda reid kerferd, hlg, harbour lights guild, nativity

Colour photograph of Ballarat No. 18, painted in Gold for the Centenary of the discovery of Gold in Sebastopol in 1864 at the Lydiard St. North terminus during 1964. Tram has destination of 'Sebastopol', head lights and marker lights turned ready for departure from the terminus. Sides painted in Gold, with white around windows and roof, and lettering in red paint. TMSV photograph. On Agfa paper. Copy made Oct. 2001 for the "gold, Gold GOLD" temporary exhibition - colour laser print onto card, with Velcro dots on rear. Stored in box D1 (Display Box) 02/2003. See Destination EaglehawkStamp on rear, purple ink ' Copyright by the Tramway Museum Society of Victoria Ltd"gold, sebastopol, lydiard st. north, centenary tram, tram 18

Joyce Coffey (nee Hiddlestone) was the first woman to receive recognition as a designer in a major Australian manufacturing business, Kempthorne Lighting, where she was the chief designer in the post war period. These design drawings by Joyce Coffey were for the Well Glass lamp series of lights that were designed for indoor and outdoor use. Joyce Coffey worked in partnership with Selwyn Coffey on the designs. In 1956 lights from this series won a bronze award in the Industrial Design section of the Arts Festival exhibition of the Melbourne Olympic Games. Ann Carew, 2017Drawings of a Kempthorne Well Glass Wall Bracket and Ceiling Lamplighting, design, melbourne olympic games, industrial design

Gas lamps worked by heating something called a 'mantle' with a gas flame. The mantle then glowed brightly, lighting up the room. Lamps had either two chains, for a ceiling-mounted lamp or a tap for a wall-mounted burner to turn off the gas. These chains or taps could also adjust the flow of the gas and hence the brightness of the mantle. Before Carl Auer von Welsbach invented the gas mantle in the 1890s, all gas lights in homes and street lights had simple gas jets that pointed upwards. In the home, these lights were covered with glass globes and had an overall ornate look making the lamp ascetically pleasing and protecting the flame from being blown out. However, this arrangement was extremely inefficient: To get as much light as possible, the gas had to be turned fully up, resulting in large sheets of flame rising towards a ceiling. Also, because the lamp had to be point upwards, the illumination was directed upwards, i.e. at the ceiling rather than where it was needed. So the usable light for a given amount of gas was minimal but the invention of the gas mantle eventually changed this. It enabled gas lights to have a small flame and to direct their light downwards. The item is significant as it is part of a very ornate gas lamp wall bracket from the late 19th to early 20th century. Its provenance is currently unknown and at this time cannot be associated with a historical event, person or place and the item is assessed as a collective asset.Gas lamp wall bracket; part of a gas lamp. A single burner fancy wall mounted bracket, brass, ornate and decorative, featuring a Lamassu - figure with the body of a lion , wings of an eagle and human head. It was recovered from the wreck of the Loch ArdNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gas lamp, brass lamp, gas burner bracket, domestic artifact, gas lighting, gas lamp bracket

Book - 28 pages + slight Green covers, side stapled, issued by the Australian Standards Association, "SAA Street Lighting Code" August 1939, CAA. 19-1939 providing standards for the lighting of intersections, streets, location and mounting of lights, and the type of units.On top right hand corner has stamp of the "SEC Ballarat Branch stamp, and dated 8. Dec. 1939" and letters S/D in pencil.trams, tramways, lights, standards

Bendigo, No. 7 Night exposure at Bendigo North terminus on 14-3-1964. Destination sign showing Quarry Hill. Has two ads on front dash and tram has been fitted with dash canopy lights etc. Photo by Keith Kings.Stamped on 'K.S.Kings etc.' and in blue ink 'K(k)(420), 14/3/1964, Bendigo No. 7, ex Ballarat 19, North terminus, 15secs f3.5, 60feet.tramways, trams, bendigo, north bendigo, tram 7

Also enlargement 28 x 35|This is the paired before paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The after paired photograph number is 01230.1|Also one 12 x 16 framed photograph used in room displayBlack and white photograph water tank stand with signage 'Woodbine House', showing lawn used as original, bowling green. Several male bowlers and lady onlookers. Lights above green. Games room on west of main building. Lakes Entrance VictoriaMrs G Ward's Woodbine Guesthouse, Lakes Entrance. Bulmer Copyrightguesthouses, recreation, room display

The old Bank of New South Wales building is located on the corner of Camp and Ford streets in Beechworth, Victoria. It was constructed between 1856 and 1857 from local honey coloured granite. It was designed by architects Robertson & Hale and is a two-storey rendered brick building and the original coat of arms is still visible. The coat of arms is distinctive and consists of a kangaroo, emu, lion, and rising sun. The rear of the building was surrounded by high granite walls for security as it was the original home for the local gold office. Beechworth Honey currently offers tourist accommodation in the Hive Apartment located in the former Bank of New South Wales Managers residence.The Bank of New South Wales building in Beechworth is significant for its location in one of Australia's most prominent goldfield towns. Of particular interest is the use of distinctive local Beechworth honey coloured granite in its construction. The building’s architecture is a simple, conservative classical style known as Renaissance Revival. It is one of the few known surviving works of the architects Robertson and Hale. The decorative composition above the main entrance and the counter in the banking chamber are of special interest.Black and white rectangular photograph printed on cardAHold bank of new south wales, bank of new south wales building, beechworth bank of new south wales, bank of nsw, beechworth 1850s, robertson and hale, architects robertson and hale, rendered brick, coat of arms, granite walls, local honey coloured granite, gold office, 1856, 1857, beechworth, beechworth honey, hive apartment, manager's residence, renaissance revival