Printing block with illustration of wool press manufactured by Humble and Sons.Printing plate with illustration of wool press manufactured by Humble and Sons.wool bales sheep stations - management, humble and sons pty ltd, wool press, wool bales, sheep stations - management

Printing block with illustration of wool press manufactured by Humble and Sons.Printing plate with illustration of wool press manufactured by Humble and Sons.wool bales sheep stations - management, humble and sons pty ltd, wool press, wool bales, sheep stations - management

Printing block with illustration of wool press manufactured by Humble and Sons.Printing plate with illustration of wool press manufactured by Humble and Sons.REAR VIEW/ SHEEP PRESS (blue pen)wool bales sheep stations - management, humble and sons pty ltd, wool press, wool bales, sheep stations - management

Colour print of a reproduction of an oil painting - Swanston Street from a point north of Little Bourke St looking south towards the Kings Domain. Reproduced by Kew Cottages and St Nicholas Parent's Association from a original print and lithographed by F Cogne, printed and published by Charles Troedel in his Melbourne Album 1863. Appears to have a number of horse drawn cabs parked in the centre of the street.Yields information about early Melbourne after the start of the gold rush.Reproduction of an oil painting - card - Swanston Street Melbourne 1863melbourne, horse drawn vehicles, swanston st

8HP Blackstone Lamps Start Oil Engine engine number 71076 Engine Details Maximum operating RPM of 240. Fitted with a 3'9" Flywheel Tested on the 6th of November 1908. Shipped to Cluter buck South Australia for installation on concrete base. Recovered and restored during the 80's in South Australia Purchased privately in 2013 in Tailem Bend South Australia and transported to Victoria. Currently on loan to the Puffing Billy Museum at Menzies Creek as an operating exhibit. Blackstone & Co. was a farm implement maker at Stamford, Lincolnshire, United Kingdom. In 1896 they built lamp start oil engines. The Lamp or hot-bulb engine (also hotbulb or heavy-oil engine) is a type of internal combustion engine. It is an engine in which fuel is ignited by being brought into contact with a red-hot metal surface inside a bulb, followed by the introduction of air (oxygen) compressed into the hot-bulb chamber by the rising piston. There is some ignition when the fuel is introduced, but it quickly uses up the available oxygen in the bulb. Vigorous ignition takes place only when sufficient oxygen is supplied to the hot-bulb chamber on the compression stroke of the engine. Most hot-bulb engines were produced as one-cylinder, low-speed two-stroke crankcase scavenged units Historic - Industrial - single cylinder, horizontal, 4 stroke, hot-bulb ignition oil engine Blackstone 8HP Oil Engine made from steel, wrought iron and brassOval Plate with Black Stones and Clutter Buck Brass Plaque engine number 71076blackstone, oil engine, clutter buck, black stone, puffing billy, hit and miss, engine, blackstone & co

Set of two illustrations - back to back - the first a view from the Town Hall, looking northwest over the central Sturt St median strip. Has one ESCo tram in the view. Has on the corner of Sturt and Armstrong Streets, A Dawson store and R Ludbrook & Co furnishings. The second illustration is from the north side of Sturt St looking southwest towards Doveton St, Has Skewes Chemis, Wall paper warehouse, and Shoppee's Square in the view.Yields information about Sturt St and the associated buildings.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, esco, armstrong st, doveton st

Ballarat Teachers' College became part of the State College of Victoria at Ballarat. This then became Ballarat Institute of Advanced Education, the predecessor of Federation University. Articles and illustrations by students..1: Coloured cover - images of Ballarat. 43 pages - written articles and illustrations .2: Black and white - articles and illustrations. 20 pagesballarat teacher's college, state college of victoria at ballarat, ballarat institute of advance education, nonsaurus, thesaurus, therese o'heir, anne mcelgunn, annette pye, anne plummer, j mcgregor, patricia adams, deborah redman, eric sinkis, michael hoffman, cathy hausler, jeff heeps, john rowe, lorraine kearney, john kermond, dimboola - a country wedding, bruce miller, alfred newnam, jane lloyd, ken donaldson, jillian lancashire, maureen phelan, michael beckman, john wild, pauline cranage, sue edwards

Narrow, blue castor oil bottle with bakelite screw-on top and distinctively-shaped label.On label: "Contents 6 fluid ozs. Cold drawn Castor Oil. For internal use. Dosage: 1 teaspoonful to 2 tablespoons full. Bottled in Australia by W.K. Burnside Pty. Ltd. 34-36 Jeffcott St. Melbourne.bottles, containers, medicine containers

Illustration titled "Lydiard and Sturt Streets" - Centre of Ballarat, showing Post Office. In the bottom left-hand corner is a single-deck horse tram with a Havelock Tobacco advert on the roof. The illustration gives a sweeping wide angle view of the intersection with the Post Office marked with the words "Post Office". There are several horse-drawn vehicles and pedestrians in the view. The image has the initials "HJS" and "PS&Co" on both photos in the bottom corners. On the rear is a photo of the Gong Gong Reservoir with a note about its size and construction - built 1877.Yields information about a single deck horse tram and the intersection of Sturt and Lydiard StreetsIllustration cut from a magazine or publicationballarat, illustrations, sturt st, lydiard st, post office, horse trams, single deck horse tram, gong gong reservoir

Printing plate with illustration of wool press manufactured by Humble and Sons.Wooden block with metal plate with illustration of wool press manufactured by Humble and Sons.shearing sheep stations - management wool bales, humble and sons pty ltd, wool press, shearing, sheep stations - management, wool bales

Oil Painting of Schwerkolt Cottage by Marjorie Martin. Purchased by Joan Gilmour who was her student.Oil Painting. Artist view of Schwerkolt Cottage looking at WEST END OF COTTAGE (KITCHEN WALL). PAINTING BY MARJORIE MARTIN IN 1976. Marjorie taught painting and donor was her student.Marjorie Martin 1975handcrafts, hand painted

Narrow glass bottle containing Citronella Compound Mosquito Oil (approx. 20-25 ml) Has metal screw-on lid and label.On label: "Citronella compound mosquito oil. Will effectively prevent the bites of mosquitoes and sand flies. Apply freely. Will not harm the skin." The Eastman Pharmacal Co. Ltd. Sydney, Australia. bottles, containers, medicine containers

Black and white photograph of an oil painting by R. Ponsonby Staples, pasted onto cardboard.Caption stuck to back of photo: "England - v - Australia, 1884 | Oil painting by R. Ponsonby Staples (Collection National Gallery of British Sports and Pastimes) | Showing Lord's very much as it is today. On the right is Edward VII when Prince of Wales"cricket, lords cricket ground, edward prince of wales, painting, r ponsonby staples

An illustration from a printed publication shows a cable tram in Nicholson St at the intersection with Spring St. In the background is the Grand Hotel, the Princess Theatre. There is another cable tram away in the distance along with a horse drawn cart.Yields information about the intersection of Spring and Nicholson St c1900.Printed illustration from a photograph on paper.tramways, cable trams, spring st, nicholson st

Information from artist. " Oil painting titled/ My Father's War! by Sharon Hackett/Phd/ My father, John Peter Hackett served in World/ War Two. This painting by myself is an expressionist realist oil painting, about / a young man serving in/ New Guinea". John Peter HACKET V146209 Enlisted 27.01.1942 aged 18 years 6 months. No discharge date. States on Attestation form 609 days 2nd AIF, 485 days overseas.Painting - oil painting in colour, with red, yellow, blue and black. Style - expressionist realist. Artist's signature bottom left. Unframed canvas on timber.painting, military history, ww2, new guinea

1 of 2 Oil painting by Charlotte Rippert which were given to Otto Lobert and his wife on the wedding Camp 3 1946.landscape scene with a hill in background and five tall trees and a river in the foregroundBack: 'Oil Painting by ??Charlotte Rippert?? Wedding Gift - in Camp 3. DONOR: Otto Lobert (One of pair C3502) Nov. 1993)charlotte rippert, otto lobert, mrs lobert, camp 3 weddings, oil paintings, internment camp art work

Illustration or photograph looking at the Grenville St tram terminus. One of the trams is a Sebastopol-type tram No 22. Has the large shelter in the background and another tram in the view. Taken c1913, following the introduction of the Sebastopol-type tram. From a Rose Series postcard - Rose Number 1710. Note the Mechanics Institute advertising sign on their building advertising the institute rather than a company. The 8-hour monument at the end of the central median can be seen. On the rear is an illustration of Shoppee's Square in the median strip. See item 4083 for a postcard.Yields information about the operation of ESCo trams in Sturt St and in particular the Sebastopol type.Black and white Illustration cut from a journaltramways, trams, sturt st, esco, grenville st, sebastopol type, tram 22, shoppee's square

Colour print of Reproduction of an oil painting - Swanston Street from Princes Bridge c1861 showing Johnson's Bridge Hotel, later Young and Jacksons, the first St Paul's church building, original Town Hall building and the tower of Scots church. Shows pedestrians and horse drawn carriages before the introduction of public omnibus services in 1869. Not known who produced the card.Yields information about early Melbourne after the start of the gold rush.Reproduction of an oil painting - Swanston Street from Princes Bridge c1861 by Henry BurnIn ink on the rear Keith Kings stamp and the initials RG and "Melbourne"melbourne, princes bridge, horse drawn vehicles, st pauls cathedral, hotels

Also black and white photograph showing workmen seated in a small open cabin which appears to be a control centre for working part of the machinery at the deep shaft oil well 05321 .1 16.5 x 16.5Black and white photograph showing two workmen standing in the liftcage prepared to descend to the deep shaft oil well at Lakes Entrance Victoriamachinery, oil and gas industry

Illustration. Taken and cut from a book. A page of text including three illustrations. The largest is a view of front of Richmond Hotel and gardens. Woman in a wicker chair with small girl. The woman is holding a parasol and the girl is wearing a hat. To the top right of main image is an image of a weatherboard building with two men outside. Underneath is written - First House Built in Victoria. To the bottom right of main image is an image showing a weatherboard building. Underneath is written - First Hotel in Victoria. Front: 'RICHMOND HOTEL The First Built Residence in Portland' - printed, beneath illustration

Illustrations selected from book showing views of "The Station Plenty" (Yallambie), the Bakewell family home, illustrated by Edward La Trobe Bateman, an artist and garden designer.Photocopy of illustrations from book, 6 pages. 2 copies.yallambie, bakewell family, plenty station, edward la trobe bateman

Slender glass bottle of castor oil (half full) with yellowing label in poor condition and a metal screw on cap.On label: "Finest quality castor oil. Medicinal or internal use. Dose: Children: one or two teaspoonfuls according to age. Adults: one dessertspoonful, more as required. 5 fl.oz.". On base: "2 GM M, F 594".bottles, medicinal containers

This is a souvenir dish or small plate with an illustration of the Hopkins River in Warrnambool. Included in the illustration are the rowing shed, the boathouses and the lambertiana trees in the property of Lyndoch. The souvenir dish would have been sold to tourists visiting Warrnambool or Warrnambool residents in the 1920s and 30s. This type of souvenir was popular at the time in any tourist town or place in Australia. Tourism has been an important industry in Warrnambool since the late 19th century. This item is of interest as an example of the type of souvenir produced for tourists in the 1920s and 30s. It was both a useful and decorative item. It will be useful for display. This is a small glass souvenir dish. The centre of the dish features a colour illustration of the Hopkins River, Warrnambool (near its mouth). The glass around the illustration is heavily patterned and embossed. The bottom of the dish is dark blue. ‘Hopkins River Warrnambool’ tourism in warrnambool, warrnambool history

The 'Opening Instalment' (technically episode 1) of The Flying Dogtor introduces 'The Great Dr Dane', his nemesis Crafty Carson Carpetbag and other characters, including illustrations. *NB: Dr Dane was originally going to be 'Robert Brown Beagle'. Handwritten changes were made to the original typewritten transcript. The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten with handwritten alterations and accompanying drawings, foolscap, 2 pages, will illustrations. 194A (backpage) continues with more hand drawn illustrationsRobin Boyd's drawings for some of the bush children and Flying Dogtor on the back.the flying dogtor, robin boyd, crawford productions, manuscript, ohm2022, ohm2022_4

This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold

Biblical quotation and illustration of 'Naming of John the Baptist'.Card with illustration on front showing ' The Naming of John the Baptist'. On reverse quotation from St Luke 1 New Testaments.The Naming of John the Baptist.john the baptist, testament, bible, card

Printing plate used for illustration of the burning of the ship "Lightning" on October 31, 1869, printed in a newspaper.Printing plate used for illustration of the burning of the ship "Lightning" on October 31, 1869, printed in a newspaper.corio bay, victoria

Colour Illustration showing the northeast corner of Sturt and Lydiard Streets, post office, tram track, and one tram partially obscured. Has many people in view and some horse-drawn vehicles. Titled "Lydiard Street and Post Office Ballarat, Victoria". Published by WTP. See item 4376 for the related postcard. Yields information about the post office corner at the time of the opening of the tramway and demonstrates colour printing techniques.Colour Illustration cut from a journalOn rear in pencil - "Looking up Lydiard Street North from Marks Corner (Sturt Street) before 1913tramways, trams, sturt st, esco, post office, lydiard st north