Showing 3263 items
matching legends-aboriginal
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The Celtic Club
Book, Samuel Lover, Myths and Legends of Ireland, 1998
... Myths and Legends of Ireland ...This collection features humour and a vernacular approach to the collection of myth, legend and folklore of IrelandIll, p.434.non-fictionThis collection features humour and a vernacular approach to the collection of myth, legend and folklore of Irelandirish folklore, irish myths -
Falls Creek Historical Society
Booklet - Legends, Wine & High Country - Stepping Out, April 1999
... Legends, Wine & High Country - Stepping Out ...This is one of several booklets published to promote tourism throughout Victoria. It contains detailed information to promote tourism in the region of Northeast Victoria. It was published by the Victorian Tourism Information Service in April 1999.This item is important as it documents how the region of Northeast Victoria has been promoted by the Victorian government. An A4 sized marketing booklet, including images, maps and detailed information about walks, trails and activities in .Northeast Victoria published by the Victorian Tourism Information Board'tourism victoria, falls creek tourism, legends wine and high country, victorian tourism information service -
Federation University Historical Collection
Container - Box of 35mm Slides, University of Ballarat, Legends in our Lunchbox, c1998
... University of Ballarat, Legends in our Lunchbox ...These are likely graduating students of the University of Ballarat Diploma or Advanced Diploma of Graphic Design, as two staff members -- Alister Heighway and Peter Lambeth -- are included. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 35mm mounted slides featuring TAFE design students (and staff) with their faces pressed against glass or perspex.university of ballarat, federation university australia, design, graphic design, tafe, diploma, advanced diploma, smb -
Koorie Heritage Trust
Pamphlet, Brown, Edna (Aboriginal History Programme.) et al, Framlingham Mission, 1989
This is held in a set with Cummgunga; Lake Tyers; Lake Condah, Murri Koori; Special People; Memories last Forever.1 folded sheet : ill. ; 22 cm.This is held in a set with Cummgunga; Lake Tyers; Lake Condah, Murri Koori; Special People; Memories last Forever.aboriginal australians -- victoria -- framlingham. | framlingham (vic.) -- history. -
Victorian Aboriginal Corporation for Languages
Book, Harry Allen, Australia : William Blandowski's illustrated encyclopaedia of Aboriginal Australia, 2010
William Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857. This is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.Maps, b&w illustrationsaboriginal australian history, pictorial histories, william blandowski -
Victorian Aboriginal Corporation for Languages
Book, Harry Allen, Australia : William Blandowski's illustrated encyclopaedia of Aboriginal Australia, 2010
William Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857. This is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.b&w illustrations, mapswilliam blandowski, pictorial works -
Whitehorse Historical Society Inc.
Document, Melbourne Theatres, 2013
A4 document of Melbourne Theatre Site Legendpayne john a, theatres -
Orbost & District Historical Society
book, A History of the Aboriginal people of East Gippsland by Kym Thompson, January, 1985
A manuscript book with a pink cover. A History of the Aboriginal People of East Gippsland by Kym Thompson. It is a report for the Land Conservation Council, Victoria, 1985. Contains archaeological research, history of white invasion and matters related to the preservation of sites of significance in the area. 284pp.book australian-aborigines land-conservation-council thompson-kym -
Victorian Aboriginal Corporation for Languages
Book, Robert Foster et al, Early forms of Aboriginal English in South Australia, 1840s-1920s, 2003
A dictionary of South Australian Pidgin English, spoken primarily between Aboriginals and Europeans in South Australia in the 19th and 20th centuries. It is a valuable resource for those engaged with historical and literary texts that in the past have often proved difficult to those not trained in pidgin linguistics.Word listssouth australian languages, nunga, kaurna, pidgin english -
Stawell Historical Society Inc
Photograph, Percy Leason, Mr Robert Kinnear -- Elderly Aboriginal gentleman 1851-1935 born near Stawell and won the Stawell Gift in 1883 -- Portrait Painting, 1934
Elderly Aboriginal gentleman Robert Kinnear 1851-1935 born near Stawell and won the Stawell Gift in 1883. Portrait painted at Ebenezer Mission near Antwerp 1934 stawell gift, sport -
Federation University Historical Collection
Ethnographic, Partly Worked Aboriginal Tool Blanks
Silcrete and chert can create sharp flakes and have been important materials for stone tool making in Australia. Silcrete was commonly used and widespread. Heat treatment of silcrete made the rock easier to fashion into flakes.Partly worked, incomplete Aboriginal rock blanks. The collection includes rocks of silcrete, quartz, and chert. 8969.26 is quartz chert. 8969.37 is a flint stone with a vein of quartz. The dark brown rock is silcrete with more iron than others (possibly 8969.41). 8969.45 is Quartz. aboriginal, tool, blank, rock, scraper, aborigines, quartz, silcrete, chert, stone tools, quartzite, flaking, flake tools, archaeology -
Victorian Aboriginal Corporation for Languages
Thesis, Stephen Morey, The verbal system of the Central Victorian language, the Aboriginal language of Melbourne : an investigation into the manuscripts of Rev. William Thomas (1793-1867)
This thesis examines and analyses the linguistic data in the papers of the Reverend William Thomas (1793-1867) in the Mitchell Library, Sydney (Thomas MS 214). This data was found to refer mainly to the Aboriginal language of the Melbourne area, described by Blake and Reid (1998) as the Central Victorian Language.word listswathawurrung, wathaurong, boonwurrung, boon wurrung, woiwurrung, thagungwurrung, djadjawurrung, tjapwurrung, wergaia, wemba baraba, wemba wemba, yeti, madhi madhi, ledji, wadi, nari nari, wimmera, ballarat, bacchus marsh, gippsland, mount gambier, wonnin, john green, george augustus robinson, r h mathews, luise hercus, linguistics, sociolinguistics -
Kiewa Valley Historical Society
Axe Head, Before European settlement
This item was used well before European settlement and clearly demonstrates the development of the local Aboriginal tribes, Dhudhuroa and Yaitmathang in the use of a cutting /chopping implement, made from Mount William sourced material i.e. greenstone. This item was probably traded at the Bogong Mountain tribal yearly summer ceremoniesThe significance of this item places it at the fore front of human development in this region. The period when this tool was manufactured represents the time when the natural landscape had not been altered and the natural vegetation, fauna and flora, had not been subjected to imported species.This also proves that local tribes did live in this area and or the Bogong High Plains.Small ground edge stone axe head. Leading cutting edge very smooth and chiseled to a fine edge. Weight is, for its size fairly heavy. It is made from Greenstoneaboriginal tool stone ground-edge axe indigenous tool -
Greensborough Historical Society
Book, Victoria Archaeological Survey, The Plenty Valley Corridor: the archaeological survey of Aboriginal sites / by Isabel Ellender 1989, 1989_
This archaeological survey of th Plenty Valley was conducted by Isabel Ellender in 1989 for the Ministry of Planning and Environment. The area studied is north of Greensborough to Whittlesea. A number of Aboriginal sites were identified and recommendations made for the future.103 p., illus., maps. Plastic spiral binding.plenty river, aboriginal heritage sites -
Koorie Heritage Trust
Book, Aboriginal Affairs Victoria in conjunction with the Kerrup Jmara Elders Aboriginal Corporation, Lake Condah Heritage Management Strategy and Plan, 1993
During its 1977/78 summer field school season, the (then) Victoria Archaeological Survey began recording and mapping the stone fish trap and 'house' sites along the southern margins of Lake Condah, near Portland Victoria. This and subsequent archaeological work at Lake Condah and in the general region demonstrates that, on the basis of a number of criteria, the Aboriginal heritage sites found here are significant.vii, 388 p., [11]. leaves. : ill., foldout maps. ; 30 cm.During its 1977/78 summer field school season, the (then) Victoria Archaeological Survey began recording and mapping the stone fish trap and 'house' sites along the southern margins of Lake Condah, near Portland Victoria. This and subsequent archaeological work at Lake Condah and in the general region demonstrates that, on the basis of a number of criteria, the Aboriginal heritage sites found here are significant.conservation of natural resources -- victoria -- condah, lake, region. | aboriginal australians -- victoria -- condah, lake, region -- antiquities. -
Victorian Aboriginal Corporation for Languages
DVD, Bernadette Crawford, Brewarrina's Aboriginal language program, 1998
The language program was developed by teachers at Brewarrina, and is designed to appeal strongly to the imaginations of their students. The students are encouraged to work in groups and individually to unearth their local history and cultural backgrounds, by studying family trees and gathering oral histories, by making excursions to significant sites, and by re-discovering Aboriginal language and cultural practices.DVDbrewarrina central school, aboriginal language program, multiculturalism, genealogy, local history, research -
Victorian Aboriginal Corporation for Languages
Book, Aboriginal and Torres Strait Islander people in Commonwealth records : a guide to records in the Australian Archives, ACT Regional Office, 1993
Commonwealth records include much information which is relevant to Aboriginal and Torres Strait Islander people. Some of it is about day-to-day administration and particular events and people, and some is about policy. The intention of the guide is to make some of this information more accessible. It attempts to provide for people with different kinds of needs.government agency listings, b&w photographsresearch, archives, act regional office, public records, australian war memorial, commonwealth agencies -
Tarnagulla History Archive
News clipping: Name Is Gaelic - Not Aboriginal, Name Is Gaelic - Not Aboriginal, September 15, 1981
Murray Comrie Collection. A double page from the Castlemaine Mail newspaper of September 15, 1981 with article about the origins of place names in the district. Claims that Tarnagulla, Bealiba, Bet Bet, Waanyarra and Laanecoorie are Aboriginal but Tarrengower is Gaelic. Written by non-Indigenous historian John J. Alderson. Discusses Indigenous history of the region. tarnagulla, waanyarra, laanecoorie, bet bet, central victoria, dja dja wurrung, djadjawurrung, indigenous australians, indigenous history, traditional owners, names, naming -
Federation University Historical Collection
Slide, Warrabri Bush Rat Dreaming Ground Painting, 1960
Alekerrenge community in Central Australia was formerly known as Warrabri.Photographs from three slides relating to Aboriginal people of Central AustraliaAboriginal Cermonial Bush Rat Dreaming Ground Painting Warrabri 1960aboriginal, sand painting, ground painting, warrabri, alekerrenge, ceremony -
Greensborough Historical Society
Booklet, Banyule City Council, Banyule: looking into Banyule's aboriginal heritage, 2014_
This booklet "looks into Banyule's Aboriginal heritage" by detailing some of the history of the Wurundjeri willam clan, including William Barak. Illustrations are from La Trobe Picture Collection, State Library of Victoria. It appears to be a later edition of the 2011 booklet.8 pages, colour illustrations. Cover is mainly orange with pencil drawing of indigenous people.banyule, wurundjeri willam, william barak, billi-billeri -
Victorian Aboriginal Corporation for Languages
CD, Robert Mate Mate Gapingaru, Aboriginal sky figures
Robert Mate Mate (Gapingaru), an initiated elder of the Woorabinda_Berigada tribe of Central Queensland has researched the stories on the CD Rom in conjunction with Gordon Patston, an experienced astronomer. The stories from Arnhem Land to Tasmania give a fascinating insight into this rich area of Aboriginal culture and shed new light on Australia?s skies.CDastronomy, dreamtime stories, folklore, stars -
Greensborough Historical Society
Book, Isabel Ellender, The Plenty Valley Corridor: the archaeological survey of Aboriginal sites / by Isabel Ellender 1991, 1991_
This archaeological survey of the Plenty Valley was conducted by Isabel Ellender in 1991 for the Board of Works (Melbourne Water), in particular the Plenty Gorge Metropolitan Park. The area studied is north of Greensborough to Whittlesea. A number of Aboriginal sites were identified and recommendations made for the future.67 p., illus., maps. Plastic spiral binding.plenty river, aboriginal heritage sites, plenty gorge metropolitan park -
Federation University Historical Collection
Document, The place of dogs in Victorian Aboriginal society in the nineteenth century: a reconsideration of the archival record
Abstract: ‘Dingo’ is today the name given to Australia’s wolf-like native dog Canis dingo, however it was originally the Dharuk word for a ‘domesticated dog’ - the Dharuk word for a wild dog was ‘warrigul’ (Dixon, Ramson, and Thomas 1992, pp. 65, 87). In its populist usage today this distinction has fallen away and dingo now refers to both wild and domesticated native dogs. Anthropological discussions about the role and significance of dingoes and dogs in northern Australian Aboriginal society have been extensive (Meehan, Jones and Vincent 1999; Smith and Litchfield 2009). Archaeological (McCoy 1882; Barker 1979), ecological (Nowak 2006) and taxonomic debates (Corbett 1995; Coman and Jones 2007) have existed for almost two centuries about the dingo’s origins (Jardine 1839; Gill 1951; Barker 1979; Savolainen et al 2004), and an intense sociological discussion has focused on what has been termed the ‘economic-utilitarian perspective’ that attributes to dingoes a decisive usefulness in Aboriginal people’s food quest (Kolig 1978). Contributors to this lively debate have been almost exclusively northern Australia-centric in their conversations, with the notable exception of Jones (1970), which is understandable given the rich vein of accessible Aboriginal informants in this region and observational data neither of which is possible or available in much of southern Australia. In this paper the authors shall build upon the northern Australian research of Meggitt (1965), Rose (1992), Meehan, Jones and Vincent (1999), and Parker (2006) and demonstrate that there exists a concomitant range of ethno-historical and archeological sources from south-eastern Australia which adds a considerable body of knowledge to our understanding of the utilitarian and symbolic significance of dingoes for Aboriginal communities. Furthermore, the authors shall examine the impact of British colonizers upon Aboriginal peoples’ associations with dingoes in Victoria. The word dingo shall be used throughout this paper to connote dogs as well as dingoes. Unpublished typed manuscript. This item is part of the 'Australian Mythical Animals Collection'.aboriginal, aborigines, fred cahir, ian clark, dog, dingo, australian mythical animals collection, mythical, myth, folklore -
Eltham District Historical Society Inc
Book, Banyule City Council Aboriginal Heritage Study prepared by Austral Heritage Consultants, 1998 July
A draft report on the pre-European Aboriginal achaeological sites in the city of Banyule, including results of previous field surveys; Banyule covers a small part of the former lands of the Woi Wurrung. The report discusses heritage overlay, planning issues and the proposed Victorian planning provisions.100p, 30 cm.Marked "Draft"aboriginal heritage banyule, woi wurrung -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) IX, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) VII, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) X, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Lara RSL Sub Branch
Work on paper - Map of Lara and surrounds, Soldiers Settlement Lara District WWI
Soldier Settlement Lara District After World War 1Map of Lara with soldiers settlements marked 1-15 Legend of the soldiers settlements Conditional Purchase LeaseMap is numbered 1-15 Legend lists names and allotments Lease shows costings of such leasessoldier settlement lara district after world war 1 -
Buda Historic Home & Garden Castlemaine
Metalcraft - Silverware, Silver Mounted Emu Egg Goblet with Aboriginal, c 1855-1858
Decorative object made by silversmith Ernest Leviny.Silver mounted emu egg goblet with detachable silver lid decorated with a kneeling Aboriginal figure holding weapons (spear is missing). Emu egg is mounted on a silver base with filigree acanthus leaf designwork on the stem, leading to four sprays on the egg surface with a rose, thistle and shamrock design. The inner egg is lined with a gold wash.Noneernest leviny, silversmithing, colonial silverware, castlemaine, emu egg goblet, buda, c 1859 -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Eastern boundary of former Warrandyte Aboriginal Reserve, North Warrandyte, 7 November 2016
Two bronze commemorative plaques on rocks, unveiled by Wurundjeri Tribe Council Elders, mark two eastern boundaries of the former Warrandyte Aboriginal Reserve on the north and south sides of the Yarra. This project was initiated by Nillumbik Reconciliation Group in close association with Reconciliation Manningham and the Wurundjeri Tribe Council, as a means of commemorating the last great corroboree of the Kulin Nation which was held at Pound Bend in March 1852. This plaque is on the Nillumbuk side of the Yarra, accessed via The Boulevard, North Warrandyte. The plaque is set on a rock approximately 50 metres before the turning circle at the end of The Boulevard. Plaque : Warrandyte Aboriginal Reserve This commemorative rock marks an eastern boundary of the former Warrandyte Aboriginal Reserve established in 1852. Centred on Pound Bend, it covered 1,908 acres on both sides of the Yarra River (Birrarung). That same year saw the last great gathering of the Kulin nation here in Wurundjeri country which was celebrated over two weeks with traditional performance and games. For a few years longer the reserve intermittently served as a ration station.With gold having been discovered at Warrandyte, the Wurundjeri were moved on again but ultimately secured a permanent home at Coranderrk, Healesville. A second commemorative plaque and rock is located on the opposite bank of the Yarra and its confluence with Stony Creek. Melway ref : 23 C 9 Unveiled by Wurundjeri Elder, Uncle Bill Nicholson on 23rd March 2013 Funded by the Robert Bridgford Indigenous Trust (Nillumbik Community Fund) with assistance from Manningham City Council Small Grants Program Ref: Monument Autralia https://monumentaustralia.org.au/themes/culture/indigenous/display/99680-warrandyte-aboriginal-reserve-fay bridge collection, 2016-11-07, aboriginal reserve, north warrandyte, plaques, warrandyte aboriginal reserve