Showing 511 items
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Clunes Museum
Photograph, 1939
CLUNES EASTER CENTENARY 1939.ORIGINAL PHOTOGRAPH OF SCENE IN FRASER STREET OF A DECORATED CAR IN FRONT OF CLUNES AUCTION MART, (NEXT DOOR TO WHAT IS TODAY THE CLUNES MUSEUM)local history, photography, photographs, shops, auction mart, events and celebrations, back to clunes -
Clunes Museum
Photograph
... Photograph ENLARGED PHOTOCOPY OF POSTCARD - ROAD SCENE - CLUNES ...ENLARGED PHOTOCOPY OF POSTCARD - ROAD SCENE - CLUNES.local history, photography, photographs, clunes landscape -
Clunes Museum
Photograph - PHOTOGRAPH BACK TO CLUNES 1920, RIALTO, BALLARAT, 1920
CROWD SCENE AT BACK TO CLUNES NOVEMBER 13 th 1920.1 BLACK AND WHITE PHOTOGRAPH ON GREY CARDBOARD MOUNTNG WITH COMMER COMMEMOATION BADGE ATTATCHED ON TOP OF THE CARDBOARD MOUNTING BACK TO CLUNES NOVEMBER 13TH TO 25TH 1920 .2 BLACK AND WHITE COPY OF SAME PHOTOGRAPH MOUNTED ON BEIGE CARDBOARD .3 BLACK AND WHITE COPY OF SAME PHOTOGRAPH, MOUNTED ON GRAY CARDBOARD.1 HANDWRITTEN ON BOTTOM ON CARDBOARD IN INK: BACK TO CLUNES NOV 13TH 1920 .2 HANDWRITTEN IN INK ON BOTTOM ON CARDBOARD: J. FLOWER C VITLE MRS POTTER PROWE G WILLIAMSON (ILLEGIBLE) V GRANDHARD BACK TO CLUNES 1920 .3 WHITE STICKER ON BACK: BACK TO CLUNES NOV 13TH TO 20TH local history, events and celebrations, back to clunes, back to clunes 1920 -
Clunes Museum
Photograph, 1920
.1 LARGE BLACK AND WHITE PHOTOGRAPH (REPRINTS) CROWD SCENE AT ASSEMBLY LINE STREET PARADE. BACK TO CLUNES 1920. DECORATED CARS AND TRUCK (MODEL T FORD?) PASSENGERS OWNERS AND ONLOOKERS. (CYCLONES KNITTING MILL ENTRY?) .2 SMALL COPY OF LARGE PHOTOGRAPH.1 ON BACK HANDWRITTEN:WILLIAM BARKELL MEMORIAL ARTS AND HISTORIC CENTRE IN PENCIL: 1930local history, photography, photographs, events and celebrations, back to clunes -
Clunes Museum
Photograph, C 1960
VIEW OF FRASER STREET CLUNES TAKEN 1960'SBLACK AND WHITE PHOTOGRAPH OF CLUNES STREET SCENE TAKEN FROM LOWER END OF FRASER STREET - HORSES, SHOPS AND MANY TREES.local history, photography, photographs, clunes township -
Clunes Museum
Photograph
... Photograph COLOUR PHOTOGRAPH SNOW SCENE - CLUNES PRIMARY SCHOOL ...COLOUR PHOTOGRAPH SNOW SCENE - CLUNES PRIMARY SCHOOLlocal history, photography, photographs, schools 1552 -
Clunes Museum
Photograph
... Photograph BLACK AND WHITE PHOTOGRAPH PART OF CROWD SCENE local ...BLACK AND WHITE PHOTOGRAPH PART OF CROWD SCENElocal history, photography, photographs, events and celebrations -
Clunes Museum
photograph, C. WEICKHARDT, PHOTOGRAPHER, CLUNES, 1919
PHOTOGRAPH - SEPIA, SCENE IN FRASER STREET, CLUNES - PEACE CELEBRATIONS 1919, SHOPS INCLUDING R. THOMAS, SPECIALITY TAILORING.PHOTO BY C. WEICKHARDT, CLUNES.local history, photography, photographs, shops, r. thomas, events and celebrations, peace 1919. -
Clunes Museum
photograph, CLUNES BAWDEN PHOTO, 1900 - 1905
... PHOTO. VIEW OF CLUNES SCENE. local history photography ...VIEW OF CLUNES SCENE.BLACK AND WHITE COPY OF VIEW OF CLUNES. BUILDINGS INCLUDE ORIGINAL POST OFFICE, TOWN HALL AND CATHOLIC CHURCH.CLUNES BAWDEN PHOTO.local history, photography, photographs, town hall, post office -
Clunes Museum
Photograph
THIS PHOTOGRAPH IS A COPY OF PAINTING BY SIR JOHN LONGSTAFF -NOW HANGING IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. ,EARLY SPRING SCENE IN SUSSEY 1916.- SIR JOHN LONGSTAFF WAS BORN IN CLUNES IN 1862, AND HAD HIS FIRST PAINTING LESSONS FROM A DR. BRUHN IN CLUNES AT A VERY EARLY AGE.PHOTOGRAPH COPY OIL ON CANVAS PAINTING. BY SIR JOHN LONGSTAFF, EARLY SPRING - SUSSEX 1916local history, photography, photographs, longstaff, sir john -
Clunes Museum
Postcard, HOLMIRTH AND CO ENGLAND& NEW YORK
A PRETTY SCENE NEXT TO A RIVER WITH WATER LILLIES AND A LADY PICKING FLOWERSlocal history, document, postcards, postcards -
Clunes Museum
Postcard
BUSH SCENE WITH WAGON OF TIMBER, COWS, AND A FAMILY. TIMBER CARTING MT COLE BEAUFORTlocal history, document, postcards, postcards -
Clunes Museum
NEWSPAPER CUTTING, BALLARAT COURIER
JAMES WILLIAM ESMOND MONUMENT.NEWSPAPER CUTTING FROM THE SUPPLEMENT TO THE BALLARAT COURIER, WITH A SCENE OF THE FIRST GOLDSTRIKE IN VICTORIA AND A PHOTO OF JAMES WILLIAM ESMOND MONUMENT AT CLUNES MARKING THE DISCOVERY OF GOLD THERE IN JULY 1851.ADVERTISEMENTS OF WILLIAM BARKELL ART & HISTORICAL CENTRE, CLUNES NEWSAGENTS, CLUNES LICENSED GROCER, NATIONAL HOTEL, MOTEL, CLUB HOTEL,CARAVAN PARK,ETC.local history, document, newspaper cutting, mining, monument -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Hay harvest in Mernda, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of Hay harvest in Mernda. A busy scene on the Mernda Railway Station, Dec 1927.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On rear: Hay harvest in Mernda. A busy scene on the Railway. Dec 1927.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, hay harvest, mernda railway station, horse and cart, mernda train -
Pyrenees Shire Council
painting, Ercildoune from Mt Calendar by Heather Featherson, 2007
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or cultureFarmstead scene with hills in background oil painting.signed: HDF (lower right) -
Pyrenees Shire Council
painting, The Pyrenees from Old Shirley Road by Frank Kunz, 2016
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culturelandscape scene of Pyrenees ranges in two partssigned: F Kunz (lower left) verso: THE PYRENEES FROM OLD SHIRLEY ROAD 2016 verso (affixed): 2018 Beaufort Agricultural Society Pyrenees Shire Council Aquisitive Prize Winner FRANK KUNZ -
Pyrenees Shire Council
painting, Rodney Read, Untitled (Eurambeen East) by Rodney Read, 1987
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of farm house scene, Eurambeen Signed: R J READ 1987 (lower right) -
Pyrenees Shire Council
painting, Maude Glover Fleay, Wind Damage by Maude Glover Fleay, 1932
A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are included in the Art Gallery of Ballarat Collection, Victoriasignificant as a work of art by modernist era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a landscape scene with large treeSigned: Glover-Fleay 32 Verso: Wind damage WIND DAMAGE Winchelsea Kildean -
Pyrenees Shire Council
painting, Ian L Anderson, School Road, Waterloo by Ian L Anderson, 1995
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture pastel drawing of a street scene with old house, trees and unpaved road"Signed: IAN L ANDERSON 95 (lower right) Titled: SCHOOL ROAD - WATERLOO (lower centre) Verso (affixed): ""SCHOOL ROAD - WATERLOO"" PASTEL AND CHARCOAL PENCIL PAINTING by IAN L. ANDERSON 14 MILLAR CRESCENT MT WAVERLEY 3145 signed: Ian Anderson '95 $500" -
Pyrenees Shire Council
painting, Alma Knight, Richards Reserve, Mt Cole by Alma Knight
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Bush scene with trees in oil paintSigned: Alma Knight (lower right) -
Pyrenees Shire Council
painting, Ernie Collins, Beaufort Bush from Dolly's Car by Ernie Collins, 2013
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a street scene as seen from a car signed: ERNIE (lower right) -
Pyrenees Shire Council
painting, Rodney Read, 6am Coach Buangor to Ballaarat by Rodney Read, 1996
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a historic scene with coach signed: R J READ 1996 (lower right) Inscribed: 6am Coach Buangor to Ballaarat (lower left) -
Pyrenees Shire Council
painting, Sue Jarvis, Old Farm Chute Victoria (near Beaufort) by Sue Jarvis, 1997
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a country scenesigned: JARVIS (lower right) -
Pyrenees Shire Council
painting, Philip Adams, Tree Fern and Trunks by Philip Adams, 1993
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a bush sceneSigned: Adams (lower left) -
Wodonga & District Historical Society Inc
Functional object - Haeusler Collection Mid-Century 'Miranda's Dream Cigarettes' Tobacco Tin, Dodo Designs
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This tobacco tin is one of the many objects in the Haeusler Collection that provides insight into life in early to mid-twentieth century Wodonga, and Australia more broadly. Smoking in the first half of the twentieth century was incredibly common in Australia and other western countries. In 1945, more than three out of every four men and one in every four women were regular smokers. While rates of smoking decreased over the next two decades due to observations and research regarding the links between smoking and illness, an increase in tobacco use was documented after the advent of television as people were bombarded with advertisements for cigarettes. These advertisements, much like the image on the Haeusler Collection 'Miranda's Dream Cigarettes' Tobacco Tin, depicted smoking as sophisticated and glamorous, distracting consumers from the serious health risks associated with smoking. Orientalist depictions of Middle East were common in tobacco advertising in the West in the first half of the twentieth century, an attempt to associate cigarettes with the supposed sensuality and mystery of the Orient. There have been significant changes in both legislation and popular perceptions of smoking in Australian society since the manufacture and consumption of 'Miranda's Dream Cigarettes'. In 1992 the Tobacco Advertising Prohibition Act was introduced, making it illegal in Australia to publish or broadcast messages that encourage people to start or continue smoking. In 2011 the Australian government also introduced plain packaging laws to reduce the appeal and promotion of tobacco products, and make health warnings more effective. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A tobacco tin with a coloured illustration of a woman in stylish 1920s-1930s dress sitting in an armchair smoking a cigarette, while watching an Orientalist scene featuring a belly dancer and a snake charmer wearing a turban. Branding on the lid of tin: "Miranda's Dream Cigarettes"cigarettes, tobacco, smoking, cigarette tin, haeusler, haeusler collection, wodonga -
Wodonga & District Historical Society Inc
Leisure object - Stereoscope c. late 1800s - early 1900s
In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A wooden stereoscope with a cardboard 'view' of a streetscape.stereoscope, stereographs, entertainment, fun, leisure -
Wodonga & District Historical Society Inc
Leisure object - Stereoscope c. late 1800s - early 1900s
In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A wooden stereoscope with a cardboard 'view' of a streetscape.stereoscope, stereographs, entertainment, fun, leisure -
Wodonga & District Historical Society Inc
Leisure object - Stereoscope c. late 1800s - early 1900s
In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A wooden stereoscope with a cardboard 'view' of a streetscape.stereoscope, stereographs, entertainment, fun, leisure -
Wodonga & District Historical Society Inc
Card - Stereoscope Cards c. late 1800s - early 1900s
In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A cardboard box full of stereoscope cards showing street views and landscape scenery. stereoscope, stereographs, entertainment, fun, leisure -
Melton City Libraries
Document, Telegram from Donald McIntosh, Unknown
Donald Mackintosh – notes from eeb notebook with re binding 1900 Games Shooting Donald Mackintosh Universal Paris Exposition pigeon shooting events won the Prix (Grand) de l’Exposition The grande Prix Centenaire 3rd de Paris tied ??? the Grand Prix Monte Carlo twice The London Gun Club Challenge Cup (3 times in a row) The Melbourne Gun Club Challenge (3 times in a row) The Gran Prize of Italy The Grand Prize Aix les Bains The Belgian Championship The Madrid Grand Prize as a result was declared the Champion of the World recorded Sydney Morning Herald and Australasian. Items of importance from Martha Myers/ Marjorie collection. Donald bought a freestanding gramophone to encourage Marjorie in her music studies to be able to listen to the great artists and composers and performers of the time He also bought an oil and watercolour paintings of the same scene at the Mitta Mitta river. The artist was Margery McCann sister of the well known artist (his work is in the State Library Gallery) Photograph of Donald and his friend Jock Lauder. Sheet music Francis and Day 4th Album if Harry Lauder’s Popular Songs. Roamin’ in the Gloamin Allans & Co. Christmas and New Year card signed From D & M Macintosh 1933- Melton Village of Stars – includes Marjorie Myers, twice winner of South Street Competitions, pianoforte Ballarat. May Ferris, Gold Medal for highest marks for L.L.C.M. Exam London College of Music in the Commonwealth. Telegram sent to Mrs Myers from McIntoshlocal identities