Black and white photograph mounted on grey boardRichards & Co. Ballarat Names hand written on the backnancy mckenzie, dorothy lakeland, olga lyons, jean king - coach, edith curnow, alice bosher, alice watson, lorna bailey, kathleen windsor, effie george, ethel crosswaite, edna burnett, moira jenkins

Ballarat Technical Art School was a division of the Ballarat School of Mines.373 certificates in 2 boxes. Most appear to be related to subjects undertaken at the Ballarat Technical Art School. Director of education stamped signature Frank Tate.Stamped Ballarat School of Mines No.10 Stamped signature "Frank Tate"ann duke, plain needlework, victor greenhalgh, frank tate, ballarat technical art school, arnold j. allen, florence allen, m.a. ansen, dressmaking, modelling human figure from cast, ruby e. allison, drawing fro memory, nancy b. angwin, maude arberry, douglas w. arch, muriel j. arch, eileen bailey, annie c. baker, percy j. baker, general design, light metal work, bessie m. barbery, commerical arithmetic, decorative needlework, bert bernaldo, drawing from a flat example, lorna m. mccallum, brush drawing, stanley g.a. barnett, millinery, mavis g. beacham, theodore k. beckwith, isabel j. bell, kelva e. bellingham, leslie bennett, olive van berkel, elizabeth e. berry, beatrice m. blake, thomas g. blake, catherine m. bowers, nancy w. bowe, clarice v. branagh, harold r. brown, architecture, modelling the head from life, henry bull, light metalwork, ivan d. brown, thyra j. brown, henry j. bull, leila m. burford, embossed leathwork, lettering, drawing fro dressmakers, irene m. burke, josephine m. callery, modelling, mona r. callow, herbert cameron, lillias cameron, william e. carlyon, doris l. carter, ruth e. catt, hiram e. chamberlain, stephen chambers, jack d. chand, jack d. chard, clara v. clegg, beryl e. coad, john c. collins, keith m. collins, robert g. collins, kathleen m. conway, athol b. cornish, ballantyne cottier, douglas s. cotton, lilith s. christmas, perspective, doreen coughlan, ivy g. crompton, phyllis culliver, joan m. cuthbertson, alan r. cutter, john l. daniel, arthur dansey, katherine d'arcy, dorothy f. darling, myrtle f. darling, reginal a. davey, gwladys h. davies, annie dellaca, henry a. deller, ivy f. denovan, joyce doepel, bessie donacaster, charles o. dowie, horace b. dowsing, walter dunstan, mary dwyer, allan r. egglestone, melville g. ellingsen, hugh o. elliott, beryl r. ellis, cecil f. engish, allan e. evans, matson l. eves, olive j. fairlie, robert j. falla, mavis felstead, lena featherston, albert c. ferguson, alma ferguson, hilda m. ferguson, john f. ferguson, beatrice m. field, clarice f. fisher, philip h. fleischer, building construction, olive p. francis, agnes fraser, essie gale, gilbert foster, pearle fricke, effie gascoigne, enid m. gates, clarice gear, james a. geary, sylvia f. greenhalgh, evelyn f. geddes, thomas j. gibson, wavie b. gilbert, edna m. gilmer, nancy govan, eula h. gower, doris e. gray, lesley j. gower, henry n. graham, victor e. greenhalgh, melva e. gribble, human anatomy, roy k. griggs, jack gullan, robert gullan, alma m. gunn, dorothy j. hallan, lucy hamilton, james hammer, dorothy e. hamond, christopher j. hanlon, catherin hardess, lily haymes, gladys hedges, irene h. hewitt, john hill, victor j. hill, olive hillings, john a. hobill, frances k. holmes, gertrude m. hopkins, alice horan, marjorie hudson, linda m. hughes, lydia hughes, winifred humphreys, commercial english, agnes a. humphries, colin hunt, kathleen hutchinson, francis n. king, jean king, hilda knox, john kopke, isabel a. kopke, hazel jackson, freda jacobi, agnes james, william r. james, alexander johnson, edward j. jones, eleanor w.h. jones, nellie kau, thomas kean, francis kelly, roy k. kelly, thomas g. kierce, theo e. leonard, esther f. leviston, bessie lockett, norman h. long, ena mackay, gwenda e. mann, robert v. maddison, herbert w. malin, dorothy m. marriott, john c. mcarthur, james p. mcculloch, doris mcdougall, cyril mcgibbony, thelma mcgibbony, jean mcgregor, kenneth mciver, constance m. mckenzie, elsie j. mckissock, alexander k.mcleod, grace b. mclean, john f.w. mclean, rebecca mcphan, vera meeny, edna merritt, dougald miller, florence h. mingst, agnes m. monteith, doreen j. montgomery, jean e. montgomery, robert w.p. montgomery, margaret b. moore, harry e. morrish, james mow, gwendoline r. neagle, gerald r. newson, robert j. nicol, helen f. nicholl, george m. norton, edward s. oliver, mavis e. oliver, hector h, osborne, henry parker, norma e. parr, doris m. patterson, elsie pearce, celia pearlman, leslie pearlman, edna pearson, william j. perriman, eulalie perry, ernest b. pinney, charles e. peverill, clarence r. pittock, raymond b. pitts, phyllis polson, cynthia b. power, bessie puzey, john m. punshon, evelyn a.v. ramsay, robert i ramsay, william a. rattray, drawing for builders and artisans, george h. reed, fred reeves, mavis i. regelhuth, george r. renkin, annie e. reynolds, lizzie rice, eileen l. richards, henry c. riegelhuth, gladys m. riley, charles a. rimmington, amy robson, ernest w. robson, florence a. rogers, dorothy rppney, kathleen rooney, hugh n. ross, stella m. rowe, agnes w. ryan, rosaling e. sage, cora sandberg, eric c. sanders, douglas f. scott, sylvia e. selkirk, dorine a. shearer, gladys sheldon, emily e. simper, veri slattery, florence c. smith, hilda m. spencer, rose spiers, mopna g. spiller, alma m. stapleton, joyce w. stark, marcus m. stone, commercial correspondence, beatrice m. stuart, ena v. sullivan, margaret a. sydes, rita tainsh, norman b. tamlyn, arthur w. thane, alma m. thomas, david e. thomas, william h. thompson, william m. thomas, edgatr j.t. tippett, sidnet tippett, gladys tongway, mavis toop, hugh d. trainor, annie e. treloar, john h. treloar, eilleen trumain, linda f. treewk, percival a. trompf, percy trompf, jean tunbridge, ruth e. tunbridge, allan j. twaits, irene m. utting, elizabeth van beek, william a. wade, agnes a. walker, james a. walker, vera v. aller, john walsh, marjorie walters, rex warrillow, edith watson, bernice e. webb, constance i weeks, ina m. westcott, pearl whan, violet wheeler, myrtle d. whitfield, annie whitl, richard l. whitla, charles f. whitla, grace a. wilcock, murray a. wilkie, andrew w. william, arthur williams, baden p. williams, david d. williams, grace f. williams, maude h. williams, mavis m. williams, james williamson, ivy wilson, hector g wilson, frederick w.r. wilson, david s. wood

Brown hard covered book with photograph, and staff and student names for 1946-1950.ballarat teachers' college, arthur lelean, monica miller, w.f. lord, e.b. hughes, c.b. bryan, g. kentish, henry yeo, patricia b. rea, marjorie warnock, m. mcewin, d. johnson, n. bunning, m. fogarty, ruther tozer, howard pattenden, wdwin blake, lindsay harley, m. dawn doney, anne m. mckinnon, ruth b. tozer, c. a sonsee, alan sonsee, p. aldred, neville bunning, william a. madden, joan a coad, irene ellwood, con barbetti, c. patrick rodoni, patricia fuller, m. carmel hanrahan, iris m. ostrom, lorna r. pelchen, w.h. cumming, m. hayes, peter fryar, john h. gervasoni, john blackie, carmel p. fitzgerald, geoff mainwaring, f.g. proctor, d.t. kelloch, d. bryan, n. penrose, m.a. morgan, g. wise, f. stacpoole, valentine j. pyers, patricia jaensch, dorothy casey, shirley cook, patricia fitzsimmons, barbara hanrahan, lois pedrazzi

Macarthur Street Primary was constructed in 1877 and officially opened on 31 May 1878, replacing the Soldiers Hill School. It has an initial enrolment of 650 students. Its first head teacher was William Cox.Blue, stapled, soft covered booklet of 19 pages produced to celebrate the first 100 years of Macarthur Street Primaery School.macarthur street primary school, education, ballarat, centenary, anniversary, william cox, james oldham, lily cameron, roll of honor, world war one, world war two, thomas tuke hollway, william g fry, david howels fleay, helen scobie, william ritchie, harry s, stacpoole, kevin ryan\les rodd, lorna knight, barbara gilbert, bertram richardson

These records were written to record the names of the students of the Ballarat School of Mines who attained their certificates in the areas of their study.It covers the years between 1916 and 1945.A cardboard foolscap folder containing lined and ruled pages containing the handwritten names and awards of the students of the Ballarat School of Mines and some from the Ballarat Junior Technical School, receiving certificates from the Victorian Education Department commencing in 1916 and finishing in 1945. Towards the end are several pages of type written records. Glued to the front cover are copies of three letters from the Education Department dated 1923, 1927 and 1930.All handwritten ballarat school of mines, certificates, education department victoria, awards, ashley baker, c c brittain, john dulfer, a r lepp, h m rowlands, william skilbeck, n c timworth, l h vernon, g c b williams, albert e williams, a l ronaldson, allan bernaldo, guido brelaz, p chatham, w h clutterbuck, h a sutherland, r valentine, h g wakeling, w l coltman, r s dale, e l fidge, a a gribble, carl schache, c h beanland, e biddington, r goodyear, amy heintz, george baragwanath, a hepburn, w h morrow, thomas o'bern, j a bath, harry d o'bern, edwin a brophy, alfred boyce, andrew elder, alan v gilpin, angus r leask, arthur lockett, ernest h praetz, hubert e siemering, john e skilbeck, edgar j t tippett, noel brelaz, lenard curnow, marjory dermer, ivan j galloway, john o'loughlin, raymond proctor, maud williams, henry corrie, alan ludbrook, harry nicholls, j blaikie, h ewert, h goldsmith, h thum-yuem, h almeida, r falla, l hillman, j scarff, girls junior technical certificate 1926, olga dulfer, annie dellaca, mary hopwood, g a fella, r hepburn, p jacobi, g rumpff, f lester, lorna f geary, robert m serjeant, f longhurst, kingsley callister, nellie campi, george gingell, gladys kopke, gilbert tippert, a e caldercoat, tessie bibby, thelma coulter, william mayo, stanley hillman, james capuano, r g benn, a h keast, f h penny, a w pound, e a steane, l g valpied, e j capuano, alfred w barnes, harvey j maddern, philip c maddern, allan w pound, james h pound, william selkirk, a d senior, eric a steane, geoffrey w shorten, r w warnock, i a h adams, valda m penberthy, n l spielvogel, h c tippett, d b lamb, marjory coward, norman jelbart, victor lepp, alan c leviston, edwin mclenehan, joy e young chung, b hollioake, a l spence, allan pilvin, e j skilbeck, k g haines

A tie pin is a neckwear-controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-producedThe family of Lorna Risstrom were early settlers in Moorabbin ShireA tie-stud and chain in a small, blue velvet covered, silk lined, hinged jewellery box with . The tie-stud has a red stone set in gold metalmoorabbin, bentleigh, cheltenham, early settlers, pioneers, market gardneners, jewellery, risstrom lorna, tie-pins, tie- studs, cravats, silk, lace,

This doll is used as an educational toy to help visitors imagine life c1880This doll is used as an educational toy to help visitors imagine life c1880A doll dressed as a 'Parlour Maid c 1868'dolls, craftwork, dressmaking, moorabbin, bentleigh, thatcher lorna, lace, porcelain, education, domestic servants,

The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these families This fine voile,lady's camisole with embroidery and pink ribbon is an example of the dressmaking skills and craftwork of the women of the pioneer families. The Risstrom family were early settlers in Moorabbin Shire.A lady's, fine, voile camisole with embroidery and pink ribbon insert.clothing, pioneers, dressmaking, market gardeners, early settlers, craftwork, moorabbin brighton, risstrom lorna

Early settler women used their dressmaking and craft skills to make clothing and homewares for their homes and familiesA pair of white cotton pillowslips with pin-tucking and broderie frillclothing, brighton, moorabbin, linen, pioneers, haberdashery, dendy henry, market gardeners, dressmakers, craft work, risstrom lorna

Typed blue page titled Telephone Index. It has the name and number of various people and offices. Piece of white paper attached has the name , address and number of Norm Harris. Also two blank pages ruled into columns for Agents, Cows & Calves, Springing Heifers, Steers and Unjoined Heifers.bendigo, council, cattle markets, bendigo saleyards collection - telephone index, abbott mavis, adams jeff, allen geoff, ashby ann, bailey marilyn, bailey paul, barton bill, bentley barry, betts maurie, breen terry, bruhn kurt, bullen tracey, burton ray, cairns ross, cameron norm, campbell, colin, canfield carol, davison rod, eisfelder christine, elvey marg, erwin marg, flavell rod, frost ian, frost peter, gill robert, gillam stan, gladstone peter, green barry, griffith julie, guy linda, harvey glenn, hockings heather, holland kristine, huddle terry, ireland sandy, ivetic marko, johnson ian, kerr glen, lakey phil, leach sue, mace bernadette, maguire geoff, mccluskey neville, mckindley stan, mensforth jim, michelson alan, o'brien ray, oberin keith, phillips russell, plumkett debbie, powell cyril, power reg, preece john, pretty meryl, quigg jock, robson jackie, rogers ron, rosen andrew, shanahan peter, shurey mark, smart debbie, spedding christine, spence garry, standen peter, stannard janine, stewart david, stuart karen, telford sue, thomas michelle, thornton lorna, wallace ian, williams kaye, wilson john, wood craig, wrigley neal, yanner ken, young alan, young daryl, norm harris

Newspaper cutting titled Plaque honours miners. A plaque commemorating the contribution Cornish and German miners made to the Bendigo region was unveiled by Member for Bendigo West, Bob Cameron. The ceremony was held in New Chum Reservebendigo, history, long gully history group, the long gully history group - plaque honours miners, bob cameron, german heritage society, bendigo cornish association, lorna erwin, the long gully history group, the city of greater bendigo

Congues and Mowlam families Images of two families who lived in Cruikshank Street from the 1930s to 1950s. .13 - St Joseph's debutantes with partners, 1947 families, congues family, mowlam family, barbara gardiner nee hegarty, elva mason nee mowlam, pat frisby nee mowlam, carmel mowlam nee congues, albert 'tich' mowlam, william (bill) hegarty, russel hegarty, marlene mcpherson nee hegarty, graham taylor, beverley horton, peter congues, john (johnnie) congues, moira congues, gus congues, leo congues, noel congues, ruby congues, walter congues, ray congues, ollie congues, vin congues, myrtle congues, maisie congues, molly congues, margaret congues, lorna congues, denis 'dinny' congues, con frisby, joyce laidlow davis, joan bath, lorraine murphy, shirley mallet, pat ryan, carmel mills, mary dawson, shirley payne, ilena burke, gavin harrison, george cunningham, queenie cunningham, judith cunningham, norma davis, jack davis, charlie harrison, religion - roman catholic church (st josephs)

non-fiction An illustrated exploration of what postmodernism has come to mean in the context of contemporary art movements in the late nineteenth and twentieth-century.neo-expressionism, postmodern feminism, postmodern multiculturalism, jenny holzer, sherrie levine, barbara kruger, sarah charlesworth, laurie simmons, cindy sherman, mary kelly, guerrilla girls, lorna simpson

Neville Barnes Obstetric Forceps have a cephalic and pelvic curve and are used for delivery of babies presenting as occipitoanterior. The left blade being put on first followed by the right blade – the baby is then pulled down until the occiput is under the symphysis, then pulled around. (RACGP)Neville-Barnes forceps with traction attachment and pouch. The forceps are nickle plated, and consist of two blades and an attachable axis traction handle. Pouch is made of denim and has a full length pocket insert. The edges of the pouch are bound with a narrow satin binding and machine sewn. The pouch is fastened with a press stud.obstetric delivery

Topacain is a surface contact anaesthetic for dental procedures. This object would have been used for dentistry procedures.A kit, containing a brass cartridge syringe with three cartridges. One cartridge [with red and white label lettering], contains eleven hypodermic needles. A second cartridge is labelled "Topacain".anaesthesia

Mayer type Ophthalmoscope with three speculum and magnifying lens cap. The handle of the ophthalmoscope is missing.

These forceps are used for nasal procedures involving turbinated bone. Luc forceps are similar in appearance to Dennis Browne's tonsil tissue forceps (see Felton, Grimwade & Duerdins, p. 130, Item 130/1, 1934 catalogue).Set of chromium plated nasal forceps with thru joint. Forceps heads are three sided.

These forceps are most commonly used for placing and removing instruments within a sterilization container. They were mainly used to remove smaller articles from gas and, later, steam sterilisers. Larger items, such as dressing trays, large bowls, and jugs, were removed with the larger Harrison's forceps. Cheatle forceps are also sometimes used as a type of dental forcep, to remove hot sterile instruments from the autoclave and place them into sterile pouches.Set of stainless steel forceps with screw joint. The upper blade has a curved 'beak' point, and the lower blade has a square tip. Inner aspect of upper blade is inscribed 'Allen & Hanburys Ltd England 99'Allen & Hanburys Ltd England 99forceps

Very similar in appearance to a Sumner lid retractor. The handle of the speculum has a curve to accommodate the index finger, whilst the ball of the thumb rests on the spring. This speculum is used for 'Smith's operation' of the eye, which treats cataracts. Eye retractor. Made of fine metal wire and gold plate, with retractor arm and one screw.

This instrument is part of the tonsillectomy set. Mouth gags are used to keep the patient’s mouth open during oral surgery, leaving both hands of the surgeon free to operate. The Boyle Davis mouth gag consists of the Davis gag, a frame that serves to hold the mouth open and the Boyle tongue depressor to hold the tongue down. The tongue depressor comes in several sizes, from pediatric to adult. The instrument is assembled by sliding the tongue blade into the frame. The mouth gag is held in position using the Draffin bipod stand. (Entworld)White metal mouth gag [254.1] and tongue depressor [254.2] set. There are small leather fittings on the ends of each item. The mouth gag is roughly horseshoe shaped and attached to a metal support with a small lever, which also allows the tongue depressor to be attached and withdrawn. The tongue depressor is a straight metal blade which is bent and curved at either end.

Metal tongue depressor with anaesthetic tube attachment. Consists of proximal and distal blades, and a blade shaft. "4" marking on the upper distal end of the blade. There is a short metal tube alongside the proximal flange, attached to the upper section of the flange, which is turned inwards and down with a small bulb on the end. Plastic or rubber tubing can be attached to this bulb. There is a smaller rounded flange at the distal end of the shaft.

This particular type of tongue blade comes in sizes 2,4,6, and 8 and can be easily fitted to the Boyle Davis mouth gag.Metal tongue depressor, metal with a metal tube and nozzle attachment. Consists of a shaft and two metal sections at right angles to the shaft. Distal section is turned inwards to act as a lever. Proximal section is shaped as a flange with multiple serrations on the underside. There is a small metal tube attached along the entire length of the flange. The tube is turned downwards at the junction of the flange and the shaft, with a small bulb at the end. A small piece of tubing can be attached to this bulb.

In the 1950s and 60s, Ferguson's bone cutters were used by obstetricians to remove the foreskin during circumcisions. The scoring on the handles is to prevent the tool slipping in the user's grip when in use.Metal bone cutter, with hand grip scoring on outer arms. Similar in appearance to pliers, with short cutting blades.circumcision

Tourniquet, consisting of woven fabric belt, central metal buckle and fastening buckle. The fabric is pulled through the central metal buckle on both sides and is secured to fastening buckle at one end. Teh belt is made of a closely woven material, possibly cotton.