Metal plate photographic negative image of unknown man. Metal plate fixed to wood block. Materials: Wood, Metaltennis

Metal plate photographic negative image of two female tennis players and another man and woman all standing on a tennis court. Metal plate fixed to wood block. Materials: Wood, Metaltennis

Metal plate photographic negative image of 1960 Davis Cup team. metal plate fixed to wood block. Materials: Wood, Metaltennis

Metal plate photographic negative image of Donal Ferguson. Metal plate fixed to wood block. Materials: Wood, Metaltennis

Metal plate photographic negative image of a T.E. Robinson. Metal plate fixed to wood block. Also states 'L. Tennis Annual Report'. Materials: Wood, Metaltennis

Metal plate photographic negative image of a Mr. Edwards. Metal plate fixed to wood block. Materials: Wood, Metaltennis

Metal plate photographic negative image of 1964 Davis Cup team. Metal plate fixed to wood block. Materials: Wood, Metaltennis

The queen bee cage is designed to hold a queen bee, and up to three or four escort worker bees. The design allows for adequate ventilation, and has a spot for 'queen candy' -candied honey- to block one end. The queen is placed in her new hive inside the cage, and once the queen candy has been eaten through -allowing her access to the hive- the hive has become accustomed to her smell and accept her. Bees could be sent through the post in this cage. Used by a beekeeper and provided by Mr Richard Diss (beekeeper's son). The cage is significant because it was made with metal and wood. The more contemporary cages are now plastic and of a different design and specifications.Mesh cage stapled over wooden lid with metal strut and top and bottom metal bands. Base is larger than lid. Lid has metal cap.queen cage, nursery cage, bee travelling, mailing bees, beechworth honey, beekeeping

The queen bee cage is designed to hold a queen bee, and up to three or four escort worker bees. The design allows for adequate ventilation, and has a spot for 'queen candy' -candied honey- to block one end. The queen is placed in her new hive inside the cage, and once the queen candy has been eaten through -allowing her access to the hive- the hive has become accustomed to her smell and accept her. Bees could be sent through the post in this cage.Mesh cage stapled onto top and bottom metal bands. One metal strut running between top and bottom. Base is metal, larger than lid. Lid is wooden, with circular hole.cage, queen, bee, transport, queen bee cage, beechworth honey

These beeswax moulds are second-hand bread tins from a baker. Beekeepers would re-use anything suitable for melting blocks of wax, this is an example. These weren't so good, the wax was a bit hard to get out.Metal rectangular tub, joined on one side to identical tub. No lids. Rusty, shows use wear. metal, mould, beeswax, beeswax mould, beechworth honey

These shoes were worn by Emily Cock (nee Smith), the daughter of wealthy early settler John Matthew Smith. From 1856 until 1931 the Smiths lived at 'Castlefield', a mansion on a vast estate that at one time stretched along South Road from Bluff Road to Hampton Street. The land was gradually subdivided, and the house is now a part of Haileybury College. Julien Mayer was a French ladies shoemaker and prolific exporter who advertised his successes on the shoes themselves by stamping the soles with details of the prizes he had won.Pair of black kid leather shoes with low block heel, decorated with pink silk, cut-away applique and embroidery. Pink bow with metal clasp on one shoe; missing from the other. Edged with pink silk ribbon binding, largely deteriorated.Sole embossed with "MAYER / Julien / à Paris", in addition to tamped with three small medallions proclaiming the awards the shoemaker won in London in 1862, Porto in 1865 and Paris in 1867. Handwritten in interior sole of T0124.2 in pencil: "Emily Smith / Castlefield"emily smith, castlefield, shoes, 1860s, applique, embroidery, julien mayer

A silver, square clock with words"1MHOF swiss". Raised, golden dots indicate time blocks. Stored in a blue box, this travel clock could be propped up when the case was opened. Metal clock housed inside blue travel case1MHofassistive devices, swiss

A golden, red and white clock in the shape of a circle. Raised dots indicate time blocks. There is a golden stage attached to the clock. On the face of the clock, the make of clock is unclear, at the bottom of the face of the clock are the words 'alarm 8 days'.Metal clock with Braille and printed numbersassistive devices, swiss

From 1979, the John Wilson Award was awarded to individuals who made a significant difference to the lives of those around them. In 1980, it was presented to Sister Elizabeth Lindsay, who cared for children in the RVIB from 1935 until 1945 as the first Matron of the RVIB nursery, and her guardianship of one particular child, whom she took in and cared for.1 wooden block with two metal insertsAssociation for the Blind The Guiding Light John Wilson Award for sustained devotion and personal contribution to the blind Presented to Elizabeth Inez Lindsey 10th October 1980association for the blind, sister elizabeth lindsey

This shorter white cane for a child with detachable, rotating ball tip, is more than just a stick that is used to alert others that they are blind or an early warning signal that a pathway is blocked. A cane actually allows a child who is blind access to four major developmental areas that are impacted the most due to the disability. A cane is a developmental tool that is imperative in neuro-development, sensory development, physical development, social development and emotional development of a child. 3 metal/plastic pieces joined together with an elasticized cordassistive devices, orientation and mobility

From 1979, the John Wilson Award was awarded to individuals who made a significant difference to the lives of those around them. In 2000 it was presented to Neil and Elizabeth Maxwell who have contributed over 40 years of service to blind sports (cricket, bowls, swish), governance (with various auxiliary and council positions), fundraising and public awareness.1 wooden block with two metal insertsVision Australia Foundation John Wilson Award for sustained devotion and personal contribution to people who are blind or vision impaired Neil and Elizabeth Maxwell 6 October 2000association for the blind, neil maxwell, elizabeth maxwell

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This cane basket was used at QBIC for transporting heavy items. The side has been reinforced with wood and four metal bands to help the cane keep it's shape and take the weight of heavy items. The base has two pieces of board and rotating wheels are attached to the middle of the lower board which allows it to sit above ground level and be wheeled over flat surfaces. A rope handle is attached to two sides as well.1 deep cane basket with two wheelsQBIC Industries - Asset Number: 1430-1 Description: Push Trolley 7 Location: 18R Block Cane Shop employment, qbic industries

The H. & L. Hecht Trust was established in 1970 to provide support for community development projects. One such project was the establishment of a Low Vision Aids Clinic at Kooyong, so that people with low vision had access to the devices and equipment that could assist them. The tablet reads: The establishment of this Low Vision Aids Clinic was made possible through the generosity of the trustees of the H. and L. Hecht Trust. Underneath this, on a wooden block upon which the tablet had been placed, This tablet was transferred from the original Low Vision Clinic.Digital image of metal plaque on boardassociation for the blind, h & l hecht trust

A brown wooden award with two columns supporting an upper platform, upon which rests a wreath on a block of wood. Between the columns another block of wood, with the Lions International badge upon it, acts as a base for a circle containing a picture of two crossed rifles upside down with a target between them. Winners inscribed on individuals metal plates: 1973-74 H. Glen, 1974-75 P. Teague, 1975-76 H. Glen, 1976-77 S. Harkensee, 1977-78 J. Scholtz, 1978-79 J. Bloomer, 1979-80 J. Musgrove, 1980-81 R. Teague, 1982 M. James, 1983 S. Harkensee, 1984 H. Parson, 1985 M. James.Wooden rectangle topped with a plastic wreath and tarnished silver plates inscribed with winner namesThe Forest Hill Lions Club Perpetual Trophyroyal victorian institute for the blind, rvib rifle club

Plate advertising Hugh Jeffrey as a teacher, listing his qualification and specialisations of piano, violin and vocal harmony. After graduating from Melbourne University with his Bachelor's degree in music, he began teaching at the RVIB school.1 metal plate attached to painted wooden blockHugh Jeffrey Mus. Bac. Piano, Violin, Harmony, etc.nameplate, hugh jeffrey

The rectangular weight is rectangular in shape and made of concrete and metal. A closed metal hook is attached to the concrete block, which is encased in metal, and a section of rope is attached. It was used as a counter weight on a canopy that operated as part of a winch located at the [east] landing deck … Originally there were four weights that formed part of a fibreglass canopy which consisted of a staunch, pulley and a rope so when you lifted the canopy up, the weights on either side countered the weight so objects could be moved. The weights were installed in the 1970s and were dismantled along with the winch in the following decade.The weight has first level contributory significance for its provenance and historical value as a component of an earlier apparatus that was used for hoisting goods at the lightstation sea landing.2 x Rectangular shaped weight with with closed hook embedded in concrete surrounded by metal. A section of rope is attached to the hook.

As quoted from Wikipedia, ‘An anvil is a block with a hard surface on which another object is, struck. The block is as massive as it is practical, because the higher the inertia of the anvil, the more efficiently it causes the energy of the striking tool to be transferred to the work piece’. The lightstation’s anvil is a red-painted iron block with a conical beak or horn at one end that was used for hammering curved pieces of metal. It would have stood on a heavy free-standing pedestal, such as a large tree stump, to allow complete access to the item being hammered. Some anvils display the manufacturer’s name in the metal on the side, but this is not the case here, and its age, although unknown appears to be quite old, perhaps c.1900. It appears to have had a lot of use, and although no record of this survives, it is presumed that a forge operated on site for hammering, cutting, shaping and repairing tools such as bolts, nails, hooks, chain segments, pulley blocks, hinges, crow bars, picks, chisels, horseshoes and harness hardware. A hames hook (which forms part of the collar worn by a draught horse) survives at the lightstation as do many other heavy metal tools and pieces of equipment. The anvil is an example of the necessary resourcefulness and self sufficiency practiced by lightkeepers working and living in a remotely located workplace and home, and many of the iron items in the collection may have been repaired or even made on its working surface. As a lightstation manager Chris Richter used the anvil to manufacture pulley blocks for sash windows, repair brass door hinges & sharpen cold chisels, crowbars and picks and other lightkeepers have used this anvil for many fabricating jobs such as manufacturing ducting for the generator room ventilation system."The lightship only came in every three months with supplies and there would have been repairs to do between visits from a blacksmith - who would have had to travel on the ship. Also, the ship was only anchored in the bay long enough to unload supplies and collect and deliver lightkeeping staff – probably not enough time to get much smithy work done – especially if the weather packed it in and the ship had to depart. Lightkeepers in our time had to be self sufficient, resourceful and innovative and I imagine that would have been the case in the past." It has second level contributory significance.Red painted blacksmith's anvil.