These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt

These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt

These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt

One of a set of drawings of the National Wool Museum by David WilliamsPen and ink drawing of a shearer shearing in a woolshed, part of the shearing exhibition in Gallery 1, the National Wool Museum, Geelong. By David Williams.David Williams '90 9national wool museum

This photograph is of Robert O'Hara Burke (6 May 1821 – c. 28 June 1861) who was an Irish soldier and police officer who achieved fame as an Australian explorer. He was the leader of the ill-fated Burke and Wills expedition, which was the first expedition to cross Australia from south to north, finding a route across the continent from the settled areas of Victoria to the Gulf of Carpentaria. Prior to leading this expedition, Burke was the superintendent of Police in Beechworth from 1858-1860. The Robert O’Hara Burke Memorial Museum was named in honour of Robert O’Hara Burke after his death at Coopers Creek in 1861 during expedition. This particular image of Robert O'Hara Burke features on the 'Pioneer Board' which is currently on display in the Museum. Black and white rectangular copy of a photograph. Image is printed on gloss photographic paper and has a white unprinted boarder. Reverse: 34 / Photo credit: Burke Museum / BEECHWORTH / 46% /robert o'hara burke, pioneers of beechworth, pioneer board, beechworth, police superintendent

Design based on the Electric Supply Co of Victoria tokens. Used by the Museum as a fare payment mechanism or system. With the use of coins or banknotes being phased out and replaced by digital means, it is not possible for the traditional fare payment system to be demonstrated by conductors or tram crews. Maintains the mechanism or practice of exchanging a "coin" for a tram ticket. Visitors pay an entry fee at the new Museum and are given a token for each person. When ready for a tram ride, each passenger gives the token to the Conductor or Driver who issues a paper ticket. Tokens are: Green - 1/- Adult, blue - 6d - Child, red - 3d - concession, purple 1d - members and guests, and orange - no value - baby or under 4. Also maintains the traditional system of conductors accounting for tokens (or cash) and the number of tickets issued.Demonstrates a fare payment system that maintains a strong interpretative link to traditional methods for visitors.Set of 5 plastic fare tokens used by the Ballarat Tramway Museum manufactured during 2021. Four of the tokens have a fare value on one side and the Museum's pictogram and name on the rear. Made by CombiCraft Bundall Qld.trams, tramways, ballarat, tokens, fares, tickets, btm

This series of photos all depict Burke Museum curator Beryl Witkowski. The invitation was created in 2005, the other photographs seem to be throughout Beryl Witkowski's career, however it is not possible to determine exactly what date they are from. The photographs show Beryl in front of the main museum building, standing beside exhibits, receiving awards and holding antiques.This series of photographs are centred around the Burke Museum curator Beryl Witkowski. The collection consists of an invitation that features mid-2000s photo editing and numerous photographs of Beryl throughout her career. The invitation provides artistic/ aesthetic significance for its interesting photo editing technique, as photo editing was becoming increasingly popular during this time. Socially, the collection of photographs are significant to the community of Beechworth and to the Burke Museum. As a curator Beryl would have had significant influence over the running and display of the museum, therefore having photographic evidence is a way for the community to reminisce and connect.Some coloured and some black and white photographs printed on paper.7599.1 Obverse: You are invited to Beryl's Bash, 'for her sins, 30 year's at the Burke' 2 December, 7pm-10pm, 2005 at Robert O'Hara Burke Memorial Museum, RSVP to Burke Museum, 03 57 28 8067 / 7599 7599.1 Reverse: and Christmas Party at the Burke Memorial Museum on 2 December, 2005 7-10pm, RSVP to the Burke by 29th November / 7599 7599.2 Obverse: Library Burke / Burke Museum / Open 10am- 5pm 7599.2 Reverse: Burke Museum / Robert O'Hara Burke Memorial [Mus]eum / Exhibitions / Notices / 1856 7599.3 Obverse: Newsagent / Est. 1853 / (illegible) invitation, christmas party, staff party, burke museum, beechworth, beryl witkowski, 2000s, employees, curator, celebration, 2000s photo editing

A poster to advertise the Centenary of Armistice Ceremony to be held at the Schwerkolt Cottage & Museum Complex on 11 Nov 2018 beginning at 10.40 am.A poster to advertise the Centenary of Armistice Ceremony. schwerkolt cottage & museum complex, world war 1914 - 1918

Consultant Brief seeking tenders for a feasibility study on whether or not to extend and upgrade the Schwerkolt Cottage, Museum and equipment display with concept designs as required. Includes a proposed staging budget. Consultant Brief seeking tenders for a feasibility study on whether or not to extend and upgrade the Schwerkolt Cottage, Museum and equipment display with concept designs as required. Includes a proposed staging budget. sustainable development, schwerkolt cottage and museum development, city of whitehorse

Illustrates the Museum's tram No. 26 running in Flinders St Melbourne during the 1982 Australia Day Pageant on 1-2-1982. Has the Gas & Fuel, the Herald Sun buildings in the background. The tram has a Twin Lakes sign.Yields information about the operation of Museum trams in Melbourne during special event days.Digital Image of Museum tram No. 27 in Flinders St during the 1982 Australia Day Festival.australia day, trams, tramways, btm, btps, flinders st, tram 27

This work covers the history of the building that houses the Navarre Museum. From its construction as the Presbyterian Church through to the present day.Clear Palstic cover over white page with black print and colour photgraph of a buildingNavarre Museum An Historical Sketch A Work In Progress of the Navarre & District Historical Society Inc.stawell

This photograph on an iPhone 4 during the Museums Australia (Vic) Conference at the National Wool Museum, Geelong. Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (http://www.geelongaustralia.com.au/nwm/about/article/item/8cbcc313afa77a5.aspx)Photograph of a timber lectern used to auction wool in Geelong. It is found in the auction room on the top floor of Geelong's national wool museum.wool, geelong, auction, auction room, national wool museum

This is a photograph of two people (James Toole and Beryl Witkowski) amid celebrations for St Patrick's Day at the Burke Museum in an unknown year. St Patrick's Day is traditionally an Irish religious holiday, but has been adopted in countries such as Australia to celebrate an idea of Irish culture. These celebrations often include wearing green clothes, especially a shamrock hat, and drinking beer, all pictured here. This celebration appears to be taking place within the Burke Museum itself, with museum's iconic stained glass oval window in the background. The Museum, situated in Beechworth, holds a collection of over 30,000 individual objects - including this photograph. James Toole (left) was the 'face of the Beechworth Post Office' until his retirement in 2015, following a 45-year career in mail service. He is a Friend of the Burke Museum, volunteering on projects such as crafting the Burke Museum's float in the 2018 Beechworth Bakery and Beechworth Honey Grand Parade at the Golden Horseshoes Festival. He is known for his flamboyant character. Beryl Witkowski (right) was a historian and curator for the Burke Museum, retiring from her position in 2016. She was involved as a Friend of the Burke Museum from at least 2004.This photograph is significant to the Burke Museum and Beechworth as it depicts two prominent, contemporary members of the museum's paid and volunteer staff in the museum itself. It highlights both how the staff interacted with the museum through celebrations and how the museum itself was used in capacities other than object display. The photograph can also be used to interpret Australia's relationship to the St Patrick's Day holiday, especially given the presence of Irish immigrants to the Beechworth area in the nineteenth century.A colour, square photograph printed on rectangular photographic paper.First Card: WITKOWSKI, Beryl / TOOLE, James / BMM 3067 / Databased Second Card: Burke Museum / 3067 /burke museum, beechworth, museum staff, celebrations, st patrick's day, beer, australia, st patrick's day celebration

Set of 11 annual reports, organisational notes or information for TMSV (Tramway Museum Society of Victoria), duplicated sheets on foolscap, A4 and A5 paper. "TMSV Circulars, reports and invitations" 1 - Annual Report - 1972 2 - Annual report - 1974 3 - Newsletter - 12/1972 4 - sales sheet - 1972 5 - Membership application - c1970 6 - subscription form for Running Journal - c1972 7 - Museum membership general note - c1971 8 - Advert for Tramway Exhibition at Tramway Hall - 28/2/1971 9 - Invite to a dinner and guest speaker Ken Hall 10 - Advert to purchased the 3rd edition of Destination City 11 - pamphlet seeking donations - c1973trams, tramways, tmsv, reports, museums, bylands

As part of the National Trust's Australian Heritage Festival 2021, the Kew Historical Society and the Villa Alba Museum collaborated to mount a fashion and design exhibition. The theme of the exhibition took its focus from the year-long program at the Museum featuring the use of flowers in design. The walls and ceilings of the house are notable for their use of floral and narrative painted decoration produced, in the early 1880s, for William and Anna Maria Greenlaw by the Melbourne art decoration firm the Paterson Brothers. The examples of fashion and design from the collection of the Kew Historical Society were located on the ground floor of the house: in the drawing room, dining room, morning room and in the vestibule, or ballroom as it was sometimes described in nineteenth century newspapers. The exhibition was supported by the City of Boroondara through Triennial Operational Grant funding for the Kew Historical Society and the Villa Alba Museum.Series of photographs taken by Mitchell Luo Photography of exhibition pieces in situ at the Villa Alba Museum in May 2021.textiles in bloom, exhibitions — villa alba museum, australian heritage festival 2021

This photograph shows the entrance to the newly-opened Aitken Gallery of the Kett Optometry Museum, located on the first floor of the Australian College of Optometry.Digital photograph of the entrance of the Kett Optometry Museum's Aitken Gallery. The signage is accompanied by a display of eye baths and ointment pots

Photo shows the horse drawn MMTB cable drum carrying wagon at the TMSV Museum at Bylands, mid 1970s. Has the MMTB identification, address and mass details painted on the vehicle. Behind the wagon is a Furphy water cart. Used to carry and distribute cable including overhead. Photo of the vehicle can be seen on page 68 of the book Destination City 3rd Edition.Yields information about the MMTB cable drum carrying wagon at Bylands.Photograph - MMTB horse drawn cable drum wagon at the TMSV Bylands Museum On rear in ink. TMSV – Horse drawn cable drum wagon at Bylands (Also Furphy water tank), Keith Kings photo. tramways, tmsv, bylands, horse drawn vehicles, overhead, cable drum

Coloured Photograph of the laundry display in the Museum Annexe of the Museum.museum, schwerkolt cottage & museum complex

This was used as the Orbost Historical Society's visitors' book for the Orbost Museum.This book records those who have visited the Orbost Museum. It indicates where they are from and their thoughts about the museum.A large album with a brown cloth cover. There is gold lettering on the front cover - Visitors Book.ORBOST HISTORICAL MUSEUM Opened on December 1st, 1967 by Hon. Peter Nixon M.P., Minister for the Interior.visitors-book orbost-museum

Handwritten letter relating to the loan of 'native weapons' from the Ballarat School of Mines Museum for exhibition at the Missions Exhibition on the Melbourne Exhibition Building. 46 Sturt Street Ballarat 19-6-14 Dear Mr Fenner Will you be good enough to give Mr Vickary some native weapons from the museum for a show at the missions exhibition being now held at the Exhibition building. Yours truly W. Middletonballarat school of mines museum, aboriginal, aboriginal weapons, melbourne exhibition building, missions exhibition, middleton, fenner, vickary

This card was produced in 1889 to advertise the Warrnambool Museum which was shifted in April 1889 from its original site in the Mechanics Institute in Liebig Street to the old Warrnambool courthouse in Timor Street. ( This building no longer exists.) The Museum remained in Timor Street until 1912 when it went back to the Mechanics Institute until its closure in 1963. The Museum was founded in 1883 by the retired Police Inspector Joseph Archibald. The card shows that the museum was open three afternoons per week and was asking for donations. The pencil writing at the bottom of the card is Joseph Archibald's writing. This card is of considerable significance as it is an original document and an important memento of the old Warrnambool Museum, a much loved institution in Warrnambool for 80 years.A piece of light card with a decorative border and black lettering. It is torn on the edges and water stained. The base has been cut for its insertion into another folder. There is pencil writing at the bottom of the card, WARRNAMBOOL MUSEUM 1883 Edward Henty arrived at Portland in the " Thistle" schooner 68 tons 19th November 1834warrnambool museum, mechanics institute, warrnambool courthouse

A talk given by Patty Boxhall on 17 Aug 2019 at a WHS meeting about the history of museums and collections and the process relating to the donation of artifacts to the W.H.S.A talk given by Patty Boxhall on 17 Aug 2019 at a WHS meeting. museum, boxhall, patty, whitehorse historical society

This copy of the book is personally signed and dated by the Curator of the first Warrnambool Museum, which was also the Warrnambool Public Library. This copy also has many hand written notes in the margins. This little book is one of only 1000 books published of the original Queen's Jubilee Edition. It spans fifty years of the history of Warrnambool from the time that the first Government Land Sales commenced. It also deliberately coincides with the 1887 celebrations of Queen Victoria's Jubilee Year of her ascension to the British Throne. The book is an invaluable reference for researchers of local Warrnambool history and has been used as a textbook and reference book for local students. After the closure of the Warrnambool Museum, the book was held by the Warrnambool City Council until, in 1974, it was transferred to the newly established Flagstaff Hill Maritime Museum and Village. The author, Richard Osburne, (1825-1895) was born in Australia. He moved to Warrnambool in 1847 as the first local Journalist. In 1851 he founded the Warrnambool Examiner newspaper which he operated until the end of 1880. Osburne was much involved in civic and community affairs of the town, and he set himself the task of recording the history of the city's early pioneers. In the introductory pages of the book the author refers to himself as "The Father of the Warrnambool Press". Only 1,000 copies of this edition of the book were printed. In September 1980 a facsimile edition was printed with the addition of illustrations from the period, an index and relevant annotations by local historian T.A. Wicking (Tom Wicking). This later book was named the Premier Town Edition, due to Warrnambool being awarded the title of Premier Town in Victoria in 1979-82 by the Premier of Victoria; it also received the inaugural award in 1959 and a later award in 1988-91.This book has strong significance for being signed in 1887 by Joseph Archibald, the Curator of the first museum and library in Warrnambool, the Warrnambool Museum. It is also significant for the annotations added to many of the pages, perhaps for the Facsimile edition that followed many years later. This book is rare. It is one of only 1000 copies printed, and one of three in the Collection of Flagstaff Hill Maritime Museum and Village. The book was dedicated to the early colonists as well as to the new arrivals by the writer, Richard Osburne, who entitles himself as "The father of the Warrnambool Press". The content of the book is invaluable as a reference for Warrnambool and District's local history in its early colonial and pioneering days. It provides the information that helps in an understanding the foundation that the city was built on, connecting the people of today to the pioneers of the past.The History of Warrnambool: Capital of the Western Ports of Victoria, From1847 up to the end of 1886 (when the first Government Land Sales took place) Author: Richard Osburne, "Proprietor of the Warrnambool Examiner from 1851 to the close of 1880" Publisher: The Chronicle Printing and Publishing Company Limited Date: 1887 (MDCCCLXXXVII) (Roman numerals are covered in tape) Edition: Original: Queen's Jubilee Edition Black fabric covered hardcover book with embossed gold titles on spine and front cover. Inscriptions include stamps and handwriting. It once belonged to the Warrnambool Public Museum and is signed by the first Curator, Joseph Archibald, in 1887. The first fly page has a message to the readers, as shown in the Inscriptions of this record. Many of the pages in this book have handwritten notes in the margins and within the text and some of the lines are crossed out.Handwritten: "Warrnambool Museum" Signed: "J Archibald / 1887" Stamped: "WARRNAMBOOL PUBLIC MUSEUM" Printed on fly page: "PRICE, FIVE SHILLINGS" First fly page: "THE QUEEN'S JUBILEE EDITION. TO OLD COLONISTS AND YOUNG AUSTRALIANS, OR NEW ARRIVALS, THIS HISTORY OF THE RISE AND PROGRESS OF THE CAPITAL OF WESTERN VICTORIA, IS DEDICATED AS INTERESTING AND USEFUL, BY "THE FATHER OF THE WARRNAMBOOL PRESS" RICHARD OSBURNE."warrnambool, shipwreck coast, flagstaff hill, maritime museum, maritime village, the history of warrnambool, richard osburne, osturne's history of warrnambool, queen's jubilee edition, 1847-1887, warrnambool history, the chronicle printing and publishing company, capital of the western ports of victoria, first government land sales, warrnambool examiner, five shillings, warrnambool's first reporter, warrnambool public library, 1887, 1979, premier town, premier edition, queen's jubliee, queen victoria's jubilee, western ports of victoria, 1847, government land sales, chronicle publishing and printing co., 1000 copies, t a wicking, old colonists, young australians, new arrivals, rise and progress, capital of western victoria, interesting and useful, the father of the warrnambool press

Photographed at Tatura Museum of 50th anniversary of Templers return.Black and white photograph of the inside of the Museum. Dieter Ruff and Mrs Lilo Thaler standing inside the mock hut celebrating the 50th Anniversary, September 1991.tatura war cemetery, templer society, 50th anniversary templer internees, dieter ruff, mrs lilo thaler

One of several books donated to the Museum from the Launceston Institute of TAFE Library, after dispersal of its collection of technical books.One of several books donated to the Museum from the Launceston Institute of TAFE Library, after dispersal of its collection of technical books.For Kelsall & Kemp (Tasmania) Limitedtextile production textile research textile testing, textile institute society of dyers and colourists, hallam, ms janet - launceston institute of tafe, textile production, textile research, textile testing