Bendigo Operatic Society ''The Boy Friend'' at the Capital Theatre, View Street Bendigo for Five Nights Commencing 24th November 1967. Producer: Mr. Cid Ellwood - Musical Director: Max O'Loghlen - Assistant Producer, Ballet and Wardrobe Mistress: Madge Welch - Society Pianist and Chorus Mistress: Gwen Grose. Cast in Order Of Appearance: Gwenda Tennant as Hortense - Carol Mills as Maisie - Sue Jarvis as Dulcie - Anne Pearson as Fay - Rhoda Jenkin as Nancy - Patricia McCracken as Polly Browne - Douglas Sayle as Marcel - Ferd Lorenz as Pierre - Ian Unmack as Alphonse - David Young as Bobby Van Husen - Heather Lindhe as Madame Dubonnet - Bert Donovan as Percival Browne - Terry Carr as Tony - Fred Trewarne as Lord Brockhurst - Ann Ball as Lady Brockhurst. There are two copies of this booklet.program, theatre, bendigo operatic society

The Supermarine Spitfire is a British single-seat fighter aircraft that was used by the Royal Air Force and other Allied countries before, during, and after World War II. No. 243 Squadron was a flying squadron of the Royal Air Force. Originally formed in August 1918 from two flights that had been part of the Royal Naval Air Service, the squadron conducted anti-submarine patrols during the final stages of World War I. The squadron was later re-raised during World War II, operating initially as a fighter squadron in Malaya and Singapore during 1941–42. It was briefly disbanded just prior to the fall of Singapore, and was re-formed in mid-1942, again as a fighter squadron, and fought in the Tunisian and Italian campaigns in 1942–44, before being disbanded in October 1944. In 1945, after training on transport aircraft in Canada, the squadron moved to Australia where it operated in support of the British Pacific Fleet before disbanding in mid-1946 Spitfire, also called Supermarine Spitfire, the most widely produced and strategically important British single-seat fighter of World War II. The Spitfire, renowned for winning victory laurels in the Battle of Britain (1940–41) along with the Hawker Hurricane, served in every theatre of the war and was produced in more variants than any other British aircraft.Brown timber frame with white mount containing photograph of fighter plane in sky.Spitfire by Barrie A F Clark (signed) Vickers Supermarine Spitfire Mk VB of 243 Squadron Royal Air Force 243 squadron royal air force, spitfire

Her Majesty’s has been a central part of the cultural life of Ballarat since it first opened its doors in 1875. Australia’s best preserved theatre building, it has been continuously used as Ballarat’s home of live performance ever since. It has been owned and operated by the City of Ballarat since 1987 and functions as Ballarat’s premier performing arts centre. The Theatre was first known as the Academy of Music, a name calculated to overcome religious and temperance scruples against patronising a “theatre.” The Academy had a flat floored auditorium suitable for dances and dinners, and a fully equipped stage. It was built to supersede Ballarat’s Theatre Royal (1858), which stood around the corner in Sturt Street, near where the Myer Department store sits today. While very grand, the Royal had become outdated and no longer met the technical requirements of the touring companies. The Academy was built by the wealthy Clarke family at the initiative of a group of local people who felt that Ballarat, as the premier city of the Victorian goldfields, should have a theatre worthy of its status. They guaranteed to rent it from the Clarkes at 10% of the construction cost, which was £13,000. The building of Ballarat’s handsome new theatre was supervised by Clarke’s architect, George “Diamond” Browne. It was ready ahead of schedule, and opened on 7th June 1875. The first production was a comic opera by the French composer Lecocq, “La Fille de Madame Angot,” presented by the Royal Opera Bouffe Company run by W. S. Lyster, Australia’s first opera impresario. Soon after the Academy opened, the large Supper Room above Lydiard Street was leased to William Bridges, a former miner, who ran it as an art gallery, displaying an excellent collection of European and Australian artworks, including his own tapestries. After Bridges moved his operations to Melbourne in 1883, the Ballarat Fine Art Gallery was formed. The Gallery Society ran the Gallery from the Academy from 1884 until 1890, when the present Art Gallery in Lydiard Street North was opened.Colour photograph of interior detail at Her Majesty's Theatre, Ballarat.her majesty's ballarat, theatre, performing arts, her majesty's theatre, academy of music, george browne

Illustrated book with dust jacket. Book has a marron cover with title, author and publisher's name embossed in gold on the spine. Front and spine of dust jacket has a black and white photograph: sick sisters on Lemnos. Title and authors name in black and red print on front and spinenon-fictionThis book investigates the contradictions, paradoxes and anomalies which have arisen for those assigned the role of army nurse. Financial discrimination saw the female captain in charge of an operating theatre in Vietnam being paid less than a male corporal working with her. Guns have replaced brooches as part of the nurses' uniform, as "total war" increasingly makes a mockery of the distinction between combatants and non-combatants.military nursing-australia, australian army nursing service, nurses, nursing

Illustrated book with green cover. Title and authors name are printed in white and black ink on front cover and spine. The VPNG logo is also printed on the front cover and spine. On the front cover is a black and white photo: "The theatre sister" by Julian Smith FRACS (1873-1947). On the back cover is information about the author, a summary of the book and the VPNG logo.non-fictionA history of the first fifty years of the Victorian Perioperative Nurses Group, as specialty group of the ANF and its aims to promote the professional, educational, recreational and economic interests of its members.victorian perioperative nurses group-history, operating room nurses-victoria-history, operating room nursing-history

Illustrated book with orange toned photograph of Miss Jane Bell (Lady Superintendent 1910-1934) with her nursing staff on retirement in 1934, with handwriting overlay on cover. Title and author's name appear in white print on front cover and spine. Hospital crest on base of spine.non-fictionThe story starts in the 1840's when Melbourne was a small settlement, and funds were raised to care for the sick and poor and interweaves the theme of nursing with the history of Melbourne and Victoria over more than 150 years. It also includes an appendix of all nurses who graduated (RMH and MSN - Melbourne School of Nursing) in the formal training years of 1890-1993.royal melbourne hospital-history, royal melbourne hospital-nursing-history, nursing-victoria-history, hospitals-victoria -history, melbourne school of nursing-history

Stathi Raftopoulos is pictured at his home cinema at his residence in Sylvander Street North Balwyn. In 1949 Stathi Raftopoulos imported the first Greek film into Australia, entitled 'Voice of the Heart'. It was screened at Nicholas Hall in Lonsdale Street. Stathis went on to become a travelling picture show man showing Greek films to the Greeks in regional centres around Australia. He later established a film distribution and exhibition company, The Cosmopolitan Motion Pictures, in partnership with Mr Panayioti (Peter) Giannoudis. With the advent of television in the 1950, former suburban picture theatres were being closed down. Stathi and Peter took over many of these cinemas to show imported Greek films to the post WWII burgeoning Greek community.A coloured photograph of a man seated on a red theatre seat in a home cinema. Posters, photographs and film memorabilia are displayed on the three surrounding wallsWritten on the back : 520/BAhome theatres, greek movies

The elderly female, Apostolo Raftopoulos, photographed with with her daughter (Anastasia) Tasia Florias and Tasia's then future daughter-in-law Joyia Raftopoulos. Joyia married Bill Florence (Vasili Florias). The male pictured, Bob Florence, is Bill Florence's brother. They were photographed in the village of Platrithia in 1949. Apostolo was from the Vrettos/Floria family from Kolieri/Exoghi and was married to Efstathios Raftopolous (Levendi). Bill and Joyia Florence are the parents of George Florence who owned and operated the Astor Theatre. George is a descendant of one of the early Ithacan families (Raftopoulos, Levendis) who migrated to Australia in the early years of the twentieth century and settled initially in Mildura. Other members of the family arrived later and eventually settled in Melbourne and opened businesses with in the CBD.A black and white photograph of a family group of a man and two ladies standing behind a seated older lady. There is a small house and trees in the back ground. The names of the people are printed across the bottom of the photograph.TASIA FLORIA, BOB FLORENCE, JOYIA RAFTOPOULOS/ APOSTOLO RAFTOPOULOU (LEVENTI)/ PLATRITHIA CA 1949