The Banyule Banner is published by Banyule Council to advertise upcoming events in the City of Banyule and to report on past events. This edition contains information on the Early Impressions - Painters of the Heidelberg Schools exhibition, reports on Council's major projects and capital works, and waste reduction and recycling..A record of events within the City of Banyule.24 pages, colour illustrations. banyule banner, banyule council

This type of mobile spring weighing scales were in high use before legislative Weights and Measure standards where in force throughout Australia. This was in a time when a "mans word and handshake" was his legal document. It was a time, especially in rural areas that the term "she'll be right" was extensively used and these types of scales (the accuracy over time) would produce a near "enough is good enough" measure. These scales are very significant for the rural produce within the Kiewa Valley. Rural produce such as hay milk and butter tubs,tobacco bundles could be easily weighed (in relatively smaller packages) for both markets and for use within the valley.This spring scale (!/2 Once to 4lb) was used as general weight scale. Because it is spring loaded the accuracy would fade over time and by over weighted loads. The spring enclosure is made from cast iron painter black. There is an iron ring at the top (attaching/holding) and an iron hook at the bottom (holding). There is a brass front plate with engraved markings(on the left side) running from top to bottom and a movable pin weight indicator running in the middle indicating the weight of the item being weighed.At the front top"SALTER'S SPRING BALANCE 4LB BY 21/2 OZ" underneath "No 1A" At the bottom in smaller print "MADE IN ENGLAND PATENT"weighing instruments, spring balances

Illustrated report on the launch of "Pioneers & Painters". In the accompanying illustration, L to R: The editor of the book, Mr Alan Marshall, is congratulated by the Shire President, Cr. G. C. Dreverman; Cr. C. M. Pelling, Chairman of the Eltham Centenary Publication Committee and president of Eltham Historical Society; Mr. P. Stansfield, chief librarian of the Heidelberg Regional Library; and Mr. M. B. Watson, shire secretary and vice-president of the Historical Society, who researched much of the material for the book.pioneers and painters, "alan marshall"

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Drawing Room, Tara Hall, circa 1957. A reception room in Tara Hall (previously named Byram, Goathland and Lowan). The room is presumed to be the original drawing room. In the La Trobe collection, there is a drawing by Charlie Hammond, depicting a group of painters who are gilding the elaborate stucco ceiling of this room. The drawing is dated 16 September 1889. The elaborate stucco decoration is characteristic of E. G. Kilburn’s late style. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "A sitting room, one of many handsomely decorated rooms at Tara Hall.( Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

Hand written letter. The names Carl Schroeder, Charles Norton, Eaglehawk Hotel, Highett Street at the top. The body of the letter the words: on Tuesday 19th December at Princes Hotel in UK parlor - present: self, Norton, Samuel Dennis (miner), Harry Johnson (draper) and Alfred Holeman (coach painter). We were playing dice (?). Norton came in - Everybody knows you are a thief. Note (?) a recanter of thinking (?), you are? liar. Apology by letter & pay expenses. On the back the names Schroeder and Norton.organization, business, h.a. & s.r wilkinson real estate

Pencil drawing from a sketch book by Walter Withers. Held by the National Gallery of Victoria. Featured on p82 of "Pioneers and Painters". The figure study is reproduced in Wither's 'The Drover' (1912) held by Bendigo Art Gallery. The model was Mr W. J. Capewell, the Eltham Butcher.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Print (x2)horse, pioneers and painters, sepp, shire of eltham pioneers photograph collection, sketches, the drover 1912, w.j. capewell, walter withers, walter withers sketch

Paul KLEE (1879-1949) Born Switzerland Paul Klee was a Swiss painter who trained at the Academy of Fine Art, Munich. From 1911 he was involved with the Blaue Reiter group at Munich, and the following year he took part in the Blaue Reiter exhibition.The lithograph depicts blocks of colour, and is framed in a blonde timber frame. Signed lower left 'Klee'. Edition 116/200feduni art collection, klee, paul klee, printmaking, blaue reiter, lithograph, colour lithograph

A period view of later 20th century waterside. Possibly MelbourneFrom the Artist website: "Born in Melbourne Australia in 1941, David’s early career began in etching and a 6-year apprenticeship at the north Melbourne Printing School of Graphic Arts to colour etching assisted in his future career as an artist painter. Many hand skills were learned such as hand engraving, lino and wood cutting also etching with zinc, copper and magnesium, later etching on film in lithography. David’s painting career expands many years of studying the art of watercolour painting and he has been involved in teaching his great love of this medium to painters both in Australia and overseas since the late sixties. He is involved in regularly tutoring for the Australian and International Artist magazine."Maritime ArtMatted framed and glazed watercolour painting of a waterfront with vessels and cranesArtist signature at lwr right corner On verso: number 31 in black ink / name and address of the artist written in black ink (top left corner) / sticker with number AMAA3053, name of artist, title of painting and number GFAM 047/ in pencil : GFAM 047waterside, docks, cranes, shipping, port, david k taylor, artwork, marine art, artwork-paintings

Alexander Black was a painter and decorator who operated a business in Timor St below Swintons. This ledger has entries which relate to work completed at the time including local names such as Coulsock, Landmann, McFarlane,Redford Allendale, McGennan & Co,Water Works Trust Wm Ardlie.This book lists a number of local names providing local social significance. Local handwritten ledgers such as these were commonly used by many businessesVery worn cardboard cover originally dark blue .with black binding. Rectangular in shape with lined pages. The front pages are filled with names and amounts.Dates range from 28/04/1900 to March 1922: Mr Alex Black Timor Street WarrnamboolLate Black & Eveleigh. White piece of paper has been pasted to front cover..Inside front cover warrnambool, painters and decorators, alex black, alexander black

This Series consists of VHS format video tapes accumulated by the Shire and also two Grundig cassette tapes recording a talk by Alan Marshall, author of Pioneers and Painters, delivered in 1969. Please refer to the attached spreadsheet page for further information about the videos and other materials in this collection.shire of eltham archives, series listing

A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are included in the Art Gallery of Ballarat Collection, Victoriasignificant as a work of art by modernist era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a landscape scene with large treeSigned: Glover-Fleay 32 Verso: Wind damage WIND DAMAGE Winchelsea Kildean

As part of centenary celebrations, portraits were commissioned of all previous presidents of the AAFB and AAB. William Quayle (1861-1910) was President of the Association for the Advancement of the Blind in 1905. His grand daughter Coral Graham lent some family photographs to help the painter capture his likeness.1 sepia and 1 black and white photograph of large group of family memberswilliam quayle, association for the advancement of the blind

The supreme court emblem dominates the room. Designed by Yvonne Holton the Herald Painter at the Court of Lord Lyon in Scotland. Depicted are the symbols of each nation under the jurisdiction of the UK supreme Court. The Omega symbol around the edge symbolises the 'finality' of the decisions mad win the highest court in the land.Honi Soit Qui Mal Y Pensesupreme court emblem carpet, supreme court, london, logo, heraldic device

The painter of the work is unidentified. While the frame was made in Brisbane, the artwork is likely to be European in origin. The framer, William Lewis Hamilton, trading as A.L. Hambleton is listed in a Commonwealth of Australia Gazette of 1917. (No.113) in an application for copyright. The donor's ancestors, who included a number of amateur artists, lived in Coorparoo, Queensland.Oil on canvas mounted in an elaborate gilt wooden frame. The painting depicts a donkey and chickens in a barn. Donated by Rosemary Vaughan-Smith. A label on the frame is partly readable. It indicates that the frame was supplied by A.L. Hambleton, Kents Building, cnr Adelaide and Albert Streets, Brisbane.See note on label abovevaughan-smith collection, farmyard scenes, oil paintings

Thompson Roy Morrison (1900-1972) was born in Bendigo and married Ivy Maria Knight in 1924. They lived at 63 Williamson Street. Ivy died aged 31 in 1933. Thompson remarried Violet Jean Hesse in 1936 but she died in 1938 also aged 31. Thompson was a motor painter.Black and white photograph mounted on rectangular grey board. House, weatherboard and rough cast, corrugated iron roof, porch with roughcast balustrade and pillars, 1 chimney, picket fence with capping board, garage at back on left hand side. Scalloped pattern on front gable with vent. On back of photo: Morrison, Williamson Street, sewered £1450'. 2012 photo of house attached to record.Frank A. Jeffree, Bendigo?bendigo, business, t c watts and son, stamped on back ''t.c. watts and son'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

Interior home office and sunroom of the home of Professor Macmahon Ball's house in York Street, Eltham. A mud brick house designed by architect Alistair Knox. Professor William MacMahon Ball (1901-1986) was a professor of political science, diplomat, author, jounalist and radio broadcaster. Reproduced on p108 of 'Pioneers & Painters'This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Print 19 x 25 cmsepp, shire of eltham pioneers photograph collection, eltham, alistair knox, professor mcmahon ball, mud brick house, home office, sunroom, macmahon ball, pioneers and painters, professor macmahon ball

Frederick George Hurst (1841-1927) and Catherine Heffernan were married in Victoria in 1872. Frederick came to Australia in 1854, aged 12 years. They lived at Allwood, Hurstbridge and had three daughters. Reproduced on p79 of 'Pioneers & Painters' Yeoman & Co Melbourne was established in 1882 and closed 1900 (Source: NGV) This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negcatherine hurst (nee heffernan), frederick george hurst, hurst family, hurstbridge, pioneers and painters, sepp, shire of eltham pioneers photograph collection

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

"Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria painting Signed: Glover-Fleay 35 (lower right) Verso: DRY SWAMP

Born in Melbourne in 1913, Noel Counihan was a social realist painter, printmaker and cartoonist, and a passionate social campaigner. The namesake of Merri-bek City Council’s Counihan Gallery, his experiences of unemployment and poverty during the 1930s, and his lifelong involvement in protest movements, inspired his powerful and prolific images of the working class. Donated by the De Fazio family

Folder of information on Percy Leason, Artist, Cartoonist, Historian, Anthropologist, Eltham, 1930s. 1. Photo: ANOTHER WIREGRASS PROBLEM: A well known artist who has gone to the bush to be alone with Nature, is discovered, By Percy Leason 2. Photo: SCENE DURING THE EIGHT HOURSS' DAY SPORTS AT WIREGRASS, By Percy Leason 3. Photo: "FIRE!": "An unfortunate occurrence. When the members of the Wiregrass Fire Brigade assembled at the Fire Station last evening for their weekly practice, they were horrified to discover that the building was on fire." - WIREGRASS WEEKLY CLARION, By Percy Leason 4. Photocopy: "Goliath and the Prodigal David" by Percy Leason 1931 5. Photocopy: "Yes you are improving the place. I'll have to increase your rent." by Percy Leason 1933 6. Photocopy: Cartoon by Percy Leason 1931 7. Photocopy: Cartoon by Percy Leason 8. LEASON, Percy Alexander, Painter and Illustrator; Who's Who in Australia, XIVth Edition 1950 9. LEASON, Percy Alexander, Painter and Illustrator; Who's Who in Australia, date unknown 10. Percy Leason 1889-1959 11. LEASON, Percy Alexander, 1889-1959, Painter and Illustrator 12. Percy Leason: Artist, cartoonist and Historian, by L.J. Blake, B.A., B.Ed., M.A.C.E. (President of the R.H.S.V.); An Address to the Society on Tuesday evening 27 August 1968; The Victorian Historical Magazine, pp 158-180 13. Catalogue: The Percy Leason Collection on view in The la Trobe Library 20 September - 29 October 1971 14. Invitation: Christmas Exhibition, The Wiregrass Gallery, 4 December 1977 15. Newspaper clipping: Artist's retreat, 1980 16. Newspaper clipping: Sharper than snapshots by Giles Auty; Arts, Review, The Weekend Australian, November 13-14, 1999 17. Works by Percy leason held by Castlemaine Art Museum, October 2018alan whitmore estate agents, biography, eltham*, exhibition catalogue, la trobe library, landscape, percy leason, rhsv, shire of eltham pioneers photograph collection, wiregrass gallery

Alexander Black was a painter and decorator who operated a business in Timor St below Swinton’s. This ledger shows the items typically sold by the painting and decorating trade as well as names of local people and businesses such as T Redford, PJ McGennan, Smith Bakery, Sheldrick Brewery, and Co, Mr. Plowright and Victorian Railways and Gas works.This ledger provides a snapshot of daily life in the early 1900’s and documents the type of work completed by tradesman and their associated costs. It lists a number of people and organizations which are of historical interest to Warrnambool and district.Long thin rectangular ledger book. Worn dark aqua cardboard cover with black binding. Handwritten entries occupy three quarters of the ledger with line drawn through each entry. The entries relate to goods sold. Year written at top of page and dated in left hand column. warrnambool, warrnambool painters and decorators, black painters warrnambool,

Alan Hunt, M.P. Minister for Local Government in the Bolte State Government meets Shire of Eltham Councillors including Cr. Alistair Knox (seated). He is holding and has been presumably presented with a copy of 'Pioneers & Painters: One hundered years of Eltham and its Shire' by Alan Marshall published for the Shire's centenary in 1971.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, shire president, council chamber, cr. l. docksey, eltham shire office, minister for local government, the hon. mr. a.j. hunt., alan hunt, meeting, alistair knox

This book is an 1810 third edition copy of Walter Scott’s poem, ‘The Lady of the Lake’. It is notable for its illustrations of the drawings of Richard Westall (1765-1836), an English painter and illustrator and Queen Victoria’s drawing master. Westall is best-known for his portraits of Lord Byron. There is no information available on the original owner, the Reverend Matthew West. Tis book is important because: 1. It is an 1810 edition and of antiquarian interest 2. It belonged to Louie Mack, the cousin of Sir Ronald Mack, an important Warrnambool Parliamentarian. Miss Mack was well-known in the Warrnambool area as the Secretary of the Warrnambool Technical School in the 1930s, 40s and 50s. The Macks were prominent early settlers in the Warrnambool area. This is a hard cover leather bound book of 433 pages (poem, ‘The Lady of the Lake’ by Walter Scott). The cover is brown leather with a gold ornamental border. The inside cover has a tan and blue mottled pattern. The book has illustrations with engravings from the designs of Richard Westall. The illustrations have a piece of tissue paper in front of them. The first page has a stamp of the Warrnambool & District Historical Society and there is a loose sheet indicating that the book was published in 1810 and that it belonged to Miss L.A. Mack.‘The Revd. Matthew West, Vicar’s Hall, Clane’. sir walter scott, richard westall, louie mack, history of warrnambool, rev. matthew west

This photograph has been identified as PTE Norman Hooke (Service No. 3764), son of William Hugh Hooke and Margaret Ellen Hooke (nee Holloway). He was born in 1896 at Rutherglen, enlisted on 11th August 1915, and was killed in action in France on 2nd September 1916. His occupation before enlistment was listed as coach painter.Oval photograph, printed on a postcard, of Norman Robert Hooke in his AIF uniformWritten on back: "Norman"world war 1, world war i, hooke family, holloway family

Leslie van der Sluys (1939-2010), an Australian artist - painter and printmaker - was born in Victoria. He grew up in Mary Street, Kew with his family before moving to Deepdene. His sister Robin Kelly (nee Vandersluys) donated this artists' linocut to the Kew Historical Society as part of a larger collection in 2018.Original linoleum block of Kookaburra and Waratah, 1982, by the Melbourne artist Leslie Van Der Sluys. The block is broken, preventing its use for further editions of the print. The incised linoleum block shows the reverse of the finished print. The design is of a kookaburra, in profile perching on a Waratah with eucalyptus leaves at the top.leslie vandersluys, robin kelly collection

Maude Glover-Fleay b. 1869 was a painter who studied under Frederick McCubbin. Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are inlcuded in the Art Gallery of Ballarat Collection, Victoria significant as a work of art by a modernist-era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour picture of a fallen treesigned: Glover-Fleay '30 pyrenees, maude glover-fleay

Florence Tatham Mellblom (nee Henry) was a painter, naturalist and photographer. She was born at Portland, Victoria, and studied art in Ballarat. She was a talented etcher from childhood, and joined the Portland Camera club. She also produced many watercolour paintings of the historic places of Portland. She was married (1932) to Karl Enoch Mellblom.Image depicts a bluestone building. In the foreground, to the front of the building is grass in shades of green and yellow. The building is in the middle of the image and has a reddish lower building to its right. There are trees either side of the buildings. Bottom left - F Mellblomfemale artists, female artist, women, portland shire, bluestone building

Florence Tatham Mellblom (nee Henry) was a painter, naturalist and photographer. She was born at Portland, Victoria, and studied art in Ballarat. She was a talented etcher from childhood, and joined the Portland Camera club. She also produced many watercolour paintings of the historic places of Portland. She was married (1932) to Karl Enoch Mellblom.Image of a bluestone building to the back of the painting. Next to it is a smaller reddish building. In front of the building there is grass and shrubland. Trees are to either side of the buildings. The sky is blue with white clouds.Bottom left - F Mellblomfemale artists, female artist, women, portland shire, bluestone building