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Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO PEOPLE, 08/1973
Mr Ward, Mr. Courtney, Mr. Guy. - Bendigo August 1973. On the Back Stamp of Rick Altman Photography Suite 5. 584 st.Kilda Rd Melbourne 3004 ph. 51-9343person, group, males -
Anglesea and District Historical Society
Camera, Kodak, Eastman Kodak, 1910 Eastman Kodak Co Autotime Folding Camera. No. 3A. Model C, 1908
This Kodak Autotime camera was patented in 1907. The Autotime Scale on the lens reduces the liability of error in exposure as it automatically indicates the proper time and stop opening for subjects under any condition of outdoor photography.Kodak patent May 1907 Automatic Exposure Scale. Rapid Rectilinear Bausch and Lomb Optical Co. Lens: Autotime settings around bottom of lens.camera, kodak, autotime -
Whitehorse Historical Society Inc.
Equipment - Camera and case
Donor, Howard, became interesed in photography through his father who had Kodak camera and a home development kit. Could adjust size. In school Howard formed a camera club (aged 16). Had a ' Baby Brownie'. When he retired he built own workroom was one of the first to get a digital camera. Hobby ceased due to poor eyesight.Kodak Pocket Instamatic 400 camera. Black and silver metal casing. Kodak logo on left hand corner. Camera case maroon coloured plastic. Kodak logo front bottom right corner. Pocket clips on reversephotography, cameras, camera accessories -
Bendigo Historical Society Inc.
Photograph - GROUP PICNICKING IN BUSH
Black and white image mounted on cream board : image shows group of men, women and children, picnicking in bushland. People are standing, sitting in front of a rectangular white tablecloth on which are placed four bottles of champagne, some with bush cuttings in them. One man is pouring a glass of beer ? For another man . Appears to be same group as in 3801. Picnic at Ravenswood ? Stamped on back of board ' W.H. Robinson, photography, Mundy St., Bendigo.W.H. Robinson, Bendigocottage, miners, bendigo, bush picnic, ravenswood. photographer, w. h. robinson, photography, mundy street, bendigo. -
Phillip Island and District Historical Society Inc.
Transparencies, 1990's
Early slides showing good photography but of a size not currently in use.11 Transparencies of Chicory Kilns, at present unidentified.local history, photography, photographs, slides, film, buildings, historic, early slides, chicory kilns, phillip island -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Donovan Wilson, 'The Beeches' Marysville, Pre 2009
A colour photograph taken at 'The Beeches' near Marysville in Victoria.A colour photograph taken at 'The Beeches' near Marysville in Victoria. Starting from the spectacular Taggerty Cascades, the Beeches Rainforest Walk meanders through the ancient cool temperate rainforest of the Yarra Ranges. Dominated by Myrtle Beech trees and stands of Mountain Ash, the rainforest is home to many species of birds including lyrebirds.Myrtle Beech/ Nothofagus Cunninghamii/ The Beeches/ Marysville Place/ Stamp/ Here Donovan Wilson/ Photographythe beeches, marysville, victoria, postcard, souvenir, donovan wilson, walking track -
Bendigo Historical Society Inc.
Photograph - PHOTO OF TWO YOUNG LADIES, 1890
Hand coloured photo of two young ladies. 1. Lady standing in long brown dress, white lace collar, pink bow, gold broch, blue eyes, fair hair clipped up in bun with red leaf in hair. 2. Lady sitting, in long brown dress, white lace collar, orange neck band, orange broach, blue bow. Green bush and ferns in background.Alans Studio. 318 Smith street. Collingwood. All kinds of photography excuted in best style.person, group, portrait -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, W.R. Garrett, Victoria Princess Betty, 1939
Black and white photograph. Jesrsey cow standing in the Bull Paddock.On reverse, "Victoria Princess Betty 1939," and, "Photography by W.R. Garrett Phone Hawthorn 3685 No. 4173."cow, victoria princess betty, 1939, w.r. garrett, jersey cow, bull paddock, butter fat -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, W.R. Garrett, Victoria Flirt, 1939
Black and white photograph. Close up of a Jersey cow udder.On reverse, "Victoria Flirt. Burnley. 1939," and, "Photography by W.R. Garrett Phone Hawthorn 3685 No. 4172."victoria flirt, 1939, w.r. garret, cow udder, jersey cow, butter fat -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1958
This photograph depicts a MDNS Sister visiting a male patient to give him nursing care. He is lying in bed in his home and the Sister is applying a bandage to his left wrist. Under her white gown the Sister is wearing the MDNS winter uniform of a grey dress with peaked collars and grey wool beret which has a central red Maltese cross attached. The Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients who ranged in age from the very young to the elderly. The patients required their wounds to be dressed following various types of surgery, accidents, burns, cancer, leg ulcers etc. As research developed better products and dressing materials, the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed wound care programs, such as the Leg Ulcer Management Program to provide their Trained nurses (Sister) with methods of best quality care. They ran a program for Wound Care Specialists who made assessments and provided advice and support to the District Sisters working in the field as needed. The Sisters liaised with the patient’s Doctors and hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. Standing on the left of this photograph is a Melbourne District Nursing Service (MDNS) Sister who is wearing a white gown over her grey uniform, the collar of which can be seen. She is wearing her uniform grey wool beret over her short dark curly hair and is smiling as, with her outstretched left hand, she supports the partly bandaged extended left arm of a gentleman who is sitting up in bed to her right; his right arm is resting on the bed and supporting him as he is partly turned towards the Sister. She has part of a rolled bandage in her right hand. The male patient, who has short dark hair, is looking at the camera and smiling. He is wearing a white and striped pyjama top and his lower body is covered by a patterned bed cover. Part of a pillow with check pillow case sits flat behind him and part of a wooden horizontal slat bedhead is seen. On the wall behind the bed hangs a framed photograph of a couple on their wedding day. Patterned curtains cover the window in the left rear of the photograph.John Gallagher photography. 4 Benares Street, Mitcham Victoria WU 2568 No. 4-4melbourne district nursing service, mdns, mdns wound care, royal district nursing service, rdns -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Newspaper cuttings, 1.Riding Tall into History, 2. New Life for old Chargers, 3. True Colours, 2003/1997/2004
Three newspaper articles from the Herald Sun newspaper. 1. Unveiling the State's first monument to the Light Horse. 2. A new battle to save the Australian Waler 3. The use of colour photography in WW1newspaper, light horse -
Bendigo Historical Society Inc.
Document - FIRST PRIZE CERTIFICATE, 1974
Certificate and entry tickets: Certificate awarded to F. T. Kennedy for entry in Photography, for 'landscape or marine' Certificate is pale green, with darker green border. Certificate belongs to item 1175 a. Photo by F.T. Kennedy.document, certificate, f.t. kennedy, bendigo agricultural show -
Wodonga & District Historical Society Inc
Functional object - Kodak Photographic Powder stored inside Alloy Tin, Kodak, c. late 1800s - early 1900s
The Kodak powders inside this tin were used in the production of dry plate photography. Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century.This item forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.A silver toned alloy tin with hinged lid. Inside are two packets of Kodak brand dry plate developer powder. On face of tin lid "20 BELLMETAL REEDS/B.C DUNLOP SYSTEM/CRACKAJACK/HAND FITTED AND TURNED/MADE IN (SENIOR) GERMANY"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1940s
Possibly part of a series of photographs taken at the Geoffrey Kaye Museum when it was located at the University of Melbourne in the late 1940s, photographer unknown. The photograph was reproduced in the book One Grand Chain : The History of Anaesthesia in Australia 1846 - 1962 : Volume 2 1934 - 1962, Gwen Wilson, edited by Jeanette Thirlwell Jones, on page 459.Black and white photography depicting a group of six male students rehearsing with anaesthetic apparatus. Five of the students are standing and one student on the left of the photograph is sitting and holding an inhaler to his face. There are two apparatus displayed.•Handwritten in grey pencil on reverse: Frame 17 •Handwritten in blue ink on reverse: sample. •Handwritten in grey pencil on reverse: 2 [in a circle] •Handwritten in grey pencil on reverse: 15 [in a circle, with the 5 crossed out] •Label which was originally glued to bottom on photograph which has since detached, written in all capitals with white ink on black paper: Students rehearsing with current apparatus, displayed in functional order and in sectionstudents, training session, anaesthetic machine -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Fassih Keiso, Evidence of Absence, 2018
Fassih Keiso was born 1956 in Syria and has lived and worked in Melbourne since 1993. He describes the influence of having lived in both countries for significant amounts of time as informing the cross-cultural themes characterizing his interdisciplinary practice. His work employs various media from painting to photography, performance, video, and installation. Each work is governed by a central idea that usually links Arabic contemporary life, culture, and politics with broader global issues.photography, cross-cultural, arabic contemporary life -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Donovan Wilson, 'GOULDS MEMORIAL DRIVE'- Buxton Marysville Road, Post 2009
A colour photograph taken of Gould Memorial Drive on the Buxton Marysville Road in Victoria.A colour photograph taken of Gould Memorial Drive on the Buxton Marysville Road in Victoria. The planting of the avenue of Lombardi Poplars was initiated by Mrs Joy Gould and the trees were planted by workers of the Gould Mill. The intention was for the avenue to extend from Marysville to Buxton. However, this was never fully realised. In Autumn the trees turn a brilliant yellow and are a major tourist attraction. This postcard was produced by Donovan Wilson Photography as a souvenir of Marysville.Gould Memorial Drive/ Buxton Marysville Road/ Marysville Donovan Wilson/ Photography Place/ Stamp/ Heremarysville, buxton, poplar trees, gould memorial drive, donovan wilson, postcard, souvenir, marysville-buxton road -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s set of 2, Harvey Studios, 19/09/1971 12:00:00 AM
Yields information about the closure of the SEC operated Ballarat tram system and the people involved.Set of two photographs of the last tram leaving the Borough of Sebastopol where the tram keys were handed over to to Cr. J. Chisholm , at the town boundary. Cr. N. Donald, Mr. L. J. Denmead (behind Lew Walker), L. Walker, Cr. Walker, Mrs. Chisholm and Mrs Donald. Photo taken 19/9/1971. For The Courier newspaper photographs of the event see Reg Item 3335.On rear is the Photography stamp - "N.L. Harvey & Son - Photographers - 131 Sturt St, Ballarat" with phone numbertrams, tramways, closure, sebastopol, last tram, city of ballaarat, borough of sebastopol, closure, tram 40 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Harvey Studios, 19/09/1971 12:00:00 AM
Yields information about the closure of the SEC operated Ballarat tram system and the people involved.Photograph of a pipe band piping the last tram from Sebastopol over the town boundary into the City of Ballarat with the Ford Eclipse Motors in the background. Cr. N. F. Donald, the Mayor of Sebastopol is part of the band. For The Courier newspaper photographs of the event see Reg Item 3335.On rear is the Photography stamp - "N.L. Harvey & Son - Photographers - 131 Sturt St, Ballarat" with phone numbertrams, tramways, closure, sebastopol, last tram, city of ballaarat, borough of sebastopol, closure, pipe band, tram 40 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Harvey Studios, 19/09/1971 12:00:00 AM
Yields information about the closure of the SEC operated Ballarat tram system and the people involved.Black and white photographs of tram 40 entering the depot area on the night of the closure of the Ballarat Tramway system - 19/9/1971 with Lew Walker at the controls. Taken by N. L. Harvey & Son. For other photographs of the event see Reg Item 1864 and 6426.On rear is the Photography stamp - "N.L. Harvey & Son - Photographers - 131 Sturt St, Ballarat" with phone numbertrams, tramways, ballarat, closure, depot, last tram, tram 40 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Harvey Studios, 19/09/1971 12:00:00 AM
Yields information about the closure of the SEC operated Ballarat tram system and the people involved.Black and white photographs of tram 40 entering the depot area on the night of the closure of the Ballarat Tramway system - 19/9/1971 with Lew Walker at the controls and two other trammies alongside. Taken by N. L. Harvey & Son. For other photographs of the event see Reg Item 1864 and 6426.On rear is the Photography stamp - "N.L. Harvey & Son - Photographers - 131 Sturt St, Ballarat" with phone numbertrams, tramways, ballarat, closure, depot, last tram, tram 40 -
Surrey Hills Historical Society Collection
book, Beyond the garden wall: twenty-two gardeners and their gardens, 2008
This book was compiled by Sue Barnett at the request of the project participants from material gathered as part of the project "Beyond the Garden Wall". This project was devised and managed by a team at Surrey Hills Neighbourhood Centre Inc. with funding from the Victorian Department of Planning and Community Development (VDPCD) under the "Images of Age' grant 2007. It involved conducting oral histories, reflection on the part of the participants through visual diaries, photography and painting. A short video of some of the gardens was also commissioned. All the elements came together during Seniors Festival in an exhibition held at the Augustine Centre, and opened by Jane Edmanson. At the request of the VDPCD, a modified exhibition was held in 2008 at 'Australia on Collins' during the 2008 Seniors Festival. Sue Barnett and Jo Reitze (Mrs de Carteret) are Surrey Hills residents. This provides a snapshot of 20 gardens and the 22 passionate gardeners who created them. The prose provides a potted history of the gardeners and their philosophical approach, accompanied by portraits of them and cameo photos of their gardens, as well as a photo of the painting of the garden as seen by artist Jo Reitze. All the gardens were situated within the City of Boroondara and all the gardeners were over 60 years of age. Prose written by Sue Barnett; photography by Sue Barnett and Jo Reitze.gardening, anecdotes, (ms) jo reitze, (ms) susan barnett, sue barnett, paintings, gardeners -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Anne Scott Wilson, Fly Rhythm Dandenong series #1, 2013
Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, photography, female artist, landscape -
Victorian Aboriginal Corporation for Languages
DVD, Koorie Heritage Trust et al, Blaktraks 2 : Short films, 2012
Over 8 weeks (Oct-Nov 2012) participants of the Blaktraks Arts Project explored their identity through music, stencil art, photography and video. The result is a bunch of deadly short films that tell their stories - Check them out!DVDindigenous filmmakers, koorie heritage trust, storyscape -
University of Melbourne, Burnley Campus Archives
Plan, Master Plan Burnley Gardens, c.1996
Plan of Burnley Gardens showing P.R.I. (Plant Research Institute) and V.C.A.H. Buildings and Open Space areas. Map used - photogrammetric plot prepared for the V.C.A.H. By Stereometric Services from aerial photography taken 10-7-1988.vcah, burnley gardens, stereometric services, master plan -
Bendigo Historical Society Inc.
Book - TOWER HILL AND OTHER VOLCANOES
A book titled ' Tower Hill and Other Volcanoes a survey ' by Shay Docking. Warrnambool Art Gallery February - March 1987. Bendigo Art Gallery April 1987. Swan Hill Regional Art Gallery May - June 1987. Supported by the Telecom Exhibition Development Fund. Photography by Gil Docking and Greg Weight. Publislhed by the Warrnambool Art Gallery, February, 1987.artwork, tower hill, book, books, artist, tower hill, volcanoes, shay docking, female, person, individual, warrnambool art gallery, artwork, sciences, photography, place, david hansen, gil docking, survey, exhibition -
Myrtleford and District Historical Society
Portrait of Soldier, Talma & Co, James E. Matthews, 60th Battalion, Killed in Action, 19 July, 1916, Circa 1915
Private James Edward Matthews (3174) was one of four first cousins living in the Myrtleford district killed during World War 1. He was in the 60th Battalion, A.I.F. action at Fromelles, France, and was killed in action, aged 19 years, on July 19,1916. He was the son of Richard and James Matthews of Myrtleford and has no known grave, but is "Remembered with Honour" at V.C. Corner, Australian Cemetery and Memorial, Fromelles. James attended Myrtleford State School 955; his death is recorded on honour boards at the Uniting (formerly Methodist) Church, the school honour board and at the Soldier's memoral Square. A memorial window at the church includes names of the four cousins.The portrait reminds viewers of the youth of many A.I.F. volunteers, the outcome of actions such as that at Fromelles in 1916 and the impact on families in small communities. It also relates to the ongoing search for identifiable remains of those personnel without a known resting place. Framed original sepia photograph, head and shoulders, of World War 1 soldier in full dress uniform.James E. Matthews, 60th Battalion, Killed in Action, 19 July, 1916. Photography: Talma & Co., Melb.james matthews 60th battalion fromelles -
Wodonga & District Historical Society Inc
Functional object - Collection Glass Photographic Dry Plates Developer c. late 1800s - early 1900s, The Imperial Dry Plate Co., Ltd
Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century. This object forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.Box of dry glass negative plates for developing photographs. In pencil on face of box "MR PHIL GEEPER/46 THOMAS MITCHELL DRIVE WOD"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: YOUNG FEMALE PHOTO, Ninteenth century
Black & White studio Photograph. Young woman in graduation gown. Mortar board on knee. Printed Front. Duryea 158a Rundle Street Adelaide. Reverse. From the Studio of F Duryea, artist in Photography, No 158a Rundle Street Adelaide.F Duryea Adelaidephotograph, person, female -
Kew Historical Society Inc
Photograph, J F C Farquhar, Bird's Eye View Looking West, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Before true aerial photography became possible, photographers such as J.F.C. Farquhar were compelled to shoot their images from the highest vantage point. Here, it is presumed to be the roof of Xavier College, from which the panoramic view extends west towards the rise of Studley Park. The houses in the foreground face the southern end of Gellibrand Street. Wellington Street is at an angle to the camera with the Queen Street intersection on the near right. The wooden building behind the large horse paddock on the other side of Gellibrand Street is the Kew Recreation Hall, built 1888, demolished 1960. It was reputed to have one of the finest dancing floors in or around Melbourne. The Bowling Green at the rear of the Hall belonged to the Kew Bowling Club. Further west is the Kew Railway Station on Denmark Street, opened to the public in 1887. At this period, much of Studley Park was locked up in large landholdings, dominated by large mansions such as ‘Byram’. Bird's Eye View Looking Westkew illustrated, kew where we live, photographic books, henry kellett, denmark street, kew recreation hall, kew bowling club, wellington street -
Marysville & District Historical Society
Photograph (Item) - Black and white photograph, Nicholas John Caire, c1900
A copy of an early black and white photograph of Marysville in Victoria taken by Nicholas John Caire.A copy of an early black and white photograph of Marysville in Victoria taken by Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. Photography - Caire, N.J. Town of Marysville In: Victorian Views 1905 - Album 224. P.24 National Library of Australiamarysville, victoria, nicholas john caire