Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.postcards, george and edith weir, the port of liverpool, postcards -- liverpool, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."The Port of Liverpool : Langton Graving Docks"postcards, george and edith weir, the port of liverpool, postcard series -- liverpool (uk), weir collection

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Monochrome postcard of the fairies’ tree, signed by Ola Cohn. In this scene the sculptor is showing carving the tree. The postcard uses an image taken by a photographer from the Melbourne Argus newspaper.Th sculptor at work on her gift to the children of Melbourne / The Fairies Tree in the Fitzroy Gardens Melbourne / Sculptor Mrs Ola Cohn A.R.C.A. (London) / Photographed by the Argus Melbourne. A Real Photograph / Produced in Australia / Signed: "Ola Cohn"postcards. -- melbourne, ola cohen, fairies' tree, christian-washfold collection

A postcard from a painting of a ford on the Acheron River that was painted in 1881 by H.J. Johnstone.A postcard from a painting of a ford on the Acheron River that was painted in 1881 by H.J. Johnstone. The original painting is oil on canvas and was donated to the Broken Hill City Art Gallery in 1948 by Mr. O. Von Rieben. This postcard was produced by Souvenirs Australia Pty. Ltd. in Glynde, South Australia as a souvenir of Marysville.H.J. JOHNSTONE/ A FORD ON THE ACHERON RIVER, 1881/ OIL ON CANVAS, 171cm x 245cm/ BROKEN HILL CITY ART GALLERY/ DONATED BY MR. O. VON RIEBEN, 1948 Made in/ Australia by/ Souvenirs Aust./ Pty. Ltd./ Adelaide/ BHG 2 ADDRESS Published by/ Souvenirs Australia Pty. Ltd./ Glynde/ Copyright A PITT CARDacheron river, oil painting, h.j. johnstone, broken hill city art gallery, mr. o. von rieben, postcard, souvenirs australia, souvenir

Postcard of early photograph of Keppel Falls, Marysville.Early postcard of Keppel Falls near Marysville. Keppel Falls is named after the Keppel Family who were early pioneers in Marysville and the district.POST CARD PLACE/ POSTAGE/ STAMP/ HEREkeppel falls, marysville, victoria, waterfall, postcard, souvenir

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.An early postcard of Cathedral Mount and the Cathedral Range from Bald Hill (Mount Gordon).POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria.mount cathedral, cathedral range, victoria, bald hill, p.2291, postcard, souvenir, rose series postcard, mount gordon

Commonplace postcard sent by Frank O Brien World War One veteran and former patient of the repat, to his father from France during World Ward One. This item is not of great significance. Its value to the hospital collection is that it is memorabilia of Frank O'Brien a former patient and benefactor of the repat. Other Frank O'Brien items in the hospital collection White cardboard decoratively embossed mountboard surround and cardboard backing. Centre contains an embroidered muslin with the Australian Commonwealth Military Forces Rising Sun Emblem surrounded by the Australian and British flags with leaf decoration. This inscription is on the reverse of the postcard. "To Dad/From your loving soldier son/Frank/With love to all at home/18/11/17" Markings on reverse of postcard: located centrally on the reverse P.R FABRICATION FRANCAISE and on right lower side of postcard Modele deposepostcard, embroidery, rising sun emblem, australian commonwealth military forces, australian flag, british flag, embossed, french, world war one, decorative

This is a postcard of the sports ground in Halls Gap, taken from Chatauqua Peak. It is No. 12197 in the Rose Series of postcards.The photo shows a round clearing (sports ground), seen from above, in the midst of bush. There are some bare strips in the middle of the field and a track around its perimeter. Some buildings are visible to the left of the field and a road runs behind it. There are more buildings just visible through the bush in the centre, on the far side of the road."The Rose Series P. 12197, Sports Ground, from Chatauqua Peak, Halls Gap, Vic" on bottom of postcard.recreation, sport

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Postcard/s produced by the Rose Stereograph company in brown coverpostcards -- melbourne (vic.), christian-washfold collection

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Coloured postcard looking north from Daylesford to Mt Franklin.mt franklin, wombat hill, daylesford, postcards, landscape photography, christian-washfold collection

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Colour postcard depicting row boats on Jubilee Lake, Daylesford.Printed in Englandjubilee lake, daylesford, postcards, christian-washfold collection

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Commercial monochrome postcard of the fairies’ tree, signed by Ola Cohn"The Fairies Tree". Carved by Ola Cohn, A.R.C.A., London and presented by her to the children of Melbourne. postcards -- melbourne, the fairies' tree, ola cohen, christian-washfold collection

Digital copy of postcard to Frank from Auntie Myra. Written during Frank's convalescence.Digital copy of postcard.Caption and greeting handwritten on cardpostcards

Glossy black and white photograph with white border on a postcard, depicting a Tram Terminus with power lines in Burwood dated 1917Back of postcard: Tram Terminus, Burwood, 1917. Local History Collection, Camberwell Library.

Leisure scene, mingling groups walking to and from baths; 1940s cars aligning street; Looking towards the Baths, St Kilda, Vicblack and white postcard, unmounted, good condition, two copies, unused[printed on front] The Rose Series p. 3274; Looking towards the Baths, St Kilda, Vic. [postcard format on back]

A digital copy of an early colour tinted postcard of "The Hermitage" in Narbethong in Victoria.A digital copy of an early colour tinted postcard of "The Hermitage" in Narbethong in Victoria. "The Hermitage" was built by photographer John William Lindt as a home and guesthouse in 1894. John Lindt had previously photographed the mountain scenery of the Black Spur and purchased 71 acres and subseqently built his home and guesthouse from where he continued his career. "The Hermitage had a garden designed by John Lindt's friend, Ferdinand von Mueller, who was at one stage the Director of the Melbourne Botanic Gardens. The garden featured New Guinea tree houses from which John Lindt made frequent panoramas of his property and the surrounding forest of towering mountain ash. Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.the hermitage, john william lindt, narbethong, victoria, black spur, ferdinand von mueller, melbourne botanic gardens, new guinea, catherine lindt, winter

These pieces of Kelly Gang armour (including pieces manufactured by police) were photographed outside Beechworth Court House during committal proceedings in 1880. Ned Kelly, born in June 1855, was one of the last Australian bushrangers. An outlaw, gang leader and convicted police killer, Ned Kelly's distinctive armour has become entrenched in Australian lore. Ned's younger brother Dan Kelly (born in 1861), wore similar armour to his older brother. Black and white rectangular postcard printed on paper cardObverse: NED AND DAN KELLY'S ARMOUR TAKEN DURING HIS TRIAL AT BEECHWORTH IN 1880 Reverse: POSTCARD / CORRESPONDENCE / ADDRESS ONLY KODAKkelly album, bushranger, ned kelly, dan kelly, daniel kelly, kelly gang, armour, kelly trials

One of a Postcard Series.Colour photograph - postcard - aerial view of Cowes"Aerial view of Cowes"local history, newspapers, aerial photograph, cowes, coloured photograph, phillip island, jean jamieson

The Rose Series Postcardblack and white postcard, original, good conditionBeaconsfield Parade,Albert Park, Vic, Rose Series P3411. Wed 25th Feby 1920. To Albert Park by train. Wednesday 25th Feburary1920. I came down to Melbourne on Monday 23rd.

Postcard: sepia coloured card. Man dressed in three piece suit, standing in front (LH side ) of biplane. Plane is situated on ground, large crowds in background in front of sheds ( hangars? ) On front of hangars written in white ' The Aircraft Company ….? ' On bottom LH side of card written in white ' Mr. Raynham Avro Biplaplane ( sic )'Topical Postcard Co., Winton, Hants.aviation, civilian, biplane, basil watson, biplane, aeroplane, raynham, avro biplane

Postcard featuring B2 class tram 2038, in Yarra Trams grey livery, inbound in Swan St Richmond with the Dimmey's store and clock behind. Postcard by Margie McKenzie Photography. See reference for the Dimmey's story.Yields information about B2 2038 and Swan St Richmond c2005Postcard - full colour with divided back.tramways, swan st, tram 2038, richmond, b2 class

A colour postcard of Mount Kitchener House in Marysville that was produced by Nucolorvue Productions as a souvenir of Marysville.A colour postcard of Mount Kitchener House in Marysville that was produced by Nucolorvue Productions as a souvenir of Marysville.POST CARD NUCOLORVUE PRODUCTIONS, ELWOOD, VICTORIAmarysville, victoria, australia, mount kitchener house, mt. kitchener house, accommodation, nucolorvue productions, postcard, souvenir

This postcard depicts the Diamond Creek Community Centre (Bini Shell) during its construction in 1979. It is part of the YPRL image collection. Colour postcardyarra plenty regional library, arts victoria, diamond creek, bini shell diamond creek

Postcard to Vear and Hazel Roy from France: Pte Dan Donahoo, 18/21 Battalion, 6th Infantry Brigade, AIF.Copy of postcard.Personal note written on back.dan donahoo, aif, correspondence, first world war, wwi, the great war, world war one

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Rare variant version of this view of Princes Bridge, from the south-east bank of the Yarra River, looking towards the city of Melbourne, showing landmarks of the period.Polychrome postcard of Princess Bridge in Melbourne.Princess Bridge, Melbourne Miss McGilivray, "Oak Bank", Peterborough, _____. princess bridge -- melbourne (vic.), river yarra, postcards -- melbourne (vic.)

Postcards began to be produced in Victoria from 1876. Between 1900 and 1920, picture postcards in Australia became an incredibly popular phenomenon. People could cheaply and easily send messages, without the formality of a letter, and they provided a cheap form of souvenir. Eventually, every event of significance was commemorated in some way with a postcard, and this led to the development of a ‘picture on one side and a message/stamp on the other’ postcard we are familiar with today. They were also a popular form of advertising. This postcard appears to be one in a set of postcards promoting the Black Rock area.Sepia toned postcard depicting Half Moon Bay at Black Rock.black rock, beachside, foreshore, holiday, postcard

The postcard shows how the Mission to Seafarers, then known as the Seamens Institute, looked early in its operation - probably circa 1920. It also documents the types of activities were offered to visitors, and how the visitors used the facilities.The postcard records the fittings and furnishings of the Mission to Seafarers, then known as the Seamens' Institute: tables, chairs but also the paintings which were often donated. The largest one on the main wall above the stage is "Start Point Light, Devonshire" (see item 0230), painted and donated by Miss Madeline R. Lewellin (1854-1944) in 1918. A sepia-toned postcard, of the main hall/club room of the "Seamens Institute" Mission to Seafarers. The image shows the arrangement of tables, pool table and bar in the club room, as well as the decorations and fitting of the room.On front: INTERIOR OF SEAMENS INSTITUTE, FLINDERS STREET MELBOURNE VALENTINES SERIES M. 4968 printed in black. On reverse: VALENTINES / REAL PHOTO SERIES logo in the middle of the top of the postcard. Along the left-hand edge: PUBLISHED BY THE VALENTINE PUBLISHING CO. PTY. LTD / QUEEN ST., MELB. printed in black.postcard, seamens-institute, club-room, bar