"JCR" in blue ink, "Common Room 1959 at HH" written in script in pencil, stamped "Archives International House"

One of the few remaining items from the hamlet of Karyrie near Wycheproof, Victoria, Australia. The memorial plaque links family tragedy to world conflict. It represents the impact such events had on small communities.Varnished timber, rectangular shape with script : ERECTED TO THE MEMORY/OF OUR MEN / WHO GAVE/ THEIR LIVES IN THEIR DUTY/ TO GOD AND EMPIRE / IN THE GREAT WAR / 1914 -1919. Eight names engraved in black text on metal.Rev. A. E. Goller; Denney A. ; Hunter M.C. ; Kelly E. ; Kerr A. ; Kerr J. ; Lee, G.R.; Williams E. ww1; karyrie; supreme sacrifice.

Ornamental pewter plate inscribed with English writing. Rim features a circle of several coats of arms of different localities including Malacca, Pahang, Selangor, featuring Malay language written in Arabic script (Jawi)"MISC/ In Commemoration of/ Bunga Terasek Maiden Voyage/ At Melbourne" "Sabah Maju Jaya/ Bersekutu Bertambah Mutu برسكوتو برتمبرموتو/ (perlis) فرليس / (Negeri Kedah) نكري قدح / Bersatu Dan Setia/ (Perak) نكري قيراق / Selangor/ (Negeri Sembilan) نكري سمبيلن / Bersatu Teguh / (Kepada Allah Berserah) كلنتن الله كمد برسر ه / Negeri Pahang ي ا ل ط ي ف / (Berserah Kepada Tuhan Kerajaan Kelantan) برسر ه كلنتن كمد توهن كراجان / (Terengganu) ترڠكن ا ن و / Bersatu, Berusaha, Berbakti/ Sabah Maju Jaya" On Reverse "Royal Selangor Pewter" "PMA 0317"

[a] Manilla envelope handwritten labelled 'Transfers and Script [cancelled] attached there to . The Secretary, Cohn Bros Victoria Brewery Bendigo. [b] Share Transfers and Shares dating from 1887-1915 enclosed within envelope.bendigo, industry, cohn bros brewery

N. J. Jenkin lived in Elizabeth St. Malvern. He was Lay Secretary & Treasurer for Methodist Overseas Missions from 1920 - 1942.Matte sepia toned studio portrait of Nicholas J. Jenkin tipped on to buff card with handwritten script at the bottom front. The cardboard has a deckle edge at the bottom. The picture appears to be an enlargement as the focus is not sharp."N. J. Jenkin Lay Secretary & Treasurer OVERSEAS MISSIONS 1920 - 1942"nicholas j jenkin, methodist overseas missions, methodism

Henry (Harry) William Tompkins was a renowned Melbourne architect, former City of Kew councillor and sometime Mayor of the municipality. He was president of the Melbourne Institute of Architects in 1914-15. In partnership with his brother, Frank Beauchamp Tompkins, he designed the Myer Stores in Bourke and Lonsdale Streets in 1933. Locally he was the architect of the Kew War Memorial (opened 1925). At the time that the gravure plate was made, the couple lived in 'Fenwick', a house on the corner of Stawell Street and Fenwick Street, Kew, which has since been demolished.Copper (on steel?) gravure printing plate made for Mr & Mrs Harold Tompkins, 'Fenwick', Fenwick Street, Kew. Engraved in reverse script. It is assumed that the acronym PPC may stand for 'Please Present Card'. "Mr & Mrs H.W. Tompkins, Fenwick, Fenwick Street, Studley Park / PPC 1st Friday"harry tompkins, gravure printing plates, business cards

A letter from Hector Crawford to Robin Boyd regarding purchase of The Flying Dogtor scripts by country stations. Attached is a letter (dated 11 Feb 1964) from R. A. Marshall, Executive Officer of Australian Television Facilities, regarding the negotiations.Typewritten, 2 pages

Document. Foolscap sheet of paper with one side of handwritten rhyming verse. Thirty six lines of neat handwriting in ink. No title. No Date. Scottish Theme. Possibly written by Alex J Hamilton as a performance script.performing arts, elocution, handwritten verse

Book brought from Jaffa, Palestine in 1941 by the Drescher family, internees at Camp 3, Tatura.Soft red coloured card covered book with black and white comic like illustrations. Cover shows man sitting on a swing with a young boy holding a Winnie the pooh toy. Title in German Gothic script.Peter Dreschercamp 3, children's books, peter drescher, german internees in camp 3

Possession of Internee at Camp 3 Tatura. Laminated copy of bank note c1930 German mark value 100000. Light mauve coloured wash, picture of head and shoulders of a gentleman (encircled). Details printed in Gothic (German) script. Original note in safe.R.B.D 100000 MARK|(No.)T.01630879banking, camp 3, tatura, commerce, john ran, german currency

Painted ceramic plate with design in blue depicting a pair of figures playing tennis against unseen opponents. Japanese script on face and on base of plate. Also text on base: 1878...Y.I.T.C.' Materials: Ceramic, Inktennis

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, photography, digital, portrait, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, digital, photography, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling. african diaspora, portrait, photography, digital, australian first nations art, first nations photography

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1928, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on blue and papyrus coloured paper. 43 pages.Front Cover: Kathleen Petty / ACC 72 / THE / RUYTON / IAN / RECTE ET FIDELITER. / [Unintelligible script] / APRIL, 1928 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

This item was donated to the museum by Joseph Dallimore. Dallimore was brought up at Lake Gillear, and as a young man he left Australia to travel overseas both to help his parent's business in the wool trade and for pleasure. He wrote many letters to his parents keeping them updated with the prices he received from selling wool and on his travels. Later in life Dallimore enlisted in the Australian Army and went on to have a distinguished career during the Boer War. He would have collected this piano whilst on service in South Africa.South African thumb piano from the Zulu culture. It is a wooden panel board with 15 iron finger keys in it. They are stuck onto the wood at one end with some sort of glue and also held in place by an iron rod passing over the top of them. At the bottom of the board is a metal panel and attached to that is a small circular cymbal. There is a string tying the metal panel to the wooden board.There are no original markings on this although the original museum label is still stuck to the bottom which says, ' Native piano ( Mashona)' on it in script.south africa, joseph dallimore. war, boer war, zulu, finger piano, music

Brass Plates: curved. Each plate has three screw holes. When held together the sign 'Mde Fuchs' is created from lettering painted in script. Each plate is approx 30cm long by 5cm wide.cottage, miners

Possession of former internee at camp 3. Brought with him from Jaffa, Palestine in 1941.Hard card covered story book with colour illustrations throughout. Has grey cloth spine. Cover features illustrations of 3 children holding hands/forming a circle. Title etc. in handwriting/German Gothic script.Peter Drescher, Tatura, 1942peter drescher, jaffa, palestine, internee books, german story books

A certificate of appreciation presented by the Public Works Department to William Albert Clarke for 36 years service, on buff coloured paper with black script and a coat of arms, under glass in a wooden frame, signed by the Minister & Director General.civic mementoes, presentations, public works department