This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped grey and off-white cotton with self-piping and a concealed zip. Feather insertwalsh st furnishings, robin boyd

This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped grey and off-white cotton with self-piping and a concealed zip. Feather insertwalsh st furnishings, robin boyd

This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped grey and off-white cotton with self-piping and a concealed zip. Feather insertwalsh st furnishings, robin boyd

This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped grey and off-white cotton with self-piping and a concealed zip. Feather insertwalsh st furnishings, robin boyd

The daybed cover here is same fabric as some of the cushions (items F045-F058) located on the two daybeds in the front west facing rooms of the Children's Pavilion.Charcoal grey and off-white striped fitted cover, with self-piping and corner pleatswalsh st furnishings, robin boyd

Trickey Collection, Gents Collar Holder, Grey Aluminium self floral patterned Lidstawell

Story of an early settler (circa 1920) at Peterborough. Includes the story of the author's Great Grandfather John Brumby.Dairy farmer plus references to his family's migration to Australia. References to other local identities.Plastic bound 179 page self published book with Table of Contents and Index of Names.ian jarvis, peterborough 3270, peterborough settlers, john brumby peterborough

Hand made 1850 in the United States of America.Cream silk self-embroidered shawl, with deep crochet base, finished with long tassels

Beige long sleeved blouse, self-tie at neckline with 6 buttons down front.Sportscraft - made in HongKongjulie jones

The Queensland Musical, Literary and Self Aid Society for the Blind was established on 13 March, 1917. Many children who were blind and who had studied music with Mr Hebert Leon Newman at the 'Queensland Blind, Deaf and Dumb Institution wished to continue after leaving school but could not afford to do so. Mr Olsen, the librarian, who was blind, conceived the formation of a Society to meet this need as well as providing an after work social centre and to address the limited job opportunities available for adults who were blind. The committee of the Blind Deaf and Dumb Institution encouraged the new Society by providing a grand piano and seating accommodation for 100 people in their library. In 1921 he established the John Olsen Literary Competition, then became the Edwin Dickinson Literary Competition and later the Vision Australia Dickinson Literary Awards. When he died in 1926, this tablet was made to recognise his contribution to Braille literacy and work involved to encourage Braille in the community.Marble tablet engraved and with coloured lettingIn Affectionate Memory of John Olsen Founder Queensland Musical, Literary & Self-Aid Society for the Blind President 1919-1926 Died 9th January 1926queensland musical, literary and self-aid society for the blind, john olsen

Part of S E Surman collection (album) Page 5 upper right.Sepia photograph of a man wearing long garment and clerical collar, standing with right arm resting on pillar, left arm across waist holding a book."Rev. Walker"rev john walker, surman collection

Sunset from Big Hill looking Southwest. Fire Tower on right. Fire watch tower on right of photo. Communication Tower in the center. Stawell gold mine ventilation shaft on the left with barb wire around the fence. Spectacular sky in the background.Colored photo of sunset looking southwest on Big Hill. Fire watch tower on right of photo. Communication Tower in the center. Stawell gold mine ventilation shaft on the left. Carol Anne Jonesstawell

O-So-Lite self raising flour showbag. The bag is quite simple in design with the words O-So-Lite self-raising flour in blue on a white background. Both side of the bag are the same. There are four bags in different conditions.business, retail, advertising, business advertising usually found at agricultural shows and other promotional activities.

Note by T.H. Kneen 19 November 1991," S.E. entrance to Assembly Hall and rear entry to girls change rooms. Garden bed foreground right featuring zinnias."Black and white photograph. Entrance to the Hall from the Gardens. Girls' changing rooms on the right. Zinnias in foreground.assembly hall, zinnias, administration building, hall, girls' changing room, main building

The man on the right is Thomas Tuckerman. His cousin is on the left.The photo is in a frame of different layout. Frame: Metal frame with decorative edges. At the top is a Rising Sun Army Badge. The badge is marked "Australian Commonwealth Military Forces" It has a vertical perspective. Photo: Black and White photo of the two men seated. One is holding a book, probably a marriage register. There is a small table between them. Their clothing appears to be 1910-1930 vintage, neither have a R.A.S. badge on. On the right side is printed the photographer's name: R. Dermer Smith, Bull Street, Bendigo photo, wedding party

View of St. Matthew’s Church looking north. Shows Baptist Church (built 1869) in background on right.View of ST Matthew's Church looking north. a long wooden picket fence along the path in front of the church. A building in the background to the right of the church.stawell religion

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of Portland Bay. Wide angle view of the Bay, with water tower / lighthouse on the right, the harbour with a docked ship in the centre, and the end of the peninsular and ocean on the left.Front: "Portland Bay" (lower left) Proof (lower right centre) A Gee '83 (lower right) (pencil) Back: 12

1906: The Moorabbin Co-Operative Stores. Located on the Nepean Road, Cheltenham, (before 1st WW). . There are four men outside the Store and a 3 horse carriage. Two of the men are sitting on their carriages, one to the left and the other on the right of the photograph. The third horse and carriage is right beside the left of the store, carrying eight large sacks. Towards the side of the Moorabbin Stores there is a building located to right which is called The Exchange Hotel.1906: The Moorabbin Co-Operative Stores. Located on the Nepean Road, Cheltenham, (before 1st WW). The Leader Newspaper office occupied the site. The Exchange Hotel is to the right.Photograph is black and white. 1906: The Moorabbin Co-Operative Stores. Located on the Nepean Road, Cheltenham, (before 1st WW). The Leader Newspaper office occupied the site. The Exchange Hotel is to the right.Stamped on back :City of Moorabbin Historical Society Written on Front of mount : 1906moorabbin, stores, horses, men, ww1, world war 1, tobacco, nepean road, co-operative, cheltenham

This photograph was taken on 10 March 1945 of a group of German internees in Camp 3. Back row left to right standing: Grete Renz, Walter Rubitschung, Hermann Schneller, Walter Klink junior, Gisela Rubitschung, Paul Rubitschung. Front row sitting: Ruth Stoll, Hildur Fuchs and Lotte Mueller. Foam backed copy of photograph in file.Black and white photograph of a group of 6 people standing and 3 women sitting. Shrubs directly behind them, a hut to the left and to the right. Tree just in front of the hut on right.847grete renz, walter rubitschung, hermann schneller, walter klink junior, gisela rubitschung, paul rubitschung, ruth stoll, hildur fuchs, lotte mueller

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red princess seam coat dress with ten self covered buttons down centre front and crew neck. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Used in the mid-seventies in petrology laboratories of BIAE.A petrographic optical microscope, with three objected lens turret. Black enameled frame, chrome components. Blonde polished wood storage box.TOWER No 19621. On frame self-adhesive sticker: "Ballarat CAE GEOLOGY"ballarat cae geology, microscope, petrographic microscope, scientific instruments, lens

Black and white photograph -Bird's Self Service - Ringwood Shopping Centre -86 Whitehorse Road

Foot paring, scissor style foot parring secateurs with replaceable blades and self spring action.

Author Margaret Rowe has three self-published novels about the lives of quilting enthusiasts.Author Margaret Rowe has three self-published novels about the lives of quilting enthusiasts.railway crossings, rowe, margaret

Apricot sleeveless long nightdress scalloped edge on neckline with self embroidery at neckline. Tie for waist.costume, female nightwear