Bendigo Advertiser ''The way we were'' from 2001. Load 'em up: Ken Childs, Tom Scott and Bob Childs, with Len Childs and Bill Childs on top of the hay stack, work together to cart sheaves of hay at May Reef in Elmore; circa 1940. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Black and white photograph showing 2 poppet heads, 3 chimneys, dam, 2 wood stacks, associated sheds, mine manager's house, few trees. Copy of photograph ' New Chum Reef - looking north N.J. Caire photo 1875 - copy J. Lerk, 11.2.2000'N.J. Caire ?place, landscape view, new chum reef

B/W. Engine G41, showing the sign "Puffing Billy Preservation Society, Beech Forest, 21-11-59", leaves the balloon loop at Beech Forest Railway Station, with guard and child hanging from the engine. A number of people are in the area, particularly two on top of a stack of timber. beech forest; railways;

A black and white photograph taken at Nui Dat July 1967. War artist Lt Bruce Fletcher puts the finishing touches to his oil painting of Pte Jim Moloney. Lt Fletcher was accidently wounded in the foot when a captured enemy weapon discharged while being stacked.photograph, nui dat, war artist, lt bruce fletcher, pte jim maloney, gibbons collection catalogue

There is a slight ridge ridge along the side where the wet clay has been pushed up between the bricks as they have been stacked. Wooden press moulds were used to form the brick and lead shaped markers were used to brand a frog in the brick. The frog is the hollow in the centre of the face of the brick. This centre helps the bricks to adhere in construction.A hand-made brick. There is a slight ridge along the top side where it has been pushed up between the bricks as they dried. The frog (hollow in the centre) is an unusual elliptical shape. brick building construction

A photo of Operation Firewood which provided help to widows by supplying and stacking firewood for the winter. Photos show a truck being loaded with wood. the date is unknown but the wood often came from the Cobram/Yarrawonga area and the trucks were provided without charge by transport firms - often Linfox. Legacy provided this service for many years until 1995.A record of Legacy helping widows by supplying and stacking firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour photo x 4 of a truck being loaded with wood for Operation Firewood.operation firewood, widows

Demonstrates the typical vehicle of the time of the picture. Demonstrated the mode of transport for agricultual goods.Shows the means of transport for agricultural goods in the period.Black and white rectangular picture. Featuring a early truck with tray. The truck is stacked with wool bales and is tide with thick rope. There is a dog curled up on top of the cabin of the truck. A male is leaning against the door with his thumb in his pants, smiling. On the bonnet of the truck the letter "P" can be seen.On back "Ron with the truck & a load of wool on" written in grey lead.

VIEW IN TOWNSHIP CLUNES, SOUTH EAST. PERIOD 1865. TAKEN FROM HILLSIDE BELOW CAMP PARADE, VICINITY MR. SWANTON'S HOUSE PHOTOGRAPH OF TOWNSHIP OF CLUNES, SOUTH EAST .1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD. .2 BLACK AND WHITE PRINT .3 SEPIA PHOTO PRINT .4 BLACK AND WHITE PHOTO PRINT .5 BLACK AND WHITE PHOTO PRINT HOUSES SURROUNDED BY PICKET FENCES, POPPET LEGS AND CHIMNEY STACK.VIEW IN TOWNSHIP CLUNES. SOUTH EAST.local history, photography, photographs, clunes township

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph tt a Fire Support Base, a digger sorting shell 105mm artillery shell casings for transport back to the 1st Australian Task Force Base at Nui Dat, Phuoc tuy Province. These casings once stacked on pallets were collected by RAAF Huey "slick" helicopters.photograph, 105mm artillery, digger, 1st atf base, raaf, huey helicopter, nui dat, phuoc tuy province, gibbons collection catalogue, denis gibbons, photographer, vietnam war, fire support base, australian task force

Inside of General Store. Probably Robb's as the photo was donated by Mary Robb. In background shelves stacked with groceries. Behind wooden counter, the Grocer standing and man in glasses, cap and seated along side Grocer. Standing in front of counter to one side, six waistcoated gentlemen and a lady. A wooden chair is located before the lady. An advertisement for Invicta Jelly Crystals is imprinted on the counter.Black and white photo of the inside of a general store, Thompson Avenue, Coweslocal history, photographs, buildings--historic, black & white photograph, mary robb

Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong

Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania

Rose Series postcard No. P 10445, titled "Collins Street looking west, Melbourne" looking west from mid-block between Swanston and Russell Streets. Has six W2 class trams in view, all carrying the wartime strip under the driver's windows and white bumper bars. In the far background can be seen chimney stacks of the gas works.Yields information about Collins Street in the early 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.trams, collins st, w2 class, gas works, tramways, world war ii

Sepia photo, corrugated iron building with 2 double doors. Large building with hip and valley roof. Tall metal ? Tubular chimney at back left. Pallets and containers stacked against wall. On back in ball point pen ' Rosella Factory, Brougham St. In pencil ' new sheds from brick stores'A.W.M Gibbony, ,Pall Mall Bendigoorganization, business, rosella factory

Second copy 18 x 25 cm, purchased from Win Burnett 1992Black and white photograph of activities in front of Harbeck's Store. Long telegraph poles are lying in foreground, stacked railway sleepers behind them, eight horse team harnessed to log wagon in front of general store, grain store and residence. Two smaller wagons, horses and men in image. Lakes Entrance Victoriaretail trade, township, animals, clothing, room display

Black and White photograph shows a group of seven senior scouts unloading wooden crates of fresh produce from the flat bed of a truck. Another truck is parked behind also stacked with crates. On the door is written 'W. F. Montague/ Narre Warren Nth/ 251 on the lower frame of the photo is 'Beaver Photographic'.

Small catalogue for an auction sale at the New Garfield Gold Mine at Chewton, Vic. Auction of Mining Plant, Buildings and Equipment was held on 19th March 1947 by Order of the Mine's Department. J. H. Curnow & Son Pty Ltd. Were the auctioneers. Contains description of machinery, poppet legs and steel smoke stack.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - new garfield gold mine, mine's department, j h curnow & son pty ltd, prahran telegraph printing co

Black and white photograph of a pile of scale from the Cohuna Butter Factory Boiler. Photograph shows the pile of scale on a bench with a brick wall and a wood stack behind it. Written on the back: Scale from Cohuna Butter Factory Boiler. Note 200/cc Scalebuoy is 3'' in Dia & 4'' Long for size Comparison?sciences, bill ashman collection - correspondence, photograph, scale from cohuna butter factory

London Bridge, pre 1990 was a double-spanning bridge connected to the mainland. The stack was created over hundreds of years, with the weaker layers toward the base being eroded away by wind and water to form the two bridges. The span closer to the shoreline collapsed unexpectedly on 15 January 1990, leaving two visitors, whilst uninjured, stranded on the outer span before being rescued by helicopter. Two coloured photographs of the London Bridge, on the Great Ocean Road. This photo was taken days before the collapse of the geological feature. The photographer walked across the bridge to the warning of her mother "if you go over there and it collapses you will be stuck. After the collapse it was renamed London Arch. london bridge, great ocean road, london bridge, peterborough, london arch, shipwreck coast, 12 apostles

Sepia photo on fawn board. 27 workmen in front of mine buildings, horse and dray on left, poppet head to left, mine building and chimney stack. Large pile of cut wood on right. 3 men sitting in open windows of building behind group. Blue pencil line drawn on the board, framing the photo.place, mining site, mine?

Also new sepia print 10 x 15 cm. See also Peter Synan's book 'Highways of Water'Sepia photograph showing paddle steamer Tanjil at Latrobe Wharf. Swan Hotel on left and Victoria Hotel on right. Timber stacked on wharf. People on wharf and in small boats on river on left, taken from opposite side of Latrobe River. This scene is immediately downstream of present swing bridge on Latrobe River. Sale Victoriaboats and boating, jetties, houses, disasters

BHS CollectionWater colour painting of Great Extended Hustlers mine by C G Robertson 1901 showing mine, poppet head, chimney stack and Boundary Hotel in foreground. Donated by Ian & Katinka Napier 53 Heron Place Tunderup WA 6208 previously owned by Katinkas Grandparents Charles & Grace Strue. Deframed 2022.C G Robertsonartwork, oil painting, gold mines, bendigo-history-gold mines

black and white photograph, view across mining area showing at least 9 poppet heads. At least 11 chimneys and many buildings associated with the mines. Centre to left, flume, wood stacks, mullock heaps. In image ' Duchess Tribute' on weatherboard building at centre. On back '12' Devonshire gorup' in ball point pen. MNG 1.buildings, commercial, devonshire group of mines

Copy of a photograph of a group of men using a threshing machine, the name D. Coghill and sons is written on the machine. There is one man seated on the traction engine and six other men standing. There is a large pile of hay at the rear of the machine with ten men standing on the stack, most of the men are holding pitchforks. East Loddon Shire is written on the base of the phototopic, farming, threshing, traction engine, threshing machine, d. coghill and sons

Black and white image: horse and jinker on RH side, man on horse on LH side, people standing on and in front of verandah of bank building. Two men standing either side of gold cakes ( 4 thereof ) stacked on top of a box. On back of photo in grey lead ' cake of gold. Sth. Moon, taken to bank 1906 ?'bendigo, mining, goldcake at bank, bendigo, mining, goldcake

Small catalogue for an auction sale at the Great Southern Gold Mine on the Garden Gully Line of Reef. Lease Nos. 11033 and 10690. Auction of Leases, Plant, Buildings and Equipment was held on 10th April 1947. J. H. Curnow & Son Pty Ltd. Were the auctioneers. Contains description of machinery and circular brick smoke stack.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - great southern gold mine, j h curnow & son pty ltd, prahran telegraph printing co, garden gully line of reef, fortuna hustlers mine, carshalton line, red white and blue consolidated, new chum railway, whip and jersey