Black and white image of Port Arthur Penitentiary, Commandants Quarters and Powder Magazineport arthur, convicts, port arthur hospital

Black and white image of Port Arthur Penitentiary, Commandants Quarters and Powder Magazineport arthur, convicts, port arthur town hall, port arthur asylum

Black and white image of a convict pardonport arthur, convicts, convict pardon, james ingram

Black and white image of a convict pardonport arthur, convicts, rules, poster

Black and white image of the Prison Hulk "Success" at Hobartport arthur, convicts, prison hulk, success, hobart, sailing ship

Black and white image of the Prison Hulk "Success" at Hobartport arthur, convicts, prison hulk, success, punishment band

Black and white image of the Prison Hulk "Success" at Hobartport arthur, convicts

Black and white image of the Prison Hulk "Success" at Hobartport arthur, convicts, flogging, punishment

Black and white image of the Prison Hulk "Success" at Hobartport arthur, convicts

Black and white image of the Church at Port Arthur.port arthur, convicts, port arthur church

A portable radio receiver and VHF transmitter used by the Sea Pilot Service. An early model used from about 1956 for ship-to-ship and ship-to-shore communication during arrival and departure procedures.Used by the Port Phillip Pilot service in the 1950sMiniphone radio receiver / transmitter and carry bag MFD by Commonwealth Electronics Pty Ltd Type No 180TRN Serial No 184communication, radio receiver and transmitter

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of black leather women’s shoes with black velvet bows, retailed by Rules of LauncestonExclusive to / Rules of Launcestonwomen's shoes, rules of launceston, footwear, court shoes

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.White cotton petticoat with bands of inserts of lace. Th petticoat was donated at the same time as a white cotton day dress. Probably of Tasmanian origin, and of a similar period to the dress, the petticoat was donated by a local Kew resident.women's clothing, petticoats, underwear, coralie coulston

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The donor, a resident of Kew, provided a handwritten provenance with the donation. "This is an heirloom dress, worn in Tasmania by a Fletcher relative c. 1860s, 1870s. It was for years, with another in the Queen Victoria Museum and Art Gallery, then borrowed for concerts. In (the) 1990s it was enlarged at the back for a Centenary reenactment. I thought you might like it for your collection."19th century white cotton day dress, photographed as accessioned, which is printed with a design in black. The front has a 3/4 length buttoned opening. The dress has wide ruffles in the same fabric at the base of the skirt. The later 1990s inserts which can be seen in the first and third images have been removed in preparation for the dress to be restored. The buttons are a later addition. Historically appropriate replacement buttons were later added.women's clothing, day dresses, australian fashion - 1870s, coralie coulston

Both William Weire and Frederick Strange were originally sentenced to be transported to Van Dieman’s Land from England making the painting likely to be a portrait of a convict by a convict. Gaining his ticket of leave for good behaviour in 1841, Strange became recognised for his portraiture and landscapes although he also remains known for his mysterious demeanour. He rarely signed his works which is the case with the portrait of William Weire. Having served his time, William Weire was granted unconditional freedom and successfully worked his way into influential local Launceston business and society circles ahead of leaving for Geelong in 1848 and being made the first Town Clerk for the newly formed Town of Geelong Council in 1850. He oversaw an incredible period of the earliest development of the Town of Geelong including the first migrant arrivals and the dramatic change that came with the discovery of gold in Victoria in the 1850s. The ex-convict turned Town Clerk was to read the formal welcome address to HRH Alfred the Duke of Edinburgh and Princess Alexandra on the occasion of Geelong’s first royal visit. The portrait of William Weire was originally gifted to the City of Geelong by the Weire family in 1961.convict, geelong, town clerk, frederick strange, william weire

ill. p. 174.non-fictionA personal narrative of the exploits of Martin Cash in the bush of Tasmania and on Norfolk Island.bushrangers - australia, bushranger - personal narratives

Index, bib, ill, maps, p.270.non-fictionThe history of the Emu Bay Railway Company in Tasmania from the Van Diemen's Land Company to the Pasminco company years.emu bay railway company., mineral industries -- tasmania

Acquired by Kate Leviny. The Leviny daughters were friends with Ursula Ridley Walker. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.Ursula Ridley Walker is a little know Australian woman artist who was working in many artistic fields during the first part of the twentieth century. Buda holds the largest public collection of Walker's work in Australia.Print by Tasmanian woman artist, Ursula Ridley Walker, depicting blue hydrangeas in a dark blue jug with a green octagonal plate in the background. Mounted and framedLower left: 'Hydrangeas' Lower centre: '- Coloured Lino Cut -'. Lower right: 'Ridley Walker 5/50'.ridley walker, linocut print, australian women printmakers, hydrangeas, leviny collection, buda, castlemaine, 1925, ursula ridley walker, tasmanian artist

Given to SKHS by Mr Handley 1982Sepia photograph mounted on board Above top border: Sunk Emden 1914 Above photograph: H.M.A.S Sydney - Last Cruise - Hobart February 1928 Below photograph: H.M.A.S Sydney's Last Cruise Hobart, February 1928

Part of a collection of four photographs depicting wool sales, wool classers and auction rooms. This group portrait was taken in Hobart and depicts men who were working in the wool industry at the time, including wool classer James Campbell Bell. James Campbell Bell emigrated from England to Sydney then Melbourne, in the early 20th century.Black and white photograph depicting seven men seated and standing near a cliff at the seaside. All the men are wearing suits and ties, one has a pipe in his mouth, one holds a walking stick.Back: [Handwritten] ? Whit? / ? / Hobart Wool Sale / Hobartwool auction, wool sales, wool industry, hobart, james campbell bell, seaside

Part of a collection of four photographs depicting wool sales, wool classers and auction rooms. This group portrait was taken in Hobart and depicts men who were working in the wool industry at the time, including wool classer James Campbell Bell. James Campbell Bell emigrated from England to Sydney then Melbourne, in the early 20th century.Black and white photograph depicting seven men seated and standing near a cliff beside water. All the men are wearing suits and ties, three have pipes.Back: [Handwritten] ? ? / J. C. Bellwool auction, wool sales, wool industry, hobart, james campbell bell, seaside

3 colour photos of Spirit of Tasmania 3 at Station Pier 5/1/2004transport - shipping, spirirt of tasmania 3

Colour photograph showing members of the congregation assembled outside the Branxholm Uniting Church in Tasmania.branxholm uniting church tasmania

Rev. Minchin was Tasmanian Moderator in 1985. He was a secondary teacher in Victoria before studying at the United Faculty of Theology from 1970 to 1972. His first parishes were Dartmoor and Sale-Rosedale before coming to Hobart in 1980.B & W head and shoulders studio photograph of the Rev. John Minchin, Moderator of Tasmania."John Minchin Tasmanian Moderator C&N 16/10/1985 page 11"rev john minchin, tasmania, moderator, uniting church

Margaret Morey authored a book on residents at Kirklands at Campbell Town.B & W photograph of Margaret Morey holding a publication entitled "The Manse folk of Kirklands Tasmania"."Margaret Morey sheet 3.1"morey, margaret

Small head and shoulder portrait of a man with a beard. He is wearing a three piece suit and a bow tie. Photo mounted on cream card with gold border and gold printing on the front and back. Card has rounded corners. On the back is Prize Medal Intercolonial Exhibition Melbourne 1866.W. Cawston, St. John Street, Launceston, Tasmaniaphotograph, portrait, male, portrait of a man, w cawston