Moderator Rev R.B.Horsfield's gift. Plastic plaque with brown plastic frame in blue synthetic velvet box. Korean and English script."The Centenary of the Australian Mission in Korea" "The Visitors from Busan to Australia October 19-31, 1989"uca moderators' gift

Held in Melbourne from the 22nd November to 8th December, the 1956 Summer Olympics, officially known as the Games of the XVI Olympiad or the Melbourne Olympics were the first held outside of Europe or the USA. This programme was originally enclosed with book 'Australia, Land of the Southern Cross' as is a visitors guide to Australian states and cities.Colour printed programme. 15, [1] pages. Illustrated. Colour printed front and back cover based on the Olympic ring colours. Inside pages printed in red and black. Contents include an official programme listing all the events, venues and dates; photograph and map of Olympic grounds and Village; a guide to facilities and services available to visitors during the Olympic Games and lists of Australian cities and towns with brief statistics and description for each listing. Includes an introduction by Frank Selleck, Lord Mayor of Melbourne ; Maurice A. Nathan, Chairman, Olympic Civic Committee.melbourne olympic games, olympic games 1956, city of bendigo tourism

Red covered Guests Soroptimist International Bendigo Visitors Book with entries from 1978 -2005, mostly recording names and addresses of guests.bendigo, clubs

See "Green Grows Our Garden," A. P. Winzenried, for further details about the Yarra Revegetation Programme.Minette Russell-Young Explaining Planned Revegetation of Yarra Bank, talking to David Aldous (Principal Lecturer) and 2 visitors. Clyde Holding and ?david aldous, lecturer, clyde holding, minette russell-young, revegetation, yarra bank, vice-principal

Correspondence between Mrs T. R. Mannix, Swan Hill Wolf Cub Pack master to District Scout Commissioner Mr J. I. Samson for an invitation to be included with the local scout groups in functions to welcome Queen Elizabeth and the Duke of Edinburgh to Bendigo on Friday, the 5th of March 1954. The response from the Commissioner included typed plans of the event and maps of the royal tour through the streets of Bendigo starting and finishing at the train station.Set of correspondence including typed gatefold letter, typed plans for placement of visitors and role of the military and maps of CBD Bendigo and of Upper Reserve.queen elizabeth, duke of edinburgh, boy scout association, mayor clayton, city of greater bendigo royal visits, city of greater bendigo community groups, city of greater bendigo tourism

This book recorded the ships on which seafarers came to Melbourne.The logbook provides an insight into which ships and the origins of their crews were visiting Melbourne in 2004-2005. Yellow note on the cover with the words: "Melbourne Visitors Log 06/08/04 - 21/03/05sailors, seafarers, seamen, ship, nationality, mission to seafarers, seamen mission, flinders street

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse 74 / Courthouse / Visitor Ned Kelly . B'worth Reverse: BEECHWORTH / COURTHOUSE / B5 / 06 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

The book was preserved in the personal collection of Dr Fred Stamp. After his death in 2018, it was presented in October 2018 to the Kew HistoricaL Society by his family. This item is part of the Kew Historical Society's collection relating to the Kew Mental Hospital and its historyLeather bound and embossed 'Visitors Book" commemorating the centenary of the Kew [Mental] Hospital, inscribed on the first pages with the signatures of the Governor of Victoria, Sir Rohan and Lady Delacombe, and dated 1 October 1972. The book was used, ten years later, to record the Official Opening of the Visitors Room on 2nd September 1982, and includes 19 signatures from that occasion. kew mental hospital - centenary 1872-1982, sir rohan delacombe, dr fred stamp

A colour photograph of a chainsaw sculpture situated in a chainsaw sculpture garden in Marysville in Victoria.A colour photograph of a chainsaw sculpture situated in a chainsaw sculpture garden in Marysville in Victoria. The sculptures were created by a local resident, Harley Morgan, as an attraction for visitors to Marysville.chainsaw sculpture, marysville, victoria, photograph, harley morgan

Document. Typed notes and a poem about the Bendigo Wax Flower. The poem was written by a Bendigo resident. It tells of the popularity of bunches of wax flower with visitors.document, lucy hill collection - bendigo wax flowers, bendigo advertiser

Photo of George Robinson and Valda Arrowsmith signing the Visitors Book, on the occasion when George offered a 'Rob's Special' Bike to the Historical Society. (NA2587)blackburn road, blackburn, no. 12, robinson, george, rob's cycle and sports, arrowsmith, valda

Details of guests during the year 2006. Many were guest speakers at luncheons and Comradeship meetings.Records a wide diversity of speakers and guests who attended the weekly Comradeship luncheon at Legacy House in Melbourne.Navy blue leather visitors book, gold metal corners, gold lettering, white lined pages headed Date, Name and Address, Remarks.speakers, legatee event, programme committee, register

Diggers & Mining: Bendigo.Bendigo tram outside of former Post Office now Visitor Information Centre. Markings: 11 DEC74M10. Used as a teaching aid.Kodachromeeducation, tertiary, bendigo

number in album 03528.01Black and white photograph Grace Ellis, May and Wally Heasley visitors viewing the progress of the Lakes Entrance Aquatic Centre Lakes Entrance Victoriarecreational facilities, people

TO ADVERTISE THE GOLDFIELDS IN VICTORIATHE GOLDFIELD'S VISITOR'S GUIDE WINTER EDITION - 1992 COVERING THE CITY OF MARYBOROUGH, SHIRES OF TULLAROOP, TALBOT AND CLUNES, MALDON, AVOCA, BET BET AND NEWSTEADlocal history, documents, newspaper, visitor's guide

Colour three parts foldable leaflet explaining the history of the Mission, the Flinders Street building and the ANL Art Prize. Leaflet available in the club room for visitors.mission to seafarers, marketing