Image digitised from 35mm slide school yard games

Park Orchards Community Centre extensions and official opening

Park Orchards Community Centre extensions and official opening

Park Orchards Community Centre extensions and official opening

drystone walling, drystone walls

ill, maps, p.40.non-fictionA history of the Otago Central Railway from Dunedin in the South Island of New Zealand.railroads construction - new zealand, railroads - new zealand - south island - history

Jan Scruggs started and directed the enormously successful effort to create a national memorial honoring those Americans who served their country in the Vietnam War.vietnam veterans memorial (washington, d.c.), vietnam war, 1961-1975, united states

Alun LEACH-JONES (1937-24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Pastel drawing on Stonehenge paper. Donated through the Australian Government's Cultural Gifts Program by David Thomas and Brenda Martin, 2011Signed verso lower left 'A. Leach-Jones'art, artwork, leach-jones, alun leach-jones, cultural gifts program, new abstraction, the field

flowers

On Veteran Day 1982, a unique monument was dedicated on the Mall in Washington D.C. vietnam veterans memorial (washington, d.c. ) - pictorial works, vietnamese conflict, 1961-1975 - collectibles

On Veteran Day 1982, a unique monument was dedicated on the Mall in Washington D.C. vietnam veterans memorial (washington, d.c. ) - pictorial works, vietnamese conflict, 1961-1975 - collectibles

The Vietnam Veterans Memorial is much more that a chrevron-shaped wall of polished black granite, more that the sum of the 58,183 names engraved on its mirror-like surface. For tens of thouseands of Vietnam Veterans and their families it has become a place of healing, an altar of memory, a hallowed ground.vietnam veterans memorial (washington, d.c. ) - pictorial works, war memorials - united states

This work is a large structure of stones, a cairn. It is constructed using volcanic rock from the area and has a number of metal plaques set into the sides of the rock structure. On one plaque the wording reads “Remnant Bush”, another says “Urban Push” and the third plaque reads “Machine Axe & Fire”.

Wall Kisser is a kinetic sculpture that is hand-cranked by the viewer. On turning the handle the wall receives the repetitive, kiss-thud, kiss-thud of the leather and velvet hearts which have been padded out with dried lavender and rosemary from the artist's garden (a version of an 18th Century pot pourri recipe commonly used to ward off disease and disguise bad smells). The sculpture's rotating form is loosely based on the design of a vibrator that the artist saw online: an electromechanical wheel of 10 plastic ‘tongues’. This sculpture was part of a body of work entitled Gorgeous, first presented at the inaugural Ellen José Art Award at Bayside Gallery in 2022. Gorgeous was an exhibition that imagined the physical gallery (walls, floor space), as if an abstract version of a lover’s body. Gartside explains, "I am curious about the potential connections between a viewer and an artwork... What could we ask of viewers beyond their attention, and as artists, what can we offer? What is possible when both artwork and viewer have skin in the game? In this work I am teasing out possibilities for eliciting surprise, delight, humour through art, and offering my gratitude for the 'lover' type relationship that I have with my art practice." Artist Bio Hannah Gartside works across kinetic sculpture, installation and quilt-making. Characteristically sensual and poetic, her works transform and in some cases animate, found fabrics and clothing and ephemera to articulate experiences and sensations of longing, tenderness, care, desire and fury. Her solo presentation Bunnies in Love, Lust and Longing at Melbourne Art Fair (February, 2025), received the Richard Parker Award. Recent commissions include Forest Summons (for Lilith) at the Ian Potter Centre: National Gallery of Victoria for Melbourne Now, 2023, and Loie, Lilith, Sarah, Pixie and Artemisia for Primavera 2021: Young Australian Artists at the Museum of Contemporary Art. In 2024, Gartside was a recipient of an Anne & Gordon Samstag International Visual Arts Scholarship, from the Samstag Museum, University of South Australia. She will commence an MFA in Europe in late 2025. Her sculpture #19 (Series: Bunnies in Love, Lust and Longing) was the winner of the Woollahra Small Sculpture Award in 2024. Gartside has undertaken residencies at Australian Tapestry Workshop, Melbourne (2020) and in California at the Varda Artist Residency (2017). Gartside received a Bachelor of Fine Art (Sculpture) Honours from University of Melbourne, Victorian College of the Arts, in 2019, and a BFA (Fashion Design) Honours from Queensland University of Technology in 2010. Prior to her visual art training, Gartside worked as costume-maker and dresser for five years, mainly on productions for Queensland Ballet. Her work is held in the collections of Wangaratta Art Gallery, Wesfarmers, Ararat Gallery TAMA, Darebin City Council, MECCA and Artbank. She is represented by Tolarno Galleries.

Letter written on paper with printed letterhead and crest of the Bendigo United District and dated July 10 1877. Funeral vouchers for Funeral Benefit late Wife of Bro Thomas Warren. Signed John Waller. Bendigo United District impression stamp on the paper.John Wallersocieties, aof, correspondence, ancient order of foresters no 3770 collection - letter, court king of the forest, thomas warren, john waller

Photograph of the Camberwell Kew Tramway Football club in 1931with 34 team members, some in football clothing, others in suits. Yields information about the members of the Tramway Football clubs. Photograph mounted and formed into a metal frame with a wall hanging piece of rear.tramways, sports, camberwell depot, kew depot, football

“Overdale” Holden Homestead Concongella. James Holden settled on "Overdale" in the late 1860's. The Holden Family still live at "Overdale" The Holden Family have served on the Stawell Shire Council for over 100 years.Black and White enlarged photograph of house in file and small original photo in album. Building has prominent stone wall and trees around the house which has an inner timber and wire fence. Overdale sign on the stone wall.stawell

Slide. Wall Hanging. Pilot and Aircraft,the Spirit of St.Louis,& Charles Lindbergh depicted on material.Various metal objects on the wall. March 1971slide, bendigo, wall hanging, wall hangimg

Colour photograph. Couples dancing in hall. Balloons on wall Hanging stars and moon.clubs, music, bush dance & music club of bendigo

Sepia photograph. J R Hoskins Timber & Iron Yard. Timber premises, verandah. Horse on left hand side, 10 men posed in foreground. C A Brown's shop partly pictured on left side, hairdressing saloon. Physical description: faded. Inscriptions/Markings: Wall Bros. Photographers, 15 Chapel St., St. Kilda. Exactly Opposite All Saints' Church.Wall Brosbusiness, bendigo timber & iron yards, wall bros photographers, j.r. hoskins

Silver metal hanging plate, presented to Mr R W Pettitt by the [sheep breeders] Association of Peru, 1973Silver metal hanging plate, presented to Mr R W Pettitt by the [sheep breeders] Association of Peru, 1973.ASOCIACION DE GANADEROS DEL PERU/ En Liquidacion/A R W PETTITT/1973corriedale sheep sheep breeding agricultural shows, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding, agricultural shows

A razor strop is flexible strip of leather or canvas used to maintain a shaving edge on a thin blade such as a straight razor. Fine powdered jeweler's rouge or other pastes can be added as an abrasive to polish the blade. The strop may be a hanging strip or a hand-held paddle. This one is a hanging strop. Strops were quite commonly found in barber shops and homes before the invention of the safety razor, They are still used for sharpening tool blades.This item is an example of the self-reliance shown by rural families when household necessities were not readily available.A flexible double-layered horse hide leather strop. One strip has a slightly coarser texture. This is a hanging strop which has a metal swivel on top so that the strop can be turned over while hanging from a hook/peg.On hand grip The Keen Edge Strop, genuine horse hide All Black Stropper No. 2strop razor-strop shaving personal-effects

The stamp on this bench depicts a sheep hanging from its waist. This logo is on the Warrnambool City's coat of arms. It is also on the Bank of Australasia's coat of arms. However, there is no further information about the history of tis bench is currently available, it is believed to be homemade from around 1950s.Item at this time cannot be associated with an historical event, person or place, provenance is unknown.Bench, wooden, painted black. Made of planks. Inscription stamped onto wood.Depicts an imprint of a sheep hanging with back mid section. The words "Highly Inflammable" "H" (section missing) "GH"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, wooden bench, bench made of planks, bench, workbench, hanging sheep logo, suspended sheep

Colour photograph. Couples dancing in hall wearing pyjamas. Balloons on wall Hanging star.clubs, music, bush dance & music club of bendigo