A Royal Humane Society of Australasia silver medal for bravery was awarded to Mrs Isadore Susannah Smith who, although blind, went to the aid of her husband, Arthur who was also blind, when he fell against a gas fire on July 2nd, 1967. Mrs Smith suffered second degree burns to her hands and wrists when she removed his burning pieces of clothing. On the front shows a woman in Ancient Greek clothing standing at left placing wreath on head of young man kneeling at right below Southern Cross; around edge is ' Virtute Paratum' and on the back is at centre within olive wreath 'Awarded to Isadore Smith 2.7.67'around edge is , Royal humane society of Australasia Instd. A.D. 1874. 1 silver coloured medallion and ribbon bar with ivory, brown and yellow striped ribbon. Women in ancient Greek clothing with 'Virtute Paratum' on front. Back is inscribed with 'Isadore Smith 2.6.67' inside a wreath.medals, isadore smith

Employment is a key area that blind or vision impaired people are under-represented. These photographs were taken to demonstrate and provide examples of how blind and visually impaired workers can undertake skilled positions as switchboard operators. In the first image, a man wearing a headset sits behind a small switchboard and on the desk is a sign that reads "Please buzz for attention. Our receptionist/telephonist is blind". In a second image, two people sit at a desk. The woman uses a device to locate a key on the switchboard whilst wearing a headset. Beside her a man points to the key and holds a telephone receiver to his ear. In the third image, a seated man reaches forward to find a socket in the switchboard, with an audio jack attached to his finger. Beside the switchboard a man stands and holds his wrist, possibly guiding him.employment, royal victorian institute for the blind

Floor length dress of royal blue silk fabric with a metallic thread forming a tinsel like pattern. There is a V neck at front with a high round neck at the back. The bodice front is made from two pieces with a centre seam. The bodice is attached to midriff panel of royal blue satin. At the front the bodice is gathered slightly onto the panel with a V shape at t centre front of the panel. At the hip line centre front the midriff panel narrows and then widens and the panel extends to the hem. The centre panel is divided and has a godet insert in the centre. Fifteen decorative fabric covered buttons with roulette loops are attached at centre of midriff panel. The back of the bodice is one piece is gathered slightly into a high waisted skirt made up of four gored pieces. The side opening (21 cm) at the waist on the LHS has three metal hooks with cotton loops and two press studs. The long sleeves are set in with lily point finish at the wrist. The underside of the sleeve at the wrist has ten decorative fabric covered buttons with roulette loops. Machine and hand stitched.costume, female daywear, blue silk dress

High waisted bodice, with centre front seam, back opening fastened with metal press-studs, and finished on the right side, with ball-shaped pearl buttons sewn in pairs - six groups of two. A placket extends into the skirt at back, and is fastened with metal press-studs. Bodice is gathered onto skirt at waistline, and defined with a 1.5cm wide tape. An 8.5cm wide cotton lace frill is gathered around the high neckline. The wrist-length sleeves are an extension of the bodice and have a 4cm band, and 4cm wide gathered frill at the wrist. The sleeves are shaped from the high waistline, and also at the cuff edge. The skirt has an overlay of fine lace, made up of six X 17cm wide bands of lace, with a scalloped edge. No shoulder seams. Back opening and centre front seam indicate the cutting out layout of fabric. A one cm wide ribbon finishes the neckline, and the lace frill is hand stitched to the ribbon. Some seams are hand neatened. A 2.5cm wide flat bow finishes the back neckline.costume, female, cream satin and lace wedding dress

This is a military, very cold environment jacket. Suspect Korean War vintage, possibly British or Aust. made. 1. This is a green jacket, 100% lined with fur. It has a raised fur lined neck. It has two pockets on lower front. The pockets have an inner neck (5 cms). Pockets held shut with buttons. The front is held shut with a metal zip and big buttons. The buttons are 28mm diameter, light brown. The wrists have draw straps to seal out cold. Ref: The lining inside:- Rear section fully sewn in, in the two front panels, the bottom edges are not sewn in. 2. Scarf. Woollen, Khaki, thick. Written on front left jacket chest is name - PEARSE.cold weather coat, korean war, passchendaele barracks trust

This dress was worn by Margaret Vyner on her wedding day to Ian Mc Kendrick. Margaret's mother's name was Rita. Margaret was living with her family at Tawonga, Ian was living at Mt Beauty.The couple were locals of the Kiewa Valley. Ian worked at the Mt Beauty Post Office and Margaret at the Tawonga & District Hospital. Their 3 children grew up in Mt Beauty.Ivory / off white satin wedding dress with a train at the back. Puffed with stiffening & padded long sleeves which come to a point at the wrist where fastened with a press stud. Ruched cross over bodice with a V neckline with a semi circular skirt. Plain back to the waist and a half self belt fastened at the back by 3 covered buttons and 3 loops. Left side as a plaquet fastened by 2 hooks and eyes. Semi circular skirt which has, at the rear, a 100 cm train with a finger loop.wedding dress; margaret vyner (mckendrick); tawonga; ladies' clothing

This wedding dress came from the estate of Ena Heazlewood. Born in Warrnambool in 1920 Mary Josephine (Ena) Todd was a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, a stoker on the H.M.A.S. Sydney at the time. She was wearing this wedding dress. The dress was also worn by two other brides – Ena’s sister-in-law. Mavis McDonald when she married Jim Heazlewood in December 1942 and her sister Rita Todd when she married Bill Kane in 1947 (the bodice of the dress was altered for Rita’s wedding). The photograph shows the wedding of Field James (Jim) Heazlewood and Mavis Marie McDonald who were married on 23/12/1942This dress is of of some significance as it is not only a lovely example of a 1940s wedding dress but it has local provenance, being worn by a Warrnambool person, Ena Todd when she married another Warrnambool identity, Jack Heazlewood in 1942. This is a white lace dress with a fitted bodice, a square neckline and a lace band at the waist edged with satin. The dress has set-in long sleeves with a press stud clips at the wrists. The waist at the back has a loose band of lace material. The skirt is slightly flared and is floor length at the front with a cotton net frill edging, now slightly tattered. The dress at the back has a wide rounded train with a net frill edging. The side ends of the train have inserted lace panels. The dress is slightly yellowed with age. vintage clothing, todd & heazlewood families, warrnambool

Clothing. Women's long sleeved smock style blouse of cream coloured cotton fabric with geometric pattern of squares. High round neckline with 1.5 cm stand up collar. Yokes front and back with scalloped edge. Lower sections gathered into yoke with series of knife pleats. Three box pleats on the back continue from the yoke to the hem. Full length front opening fastened with six press-studs. Long sleeves gathered at shoulders and gathered into casing above the wrist, forming a frill decorated with pintucks.costume, female, women's long sleeved smock style blouse

Clothing. Infant's white cotton gown with long sleeves. Round neck with casing for cotton tape ties. Stand up 1cm lace trim. Back opening (20cm). Lace trim (.8cm) at wrists and ends of waist ties. Gathered from neck at back and front. Front is gathered into broiderie lace band (17cm X 3 cm) at waist. Two fabric ties attached at sides of waist band (68cm) to tie at back. French seams. Machine stitched. Old box 230.costume, children's, infant's gown

WEDDING DRESS. Made by brides mother, the empire line dress of crepe fabric, with guipure lace trim, in 1972. Long slim fitting sleeves, with a 3 cm wide band of lace in a flower and leaf design, around the wrist. The lace also edges the high round neckline, and defines the curve of the panels in the high empire line bodice, and the centre panel of the long princess-line skirt. The long sleeves have three darts at the elbow. A long zip fastener in the centre back seams. Cream in colour. WITH 11400.1106 AND 11400.1107costume, female, crepe and guipure lace wedding dress

William John TURNER served on the Committee of the Bendigo Sub Branch from 1948 - 1951, 1953, 1955 - 1958, he was Jnr Vice President during the 1953 - 1958 years. His fund raising and other positions are well documented in Cat No 8029 re the submission for the Life Membership. William Turner had pre WW1 military service in the 67th BN Bendigo area as a Cpl in the Machine Gun section for 2 years. He enlisted in the AIF No 3627 in the 8th Reinforcements 21st BN age 19 years 6 months on 10.7.1915, embark for Eygpt 29.12.1915, transfer to 60th Bn 26.2.1916, promoted Cpl 25.3.1916, embark for France 29.6.1916, WIA 24.4.1918 GSW right wrist, rejoin unit 23.7.1918, promoted Sgt, transfer to 59th Bn 25.9.1918, RTA 15.5.1919, discharged from the AIF 22.8.1919. Certificate framed, frame is timber gold colour, certificate backing is maroon, certificate has ornate edge, all print in blue and black with a red seal at the bottom RH corner. At the top is R.S.S.A.I.L.A followed by the RSL logo then the details of the person receiving and signed.Main points; “This is to certify that Mr W.J. Turner has been awarded Life membership of the Returned Sailors, Soldiers & Airman’s Imperial League of Australia for services rendered as a member of Bendigo Sub Branch Vic” “Dated Canberra 21st Day of November 1956, ................Federal President J Neagle General Secretary”brsl, smirsl, life membership

Silk organza wedding dress with a creamy satin strapless bodice under silk organza with a silk organza circular skirt, which was worn over a cream satin under-skirt (see 11400.529) Bodice has a dropped waistline, sitting at the hipline. Skirt gathers to the bodice and has a draped organza panel, passing through two satin and organza pleated loops at the hipline. Extending across the back from these loops is a 28cm wide tie, which extends to the hemline to be 44cm wide, and forming a tiny train. 41 covered buttons and loops extend from the neckline to below the hips. Sheer sleeves, lily pointed at the wrist, fastened with 7 covered buttons and loops. Floral lace motifs are scattered on bodice and front of skirt. Lace outlines the sweetheart neckline, and wrists. Eight V shaped panels are inserted into the lower skirt to produce the circular shape handkerchief hem. Skirt extends to a small train at back. Documents and photo linked to file. Wedding dress worn at marriage of Barbara Johnson to her first husband Ian Bulte. Part of wedding dress collection 11400.528, 11400.53029, 11400.530, 11400.531.costume, female ceremonial, wedding dress

Green and gold shot silk dress. Hemline is edged with a binding of black velvet - one cm wide. Bodice lined with cream linen, sleeves lined with cream cotton, skirt lined with cream linen(?) or cotton(?). Long sleeves are shaped in a ""semi-circular'' shape at the elbow, and taper in at the wrist. Sleeves are trimmed with green fringing, and a flat green satin bow. Wrist is trimmed a 2cm wide band of cream cotton lace. Top of sleeve at shoulder is also trimmed with green and fringing encircling the sleeve top.High round neck is faced with a 1cm band, and a row of the cotton lace. Two bands of fringing give a rectangular "style'' effect on the front bodice, which is fastened at centre front with ten metal hooks, and nine hand stitched ''holes'' to fasten, and one hand stitched loop at the neckline. Fringing continues over the shoulder, into a 5-sided shape across the shoulder blades. Skirt has two pleats on RHS front and two on left hand side of back and a 7cm centre panel of tight pleating. Skirt extends into a train at back. An inside pocket is accessed from under a pleat in the RHS skirt.costume, female, victorian full length dress with train

DCPU (Disruptive Pattern Camouflage Uniform) Work dress jacket - Colours light to dark green through to light to dark brown. Gore-Tex fabric for wet weather. Hood with peak and elastic drawstring with plastic lock clip. Plastic/metal two ended zipper and metal press studs - front fastening. Two front pockets with loop and hook (Velcro) fasteners. Two interior nylon mesh pocket with zipper. Sleeves at wrist - loop and hook adjustable strap. White colour polyester fabric manufacturers label on front zipper. Manufacturers information on label - black ink print. Label 1 "GSSM/www.gssm.com.au/MAR 2008/O/N 248007/ N/S/N 8415 - 66 - 145- 7093/ SIZE:L/ CHEST: 100-110CM /NAME/SERVICE" "CARE INSTRUCTIONS/ MACHINE WASHABLE: 40c/ DO NOT BLEACH/ DO NOT SPIN DRY/ DO NOT WRING/HAND TO DRY/ LIGHT/ COOL IRON/ FABRIC CONTENT/ FACE/LINER: 100% POLYESTER/ LAMINATE: PTFE" Label 2. "BATCH NO./5301011". uniform, army, work dress, dpcu

This sheath knife belonging originally to German seaman Julius Gebauhr and an artifact associated with the story of the survivors of the wreck of Fiji. A three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a varied cargo consisting of cases of dynamite, pig iron, steel goods, various spirits, sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos and other musical instruments. On September 5th, one hundred days out from Hamburg in a squally and boisterous south-west wind, the Cape Otway light was sighted on a bearing differing from Captain Vickers' calculation of his position. At about 2:30 am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed Fiji struck rock only 274 meters from shore. The place is known as Wreck Bay, Moonlight Head. Efforts were made to lower boats but all capsized or became swamped two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after the line broke. The other, 17-year-old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt without a line, which he had cut loose with his sheath-knife when it becomes tangled in kelp. He rested on the beach a while then climbed the cliffs in search of help. At about 10 am on Sunday a party of land selectors including F. J. Stanmore, Leslie Dickson found Gebauer. They were on their travels back from Princetown towards Moonlight Head. Gebauer was lying in the scrub in a poor state, bleeding and dressed only in a singlet, socks, belt and his sheath-knife. His rescues gave him food and brandy and some clothing and gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stanmore and Dickson rode off to try and summon help. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and was set up on the beach below the cliffs. By this time the crew of Fiji had been clinging to the jib-boom for almost 15 hours. Mr Tregear from the Rocket Crew fired the line the light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, as many as five at a time, however, some were washed off. Only 14 of the 24 men who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. The wreck of Fiji has smashed apart within 20 minutes of the last man being brought ashore, and it settled in about 6 m of water. Of the 26 men on Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach. They were buried on the clifftop above the wreck. Captain Vickers was severely reprimanded for his mishandling of the ship and his Masters Certificate was suspended for 12 months. At the time there was a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Captain Vickers presented Bill Robe who had dragged the captain out of the surf with his silver cased pocket watch, the only possession that he had left, as a token for having saved his life and the lives of some of the crew. Years later Bill passed the watch to his brother in law Gilbert Hulands as payment of a debt. Since that time it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stanmore for caring for him when he came ashore. The knife handle has a personal inscription on it. A marble headstone on the 200 m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are china miniature animals, limbs from small china dolls, rubber balls, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with this sheath knife and Captain Vickers’ pocket watch. Flagstaff Hill’s collection from the wreck of the Fiji and Julius Gebauhr knife is of historical significance at a State level because of its association with the vessel, which is on the Victorian Heritage Register (VHR S 259). The Fiji is archaeologically significant as the wreck of a typical 19th-century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo still evident. Also the story of the heroic attempt by many to save the crew of the Fiji. The knife also represents an aspect of shipping history and fits in well with Victoria's framework of historical themes of living with natural processes as items such as these contribute to a better understanding of Victoria’s cultural history.Knife, metal with black wooden handle. Handle is riveted to knife in 3 places, with shaft of knife between the 2 parts of the handle. The handle also has a carved ring around the end, possibly for attaching a wrist strap. Knife blade is pointed in the centre of the tip and is rusty. The knife has a rectangular metal plaque on handle with inscription. The hand crafted dark brown, soft leather sheath is shaped to fit the knife and joined at the back with cross stitching. The sheath also has a leather belt strap that has come away from the sheath at one end.Metal plaque “FROM JULIUS GEBAUHR/”FIJI” /TO F.J.S.” (F J Standmore recipient)1891, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, knife, fiji, pocket watch, moonlight head, gebauhr, stansmore, wreck bay, sheath knife

Long sleeved black synthetic crepe dress. Cross over shawl collar to waist to form V neckline.Collars edged on outer sides with decorative black spiral embroidered backless buttons. Long sleeves tapered slightly to wrist. Calf length skirt is made up of ten gored sections. Five narrow gores across centre front, two side panels and three wider sections across the back. Five front sections of skirt have decorative brown stitching on seams for 19cm from waist. Dress is unlined.costume, female, long sleeved black crepe dress

Clothing. Infant's cream coloured cotton nightdress, with yoke front and back. Lace insert at centre front of yoke (10cm X 10cm). Round neckline with casing. Long sleeves gathered at shoulders with eyelet casing at wrist, and 1cm lace trim at hem. Casing threaded with cotton tape. Skirt gathered at yoke. Skirt has border of 2 X three rows of horizontal pin tucks. Centre back opening (26 cm) fastened with cotton tape tie at neckline and one X1cm button and button hole at centre yoke.costume, children's, infant's cream cotton nightdress

Clothing. Infant's white spotted muslin waisted dress. High round neck with lace trim. Front of dress has alternating vertical stripes of pin tucks and lace. Skirt tightly gathered into casing at waist. Lower section of skirt has alternating horizontal stripes of pin tucks and lace. Long shaped sleeves with fabric cap around arm hole. Sleeve gathered into casing at wrist. Item edged with lace, forming a frill. Centre back opening (20cm) fastened with five X .9mm white buttons between neckline and waist.costume, children's, infant's white spotted muslin dress

This dress was worn by Matilda Kinross McDonald, nee Herd (1871-1943) for her wedding to George William Mitchell McDonald in Geelong in 1892. Two-piece wedding dress comprising separate bodice (.1) and skirt (.2) made of figured coffee-coloured silk woven with large sprays of foliage and berries. The front of the bodice is decorated with a cream-coloured hand-made lace. The bodice is cut asymmetrically, with the front panel wrapping over to the left proper side seam. The fitted sleeves are cut with fullness in the head and narrowing at the elbow and wrist in a leg-of-mutton style. The bodice is backed with a dark brown glazed cotton and has 13 bones. The skirt is backed with a coffee-coloured cotton. wedding dress, geelong, matilda kinross herd, george william mitchell mcdonald, 1890s

A corsage is a small bouquet of flowers worn on a woman's dress or worn around her wrist to a formal occasion, traditionally purchased by the woman's date. A corsage originally referred to the bodice of a woman's dress. Since a bouquet of flowers was often worn in the center of the bodice, the flowers took on the name "corsage." This corsage was worn by Marjorie Burton.It was probably pinned on a dress to decorate it and may have been made by Marjorie or her mother. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11This item is an example of a typical dress accessory and reflects women's clothing styles of the mid 20th century.A corsage of pink and white artificial flowers with green leaves and tied with a pink ribbon. The stems are bound with green tape. In the centre of the flowers sre tiny white pearly beads.corsage accessories burton-marjorie

A group of items including an identification tag on a leather wrist strap, flask and boot hook. Also a circular ID tag possibly made to be worn around the neck. Also a Ypres souvenir that seems incomplete. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. Possibly these were with him during his time in the First World War and he kept them as a mementos. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).Mementos brought back with a soldier after serving in Europe in World War One.A metal flask, an identification tag, a boot hook, a circular identification tag, a souvenir from Ypres all from the collection of JB McLean.01126.1 Flask has monogram 'JBMCL' engraved on it. 01126.2 Identification tag has 'No. 13824 JB M McLean, ASC, AIF, RC' engraved on it. 01126.3 The boot hook has 'BAILLEUL' engraved on it. 00126.4 The circular tag with a central star has 'PTE J B M McLean A Coy 37 Bat' pressed into the metal. 00126.5 A metal tube with the letters 'Ypres' adhered to the outside. world war one, souvenir

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Cream silk child's dress. Elbow-length gathered sleeves with smocking at wrists. 2-panels of hand crocheted lace forming a 3-panel yoke with central insert of cream embroidery. Full-length dress in silk with two rows of smocking on bodice. At base of dress are two panels of 6 rows of pin-tucking, separated panel of lace over silk backing. Lace at neck. Opening in centre back with 7 button holes and 5 mother-of-pearl buttons with striution carved design. Cream satin ribbon runs under smocking at back and sewn into side seams.clothing, costume, dress, 1900s

Cream coloured satin bodice with cotton lining. Deep V shape at waist front and back. Front opening has twelve cream coloured bowl shaped buttons with bound button holes. Two centimetre stand up collar.Front has two vertical darts on either side of opening - one on each side has plastic stiffening insert.Two inserts at back. One stiffening insert in RHS. Long sleeves have split on upper edge at hem. Sleeves have trim of gathered fabric attached above wrist. Black cotton stitches visible on both sleeve seams.costume, female, bodice

Orlon long sleeved cardigan with round neck, buttoned with 9 plastic pearl buttons to the neckline. Long raglan sleeves with a lace pattern along the raglan top of the sleeves, with a 10cm ribbed band at the wrist. A 5.5cm ribbed band at the hipline. Garment is a bright deep peach/orange colour.Or perhaps a deep peach colour. Formerly owned by Margaret (Nell) Timbs nee Heider who worked at Hanro in the Finishing Department about 1935. Donated by her daughter Yvonne Knipe who worked at Hanro in the Office from 1961, then at John Brown until 1968.Fully fashioned by Hanro. 05. 100% ORLON Stamped on back band MEDIUMScostume, female, cardigan

Clothing. Infant's cream silk dress with bodice front and back. Casing at waist with .5 cm cotton ribbon insert. High round neckline with 1.5 cm lace trim and casing with cotton ribbon insert. Bodice at front has embroidered circle and leaf pattern. Centre back opening (28 cm) fastned ribbon ties at neck and waist and 1 X one cm button and button hole between. Straight long sleeves edged with 1.5 cm lace at wrist. Skirt is edged with 3 cm scalloped lace at hemline with two horizontal rows cutwork stitching.costume, children's, infant's cream silk dress

White cotton infant's nightgown with long sleeves. Front insert below neckline of broderie lace with lace (2cm) trim on outer edges. Broderie lace band at waist below insert (14.5 X 3cm) has ties attached at each side (61cm X 6cm). gathered lace trim around neckline above casing (.6cm) threaded with cotton tape tie. 33cm back opening fastened with tie at neckline. Lower part of skirt has broderie all over pattern with 27 cm border. Set in long sleeves with 2cm lace trim at wrist.costume, children's, white cotton infant's nightgown

Clothing. Floor length silk costume. Purple silk bodice front and back with 16 cm slit at centre back from neckline. Round neckline edged with pink satin binding. External tucks (3cm) extend over shoulders to half way down bodice on front and back. Bodice extends to a dropped waistline. Bright green silk skirt gathered slightly onto bodice. Triangular pieces of green silk fabric gathered onto arm holes to form sleeves. The sleeve is of the triangle open along the top edge and the point of the triangle ends underneath the wrist. No fastenings.costume, female, floor length silk costume

Black long-sleeved ladies’ silk blouse. High round neckline at front with V shaped lace insert from throat to bust line. Stand up lace and net collar. Top edge of collar is trimmed with pink ribbon piping and gathered cream coloured lace. There are three strips of brown tape attached vertically to the collar at each shoulder and front RHS of collar to hold plastic strips to support the collar in upright position. One piece of plastic still in place. On either side of centre front are vertical panels of pintucks with knife pleats on either side facing inwards. There are three small pink decorative buttons (1 cm) below the throat and another group of three buttons 10 cm below the first group. The top has a back opening fastened with 10 press studs. The back has two vertical panels of pintucks and knife pleats. The long sleeves have cuffs at the wrist (5 cm) with U-shaped split on upper side. Each cuff has three decorative pink buttons on one side of the U-shaped split. The lower edge of each cuff is trimmed with black lace (5 - 6 cm) that falls over the wrist. Machine stitched.costume, female evening, black silk top

These umbrellas are typical of the ones women would have used early in the 20th Century. It was important to keep the rain from damaging their clothing as washing facilities were limited. .These umbrellas are charming and retained for display purposes..1 An umbrella with a wire frame and a wooden handle. The frame is tipped with ivory coloured composite material. The handle has a red tassel. The covering is a multi coloured cloth with a pink edge. The inner section has a cream background with pink and light brown leaves, branches and flowers. The outside is faded. .2 An umbrella with a black wire frame and a wooden handle. There are tips on the end of the frame. The handle is varnished and ornamented red and black. It has a string tassel in red, white and blue and a corded wrist band. There is writing on the frame. The covering is corded rep with a multi-coloured floral pattern and has a faded, wide navy edging..2 BRITISH MADEumbrellas, vintage clothing