Sectioned by Dr. Geoffrey Kaye.A metal inhaler which has been sectioned to reveal the interior, painted in red and blue to indicate direction of air flow. The large, bowl-like opening with metal gauze for attachment of a rebreather bag has been painted red, and the metal mask at the other end has been painted brown. The mask and bag mount meet at a 90-degree angle. inhaler, somnoform, anaesthesia

Part of Old Lintonian collection ; No. 103.Tintype portrait of a bearded man wearing suit coat and shirt.w. cornish, old lintonian collection

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize."

ill, p.56.non-fictionA daybreak to Daybreak pictorial portrayal of latter day steam operations on the N.S.W.G.R.steam locomotives - nsw – pictorial, railroad operations - new south wales - history

The photograph was taken at a conference of expatriate Ithacan Greeks which took place in Vathi, Ithaca on 17 July 1976. Stathi Raftopoulos attended the conference and is seated at the table, second from the right.A conference of expatriate Ithacan Greeks indicates the close ties which remained between the Ithacans who remained in Greece and those who had settled in other countries. Many Greeks who settled in Melbourne in the early years of last century were from Ithaca. A black and white photograph of seven men and a lady sitting around a table at a meeting in a hall. There is an audience of fourteen people sitting on chairs. The speaker is barely visible in the extreme LHS of the photographThe details of the photographer and the event have been stamped on the back of the photograph in Greek.

ill, p.128.non-fiction A pictorial history of steam and diesel locomotives in New South Wales.locomotives - new south wales - history, railroad operations - new south wales - history

406p.; includes Book the First, Book the Second, Book the Third; red cover with black decorated borderfictionThe life of Mervyn Clitheroe, a boy who is orphaned at a young age and is taken in by his uncle. As Mervyn grows older, he becomes more curious about his uncle's past and begins to investigate. He uncovers a web of deceit and corruption that threatens to destroy everything he holds dear.fiction, william harrison ainsworth, family saga

Illustrated book with yellow front cover on which tile and author's name are printed in brown ink. There are also one large and four smaller illustrations of women on the front cover (large illustration is Catherine of Aragon, the other illustrations clockwise from top left are Amy Johnson, Annette Kellerman, Dane Ellen Terry and Anna Pavlova). Title, author's and publisher's names are printed in brown on a white background on the spine. A brown and white photograph of a female pilot (Amelia Earhart) along with a list of some of the women written about in the book.non-fictionBrief biographies of 43 women of prominence in various categories.women-biographies, women-history

Illustrated book with dustjacket. Book is bound in front cover, with image of a Polynesian mask embossed on the front. Title, author's and publisher's names are stamped in gilt on spine. Front cover of dustjacket has a black and light brown illustration of a raft at sea, along with title and author's name printed in white. The spine has similar information plus publisher's name in light brown print along with another illustration of a raft and a Polynesian mask. The back of the dust jacket (again in black and light brown) is a route map and labeled diagram of a raft (the Kon-Tiki). non-fictionThe story of a daring voyage by the author and five companions on board a primitive raft from the coast of Peru to the Pacific Islands. Mr. Heyerdahl was convinced that the original Polynesians had come by sea from South America, and to prove that such a voyage was possible at that remote period, he and his party built the 'Kon-Tiki', similar to the rafts then used and embarked on it. After a voyage full of danger, but packed with interest they reached the islands where the Kon-Tiki was wrecked on a coral reef.thor heyerdahl, kon-tiki expedition, ethnology-polynesia, ahnl

Viewed from intersection of Mount Pleasant Road and Metery Road looking northwest. The dairy is in the foreground situated on Dalton Street. An unmade Bible Street can be seen running down the hill at the left to intersect with Dalton Street. Dalton Street runs from left to right between the dairy and the Carrucan family home opposite located on the southeast corner of Bible and Dalton streets. Doug Orford recalls the dairy was at a slight angle to Dalton Street. Tim Erickson, (a nephew to Betty Erickson, nee Carrucan) reacalled (9 May 2025): the bottom front paddock ran from MeteryRoad to Mount Pleasant Road The brick dairy from 1thje 1950s had 10-15 milking cow , Jersey and Guernsey6 and the used to send the cream to Eltham Dairy The garage when Tim was a child used to house a couple of sulkies The laundry was a local home built job The small house built late 1940s for Betty Carrucan for her family The small orchard grew Quince, Apple and Plum The main block was the upper paddock Cypress trees remain present as of 2025 Originally 2 buildings but a third was added in the early 1900s for a kitchen and diningDigital TIFF file Scan of 35mm Ilford HP4 black and white transparencybible street, carrucan dairy, carrucan home, dalton street, eltham, mount pleasant road

This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. Ivanhoe was written by Sir Walter Scott and this Victoria Edition was called the Australasian Issue.This red cloth covered book has a front cover imprinted with a Scottish thistle and leaf design and a crest. The spine is impressed with a design and Victoria Edition and is also has printed in gold 'Ivanhoe', 'Scott' and G.Robertson & Co.'. The book is 484 pages long.On inside cover in pen - To Edith from Hautric? West, Xmas 1917 On leaf in pen - To W.H.West Esq. You have Ivanhoe so haven't a notion? 1902 (There is a verse and a signiture which is difficult to read)chatham-holmes family collection, ivanhoe, sir walter scott, victoria edition australasian issue

Each postcard folder in this set has no address, message or postage stamp. Postcard folders such as these were popular as holiday souvenirs in the early to mid-20th century and were kept in good condition by collectors. The size is convenient for posting to friends and relatives and packing as holiday luggage. Postcards in the early-to-mid-19th century were an inexpensive way to remember and share holiday scenes, as few people could afford a camera and the price of developing the photographs. The images on these postcards were produced from black and white lithographs of photographs taken at Warrnambool and the surrounding district during the early to mid-20th century. Publishing firms such as Melbourne-based Valentine and Rose purchased photographs from local photographers and reproduced them for sale. This set of postcard folders shows that more than one publishing company had access to the same or almost the same images. The photographs include street scapes, the Warrnambool Breakwater and Pier, Botanical Gardens, beach scenes, cliff formations, the Hopkins River, municipal buildings, the Post Office and the Soldiers’ Memorial. The postcard folders in this set of three are significant as a record of local history from the late 19th century to the mid-20th century. The locations of the images match photographs and postcards in our collection that were taken at different times and provide a historical record of the Warrnambool and southwest Victorian locations, growth and changes.. The images record changes in the coastline, land, bay, buildings and other structures, roads, transportation and even the fashions of the times. Set of three postcard folders containing black and white images of photographed scenes showcasing Warrnambool and district between 1880 and 1942. The images were produced from lithographs of the original photographs and are printed on both sides of long strips of white photographic paper that are Z-folded into covers of textured card. Some of the images are repeated in all three folders. Folder 8665.1 - the cream-coloured folder was produced by The Valentine Publishing Co. Pty. Ltd. Melbourne and contains 15 photographs, some of which are also in the blue and the green folders. Folders 8665.2, the green folder, and 8665.3, the blue folder, were published by Rose Stereograph Co, Armadale, Vic. Each contains the same twelve images, but they are presented in a different order. flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warramble, postcard, postcard folder, warrnambool scenes, picturesque views of warrnambool, picturesque views of warramble, lady bay, port of warrnambool, breakwater, warrnambool breakwater, viaduct, merri river footbridge, merri river suspension bridge, suspension footbridge, merri river mouth, hopkins river mouth, proudfoot's, fanny nelson, nelson's boatsheds, nelson's boathouse, boathouse, hopkins river boathouses, flett's boathouse, flett, george rose, image of a rose, rose series, rose stereograph co, rose stereographic company, lighograph, armadale victoria, lady bay beach, beach scene, lower light, concrete footbridge, 1922 footbridge, viaduct road, rose postcard, new concrete bridge, 1945, 1890, 1922, small footbridge, 1872 footbridge, 1872, merri river estuary, stingray bay, postcards, shipwrecked coast, maritime museum, souvenir, warrnambool local scenes, hopkins river, botanic gardens, soldiers’ memorial, pier, post office, municipal buildings, merri river, proudfoot’s, the cliffs at shelly beach, the road to sandy beach, tourism, photographs, visitors, travel, scenes, local history, mid-20th century, 1940s, 1950s, rose stereograph co armadale. vic, valentine publishing co. pty. ltd melbourne, valentine publishing co. pty. ltd sydney

The rose series P.3041 The shire offices, Charlton Vic. c.1957. The offices were built in 1955. Photo of newly built shire offices in Elliott Gardens. Band rotunda dedicated to Ben Green built in 1926. Boer war memorial on right.Standard black and white postcard with a white border and photo of shire offices.The rose series P.3041 The shire offices, Charlton Vic.shire offices, charlton, parks, elliott gardens, rotunda, war memorial, rose series

1 optical discnon-fictionConcord Jubilee 1883-1933 A History of the Municipality of Concord Compiled by George M Shaw to celebrate the history and achievements of the Concord community from 1883 to 1933. The history covers many aspects of the community public health and safety, transport, education, public buildings, parks, sporting organizations; it also looks at the history of some of the businesses the bakeries, the Australian Gas Light Company, Lewis Berger and Sons, Tulloch's Phoenix Iron Works Ltd., and the British-Australian Lead Manufacturers Ltd. There are "Peeps" at the Past", a map showing land owners in 1833 and many illustrations. Among the prisoners at Longbottom were a large number of the so-called Canadian Exiles transported for a rebellion in French Canada between 1835 and 1838. These men were employed in making the Parramatta Road and other works in the district, and the excellent character borne by their comrades in misfortune in Paddington, Macdonaldtown and elsewhere, was shared with the Longbottom contingent.new south wales, concord jubilee (nsw)