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Ballarat Tramway Museum
Photograph - B&W print of donated negative, 7/03/1954 12:00:00 AM
Black and white print of a donated negative. Print made 8/1998. Photo of SEC Bendigo Scrubber tram at the Bendigo depot taken on 7-3-1954. Has Bendigo depot in background. The tram appears to have the English flag on the side of the tram. Part of the Ron Fluck Collection. high res scan of the negatives added 18/1/2019.tramways, trams, bendigo, depot, scrubber tram, tram scrubber -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Carolyn Dean, 7/11/1992 12:00:00 AM
Colour photograph of the first passenger carrying trip of Horse Tram No. 1 on 7 November 1992, leaving depot junction. See November 1992 Fares Please! for more details, re crew and operations. On Fujicolour paper. Len Millar conductor, leaning out, Richard Gilbert and Warren Doubleday on top deck at rear. November 1992 Fares Please!horse tram no. 1, tramcars, reconstruction, btps, tram 1 -
Melbourne Tram Museum
Newspaper, Herald Sun, "Letting down Victoria", 7/03/1997 12:00:00 AM
Page 18 of the Melbourne Herald Sun Friday March 7, 1997 with a Herald Sun Editorial title "Letting down Victoria" about the Public Transport Union decision to strike on the Grand Prix week. Discusses the implications of the 48 hour strike and impacts. Notes the Transport Minister as Robin Cooper. Along side is a cartoon by Knight about the strike.trams, tramways, grand prix, strike, public transport union, ptu, cartoons -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION; PROGRAMME
A small cream programme with red and gold lettering. On the front are the words, ' Programme Town Hall Bendigo. Return Ball. To The Mayor of Bendigo and Mrs. J.J. Curnow. Cambridge Press. 7-7-20.' On the inside is the programme.program, music, city hall, lydia chancellor, collection, programme, event, entertainment, civic mementoes, music, dancing, official -
Bendigo Historical Society Inc.
Photograph - BENDIGO ADVERTISER COLLECTION: ATHLETICS
Black and white photograph, athletics, photograph of BSA President Norm Quin & Ron Covey, 7/12/94 Bendigo Advertiser description: 7/12/94 BSA President Norm Quin & Ron Coveyrecreations, sports, athletics -
Whitehorse Historical Society Inc.
Photograph, Heritage Day 2003, 13/04/2003 12:00:00 AM
Coloured - Panoramic view of vintage Austin 7 cars displayed by Austin 7 Car Club members at Whitehorse Historical Society's Heritage Day held at Schwerkolt Cottage and Museum Complex on 13 April 2003whitehorse historical society, austin 7 car club, heritage day 2003 -
Ballarat Tramway Museum
Photograph - Colour Print/s, Alastair Reither, 17/07/2016 12:00:00 AM
Colour print of the two dogs, Bonnie and Rabbi, owned by member Alastair Reither c2015 tied to one of the bumpers of tram 40 in the depot on No. 7 road. Used in the BTM Facebook page, 17/7/2016.trams, tramways, btm, volunteers, personnel, dogs, tram 40 -
The Beechworth Burke Museum
Animal specimen - Tawny Frogmouth, Trustees of the Australian Museum, 1860-1880
The Tawny Frogmouth, although often mistaken for an owl, is a nocturnal Australian bird of the Podargidae family that is more closely related to the nightjars. They are widespread in terms of distribution and can be found all across mainland Australia and Tasmania in a diverse variety of habitats from woodlands, forests and urban areas. Masters of camouflage, the Tawny Frogmouth sleeps during the day on tree branches in a stiff upward facing position (as with this specimen) to mimic broken tree branches, their feathers assist in this deception as the mottled grey and brown colours blend into the environment seamlessly. This specimen differs in colours from the usual appearance of a Tawny Frogmouth, as the beak is usually a olive-grey to blackish tone and the plumage is generally more dominantly grey all over the bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Tawny Frogmouth has a broad head and a creamy beige coloured wide triangular beak with a hooked tip. The plumage on the head and back of the bird is a combination of darker and rufous browns, mottled with streaks of cream and grey. The underside of the bird from the bottom of the beak to the tail tip is a lighter cream colour with streaks of rufous-brown. The feet are an orange-brown colour. This specimen is adopting the skyward looking pose associated with the species, mimicking dead tree branches.1a. / More-Park / See Catalogue, page 7 /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, tawny frogmouth, frogmouth -
Kiewa Valley Historical Society
Weights - 2 in Set
Used as a weight to measure goods in a store prior to the introduction of packaging.Imperial weight used to weigh goods prior to packaging.Cast iron solid bell shaped weight with a handle at the narrow end at the top. There is a large one and smaller one.Large one has 7 lb inscribed on the handle.weights. shop. store. scales. -
Warrnambool and District Historical Society Inc.
Document, Wristband Night in the Gardens, 2016
This wrist band was issued to those attending a Night in the Gardens, an event held in 2016 to celebrate the 150th Anniversary of the Warrnambool Botanic Gardens. These Gardens were first established near the mouth of the Hopkins River in the 1850s but this site proved unsuitable and they were moved to the present location ( Cockman Street/ Botanic Road) in 1866. In 1877 William Guilfoyle was commissioned to provide a plan of the Gardens. Charles Scoborio 1872 to 1906 was a prominent curator. A piece of paper with black printing and removable ends with adhesive on the back to form a temporary wrist band. Night in the Gardens 19th march 2016- 7 pm.william guilfoyle, charles scoborio -
Warrnambool and District Historical Society Inc.
Metal Plane, C 1900
This plane, used for shaving or shaping materials such as wood, is a Stanley No 78 model. The Stanley Tool Works was a business originally established in U.S.A. in the 1840s. In 1937 Stanley Tool Works set up in Sheffield, England. In 2010 the company merged with Black and Decker and still operates today. Planes are still used today in woodworking.This item has no known local significance but is retained as an example of a tradesman’s tool from the past. This is a metal tool with a solid base, a large handle, one screw and two wing nuts. It is somewhat greasy. ‘Stanley No. 78’ ‘Patent D. 6-7-10’tradesmen’s tools, warrnambool, wood plane -
Warrnambool and District Historical Society Inc.
Trophy, ICISA Aggregate Winner, 1937
This trophy is one of several from the 1930s that were awarded as part of the Inter-Church Indoor Sports Association competitions in Warrnambool. One of the sponsors of this competition was Fletcher Jones, the well-known clothing manufacturer who had his head office and major factory in Warrnambool. This trophy was awarded to the aggregate winners of the competition and was won by the Congregational Men’s Institute (C.M.I.) A Congregational Church was opened in Warrnambool in Liebig Street in 1864 and transferred to Henna Street in 1940. This church in Henna Street was sold to the Salvation Army in 1979 when the Congregational Church merged with the Methodist Church to become the Uniting Church. This trophy is of interest as a memento of the now-defunct inter-church sports competitions held in Warrnambool in the 1930s. This is an electro-plate nickel silver cup with a thin stem and a silver base resting on a Bakelite stand. The cup has two side handles. ‘I.C.I.S.A. Aggregate Winners Won by C.M.I. 1936-7’congregational church, warrnambool, inter-church sports, warrnambool, warrnambool history -
Warrnambool and District Historical Society Inc.
Country Fire Brigade Hat, Commonwealth Government Clothing Factory, Mid 20th century
This hat was part of the uniform of the Country Fire Brigade. The organization now known as the Country Fire Authority was established in 1945 as a volunteer and community-based organization providing fire fighting and emergency services in regional and rural areas in Victoria. Today the organization includes career fire-fighters and funding is partly provided by a levy included in local Council rates. The owner of this hat is not known. This hat is of minor interest and is retained for display purposesThis is a hat with a circular flat crown made of black felt with 4 eyelets. Around the edge of the crown is a brown leather band with a fabric bow fastening and a black cloth ribbon with a red corded edging. In the centre is a brass badge with letters on it. The peak is made of patent leather with a black leather band on the upper edge with metal buttons. The inside of the peak is made of green leather. Inside the hat is a plastic covering with a leather band. There is a cloth label with yellow printing. Commonwealth Government Clothing Factory Melbourne 7 C.F.B. country fire fighting services warrnambool, history of warrnambool -
Bendigo Military Museum
Souvenir - CIGARETTE LIGHTER AND ASHTRAY
Dean collection, refer Cat No 4575PThis assembly is in the shape of a small cannon shell with projectile. 1. The base is shaped like a cannon shell. Inside is a ring to butt your ashes. It is made of a metal, the coating of which is pock marked. 2. The centre piece is tapered from 5 cm down to 3 cm. Underneath it is the fuel charging socket. On top is the flint button and fire hole. 3, The nose cone is shaped like an A.P. projectile. It tapers from 3 cm to a point.The base of the shell has "CHNA 1953.9. 1-7".war, smoking -
Bendigo Military Museum
Award - MEDAL SET, British War medal, post 1918 (estimated) Replica Victory medal post 2000
James Henry Wicks, Regt No 4626 enlisted in 14th Reinforcements to the 7th Battalian AIF on 12.7.15 age 40 years 8 months. Embarked for Eygpt 28.1.16, transfered to 57th Batt 2.4.16, embarked for France 17.6.16, transfer to 15 MG Coy 27.7.16, discharged from the AIF on 22.8.19. Refer 2060.2 re his brother Francis Charles Wicks KIA.Medal set, court mounted, set of (2) re J.H Wicks. 1. 1914-15 Star. 2. War medal 1914-19, replica not engraved."4626 Pte J.H Wicks 7 BN A.I.F"medals, military -
Bendigo Military Museum
Uniform - UNIFORM 2ND AIF, C.1943 - 45
.1) & .2) The items were issued to Cpl H BACON VX103705 2nd AIF, Naval Bombardment Group..1) Hat, slouch, Kahki fur felt, cotton pugaree, Rising Sun badge, chin strap leather, leather lining. .2) Coat, Battle Dress, Kahki, Cpl stripes on one sleeve, 2 x Rising Sun Lapel badges, 2 x Australia shoulder badges, 2 x Colour patches red over blue in wave fashion with grey surround, metal buttons, 4 pockets. .3) Belt, webbing, light Kahki, brass buckles and keepers..1) “D & D ../30 size 7 1945” uniform, army, webbing, slouch hat -
Federation University Historical Collection
Document - Document - Timetable, VIOSH: Graduate Diploma Hazard Management Staff, Draft Timetable, 1983
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Document is the draft of the timetable for the Grad Diploma of Occupational Hazard Management Course for 1983. It was prepared by Derek Viner and sent to the staff concerned. They were asked to advise him of changes they would like before the final timetable was printed.Six typed and one handwritten sheets outline timetable for students.Signature of Derek Viner on page 1 and page 7.viosh, victorian institute of occupational safety and health, derek viner, ruan mord, k brown, max brooke, ron kemp, dennis shanahan, eric wigglesworth, gerry fernandez, paul kelly, dulcie brooke, tom norwood, george wasylink, pat hope, peter swan, brian lees, ray lang, mark tweeddale, timetable, occupational hazard management, unit assessment communication sheet -
Hamilton Pastoral Museum
Demijon, Bendigo Pottery et al
1 Gallon demijon D Laidlaw & Co Wine 7 Spirit Merchant -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Wireless Set B47, Plessey, 1959
Mod Records to No 7, 1959, Serial No A334, ZA46976wireless b47 -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
slouch hat
Army issue hat used to resemble Hat wiorn by Light Horse soldiers 1903-1942Represents the hat worn by soldiers of teh 4th, 17th and 19th Light Horse RegimentsHat, Felt, Rabbit fur, Khaki colour with Khaki 4 fold, Emu Feather plumes, chin strapMade by Fayrefield, Melbourne 6 7/8 1971horse, hat, light, slouch, plumes -
Kiewa Valley Historical Society
Telephone Directory - Bogong
Bogong township had a small population most of whom had a telephone as they were employees of the SEC. Also listed are the offices and works telephone numbers issued October, 1969Many residents of Bogong had moved to Mt Beauty by 1969 as had some of the offices and works so this list is of interest . It was also when calls went through the exchange(s). The exchanges were based at Mt Beauty (Terminal Station), McKay Creek, Bogong, and Mt Beauty Auto Exchange. Stiff black cardboard cover with metal fastener with 10 pages slightly yellowed. Cover has label 'Telephone' stuck on with sticky tape1st page 7 names added with blue penbogong residents, secv telephone directory, secv offices and works telephones -
Australian Commando Association - Victoria
Booklet - Australian Army Education Unit publiction titled SALT, Australian Army Education Unit, SALT, 27/3/1943
Item from the Papworth CollectionThis item has historic significance because of its connection to Curly Papworth and WW2Soft covered booklet from the Australian Army Education Unit titled SALTVolume 7 No. 2 dated 27/9/1943ww2, commando, papworth -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Glenelg Shire Council Cultural Collection
Photograph, Jul-92
Port of Portland Authority ArchivesFront: Test Back: 7/92- Blue biroport of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sheet of 6 Contact Prints Harbour Construction, n.d
Port of Portland Authority ArchivesBack: H/7 / 6/65 - blue biroport of portland archives, battery point -
Ringwood and District Historical Society
Newspaper, The Mail, Obit for James Leishman Skerrett, East Ringwood Storekeeper. Associated with Blood Bros
Refer to Ringwood Mail, died 7 November 1963 -
Bendigo Historical Society Inc.
Newspaper - Lydia Chancellor collection: Article-Before Bendigo was....Marydale was
"Marydale", at 2270 McIvor Hwy., Axedale, was part of the original Campaspe Plains and Axe pastoral runs. By 1857 William Heffernan(1803-1891) had purchased the property from the "Axedale Station's" Robert Ross. it's heritage listing includes the outbuildings that remain in their original format and include the summerhouse and the schoolroom. Also included in the listing are the extensive gardens of mature trees. 1. William Heffernan (1803-1891) was born in Tipparary, Ireland and came to Australia in 1853 with Mr J Crowley. Together they first went to the Heathcote goldfields before moving on to Bendigo where they initially opened a tent restaurant. This successful endeavour allowed them to purchase the Pall Mall site of the Shamrock hotel. They built their first hotel and a large hall for entertainment that was later called the Theatre Royal. They continued to grow and expand until they built the current Shamrock building. He went on to several other successful theatres and hotels before retiring to "Marydale" in 1879/80. Before moving to New Zealand in 1884/5 he sold "Marydale" to Jeremiah Heffernan. He went to NZ to manage a hotel for his newly widowed sister and then built the Pier Hotel in Dunedin. By the time of his death in Dunedin he had lost most of his fortune. 2. Jeramiah Heffernan (1831-1897) was also born in Tipparary, Ireland but was no relation to William. He came to Australia in 1854 and to Bendigo in 1855, where he was employed by William and his partner, Mr Crowley at the Shamrock Hotel in Pall Mall. Twelve months later he became the manager of Heffernan and Crowley's Rose Shamrock and Thistle Hotel at Epsom. After twelve months in this position he bought the Albert Hotel in McCrae Street, Bendigo. He was a successful businessman who later purchased the Victoria Hotel in Pall Mall before retiring in 1887,firstly to "Marydale" that he had bought from William Heffernan in the early 1880's and then to his home in St Kilda. On doctors orders he returned to "Marydale" where he died 13/5/1897.Bendigo Advertiser from 18/07/1970. Article titled "Before Bendigo was....Marydale was." by Toora. The article describes the historic homestead of Marydale at Axedale.In red pen "Bendigo Advertiser 18-7-70"marydale, axedale, historic homestead