The 1996 Summer Paralympics in Atlanta, USA were the tenth edition of the Summer Paralympics. It was the first Paralympic Games where International Sports Federation for Persons with an Intellectual Disability athletes were given full medal statusRound lapel badge with blue, white and gold design.Official logo of the 1996 Paralympics on a white background, surrounded by a white, blue and gold motif.paralympics, 1996 atlanta paralympics

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with brown and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Framed award with text and an angular block colour design Master Builders Australia Inc National Commercial-Refurbishment/Fit-out/Alterations Award- Under $5 Million Winner The Royal Mint Building Project Awarded to J.A.Doddawards, historic building, former royal mint

From the collection of the A'Vard Family.Carlton Ware - Australian Design, made in United Kingdomcarlton ware

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with black and white design featuring a pyramid and the sphinx.Front: "Greetings from Egypt"album, photo album, newspaper clippings, postcard, wwi, egypt, pyramid, sphinx, greetings

Brown hardcovered book with imprinted design and date on spine.non-fictionBound collection of twelve months of articles published as The Quiver in 1896.bands, children, animals

Ann Austin of Melbourne was the name of a Melbourne millinery house. Thelma Prentice was one of the partners in the house, and the chief designer/milliner. Very little information about the millinery house and the milliner are available online but there is an interesting article, published in the Brisbane Courier Mail on 8 October 1949 which describes the influence of French style on fashion and design in Australia. The article by Lucy Gough recounts the views of Thelma Prentice who had just returned from the Paris fashion shows. "Australian millinery toes line with Paris From LUCY GOUGH LONDON, October 7 (Special) Australian hats can compare very favourably with those designed in Paris, and are considerably cheaper, says Miss Thelma Prentice, partner in a well-known Melbourne millinery firm, who has just completed six months' visit to England and the Continent. An ordinary hat, Miss Prentice said, would cost at least £15 from any of the top Paris houses. Australia could achieve the same effect for a lot less money. Miss Prentice went to all the Important dress shows as well as the millinery houses in Paris, because she believes that millinery is an accessory to fashion and to obtain the best idea of new trends hats must be shown with frocks to get a complete follow-through and tie-up between the two. At their packed shows, with standing room only, Path and Dior were selling hats they designed, faster than many well known Paris millinery houses, Fath's favourite line was the becoming 'wing treatment,' which he achieved by a profile flattering side swing of material jutting out almost 10 inches from the face. This was completely different to the side drape already seen in Australia. Dior, as a direct contrast, was specialising in skull hats, which almost followed the hair line, to show very little hair at the back of the head. His cocktail hats were heavily sequinned and beaded. Every model was designed exclusively for short hair, and Miss Prentice, whose own hair is beautifully short cut by a Paris hairdresser, said that French mannequins' hair was so abbreviated at the back it was almost a semi-shingle. Hats generally she found were plain, with sharply angled self trimming, and black one of the most popular colours." The hat was donated by Kathleen Gervasoni, a resident of Kew, and during the 1970s a Mayoress of the former City of Kew. The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned hat made of burgundy felt with decorative pink jersey turban folds attached to the side by clusters of pink beads. The hat was designed by Thelma Prentice of the ' Austin of Melbourne' millinery house. Label, inside centre crown, woven in black on white polyester: *ann austin / OF MELBOURNEmilliners, hats, ann austin of melbourne, thelma prentice, australian fashion - 1960s, kathleen gervasoni

Copy of original design created and drawn by Owen Walter Williams in the early 1900's. This design used for the leadlight made for the entrance to the Bendigo Leadlight Cafe 1998. The design show three panels, the two side ones decorated with flowers motive and the middle one with a family crest.bendigo, business, owen williams

Designer book promoting graduating Graphic Design class of 1997. Accompanied by a Compact Disc (CD Rom) of student work, refer item 29163.2 for screen captures from CD Rom. Lecturer, Helmut Stenzel.Graduation book to including works by third (final) year graphic design students, 1997. Perfect bound book, pages printed on satin coated in two colours (black and silver). 4pp card cover printed black and silver external, inside covers printed full colour.university of ballarat, federation university, graphic design, ben mangan, russell kerr, luke keys, travis prices, karen grinter, rosie busuttil, peter horvat, felix lee, karl chandler, matt bowman, adam laszczuk, narelle pietsch, natasha pietsch, jenny tyquin, helmut stenzel

Photograph: hand-tinted image of Conservatory Gardens, Bendigo, looking towards Law Courts. On bottom ' Conservatory Gardens, Bendigo, No. 11' in white print.bendigo, parks and gardens, conservatory gardens, bendigo, conservatory gardens

Yields information tram 21 at Gardens Loop during Nov. 1970Photograph of No. 21 nearing Gardens Loop, with destination of Gardens via Sturt St West. Photo taken by Campbell Duncan 15/11/1970.trams, tramways, wendouree parade, tram 21

Digital black and white portrait of a woman, standing in front of a flowering garden. Ellen Holt in her garden at 9 Beatrice Avenue Surrey Hillswomen's fashion, hats, ellen holt

1. Plant Research Institute and garden. 2-5 Principal's Residence. 6, 7. Garden views. 7, 8. garage Nov 65.principal's residence, garage

Black and white photograph. Garden view looking down from the Administration Building at the Emily Gibson garden beds in front of it. A group of students on the path.garden view, administration building, garden beds, emily gibson, students

Bronze-gold circular metal "film canister" with the word "convergence" applied to lid using "Colour Ease" system available at university at the time. This was essentially a way for Ballarat design students to produce their own transferable graphics and was often applied to packaging. The metal canister is filled with coffee beans (a theme continued on the accompanying CD Rom). Some invitees received gold-bronze canisters, some received silver. A silver plastic sleeve, printed one colour white, holds a Macintosh and Windows compatible (at the time) CD Rom, itself printed two colours (white and black). Also in the plastic sleeve is a ten page roll-fold brochure, printed in two colours (black and a metallic silver-blue). Refer item 29164.2 for screen captures from CD Rom. In addition, the canister contains a coaster, printed in single colour brown, with the appearance of a coffee cup stain, and the word "convergence". This provides the actual exhibition details, including sponsors. Also included is an exhibition poster, single colour (black) offset print on newsprint. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Limited run, complete pack sent as invitation to graphic design community to attend the opening of the third year Graphic Design graduate exhibition, 1998. Bronze-gold metal film canister containing invitation coaster, event poster, CD Rom catalogue of student work, brochure and coffee beans.university of ballarat, federation university, graphic design, helmut stenzel