Colour photograph. Man sitting on throne on stage. Blue velvet curtain. Blue velvet and gold chairs. Large floral arrangement on right side of photograph. Back of photo reads: Peter Ellis OAM (not quite royal yet!) very faint Peter on right.photo, individual, peter ellis

Item re Allan Frederick Goodall DFC, RAAF, refer Cat No 543.2 for his service details. These items were in a wallet, refer Cat No 5772 for the story and connection. This would be a multi Commonwealth Aircrew. Crew members were L to R, Bill Jones, Tony White, Nobby Norris, Doug Eden, Peter Ellis, Alan Goodall..1) B & W photo of a Wellington Bomber in the rear with six Aircrew in Flying gear standing in front. Inscription on rear in faint black pen. .2) Handkerchief with hand painted scene of Mt Etna in Sicily.On Rear , "left to right, F/Sgt Bill Jones (Gunner), F/Sgt Tony White (Bomb aimer), F/Sgt Nobby Norris ? (W/Op 2nd), F/Lt Doug Egan (Pilot), F/O Peter Ellis (Navigator), F/O Allan Goodall (1st W/Op)"photographs, souvenirs, memorabilia, dfc

Black and white photograph."Attached to photograph" Back Row- L to R: John Oliver, Peter Carter, ?, Peter White, John Forbes, Gregory Lane, ?, Greg Fraser, ?, Neil Miller, ?. 2nd Row- L to R: ?, Richard Burlock, Norma McCann, Janice Hudson, Merlyn Bruce, ?, Vivien Pincott, Jeanette Langmead, Helen Boyle, Faye Mathews, Peter Browning, Peter Langford. 3rd Row- L to R: Barry Bangay, Barbara Finley, Judith Smalley, ?, ?, Heather Clarke, ?, ?, Enid Robinson, ?. Front Row- L to R: Barry Jacobs, Barry Stevenson, Chris Harris, Alan Leviston, Ronnie Albert, John Spencer, Peter Oliver, Peter Graham, Don Bolton,?. Teacher:

Remember Them, A Guide to Victoria's Wartime Heritage. From front flap: Behind each of the thousands of war memorials in Victoria is a story of courage and sacrifice, of devotion to duty, and of a family's terrible loss. Hard cover, red plastic over cardboard, white print on spine. Dust cover silver, gold & black print on front, spine & back. Coloured image of a sculpture of two soldiers on front. End papers are red. 307 pages, cut plain, white. Illustrated colour photos & illustrations.Handwritten in black ink on front fly leaf: "Peter Ball", "RSL Stamp"book, heritage, wartime, victoria

Set of 11 Black and White photos of the Block Buildings corner Adelaide St and Maroondah Hwy, Ringwood. Taken for Court - site inspection by Mr Justice Barber 6.8.1965. Part of the Eastland Compensation Litigation (See Reference below). (Renamed and recatalogued into this one item 2018). 381A: Adelaide St Shops 381B: Rear of Coffee Palace, Maroondah Hwy 381C: Adelaide Street Shops 381D: Side and Rear of Renong Chambers, cnr Civic Place and Adelaide ST 381E: Renong Chambers Adelaide St. )Reynolds Fish and Chip shop on ground floor) 381F: Back of the Coffee Palace 381G: Rear of Adelaide St Shops, off Civic Place. cf SS038k (Record #2832). Taken from Civic Place 381H: Maroondah Hwy, looking towards Adelaide St 381I: Cnr Maroondah Hwy and Adelaide St 381J: Old House, taken from laneway now Civic Place 381K: Coffee Palace, Maroondah HwyStamped on back: Peter Payens of Ringwood Studios. 86 Whitehorse Road, Ringwood

Set of 3 Photographs containing four men from the Old Castlemaine Schoolboys Association committeeL-R: Ron White, Peter Cole, John Sikora, WIlliam Sikora

A series of newspaper articles were written by three Ballarat historians in the segment titled The Rest is History. Newspaper clippingWeekend Features, A Matter of inequality THE REST IS HISTORY By Peter Butters, Ballarat Historianwomen, female, goldfields, gold, withers, peter butters

Crews ate meals from ration packs on exercise. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Two black and white photographs of 8/13 Victorian Mounted Rifles crewmen enjoying a meal on exercise at Puckapunyal, c.1964." John Doyle, Lou Madjeric, Bill Cameron, Peter McClosky, Bill Vincent."

HMS Hood visited Melbourne from Monday 17th March to Tuesday 25th March 1924, as flagship of the Special Service Battlecruiser Squadron, during an "Empire Cruise" around the world. For most of their stay in Melbourne, the five visiting warships were open to the public from 1.30 p.m. to 6.30 p.m. daily.Significant as last battlecruiser built by Britain and its visit to Port Phillip in 1924Framed painting of HMS Hood at Port Phillip Heads 1924In Memory of Peter Nall, 1954-2002 who loved Queenscliff and Point Lonsdalehms hood, watercolour, port phillip

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images are a cityscape of Rome.(4)-1968-Rome, the Eternal City, from the dome of St. Peter's Italy.stereographs

Men's blue blazer with embroidered RTS Prefect insignia on breast pocket and tailor's label sewn inside - Wardrop "My Tailor" handcraft garment from the workrooms of Wardrop "My Tailor" Melbourne and provincial centres, Pure wool.Handwritten card - Peter Oliver, Ringwood Technical School 1958-1961 - Prefectrts, ringwood tech

Photograph Shows one of the Baldwin-built 0-4-0 saddle tank locomotives at the Sorrento beach terminus. The smokestack has been fitted with a diamond spark arrestor. Standing alongside the locomotive is a number of men including one with a long beard, wearing a top hatYields information about the Sorrento steam tram.Black and White photograph - with an "A crown M" logo and the words "Crown Copyright Reserved" printed on the rear of the paper.In ink "Front Beach Sorrento", with K J Magor and Peter Duckett stamps.sorrento, steam trams, postcards

small b & w photograph depicting church service at the St Peter the Mariner chapel, seated congregationstamp: 8940, photographic paper markings ILFORD, hand written number 7st peter chapel, mission to seafarers, seamen's mission, chaplain, service, pulpit

Interior photograph of St Peter's Anglican Church, Ballarat looking towards the window, and showing timber pews st peters' ballarat, geoff biddignton, church

By Beatrix Potter. Author of "The Tale of Peter Rabbit". Original publisher Frederick Warne. First publisher 1908.A Farmyard Tale for Ralph-Betsy.jemima puddleduck, beatrix potter, book

Book: "Rosewall: Twenty Years at the Top" by Peter Rowley with Ken Rosewall. Materials: Cardboard, Paper, Inktennis

Yellow paper eight page the Parish of Eaglehawk St. Peter's Centenary Edition of The Eagle October 1962church of england parish of eaglehawk including st. peter's st. matthew's & st. jude's centenary celebrations program, centaenry eidtion

Black and white photograph. White edges. Emu Creek Bush Band. Marg Hogan. Peter Ellis.entertainment, music, emu creek bush band

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Children’s moss green knitted jumper with a peter pan collar, centre back zip and raglan sleeves.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community