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Warrnambool and District Historical Society Inc.
Book - Family Bible, Hubbard Brothers, Philadelphia, The Pictorial Family Bible, 1870s
This is a family Bible belonging to Edward Bryants and Ellenor Conn.This is a Bible with a heavily embossed cover with pressed gold panels featuring gold lettering , scroll patterns and images of Biblical scenes and saints. The spine has scroll patterns and gold lettering. Inside the front cover the spine has been reinforced with blue adhesive tape. The spine and the front pages are partly detached. The pages are gilt-edged and contain printed text and black and white and colour illustrations and a handwritten name in black ink. A separate sheet contains black and red handwriting on both sides and some pencilled dates on the back.non-fictionThis is a family Bible belonging to Edward Bryants and Ellenor Conn. conn family warrnambool, edward bryants, 19th century family bibles -
Federation University Historical Collection
Book, Art Ages, 1929 (exact)
Pedro J. Lemos was an educator and artist. He was also the editor of the School of Arts Magazine and Director of Stanford University Museum of Fine Arts. He was born in 1882 and died in 1954. This art portfolio contains ten periods of art history: Egyptian, Assyrian, Grecian, Roman, Byzantine, Romanesque, Saracenic, Gothic, Renaissance and Georgian. Some of the images are: The Temple of Luxor in Egypt, Temple of Zeus, the Arch of Titus, Gothic cathedral in Cologne, Assyrian furniture and weapons, Greek architectural decorations, Byzantine costumes, Renaissance weapons and household articles, plus much more. Blue, large, hard cover. Black tape edges and spine. Title is written in orange on front cover. Ribbon ties stitched to the edge of the cover used to close book by tying them together. Loose pages showing coloured and b/w illustrations of the ages of art. Includes fold-out text booklet with five pages. The book has a number of coloured prints of examples of art through the ages, including Egyptian, Assyrian, Grecian, Roman, Byzantine, Romanesque, Saracenic, Gothic, Renaissance and Georgian. Inside the front cover there is a plate titled "Ballarat Techincal Art School Library no. R/400". It is also stamped with the publisher's details. art, art ages, pedro j lemos, historic art, egyptian art, grecian art, roman art, byzantine art, romanesque art, saracenic art, gothic art, renaissance art, american colonial art, assyrian art, ancient costumes, ancient weapons, ancient instruments, ancient household articles, ancient furniture, ancient architectural, textile decorations -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth is sealed, and has remnants of tape on outside. Tooled cork-top finish with ring below. Slightly bulged neck. Shoulder has some diagonal creases and a distinct line where shoulder meets body. Body tapers inwards to base. It has a bubble and diagonal crease lines. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Bendigo Historical Society Inc.
Clothing - FINE COTTON LACE CAMISOLE, Late 19th C
Clothing. Camisole. Fine cotton, fine cotton lace at neck and circular lace inserts front and back, Cotton tie through casing above 5 cm peplum. Embroidered lines above and below lace inserts on front and back. Side opening for 13 cm above peplum. Cotton tape through the casing tied on the LHS at the waist. U shaped neckline edged with lace. Fine cotton tie through lace around neckline. Tied at front. Sleeveless. Arm holes edged with 15 cm lace.costume, female, underwear -
Bendigo Historical Society Inc.
Book - BENDIGO SALEYARDS COLLECTION: PURCHASE REQUISITION BOOK
City of Bendigo Purchase Requisition, dated from 18/7/1988 to 1723/8/1989. Numbered from 64101 to 64200 Book has a blue and white crocodile skin pattern on the cover. The spine is bound with tan coloured tape. Pages are white with a blue carbon copy. A blue card attached to the back cover is used between each requisition. Purchases and repairs were authorised by J Richmond and J M Crimmins. Purchase Requisitions were used for repairs, stationary, purchase of small equipment and tools.bendigo, council, cattle markets, bendigo saleyards collection - purchase requisition book, alan richie, geoff williams, v/line goods, brb electrical, j m crimmins, fletcher & sons ballarat, hume & iser, bp bury, toledo scales, w c bury, mcilwraith, northern seed prymac, abbott supply, r w dixon, waterfall quarries, golden city, bond batteries, dalgety, golden triangle, boltons, primac northern seed, obrien glass, j richmond, toledo scales, agriculture mining services, boltons, abbotts supply, midland irrigation, r fletcher, mcilwraith, cvc cranes, bury, abbotts, all bull, allweld construction, country scales shep., robert plant, dick fletcher, r fletcher, dalgety, toledo, all bull pro forma, peter atkins, john howard, bolton bros stationary, bury b p, mcilwraith, charlton feed lot, j richmond -
Charlton Golden Grains Museum Inc
Photograph, North Central Panel Beaters 1987
North Central Panel Beaters 1987, formerly Charlton Motors Pty Ltd Service StationColour photograph showing North Central Panel Beaters building on the corner of High and Armstrong Sts. Red car in front of shop on High St, blue & white vehicle on LH side on Armstrong St. Sign attached to verandah showing St Arnaud 42. Signage on front window says Mechanical Repairs, Automotive Service Centre, Ph S?. 1389. Safety tape around tree on LH side of photo and barricades on the High St kerb at the end of the verandah. Telstra tower visible in background.north central panel beaters, charlton motors -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLACK SKIRT/TULLE/ VELVET UNDER-SKIRT OR PETTICOAT, 1890's
Clothing. This petticoat is multi-layered with one layer of taffeta at the hemline, with black velvet, the top edge of which is scalloped-55 cms deep, and finished at the top edge - the scalloped edge, with a cotton braid 2mm deep. Two layers of tulle, over the taffeta, are gathered into a 1 cm wide waistband, which fastens with a metal hook, but no loop is visible. A 23 cm long plackett has a metal press-stud closure. Two cotton tape loops - 10.5 cm long are attached inside the waistband.costume, female underwear, black silk/ tulle/ velvet petticoat -
Bendigo Historical Society Inc.
Clothing - MCGOWAN COLLECTION: CHILD'S JACKET, Late 19th Century
Clothing, cream coloured silk child's jacket. Part of a two piece suit. (see 11401.8 pants).Front opening with 4 X 1.6 cm and 1 X 14 cm white buttons from throat to waist. Chelsea collar at the front with sailor collar at the back. Long sleeves with 6 cm cuffs. Jacket has casing at lower hem with a drawstring of cotton tape. Single pocket on left breast. Jacket is fully lined with white cotton fabric. Old box 524.costume, children's, jacket -
Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION: INFANT'S GOWN, 1890-1910
Clothing. Infant's cotton gown with long sleeves. Round neck with casing for cotton tape ties. Neckline trimmed with 2cm lace. Back opening (16cm). Gathered at back from neckline. Front has pintucks from neckline to broiderie lace band at waist (18cm X 3cm). Gathered below band. Cotton fabric ties (68cm) attached to either side of waist band. End of ties and sleeves trimmed with 1cm lace. French seams. Machine stitched. Old box 230.costume, children's, infant's gown -
Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION: INFANT'S GOWN, 1890-1910
Clothing. Infant's white cotton gown with long sleeves. Round neck with casing for cotton tape ties. Stand up 1cm lace trim. Back opening (20cm). Lace trim (.8cm) at wrists and ends of waist ties. Gathered from neck at back and front. Front is gathered into broiderie lace band (17cm X 3 cm) at waist. Two fabric ties attached at sides of waist band (68cm) to tie at back. French seams. Machine stitched. Old box 230.costume, children's, infant's gown -
Villa Alba Museum
Decorative object - Furnishing gimp (braid), Decorative furnishing gimp, detached from curtains, 1850-1900
This is the same gimp as on the curtains. Probably saved because it was beautiful and expensive, but inherently decontextualised from its original historic use.Length of decorative upholstery gimp, unpicked from original curtains and wound onto a piece of card for storage. Gimp is a type of upholstery trim. a flat tape made up of threads or fine cords forming a wave or chain design, held in place by another wavy cord to produce an openwork, geometric braid. In this item, the cords are respectively light blue and metallic gold (much of it tarnished to silvery colour). The gimp is en suite with the set of curtains and their ornaments (qv) - another luxurious trimming for expensive furnishings.upholstery trimmings -
Nillumbik Shire Council
Artist Book: Tommaso DURANTE (b.1956 ITA, arrived. 2001 AUS) with text by Chris WALLACE-CRABBE (b.1934 AUS), Skin, Surfaces and Shadows, 2007
'Skin, Surfaces and Shadows' was created by Tommaso Durante in 2004 during his stay in Bundanon (gifted to the Australian people by Arthur & Yvonne Boyd - South East Australia) as international artist in residence and it was enriched during the artist’s stay in Broome (Western Australia) in 2005. On that occasion he collected the raw materials that were subsequently wrought to develop the actual bookwork.On the edge of artistic practice and philosophical inspiration, 'Skin, Surfaces and Shadows' pushes the boundaries of art, craft and design by combining digital technologies with traditional techniques and materials. Durante visually explores the surfaces of organic things (trees, surface textures, etc.) and the figurative dividing line of the shadow. The poet Wallace-Crabbe responds to these images in words. The poet and the artist flit in and out of shadows, skin and the surfaces of paper and life.(a) prints, artist's book (80 pages), ink; Somerset Book White paper (175gsm), digital images, printed in eight inkjet colour pigments, from digital files. Set in digital typefaces Utopia STD Display, Italic and Bold, Frutiger 57 Condensed, 67 Bold Condensed, and 56 Italic. Section sewn around 3 tapes. Full paper binding with blind blocking on front cover handmade head and tail bands. (b) CD of slide presentation to accompany bookwork on display Primary Insc: In black biro, signed and editioned by Tommaso Durante and Chris Wallace-Crabbe (last page '8/25 T DURANTE CWallace-Crabbe')prints, artist book, skin, surface, shadow, poetry, durante, wallace-crabbe -
Whitehorse Historical Society Inc.
Tool - Tape Measure
From the Betty McPhee sewing collectionCream coloured tape measure in two parts, measuring 60 inches. Blue figures on cream cotton on one side. On the other side, Women's Beauty, Anne Seymour. Shape Measure.Shapes, eg. diamonds, spades, clubs, hearts, represent ankles, calves, thighs, waist, bust, hips, height, weight, size. Suede cover, colour grey, 43 cm long by 2cm wide folding into 4.8cm folds, lined with blue measures in inches 16 inches long. Closed with a press stud.handcrafts, equipment -
Ambulance Victoria Museum
Chart, medical, human body, blood circulation, J. Teck
Rectangular medical chart showing the upper part of the human body, skeleton, organs and blood circulation.The chart is made from printed paper on a fabric (?cotton) base and is attached with metal tacks to timber batons at each end . The timber batons are stained black. A strip of red cotton tape is attached to the mid-part of the upper baton and has been used to secure the chart when it is rolled up. Metal ring eyelets are screwed into either end of the upper baton and were used to hang the chart.The artists name 'J.Teck' is included on the lower edge on the front of the chart (LHS). The logo of the St John's Ambulance Association and the words 'ST JOHN'S GATE, LONDON E.C. 1' are printed on the lower edge of the chart (on the front of the chart at RHS). The words 'BLOOD CIRCULATION' are written in blue ink on the top margin of the chart on the reverse side.medical chart, human body, blood circulation, j. teck -
Tennis Australia
Racquet, Circa 1915
A wooden racquet with a concave throat. The throat on obverse features the decal inscription: LENOX. The throat on reverse features the decal logo, in gold, red and black, of a dog above a diamond device. Inscription within and below device: D & M/.../SPORTING GOODS/MADE IN/U.S.A. Logo also features on brown butt cover, impressed in gold. Inscription along left side of stem: MADE BY THE DRAPER-MAYNARD COMPANY/PLYMOUTH, N.H. Materials: Wood, Glue, Lacquer, Metal, Ink, Nylon, String, Adhesive tape, Leathertennis -
Bendigo Historical Society Inc.
Document - MARKS COLLECTION: MINING LEASE BLOCKS 1873
Plan mining lease blocks 1873, timber hanger on top two brass rings, securing tape, round timber holder on bottom, scroll. On top Schedule of Mining Lease Blocks shown on the plan of the Sandhurst Gold Field, Published May 1873' Names of mining Companies listed with identifying number and area of mine site. E.g. '447 Johnson's Reef Gold Mines 7a, 2r, 8 p ( acres, roods, perches ). Number linked to the mine site shown on Sandhurst Gold Field map.bendigo, mining, mining lease blocks 1873 -
Kew Historical Society Inc
Archive (series) - Subject File, Kew Historical Society, JELLIS, Thomas G, 1958
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing research and primary sources relating to T.G. Jellis and his family bakery in High Street, and later Studley Park Road, Kew. It includes a 1-page summary compiled by Elizabeth Mackie of an interview with his daughter Mrs Whitney, which was separately recorded on tape. A later document is a reminiscence of the bakery in Studley Park Road by Trevor D. Fiander of Ballan. This document includes drawings of the exterior and interior. [An article on the bakery can also be accessed in KHS Newsletter No.104 September 2013.kew historical society - archives, kew - history, t.g. jellis, mayors of kew - t.g. jellis, bakeries - kew (vic), mrs whitney (1895-?), trevor fianderkew historical society - archives, kew - history, t.g. jellis, mayors of kew - t.g. jellis, bakeries - kew (vic), mrs whitney (1895-?), trevor fiander -
Tennis Australia
Racquet, Circa 1940
A wooden racquet featuring dyed wood frame, popular in the 1940's. Decal on throat on obverse comprises of the monogram 'MW' on a blue ribbon, in front of a starred and striped shield, crowned by an eagle. Decal inscription across throat on reverse: NATIONAL. The patent across right side of racquet, was issued in February 1939, for the "coloring of bent wood", developed by William Whyte, an employee of Cortland, who manufactured tennis racquets. Materials: Wood, Gut, Metal, Lacquer, Glue, Leather, Plastic, Adhesive tape, Vinyltennis -
Tennis Australia
Racquet, Circa 1952
A wooden racquet with concave throat, white-painted stem and throat, red-painted lower head, plastic whipping and collars, and black leather handle grip. Decal across base of head and throat, on both sides, features the inscription: JC HIGGINS/MOHAWK. Behind the model name is the image of an arrow head. Decal inscription along left side of stem: WRIGHT & DITSON/MADE IN U.S.A. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Leather, Adhesive tape, Paint, Plastic, Clothtennis -
Tennis Australia
Racquet, Circa 1952
A wooden racquet with white and red-painted stem, white throat and lower head, plastic whipping and collars, and brown leather handle grip. Decal across base of head and throat, on both sides, features the inscription: JC HIGGINS/DORIS HART/MODEL. Also featured on throat is a red love-heart design. Machine stitched inscription across cloth butt cover: MADE/IN/U.S.A. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Leather, Adhesive tape, Paint, Plastic, Clothtennis -
Tennis Australia
Racquet, Circa 1945
A Slazenger P.M.instructional racquet, with blue and white decoration. Decal on throat on obverse features a blue 'S' on a gold disc, with 'SLAZENGERS' below. Inscription at base of stem on obverse: P.M. Insstructions feature on base of racquet head, on both sides, and along right side of handle. Inscription along left side: SPECIALLY MADE BY SLAZENGER IN CONSULTATION WITH WORLD CHAMPION/FRED PER[RY A]ND L.T.A. TRAINING MANAGER DAN MASKELL. Materials: Wood, Nylon, Paint, Ribbon, Leather, Adhesive tape, Ink, Guttennis -
Tennis Australia
Racquet, Circa 1972
A Chemold Rod Laver Tournament tennis racquet, with ribbon whipping around shoulders, and leather grip with triangular perforations. Chemold logo features across base of head, flanked by ornamental motifs. A head and neck photo decal of Laver features on throat, with model name, and continuing along shaft. Gold, black and white Chemold trademark features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, String, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1972
A Chemold Rod Laver Professional Model tennis racquet, with ribbon whipping around shoulders and shaft, and leather grip with floral perforations. Model name features across base of head and throat, accompanied by an 8-pointed star device. Chemold logo features along shaft. Gold, black and white Chemold trademark features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, String, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1972
A Chemold Margaret Court Tournament tennis racquet, with ribbon whipping around shoulders, and leather grip with X-formation perforations. Chemold logo features across base of head, flanked by ornamental motifs. A head and neck illustrated decal of Court features on throat, with model name, and continuing along shaft. Gold, black and white Chemold trademark features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1972
A Chemold Margaret Court Tournament tennis racquet, with ribbon whipping around shoulders, and leather grip with X-formation perforations. Chemold logo features across base of head, flanked by ornamental motifs. A head and neck illustrated decal of Court features on throat, with model name, and continuing along shaft. Gold, black and white Chemold trademark features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1975
A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders and shaft, and a plain black leather handle grip. Chemold logo features across base of head. A pink and purple toned wave pattern features from shoulders to handle. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders, and a vinyl handle grip with X-formation perforations. Chemold logo features across base of head. A blue and turquoise toned wave pattern features from shoulders to handle. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft and black plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Vinyl, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders, and a vinyl handle grip with X-formation perforations. Chemold logo features across base of head. A yellow and tan toned wave pattern features from shoulders to handle. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft and black plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Rubber, Glue, Lacquer, Metal, Adhesive tape, Vinyltennis -
Tennis Australia
Racquet, Circa 1972
A Rawlings, John Newcombe Flash Junior tennis racquet, with plastic whipping around shoulders, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cover. Shaft also features autograph by Newcombe. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Rubbertennis -
Tennis Australia
Racquet, Circa 1974
A Rawlings, John Newcombe Signature tennis racquet, with ribbon whipping around shoulders, and mottled leather handle grip. Rawlings logo features across base of head. Model name features across throat. Inscription: LAMINATED CONSTRUCTION features along shaft. Black Rawlings 'R' trademark features on lower shaft. Red, white and black 'R' trademark features in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Ribbon, Adhesive tape, Paint, Leather, Plastic, Bambootennis