Showing 23847 items
matching 4
-
Eltham District Historical Society Inc
Photograph, Upper Yarra Dam, Spring Tour, 22 Oct 1995, 22/10/1995
EXPLORING THE UPPER YARRA (Newsletter No. 105, November 1995, by Bettina Woodburn) We enjoyed the Spring Excursion, this year "Exploring the Upper Yarra" - in spite of the constant rain and the countryside under the cloud cover, especially in the valleys, being mainly shiny shades of green. The occasional fields of buttercups, clumps of arum lilies and splendid rhododendron and other flowering bushes became very special. The Cobb and Co coach was warm and a cosy retreat as we zig-zagged on the highways and byways to glimpse the Yarra River, upstream and down, its secret places, and particularly the many bridges. Russell excelled as 'Poet Laureate', reading from Dacre Smyth's book. This 1979 publication includes paintings of all the bridges along the river with poems and brief descriptions of each one. Some of the bridges are in out of the way places and are not very well known. We looked forward to hearing the poetry as much as seeing the ' constructions'…Big Pat (was he short or tall, lean or fat? He did win the two hundred pound reward for discovering gold and had the creek named after him), about the 'Eddies'?, and the disliked 'meccano' bridge in Warburton, etc. etc. The hot roast lunch in the old Reefton Hotel was also most welcome. It was easy to imagine it peopled by miners and early settlers. Starting by crossing the new (1974) concrete bridge at Warrandyte we headed through Wonga Park with views to the Christmas Hills and to the escarpment of the Yering Gorge, which causes flood waters to back up through the Yarra Glen plain, so avoiding disasters downstream. At the end of a long driveway we found the wooden, privately owned Henley Bridge (1935 after the 1934 floods). This facilitates access to different parts of Henley Farm and to Lilydale. Everard Park, named after Blanche Shallard's father, a State Member for 17 years, below the Highway Yarra crossing was in need of care. It is 10 miles from Yarra Glen by road but, as "Yarra Marra” canoeists well know, 32 winding miles down by water. After more delightful countryside scenes we joined the Warburton Highway at Woori Yallock. From the old Railway Station at Launching Place the Centennial Trail for walkers, cyclists and ' horse riders has replaced the rails. The line from Lilydale was opened in 1901, and the last diesel freight train ran to Warburton in 1965. It continued to rain as we had morning tea in Warburton in a shelter between footbridges. From here we continued upstream past the Bridge to O'Shannasy Lodge and Reservoir, Starvation Creek, and the Peninsular tunnel (miners dug it as at Pound Bend) which we visited (scrambling down those steps!) on our return after lunch. Our furthermost point was the Upper Yarra Dam Reserve (and vast catchment area). Finished in 1957 after ten years work and 100 years after Yan Yean, it supplies much of Melbourne's water. After crossing the 30m Launching Place Bridge to the Eltham side of the Yarra and Healesville, we saw in the distance the Yarra Glen Timber Trestle Bridge over the river flats "the longest for years in the land it was said!" Harry's dream of "better weather over the Divide" unfortunately didn't come true, but I'm sure we 36 members will retain happy memories of a day that was wet and green and filled with Bridges. Bettina Woodburn - October 1995 Record of the Society's history of activities - Spring 1995 excursionRoll of 35mm colour negative film, 2 stripsKodak Gold 100-4shire of eltham historical society, activities, upper yarra dam, henley bridge -
Robin Boyd Foundation
Slide, Robin Boyd, 1961
Colour slide in a mount. Lobby, Imperial Hotel, Tokyo, Japan, 1919-23. (Architect: Frank Lloyd Wright.)Made in Australia / Inscribed 4japan, slide -
Friends of Westgarthtown
Grinder, coffee
Pressed, embossed sheet steel tin, with overhanging top. Dome on top for beans, hinged, with curved handle and wooden knob. Wooden drawer set into bottom, removable, sheet metal and sign of handle missing. Decorative embossing on each side.L 4' embossed on basedomestic items, food and drink preparation, coffee, grinder, beans, kitchen, drink, pressed sheet steel, embossed -
Moorabbin Air Museum
Manual (Item) - Grumman Tracker Illustrated Parts Breakdown Navy Models S-2A , S-2C , s-2F , C-1A Aircraft
NAVWEPS 01-85SAA-4 -
Moorabbin Air Museum
Manual (Item) - RAAF - Macchi MB326-H Aircraft General And Technical Information Flight Controls
AAP 7212.001-2-4 -
Moorabbin Air Museum
Manual (Item) - Aermacchi MB-326 Aircraft Maintenance Manual Flight Controls
P.I. IT-MB326-2-4 -
Moorabbin Air Museum
Manual (Item) - RAAF - TACAN Navigation Set AN/ARN-52(V)
AAP 7832.002-4-3 -
Moorabbin Air Museum
Manual (Item) - RAAF - Illustrated Parts Breakdown Canberra MK 20 Aircraft
AAP 7214.004-4-2 -
Tatura Irrigation & Wartime Camps Museum
Book, Invoice Book McHugh Brothers, 1940's
Used by the McHugh brothers who were wood and chaff cutters.Grey cover with Royal Blue binding. Each page is perforated - right side is an invoice - left side has the details of the invoice.The number 4 is handwritten on the cover.mchugh brothers, invoice book, wood and chaff cutters -
Queen Victoria Women's Centre
Letter, 1 July 1996
Letter from Joan Kirner to Janet Enlgand (first chair) about the beginnings of the centre. A4 white paper. Black ink. Copy of original. Correspondence in 4/7/1996 people in political roles, letter, newsletters, official events -
Kew Historical Society Inc
Photograph, Robin Vanser & Dancers, Tahiti, 1965
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Black and white photograph of Robin Vanser and dancers in performance in Tahiti, 19651965 | Tahiti | 4 weeksperforming arts - australia - 1960s, robin vanser, performing arts - tahiti - 1990s -
Flagstaff Hill Maritime Museum and Village
Tool - Hand Adze, A Mathieson and Son, First quarter of the 20th Century
An adze is an ancient and versatile cutting tool similar to an axe but with the cutting edge perpendicular to the handle rather than parallel. Adzes are used for smoothing or carving wood in hand woodworking, and as a hoe for agriculture and horticulture. Two basic forms of an adze are the hand adze (short hoe) a short handled tool swung with one hand and the foot adze (hoe) a long handled tool capable of powerful swings using both hands, the cutting edge usually striking at foot or shin level. Mathieson & Sons Maker: In 1792 John Manners had set up a workshop making woodworking planes at 14 Saracens Lane Glasgow. He also had employed an apprentice Alexander Mathieson (1773-1851). But in the following year at Saracen's Lane, the 1841 census describes Alexander Mathieson as a master plane-maker now at 38 Saracen Lane with his son Thomas Adam working with him as a journeyman plane-maker. Presumably, Alexander must have taken over the premises and business of John Manners. Now that the business had Thomas Adam Mathieson working with his father it gradually grew and became more diversified, and it is recorded at the time by the Post-Office Glasgow Annual Directory that by 1847-1848 Alexander Mathieson was a “plane, brace, bit, auger & edge tool maker” In 1849 the firm of James & William Stewart at 65 Nicolson Street, Edinburgh was taken over and Thomas was put in charge of the business, trading under the name Thomas A. Mathieson & Co. as plane and edge-tool makers. Thomas's company went on to acquire the Edinburgh edge-tool makers “Charles & Hugh McPherson” and took over their premises in Gilmore Street. In the Edinburgh directory of 1856/7, the business is recorded as being Alexander Mathieson & Son, plane and edge-tool makers at 48 Nicolson Street and Paul's Work, Gilmore Street Edinburgh. The 1851 census Alexander is recorded as working as a tool and plane-maker employing eight men. Later that year Alexander died and his son Thomas took over the business. Under the heading of an edge-tool maker in the 1852/3 Post-Office Glasgow Annual Directory the firm is now listed as Alexander Mathieson & Son, with further entries as "turning-lathe and vice manufacturers". By the early 1850s, the business had moved to 24 Saracen Lane. The directory for 1857/8 records that the firm had moved again only a few years later to East Campbell Street, off the Gallowgate area, and that through further diversification was also manufacturing coopers' and tinmen's tools. The ten-yearly censuses report the firm's growth in 1861 stating that Thomas was a tool manufacturer employing 95 men and 30 boys; in 1871 he had 200 men working for him and in 1881 300 men. By 1899 the firm had been incorporated as Alexander Mathieson & Sons Ltd, even though only Alexander's son Thomas appears ever to have joined the firm so the company was still in his fathers' name. In September 1868 Thomas Mathieson put a notice in the newspapers of the Sheffield & Rotherham Independent and the Sheffield Daily Telegraph stating that his firm had used the trade-mark of a crescent and star "for some time" and that "using or imitating the Mark would be proceeded against for infringement". The firm had acquired its interest in the crescent-and-star mark from the heirs of Charles Pickslay, the Sheffield cutler who had registered it with the Cutlers' Company in 1833 and had died in 1852. The year 1868 seems also to be the one in which the name Saracen Tool Works was first adopted; not only does it figure at the foot of the notice in the Sheffield press, it also makes its first appearance in the firm's entry in the Post-Office Glasgow Annual Directory in the 1868/9 edition. As Thomas Mathieson's business grew, so too did his involvement in local public life and philanthropy. One of the representatives of the third ward on the town council of Glasgow, he became a river bailie in 1868, a magistrate in 1870 and a preceptor of Hutcheson's Hospital in 1878. He had a passion for books and was an "ardent Ruskinian". He served on the committee handling the bequest for the setting up of the Mitchell Library in Glasgow. When he died at Coulter Maynes near Biggar in 1899, he left an estate worth £142,764. The firm of Alexander Mathieson & Sons was one of the leading makers of hand tools in Scotland. Its success went hand in hand with the growth of the shipbuilding industries on the Firth of Clyde in the nineteenth century and the emergence of Glasgow as the "second city of the Empire". It also reflected the firm's skill in responding to an unprecedented demand for quality tools by shipyards, cooperages and other industries, both locally and far and wide.Hand Adze or Cooper's adze No 4 A Mathieson & Sons Glasgowflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, adze mathieson & sons, cooperage tools, woodworking, barrel making, working timber, joiners tools, carpenters tools -
Bendigo Military Museum
Accessory - FLYING RATION, C.1944
Item issued to Richard Noel levy RAAF No 428329. Refer Cat No 4919.3 for service history.Emergency Flying Ration RAAF, outer cover in two pieces clear plastic, inner plastic container with ration items, sterilisation tablets, small plastic bag with string attached possibly for water sterilising.On tag inside “4/44”accessory, flying ration, emergency -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
An art auction for the Save the Copper Butterfly campaign arranged by Pauline Toner was held in 1987 at which a number of which were acquired by the Shire of Eltham for the Eltham Art Collection, now part of the Nillumbik Art Collection. This show circa 1994 in the Eltham Community Centre displayed several of the works.Roll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre, eltham copper butterfly, nillumbik art collection -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
An art auction for the Save the Copper Butterfly campaign arranged by Pauline Toner was held in 1987 at which a number of which were acquired by the Shire of Eltham for the Eltham Art Collection, now part of the Nillumbik Art Collection. This show circa 1994 in the Eltham Community Centre displayed several of the works.Roll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre, eltham copper butterfly, nillumbik art collection, head in the land (private persons), doug wright -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
An art auction for the Save the Copper Butterfly campaign arranged by Pauline Toner was held in 1987 at which a number of which were acquired by the Shire of Eltham for the Eltham Art Collection, now part of the Nillumbik Art Collection. This show circa 1994 in the Eltham Community Centre displayed several of the works.Roll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre, eltham copper butterfly, nillumbik art collection, adriane strampp -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
An art auction for the Save the Copper Butterfly campaign arranged by Pauline Toner was held in 1987 at which a number of which were acquired by the Shire of Eltham for the Eltham Art Collection, now part of the Nillumbik Art Collection. This show circa 1994 in the Eltham Community Centre displayed several of the works.Roll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre, eltham copper butterfly, nillumbik art collection, ona wendi henderson -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
Art show held in the Eltham Community CentreRoll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre