VIEW OF CLUNES TAKEN FROM BLAND ST. SHOWING TREES IN QUEEN'S PARKORIGINALPOSTCARD BLACK AND WHITE PHOTOGRAPH OF VIEW OF CLUNES AND BLACK AND WHITE COPY OF SAME. VIEW FROM BLAND STREET SHOWING TREES IN QUEEN'S PARKPANORAMA OF CLUNESlocal history, photography, photographs, clunes township

THE CANNON WAS ORIGINALLY SITUATED IN VICTORIA PARK - LATER IN SHED AT TOWN HALL AND NOW KEPT IN HENRY BLAND ROOM AT CLUNES HISTORICAL MUSEUM IN FRASER STREET, CURRENTLY (2019) DISPLAYED AT SEAWORKS MUSEUM, WILLIAMSTOWN, VICTORIA, AUSTRALIAPHOTOGRAPH OF CLUNES CANNON ON WOODEN STAND - ABOUT 1938.CLUNES CANNON ON 'ROCKS'local history, photography, photographs, military

BLACK AND WHITE PHOTOGRAPH, VIEW OF QUEEN'S PARK, CLUNES. DISPLAYING FOUNTAIN.WRITTEN IN WHITE "QUEEN'S PARK, CLUNES 4" IN THE MIDDLE OF THE PHOTOGRAPHlocal history, queen's park garden

PHOTOGRAPH OF CLUNES TOWNSHIP, SHOWING THE TWO BRIDGES ACROSS THE CREEK.VIEW FROM ABOVE PRESENT VICTORIA PARK.local history, photography, photographs, bridges - buildings and landscape of clunes

DANCERS? ARRIVING AT FOOTY OVAL VICTORIA PARK. CLUNES.local history, photography, photographs, events and celebrations

COLOUR PHOTOGRAPH VINTAGE/VETERAN CARS PARKED NEAR COLLINS PLACE, FRASER STREET, CLUNESlocal history, photography, events and celebrations

John Parkes avoids technology. This work expects the viewer to understand the importance of the hand and time… The blanket and the apron were gifted by friends in Germany. The apron was worn by Helen in her studio practice as a jeweller. The blanket was a find in the cellar of their Munich apartment. The red moleskin cloth was an OP shop find and originally a eucalyptic green. This cloth was discharged and overdyed. Cloth will often sit around the house, unattended, until ideas germinate. Is “Art” about “Art” or about the “Artist”?... There is a Buddhist notion of not writing in the first person, in that the Ego is not employed. There is a Japanese tradition “Boro” in which cloth is not discarded but repaired. These three cloths are now one.Wangaratta Art Gallery Collection - Winner WCTA 2017A square handsewn textile that features a white apron that has red running stitch squares, holes, hand paint stains across with initials in blue thread sewn in the bottom right corner of the apron which is in the center of the work. A brown wool cloth that features rows of white running stitches and red embroidery patches borders the apron, which is bordered by strips of red patterned fabric that has been dyed and features lines of red running stitches.wangaratta art gallery, textile, wcta, john parkes

Rural City of Wangaratta CollectionA landscape painting of cows grazing at Merriwa Park, Wangaratta.Obverse: D. H. Flockart/ (bottom left corner)wangaratta art gallery, doris flockart, painting, pastoral, landscape

Rural City of Wangaratta Collection, Wangaratta Art Show 2004.A landscape scene of an elderly couple walking through a park in Autumn painted in a post-impressionist style.Obverse: DO NOBLE/ (bottom right corner) 2004 Art Show/ - Grand Winner - / 'Autumn Lovers' - By Do Noble/ Judge Ramon Horsfield/ (plaque on mounting board)wangaratta art gallery, do noble, painting, autumn, landscape

Ben Boyd enlisted in the AIF in Melbourne, 13 December 1915, giving his age as 42 years and 11 months. At that time he gave Bathurst as parish of birth, and attested that his wife Emma, next of kin, resided in Fitzroy. He gave his occupation as 'cutter'. Boyd reported to Royal Park on 6 January 1916, attached to the 22nd Battalion 11th reinforcements. He embarked for the Middle East on 29 March, and it appears that he spent the rest of his service in Egypt, apart from some four months in Palestine from September 1917 to January 1918. During this time it appears that he was attached to the 11th Light Horse Regiment Provost Corps. There were various promotions to 'temporary Corporal' and 'Acting Sergeant'. Boyd disembarked in Australia on 25 August 1919. The first reference to Yackandandah in Boyd's war record came in his application for the British War Medal and Victory Medal, in a letter dated 10 February 1924. He received those medals on or about 3 March 1924. By that time he had been working in Yackandandah for several years, having been engaged as an 'up-tp-date cutter and tailor' by Mrs Haig in 1921. He continued working as a tailor until his passing in 1957. There is an anecdotal recollection of Boyd sitting up on what was the bank counter making garments and watching the world pass by on High Street, and also reference to him replying to the toast for The Diggers, at a smoke social convened by the Returned Services League to honour Sir Kenneth Beatty, at Martin's Hotel, 8 September 1927. The Yackandandah Museum is housed in what had been the Bank of Victoria and had become the business premises and residence of Haig Tailor. The building bore the title B. Boyd Tailor as late as the 1960's. Isabella Haig sold the building and residence to Yackandandah Historical Society in 1969. Instituted by King George V in 1919 to mark the end of World War I and record the service given, the British War Medal 1914-20, was also variously known as Squeak, or Mutt. Boyd was eligible for having entered a theatre of war during specified periods and having left places of residence and rendered approved service overseas. The medal is cupro-nickel (silver?) with the effigy of George V on the obverse. The reverse has an image of St George on horseback trampling underfoot the eagle shield of the Central Powers, and a skull and cross-bones, the emblems of death. Above this is the risen sun of victory. The years 1914 and 1918 are shown on the outside edge of the reverse surface. A ribbon is attached per a top bar. The ribbon has a wide central watered stripe of orange, flanked by two narrow white stripes, which are in turn flanked by two black pin-stripes, further flanked by two outer stripes of blue. (Refer Notes.) On the obverse, "GEORGIVS V BRITT. OMN: REX ET: IND: IMP" On the reverse "1914 1918" On the edge, stamped, "4378 A-SGT. B. BOYD. PROV. CPS. A.I.F."world war 1, great war 1914 - 1918, medals, british empire

A 45kg Spanish Merino from Mt Bute at Linton, Victoria. It is a descendant of the original Spanish Merino brought to Australia by John MacArthur in 1797. John and Elizabeth MacArthur undertook breeding experiments at Camden Park, Parramatta, crossing the Spanish Merino with Bengal and Irish sheep already in the Colony. The resultant merino became the foundation of Australias sheep industry. Although of little commercial value, the Mt Bute station has ensured the survival of the Camden bloodline.Taxidermy figure of a Spanish merino ram on display in Gallery 1. Ram has curved horns and is mounted with crooked front legs.sheep, taxidermy, spanish merino, irish sheep, camden, mt bute station

Called "Klimt Print #2". Winning quilt in the 2017 Expressions Wool Quilt Prize Statement: "Every finger print is unique just as the art of Gustav Klimt is unique leaving an imprint for us which only he could leave." Art Quilt Australia 2017, held at the Queen Victoria Art Gallery (Royal Park location) Launceston, Tasmania, includes the 2017 winners of the prestigious Expressions Wool Quilt Prize (sponsored by the National Wool Museum) and the OZQN Award of ExcellenceWhole cloth painted quilt, hand wool embroidery, wool thread and metallic thread quilting.Klimt Print #2 Sue Reid

Letters from the Boolardy Pastoral Company Limited, Cranmore Park, Walebing, Western Australia, dated 1939 and 1940 to W.R. Lang re: wool samples and wool testing.wool - testing, boolardy pastoral company limited, lang, dr w. roy

"Hall & Stells, Ltd, Makers of Machinery, Park Works, Keighley, Eng", catalogue of machinery."Hall & Stells, Ltd, Makers of Machinery, Park Works, Keighley, Eng", catalogue of machinery.textile machinery, hall and stells limited

Letter from E H B Lefroy to W R Lang c1942, discussing the wool industrywool - research wool - testing sheep breeding - history peppin-merino sheep world war ii, gordon institute of technology, lang, dr w. roy lefroy, mr a l b, cranmore park, western australia, wool - research, wool - testing, sheep breeding - history, peppin-merino sheep, world war ii

Letter from E H B Lefroy to W R Lang 16th November 1941, discussing wool characteristics and research.wool - research wool - testing sheep breeding - history peppin-merino sheep world war ii, gordon institute of technology, lang, dr w. roy lefroy, mr e. h.b., cranmore park, western australia, wool - research, wool - testing, sheep breeding - history, peppin-merino sheep, world war ii

Letter from E H B Lefroy to W R Lang 1st December 1941, discussing wool samples for testing.wool - research wool - testing sheep breeding - history peppin-merino sheep world war ii, gordon institute of technology, lang, dr w. roy lefroy, mr e. h.b. kelley, mr r. b., cranmore park, western australia, wool - research, wool - testing, sheep breeding - history, peppin-merino sheep, world war ii

James Murgatroyd worked at Warrnambool Woollen Mills, Federal Mill, Tweedside, Collins Mills and set up looms for Alexander Spinning Mills Sydney, his son Fred Murgatroyd worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.Murgatroyd Photograph CollectionJohnstone Park, Geelong No 6 KODAK PRINTtextile mills, collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, geelong, victoria

James Murgatroyd worked at Warrnambool Woollen Mills, Federal Mill, Tweedside, Collins Mills and set up looms for Alexander Spinning Mills Sydney, his son Fred Murgatroyd worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.Murgatroyd Photograph CollectionJohnstone Park, Geelong No 4 KODAK PRINTtextile mills, collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, geelong, victoria

Letter, from Robert Fellowes, to Colin Atkins and Rachel Faggetter, conveying Queen Elizabeth II and the Duke of Edinburgh's thanks for their visit to the National Wool Museum 28th April, 1988.Letter, from Robert Fellowes, to Colin Atkins and Rachel Faggetter, conveying Queen Elizabeth II and the Duke of Edinburgh's thanks for their visit to the National Wool Museum 28th April, 1988.Robert Fellowes THE FRAMEWORKS/167 VICTORIA AVE/ALBERT PARK/..

Soldiers’ WW1 Memorial Stawell. The photograph was taken in 1999.Two black & white photos of the Soldiers WW1 Memorial taken in c.1999. Of the two photos one is larger than the other. The photo shows the memorial surrounded on three sides by garden beds with a flagpole behind the memorial. Two cars can be seen parked by the memorial with houses in the background.stawell ww1 ww2

Front view of Stawell Shire Hall in Longford Street with wrought iron fence and 1920's motor vehicle parked outside. The photograph taken in 1949 was donated by Mr. F. M. Mortyn who was Secretary of the Stawell Shire from 1947 - 1960. A small black & white photo of the Stawell Shire Hall with its brick facade with a parapet top. The entrance doorway in the centre with windows each side. In front a wrought iron fence. The gate of the fence is painted white. A 1920's motor vehicle is parked out the front to the right of the Shire Hall. Stawell Shire Hall 1949.stawell