Showing 69773 items
matching a. white
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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Phillips, Miss L, 1900c
Also black and white copy 9 x 14 cmSepia photograph showing lake, Cunningham Arm, in front of three houses on dunes at New Works. House on left is harbour masters, centre is harbour engineer's house and on right is house of contractor John Carpenter. Lakes Entrance Victoriajetties, fishing industry, boats and boating, waterfront -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920c
One black and white enlarged copy 19.5 x 25.5Sepia photograph showing New Works cottage Sea Shell on dunes, people on verandah, shed back left of house, rocks and wooden groynes along beach front, fence and track down side of house. Vegetation on dunes. Lakes Entrance Victoriawaterfront, houses, vegetation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1930
Also black and white copy 16.5 x 25 donatedSepia toned copy photograph of a postcard of the punt, two men and early model motor vehicle on punt. Johnsonville, Victoria.boats and boating, waterways, animals -
Hellenic Museum
Neck Amphora, 1050 – 750 BCE
Cypriot White Painted Ware from Cypro-Geometric PeriodThe neck with frieze of dark brown crosshatched diamonds flanked by three vertical lines alternating with blank panels, bands above and below, two bands on shoulder, and two columns of crosshatched diamonds flanked by three vertical lines and blank panels, between painted twin horizontal loop handles, bands above and below, single band on lower body. cypriot -
Hellenic Museum
Cup, 1050 - 750 BCE
Cypriot White Painted Ware from Cypro-Geometric PeriodThe interior painted with two concentric bands and a set of concentric circles between, the rim and twin loop handles painted (one missing), the exterior with two opposed crosshatched triangles flanked by lines, over a set of two bands with lines between, a Maltese cross is painted on the base of the foot cypriot -
Hellenic Museum
Neck Amphora, 750 - 600 BCE
Cypriot White Painted Ware from Cypro-Archaic PeriodThe mouth and rim painted black, the neck with two rows of concentric circles between lines and bands, another set of lines and bands above and below the painted twin horizontal loop handles flanked by columns of three concentric circles and centred by a pair of concentric circles, traces of concentric circles on lower body, foot painted. cypriot -
Hellenic Museum
Hydria (Water Jar), 750 - 600 BCE
Cypriot White Painted Ware from the Cypro-Archaic PeriodThe rim is painted black, one encircling horizontal band on interior, the top and bottom of neck with black bands, the strap and painted twin horizontal loop handles over an encircling band, the shoulder with two concentric circles, another flanking the loop handles, the strap handle painted with vertical stroke continuing to body and flanked by another on each side. cypriot -
Hellenic Museum
Hydria (Water Jar), 750 - 600 BCE
Cypriot White Painted Ware from the Cypro-Archaic PeriodThe rim painted black, the top of the neck with two encircling lines, a band at the bottom, the strap handle with vertical stroke to shoulder, flanked by vertical strokes, two angled strokes below, the shoulder with two pairs of concentric circles on each side and a set of horizontal lines below. cypriot -
Hellenic Museum
Neck Amphora, 750 - 600 BCE
Cypriot White Painted Ware from the Cypro-Archaic PeriodThe interior has a painted black band, the rim with sets of strokes between lines, continuing on twin strap handles, the neck with wavy line, two bands at bottom, the body with two sets of encircling lines and broad band between, set of three narrow bands on lower body. cypriot -
Hellenic Museum
Amphora, 750 - 600 BCE
Cypriot White Painted Ware from Cypro-Archaic PeriodThe inside of the rim and the round of the mouth are painted. The neck has two friezes of circles separated by lines, two bands above and below and a set of lines on the shoulder. The body has columns of concentric circles painted between the twin-looped handles, another set of horizontal lines below. cypriot -
Hellenic Museum
Amphora, 750 - 600 BCE
Cypriot White Painted Ware from Cypro-Archaic PeriodThe rim with black strokes, painted on the exterior under the rim, twin vertical strap handles painted with zigzag lines, each side of neck centred with panel of vertical cross-hatched diamonds and triangles flanked by sets of vertical lines between two panels of double cross lines flanked by sets of vertical lines, the body with horizontal lines and bands, single band on lower body, foot painted. cypriot -
Queenscliffe Maritime Museum
Photograph, Photographer unknown
Undated black & white photo of the Lifeboat "Queenscliffe", moored, with flags.RealismPhoto of the Lifeboat "Queenscliffe", moored, with flags.On the reverse McCowan & Mann 15-17 Spring St Geelong West 3218 Ph 9 1253, also, 85-12N, Q'cliffe w/ flags flying, Given H H for selection photos for book WRECK & RESCUE by Jack Loney, June 1986.wharf, lifeboat, moored, flags -
Queenscliffe Maritime Museum
Photograph, Photographer unknown
Undated black & white photo of the Lifeboat "Queenscliffe", moored, with flags.RealismPhoto of the Lifeboat shed housing the "Queenscliffe" before it was moved.On the reverse - "NIL"lifeboat -
Stawell Historical Society Inc
Photograph, Stawell Railway Yards 1933
Black and White photo taken Stawell Railway Yards 1933. stawell transport -
Stawell Historical Society Inc
Photograph, Mechanic’s Institute in Great Western 1991
Black and White photograph of Mechanic’s Institute - Great Western 1991stawell -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Photograph - WWI photo of Battle of Amiens 1918, Battle of Amiens 1918
black white photo of Australian soldiers in the Battle of Amiens 1918rare photo of the battleGlass wooden framed photograph, its a copy of a WWI photographNil5/6 rvr bhq, photograph, wwi, black and white -
Sunbury Family History and Heritage Society Inc.
Photograph, The Nook
The photograph was taken in The Nook. Terence O'Brien rented the land from Goonawarra from the 1890s to 1905 where he grew cereal crops. The terraces on the hillside were built to grow vines when the property was one of the first vineyards in the area. The men in the image are from L-R: Mr. Heath in the white cutter owned the chaff cutter, John Leyden with hand on fence, Michael Dillon, Terence O'Brien and Phil Ratile are on top of the haystack, Andy Burke standing with hand on hip.The growing and harvesting of cereal crops was an important agricultural industry in the early days of Sunbury's settlement by both the Indigenous People and Europeans.A non-digital photograph black and white photograph of eleven men gathering hay with the aid of a steam traction engine in a wide open valley. A hillside in the distance has been terraced and there is a house on the hill in the distance.the nook, terence o'brien, andy burke, mr. heath, michael dillon, philratile, goonawarra, vineyards -
Ringwood and District Historical Society
Photograph, Ringwood State School -Class photograph - Grade 4A, 1958
Black and white photograph - Grade 4A,1958"Attached to photograph" Back Row- L to R: Greig Hutchins, Graham Nichols, ?, ?, Jim Page, ?, Ross Warne, Wayne Griffin, ?, ?, ?, ?. 2nd Row - L to R: ?, (?) White, Helen Cannon, Jean Ritch, ?, Laurel Adams(?), Julie Mynott, (?) Baldwin, Lynette Harris(?), Ruth Tozer. 3rd Row - L to R: Christine Brown, Barbara Ryan, ?, Denise (?), Betty Jacobs, Meredith Brown, Lynette Bangay, ?, Shirley Rodney, Ruth Barber, ?, ?. Front Row - L to R: ?, Denis (?), John Carpenter, Russell Sinclair, George Rechnitzer, Bruce Stephens, ?, Taki Polinakas, ?. Teacher: Mr Remeryi. -
Ballarat Tramway Museum
Postcard, WTP, ESCo tram west bound at the intersection of Sturt and Lydiard St. Ballarat, c1906-7
Printed black and white postcard of an ESCo tram west bound at the intersection of Sturt and Lydiard St. Ballarat, c1906 - 7 - has a destination box. Has a number of pedestrians in the picture. Taken from the east side of the intersection, looking towards the Town Hall, with the National Mutual Insurance building and Snows in the photo. Also shows the overhead arrangements - two wire for Sturt St, single for Lydiard St, coming into the intersection. Titled "Sturt Street, Ballarat" along the top edge. On rear of postcard are the words "Post Card", has initials "WTP" in bottom left hand corner, a 1d Victorian stamp, cancelled 1/5/07, stamp "5". Divided back type. Address to Mrs T.D. Cayett? Falcon St, North Sydney NSW. Note about their travels, where they stayed and that they had travelled to the Gardens by tram. See item 8237 for a coloured version. Black and white postcard - titled "Sturt Street Ballarat" - used 1907trams, tramways, esco, sturt st, postcards, town hall -
Melbourne Legacy
Document - Article, Legatee Alfred Argent, President 1988
A cutting from from a Melbourne Legacy President's report showing a photo of Legatee Alf Argent (President of Melbourne Legacy in 1988). It was collected to be a record of a photo of past presidents. Also a large black and white photo of him. "Alfred Argent, born in Lang Lang 1927 comes to the Presidency of Melbourne Legacy with a unique service record. At 18 he enlisted in the A.I.F. He was discharged to enter Duntroon, was commissioned and served in Japan, Korea, the UK, Malaya, Borneo, Vietnam, and the United States. He then joined the Public Service and served in the Antarctic Division, Public Services Board and the Bureau of Air Safety Investigation. Currently he is a part-time member of the Administrative Appeals Tribunal." He joined Moorabbin branch of Legacy in 1976. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee Alf Argent a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.An article with a black and white photo of Legatee Alf Argent - President 1988.past presidents, alf argent, portrait -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Students Under Instruction in the Orchard Area, 1944-1945
(1) Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p77.Black and white photographs. Students Under Instruction in the Orchard Area (1) Picking poppies (opium?) (2) Students being shown how to harvest fruit.Names written on reverse and on an attached piece of paper.(1) On reverse, "Instructor Ted White with students during 1944-1945, Helen Dudley, Elizabeth Dawson, Helen Hanna & Brian Gebbs." (2) On reverse, "Instructor Ray Harding with students during 1944-1945, Rhonda Shaw, Helen Dudley, Helen Hanna, Viva Smith & Ruth Woods."helen dudley, poppies, opium, instructor, ted white, elizabeth dawson, helen hanna, brian gebbs, green grows our garden, a.p. winzenried, ray harding, rhonda shaw, viva smith, ruth woods, orchard, student outside class -
The Beechworth Burke Museum
Animal specimen - White-Necked Heron, Trustees of the Australian Museum, 1860-1880
The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown. [illegible] Heron / See Catalogue, page 33. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron -
Kiewa Valley Historical Society
Book - Religious Education, Teachers' Missionary Record, June 1968
Students attended Sunday School classes at the Kergunyah Presbyterian Church. The Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: This book was used by students who attended the Sunday School classes at Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s. Black and white cardboard cover with two small pictures top and bottom and one across centre front with title, date. and "No. 4 New Hebrides". Back cover "Psalm 23 for the Islands" in print. Picture underneath. Under picture "Goodbye" and more writing. Thin - 16 pages including coverTeachers' Missionary Record / June, 1968 / No 4 New Hebridespresbyterian church, teachers, religion, religious education., kergunyah, ewen wallace, sunday school -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Bulmer, H D, 1940c
One Black and White Photograph 6.5 x 11|Two Postcard 8.5 x 14|Two Small format postcard 6 x 9|This is the before paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The after paired photograph number is 01156.1|Also one 12 x 16 framed photograph used in room display.Black and white photographic card of a series of miniature cards used for souvenirs other subject, west side of township, Kalimna Hill, trees, sand hummock views. North Arm bridge and the continuing sealed highway leading around to town. Lying in the distance is the Southern Ocean. Lakes Entrance Victoriatownship, bridges, room display -
Flagstaff Hill Maritime Museum and Village
Functional object - Crucible, The Patent Plumbago Crucible Company, circa 1878
This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, and abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity in foundries and expansion of demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially, they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggests they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. The summary of the LOCH ARD cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’, does not mention any crucibles, implying that they were not a large consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six is of the same size from a visual appraisal. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line of ships that sailed the long voyage from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history.A Morgan’s Patent graphite crucible No.8 (i.e. 8kgs capacity), one of a set. It was recovered from the wreck of the LOCH ARD. It is in its original grey colouring with minimal sediment accretion on the top rim. It rises in a slight curve from a flat circular base to a wider rim with a pouring lip. Maker’s marks on the side of the container clearly identify the manufacturer. The maker's details are stamped into the base around and within a circle. A white sticker is attached. Made by the Patent Plumbago Crucible Company at the Battersea Works in London. Number “8”. Letters “MORGAN’S PATENT”. Details on the base "MORGAN'S PATENT" "THE PATENT PLUMBAGO CRUCIBLE COMPANY" Symbol [8] above "BATTERSEA WORKS LONDON" Handwritten on a white sticker in black pen "LA/89"flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, graphite crucible, plumbago crucible, morgans crucible company, flagstaff hill maritime museum and village, fluxing pots, crucible, morgan’s patent, morgan brothers, patent plumbago crucible co, battersea works, london, port campbell -
Mission to Seafarers Victoria
Flag - Burgee, framed, 1980s
National significance. Presented as souvenir by Commodore Mr Andrew M. Cannon AM, of the Australian Yacht Squadron. Date of presentation unknown but commemorates America's Cup victory of Australia II in 1982. Commodore Dacre Smyth, who designed and presented the Naval windows in the MTSV chapel , was also a member of the Squadron. The burgee was designed by Nigel Abbott, twice world sailing champion and graphic designer. The burgee design features the Commonwealth Star in the corner, the A for Australia and the nautical colours of Royal blue – as per the Oxford Concise Dictionary – red and white.A link and souvenir with a significant event in the life of yachtsmen and for the City of Perth and Australia in 1982. The first time in many years that the USA lost this coveted cup and contest.Mounted triangular pennant style Australian Yacht Squadron flag also known in yachting circles as a burgee. Red, white and blue colours with white star in the middle and Red 'A' on top left. Gilded wooden frame with glazing with three window label inserts. Mount includes at lower right a souvenir green rectangular piece of the Australia II Spinnaker used to win the America's Cup in 1982. Sticker on back of frame has framers details.'Commodore Andrew M. Cannon' 'From the Commodore of the Australian Yacht Squadron, Andrew Cannon, To the Mission to Seafarers' 'Piece of Australia II Spinnaker Used to win the America's Cup' australian yacht squadron, andrew m. cannon, commodore, 1982, america's cup, burgee, australia ii, commodore dacre smyth (1923-2008), pennant -
City of Kingston
Photograph - Colour, 2000
Narratives of Kingston was an oral history project where the personal memories of residents were collected and compiled into a reference book. The image suggests there was also an exhibition of personal photographs as the people depicted are standing in front of photo boards.Colour photograph taken at the launch of the Narratives of Kingston project. Depicted in the image (L to R) are Ron Jacobs, President Chelsea Historical Society, Sylvia Roberts, granddaughter of Roderick Mills/Saltbush Bill, Mayor Arthur Athanasopoulos, and Piri White, member of the Narratives team. People pictured are standing in front of a photo board.Handwritten in red ink on reverse: K000740.tif Launch of Narratives of Kingston / Ron Jacobs - Presidetn Chelsea Hist Soc / Sylvia Roberts - granddaughter of / Roderick Mills/Saltbush Bill / Mayor Arthur - Mayor of Kingston / Piri White - member of Narratives Teamoral history, kingston -
Vision Australia
Functional object - Object, Hunt Wilde, Collapsible white cane
Collapsible white cane cylindrical in shape made from metal, plastic and rope. Handle is a red plastic textured moulding. Tip is also red with a red plastic protrusion. Shaft is painted white. Made in 5 sections. Internal rope holds the sections together. 5 metal/plastic pieces joined together with an elasticized cordassistive devices, orientation and mobility -
Vision Australia
Letter - Text, [Various letters on White Cane Day 1990], 1990
Various letters of acknowledgement and support for White Cane Day in 1990, written by then Queensland Premier Wayne Goss, Australian Prime Minster Bob Hawke, Brisbane Lord Mayor Sallyanne Atkinson, Queensland White Cane Committee and a Media News release from RVIB,6 typed letters from various people and to the mediaroyal victorian institute for the blind, queensland white cane day committee, white cane day, wayne goss, bob hawke, sallyanne atkinson -
Melbourne Legacy
Photograph, Legacy Somers Camp, c1930
Four black and white photos of Somers camp, in 1931. One show a corrugated iron building that had been built and what looks like a prank being played on a Legatee in suit and cap. Also one of junior legatee Graham Billett by some camp buildings. Another shows Gwen Smith. Plus a group of youths on the beach. All are from the same film. In the early years, Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring close to the beach. Permanent camp buildings were built in 1930. In 1930 Lord Somers (Governor of Victoria) also started a camp at a nearby property and the area was renamed Somers. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays. This photo was with a group of photos from around the 1930s from the early days of Legacy, including cricket team, football team, and camps at Balnarring/Somers (saved as 01915 to 01934).Legatee Savige's property at Balnarring became very important for Legacy providing outings and camps for junior legatees.Black and white photo x 4 of Somers Camp in 1931.Handwritten on 01931.1 'Left to right x x Ron Rimmer' in blue pen. Handwritten on 01931.2 'Graham Billett' in blue pen. Handwritten on 01931.3 'Gwen Smith' in blue pen. All four are stamped '4 38' in blue ink meaning they are from the same film and have '1931' in pencil on them. Also all have 'Printed by Harringtons' in purple ink. All on Velox paper.junior legatee outing, legacy somers camp, savige property, camp