Signed and dated, l.r., black oil "J. Crouan/1887"

Signed and dated, l.r., red oil, "EUGENE A. GUILLON. 1887".

Signed, l.l., red oil, "G G Kilburne". Not dated.

Signed and dated, l.r., brown oil, "L. Walker 1884".

Signed and dated, l.r., brown oil, "A CHEVALIER TAYLER. 94".

Signed and dated, l.r., brown oil "T.B. Kennington. 1890"

Signed and dated, l.r.,brown oil, "Carl Hoff/83".

Signed and dated, l.l., red oil "N.F. HABBE. 1876".

Signed, l.l., red oil, "F. Ortlieb/Munchen" Not dated

Signed and dated, l.r., red oil, "J. Crouan/1887"

Inscription verso "dr S". Cazneaux image but not signed by artist.photograph, silver gelatin, australian photographer, australian artist, lae iron work, gate, iron gate, garden gate, architecture

Hardcover w/ Dust JacketSigned by Author - "To Patricia and John, with warm regards, Geoffrey Blainey"world history, walsh st library

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill

Rick Amor was a good friend of three times Archibald Prize winner Clifton Pugh, living and working at Pugh's artist colony Dunmoochin, (Cottles Bridge) during the 1980-1990s. Amor made frequent outdoor painting trips with Pugh. His studies of Williamstown and areas around the port fuelled a period of sustained painting in his studio at Dunmoochin. Amor is an artist of national significance who had lived locally in Dunmoochin (Cottles Bridge) during the time of this work's making. This painting was exhibited/entered into the 1993 Shire of Eltham Art Awards. The work is representative of Amor's style and interest in seascapes as subject matter. Oil on linen, seascape painting. A solitary and motionless male figure in an overcoat stands at the edge of a dock/jetty with his hands in his pockets looking out to sea with his back towards the viewer. A motorised boat is moored close by and a white house with a blue roof can be seen in the distance. The figure is engulfed by the landscape and a resounding sense of desolation. A storm is brewing; the mood forecast by dark, heavy and thick ominous clouds, alternately darkening with the approach of night, a polluted haze and rough seas. In red paint, lower right, signed 'RICK AMOR '93'amor, seascape, painting, personal, boat, dramatic, atmospheric, ekphrasis 2015, dunmoochin

This card was sent to a student of the school in the 1950s. It was donated to the heritage collection along with another personal letter from Principal Molland, sent to the student when she was away from school, ill with measles. The card demonstrates the personal attention that students received from Mabel Molland and has historic significance and interpretive capacity in understanding the kind of leader and educator that Mabel Molland was. Small card with printed front, featuring a yellow circle in the centre with areas of red at the top and bottom. The image in the yellow circle consists of two birds on a lower tree branch and a further bird on an upper thin branch surrounded by blue flowers. Predominant colours are yellow, red, green and blue.Inside the card there is a message to a student. The message is signed M.M. Molland.

Watercolour on paperVerso: Signed and dated l.r. in pencil "E.L. Spowers 1933"yallourn, power station

Pencil on paperSigned l.r cnr within image "R Forbes '84"paperboys, newspaper, bicycle

Charcoal on paper Signed and dated 'Bellany '83' in bottom right corner of drawing.

Charcoal on paper Signed and dated 'Bellany '83' in bottom right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in bottom right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in bottom right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in bottom right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Pastel on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Pastel on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in bottom left corner of drawing.