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Glen Eira Historical Society
Album - Album page, Glen Huntly Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972, showing a crowd gathered in front of T Grogan's Drapery Emporium, entitled "6: Opening Day Glen Huntly Road Electric Trams 13.11.12". This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Page 71 of Photograph Album with one photograph (in portrait) from Glen Huntly Road taken circa 1912. Hand written: 71 [bottom left] // title on photograph " 6: OPENING DAY GLEN HUNTLY ROAD ELECTRIC TRAMS 13.11.12"trevor hart, glen huntly road, elsternwick, shops, electric trams, crowds, buildings, flags, victorian, opening day, celebrations, glenhuntly road, t grogan's drapery emporium, clothing shops, openings (events), t grogan -
Women's Art Register
Slide - Set of slides, Cohn, Anna Slide set
Slides of works produced by sculptor Anna Cohn between 1970 and 1984. It is available for loan to members of Women's Art Register and visitors to Richmond Library. These slides are significant in that the set is one of around 1000 such sets that are invaluable to Art ResearchersSet of twenty slidesEach slide has a sticky label with a number, the inscription Cohn, Anna, a title and other information including date, location and sizecohn, sculpture, sculpture society, arts writer, anna cohn -
Mount Evelyn History Group
Photograph: Fire at 'Do Drop In', "Heat of the night" - the fire at 'Do Drop In'
Do Drop In was a general store and hall from 1937 until 1955. It also served as a bus terminal up until 1979. The shop, hall and vintage buses were destroyed by fire 4 May 1980. The original holiday house was still occupied until 1982. York on Lilydale now occupies the site of Do Drop In.'Do Drop In' was an important institution in Mt Evelyn for many decades. The fire destroyed this part of the history of the village, so it is nice to have this photo as a memento of this event.Photograph mounted on particle board.Labels on back indicating that the photograph has been in an exhibition. Signed by the entrant: Don F. Trapnell. Title of photo: "The heat of the night"do drop in, fire, general store, hall, bus depot, photograph, -
St Kilda Historical Society
Memorabilia - Booklet, The Royal Visit Celebrations at the Opening of the First Parliament Commonwealth of Australia Melbourne May 1901, 1901
Booklet contains photographs of: THH the Duke and Duchess of Cornwall and York; Earl of Hopetoun, Governor General, and Countess; Commonwealth Ministry; The Royal Party at Government House Melbourne; TRH the Duke and Duchess Landing at St Kilda Pier; The Mayor of Melbourne Welcoming His Royal Highness at the entrance to the City; Procession Passing down Bourke Street; Presentation of War Medals to Victorian Soldiers; The Duke of York and his Staff; St Kilda and Prahran Arch; City Arch; Procession passing Princes Bridge; Opening Ceremony at First Federal Parliament; Citizens' Arch; Queen Victoria Arch; Royal Yacht Ophir; Warships Gromoboi (Russian) and Brooklyn (USA); German Arch; Chinese Arch; State School Fete at Exhibition Building; The University Commencement; Group of Fijian Constabulary; Laying Foundation Stone, Soldiers' Memorial Ballarat; Visit to South Star Gold Mine, Ballarat; Illuminations at Princes Bridge and Flinders Street Station; Illuminations at Parliament House and Treasury; Illuminations at Town Hall and City ArchGold coloured paper cover embossed and tied with gold thread. Contains 16 pages of cream coloured paper printed in black, some with blue decorative margins.Handwritten inscription on title page: 'For the Boy from Grandfather in memory of a very happy time we spent together May 1901'duke and duchess of cornwall and york, royal visits, 1901, opening of parliament, federation arch, st kilda and prahran arch, city arch, german arch, chinese arch -
Robin Boyd Foundation
Book, John Button, On the Loose, 1996
SoftcoverBlack ballpoint pen inscription on title page: 'Patricia / With love and best / wishes / John Button [signature] / 10/11/96'walsh st library -
Creswick Campus Historical Collection - University of Melbourne
Photograph - Photograph of the Creswick Forestry Football Club, Creswick Forestry Football club . Season 1946, 1946
Mounted photograph of the Creswick Forestry Football ClubPhotographTitle of photograph 'Creswick Forestry Football club . Season 1946', has names of participants, has stamp of Thornton and Richards Photographers. -
Creswick Campus Historical Collection - University of Melbourne
Photograph - Photograph of the Creswick Forestry Football club, Creswick Forestry Football club . Season 1948, 1948
Mounted photograph of the Creswick Forestry Football ClubPhotographTitle of photograph 'Creswick Forestry Football club . Season 1948', has names of participants, has stamp of Thornton and Richards Photographers. -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin. Pugh's Gate, before the Fire, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Sunlight, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph -
Nillumbik Shire Council
Print (lithograph) Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph -
Nillumbik Shire Council
Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Print Studio, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Artist's Gallery, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Gate 1, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Pond Reflecting Pugh, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Evening at Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Interior Pugh's House, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, My Cottage, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph -
RusCare Ltd. (formerly known as St John of Kronstadt Russian Welfare Society)
Letter from John Howard, Prime Minister of Australia, Message: St John of Kronstadt Russian Welfare Society Golden Jubilee Celebrations, 2005
This congratulatory letter was sent to St John of Kronstadt Russian Welfare Society from John Howard, Prime Minister of Australia, on the celebration of its Golden Jubilee in 2005.This letter is recognition of the Russian Welfare Society's work in the Victorian community with Australians of Russian and Slavic backgrounds between 1955 and 2005 from the then Prime Minister of Australia, John Howard. The letter shows appreciatiation for the values that RWS stand for - "...compassion, cooperation and service to family and community".White A4-sized letter in a rectangular frameTitle: "Message: St John of Kronstadt Russian Welfare Society Golden Jubilee Celebrations". Signed by then Prime Minister John Howard.john howard, prime minister, russian community, victoria. -
Latrobe Regional Gallery
Print, Aeonisation I B, 1966
Signed and dated lower right under printed image: 'Kees Hos '66' Title and edition 1/25, lower left -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Birdcatcher, 1963
Signed and dated in lower right under printed image: 'Kees Hos '63' Title and edition 3/25 in lower left. -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Seasons I, 1961
EtchingSigned and dated lower right under printed image 'Kees Hos '61 Title and edition 8/25, lower left -
Latrobe Regional Gallery
Work on paper - Print, JONES, Timothy b. 1962 North Wales, arr. Australia 1984, Gippsland, 1985
Wood engravingSigned and dated bottom right beneath printed image, "Jones 85" Edition and title in lower left corner "A/P Gibsland" -
Ringwood RSL Sub-Branch
Uniform Jacket WW2, C ww2
Jacket and belt WW2 with colour patches to 8th Division Artillery rank badges showing rank of Lieutenant. Complete with shirt and tie. Also leather lanyard.Oval colour patches 8th Division Artillery. Officers pips. Small rising sun badges on lapels. Australian shoulder titles. -
Unions Ballarat
Final Speech by the late Rt Hon JB Chifley MP, Sunday 10 June 1951, 10 June 1951
Mr Chifley's last major public speech, made at the annual conference of the NSW Branch of the Australian Labor Party on the day before his passing away. Chifley spoke at the State Banquet at Parliament House, Canberra, on Tuesday 12 June 1951, and in the House of Representatives on the afternoon of the day that he died (13 June 1951), but those speeches were more formal. Ben Chifley was the sixteenth Prime Minister of Australia and a former railway engine driver. He was treasurer in the Curtin government and became Prime Minister after Curtain's death. He lost the 1949 and 1951 federal elections. The 1951 loss was due to his opposing Menzies' proposal to ban the Communist Party. The document was donated by Mr John Mildren, former federal member for Ballarat and former lecturer at Ballarat College of Advanced Education.Rare. Significant to the history of the Labor Party and to political commentary in Australia. Pertinent to political issues in the 1950s.Paper, A5, stapled, two tone (brown and white)Photograph on the front cover of JB Chifley, title and price (3D). Back cover: sketch of JB Chifley (creator of the sketch is unknown).btlc, ballarat trades hall, unions ballarat, ballarat trades and labour council, chifley, jb, chifley, ben, curtin, john, prime minister, treasurers, elections, communism, communist party - australia, political speeches -
Unions Ballarat
National Tertiary Education Union: A most unlikely union, John Michael O'Brien, 2015
The NTEU was formed out of the amalgamation of ACUSA and FAUSA in the 1990s. It represents academic, general/professional and research staff, ELICOS/TESOL teachers and staff of research institutes, student unions, university companies, and (in Victoria) TAFE general staff and staff in Adult & Community Education. It is a smaller union in comparison to AEU.Significant to union representation and rights within the post-secondary education sector.Paperback book; 351 pages. Front cover: white background; red, white and blue text; black and white photo of NTEU members (including Ryan Hsu of Swinburne University) protesting with the Australian Education Union in 2012. Back cover: red and black text.Front cover: author's name and title. Back cover: recommendations by Simon Marginson and Raewyn Connell; author bio and summary of content.ballarat trades and labour council, ballarat trades hall, btlc, national tertiary education union, nteu, unions - history, education - tertiary, education - tafe, acusa, fausa, universities, student unions, adult and community education, tafe -
International House, The University of Melbourne
Photograph (sub-item) - Sport 1960, 1960
Title 'Sport 1960', 'IH Score Again', 'Tennis at Railway Courts', Harsh Words from Captain Bob', 'Fraternising with the Umpire'sport, international house, students, basketball, tennis, football -
8th/13th Victorian Mounted Rifles Regimental Collection
Manual
Tracked cargo carrier is part of M113 family of armoured vehicles used by 8/13 VMR in 1970s and 1990s. Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or Tech Support Troop (TST) and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth century.Buff coloured soft covered manual bound with heavy metal staples, 353 pages being Organisational Maintenance Manual Part Seven for Carrier Cargo Tracked 6 Ton M 548.Published by Headquarters Department of the Army ( USA ) February 1966.Ink stamp on title page " 8/13 VMR Regimental collection " and ink notation on cover " Obsolete " and ink on spine " 21 " -
Melbourne Legacy
Book, The Little Black Princess of the Never-Never by Mrs. Aeneas Gunn
A copy of a famous book that was given to Legacy by the author, who inscribed the gift. An internationally famous book inscribed to Melbourne Legacy by the author.Green hard cover, black and white photographic plates, published by Robertson & Mullens Ltd., Melbourne. Cover illustration of rainforest black on green. Glued in newspaper clipping about Mrs Gunn and her books inside the front cover. No date or newspaper name.On title page: Completing the 93rd thousand Handwritten: Sincerely yours Jeannie Gunn For the Legacy Club-Melbourne Sept. 1. 1938-donors, donations -
Stawell Historical Society Inc
Book, Stawell & Grampians Visitors Digest, Stawell & Grampians Visitors Digest of things to Do and See, 1977
Information for TouristsA5 Size made from A4 folded in half creating 4 pages. with blue, print and two, line drawings.The Page is covered in text, the Most noticeable is the Title "Stawell and Grampians Visitor Digest of things to do and See April 1977. Etcstawell tourism -
Kilmore Historical Society
Book, Baron Ferdinand von Mueller et al, EUCALYPTOGRAPHIA. Fourth Decade, 1879
A descriptive atlas of the Eucalypts of Australia and the adjoining islandsLight card cover with worn blue cloth backstrip, tearing at top and bottom. Widespread moisture, mildew and fungal staining throughout. Small patches of insect damage to cover. Poor conditionnon-fictionA descriptive atlas of the Eucalypts of Australia and the adjoining islandsbotany, eucalypts, australia