Pride of Pall Mall The Post Office Building Centenary. Publisher: Australia Post. Photographs, illustrations, paintings, building designs, envelopes. 20 pages. Inscription: To June from Paul Murphy. Compiled by Paul Murphy, Aust Post, contributions: Michael Butcher & Len C Bennetts of the Royal Historical Society, Bendigo. Post Codes began in 1967. Two copies 5231.1 and 5231.2book, bendigo, post office, bendigo, australia post. bendigo post office, 51-67 pall mall (corner pall mall & williamson st. postal service, architecture

Replica figurine. Muttergottheit, loosely translated, means 'Mother Goddess'. Inscribed underneath in Frank Forster's hand.Early Christian style figurine depicting Muttergottes (Virgin Mary - German) figure wearing toga and veil, holding a swaddled infant. Plaster with ochre over-painting, most likely modern replica. Sticker attached to base is printed with German text that reads 'Muttergottheit/Trier, Altbachtal/2. Jh. n. Chr.' The numbers '1974' and '0216' have been handwritten on the base of the figurine.

Black and white photo: four sisters of the Poor Clare order (Bendigo Community of Poor Clare Colletines) which is situated at 18 Edward's Road, Kennington, 3550. Three nuns seated at long desk, one standing. Nuns are dressed in full robe and veil. Appear to be engaged in a drawing activity. Labrador dog sitting in front of desk. Written on back of photo in blue ink 'Painting'.church, diocese of bendigo, poor clare order

'Untearable ', Hard covered Book - 'The Children's Nursery Rhymes -published by Ernest Nister London & E.P. Dutton & Co. New York E.N.No. 2026. / front cover shows a painting of countryside with three children and some sheep - one black. / Inside cover written in ink -' From Grampa Hall to Florrie 31.3.1910 / black and white & coloured illustrations/ rhymes include 'Little Bo-peepbooks, children's, nursery

Colour photo of Horse Tram No. 1 during reconstruction, out the back of the depot on 17.5.1992. Both stairs have been fitted, painting well underway, and first of the top deck handrails on the north side have been fitted. These handrail uprights were formed from materials donated by the TMSV, who obtained them from a Beaumaris Horse Tram body. On Fujicolour paper.On rear "167.4 17.5.1992, Carolyn Dean Photo" in blue ink, and "92ARPT" in purple Texta.horse tram no. 1, tramcars, reconstruction, btps, tram 1

Reproduction of 1885 painting depicting a tennis match between a male player and a female wearing a white dress and straw hat with pink flower.. Both players using flat top racquets. Two spectators, one with parasol, at right. Artist signature reproduced lower right may read 'J.LARRY'. Materials: Paper, Ink, Glass, Cardboard, Glue, Wood, Metal, Adhesive labeltennis

Moulded glass drinking vessel with vitreous enamel lid mounted on silver base with lifting mechanism. Lifting lever decorated with fleur de lis. Painting on lid depicts a pastoral scene with a seated male next to standing female with a staff, a dog lying next to the man, and sheep in background. 8 cut planes of glass around 2/3rds of glass circumference, and a rounded, moulded handle.'Schalerin, Schalerin, fri auf der hut!'domestic items, food and drink consumption, drinking, vessel, enamel, picture

Framed painting. Background = Australian flag - Centre Front = Shrine of Remembrance - Top Right = Sun with two aircraft and ship below - Foreground Left to Right = Sheep being shorn, ambulance, nurse, windmill/sheep, First Nations men, factory - main feature = Soldier on horseback with rifle./ Entered in Lilydale art show "Australia Remembers - 1945-1995". competition sponsored by Lilydale RSL."Australia Remembers" 1945 - 1995

Framed oil painting titled: "Coastline near Inverloch" painted by Mary Hennekam. Set in cream card window mount with brass plaque affixed to lower edge. Gold painted wood frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69.

Pamphlet - large 8 fold pamphlet, full colour, titled "The History of the Transport Mural - 1835-1935" - providing a detailed description of the Mural, its parts, making, painting, detailing its preparation by Harold Freedman, timing, his work and other details. Prepared by VLine, priced $3, c2000? Understood that Keith provided details for the mural. Imaged over 8 jpg files.trams, tramways, spencer st, mural, southern cross station

JOHN HALL COLLECTION: Original WATER COLOUR PAINTING: Duchess Tribute Mine California Gully. Signed in bottom LH corner by John Hall. Dated 2013. Written in pencil at top Devonshire group of Mines. Snob's Hill and Mungo Mines in the background. Written on bottom edge Duchess Tribute, South Devonshire West United Devonshire, Phoenix, Duchess of Edinburgh, United Devonshire.John Hallartwork, water colour, gold mines

This photograph depicts the interior of the dining room of the Manse with the 6 chairs and table decorated with flowers. Behind the table is the arched cast iron fireplace (lost) with mantelpiece with a clock and candelabras. On the left side we can see the corner of the oak console and on the right another cupboard and a framed painting. The photograph also shows the wooden floor covered with rugs. Unfortunately it has been carpeted in the late 20th century.This photograph is a rare view of the Manse and the private life of a chaplain. It also depicts the original and now heritage listed arts and crafts furniture dating from around 1909.Black and white interior photograph of the dining table and chairs taken in the Manse room. Chaplain's quarter: dining roomreverend john reginald weller (1880-1969), manse, table, chairs, mantelpiece, fireplace, weller album, dining suite

Photographs sourced by Rosie Bray from a descendant of the Whittingham family. a: Walter S Whittingham and wife Elsie (called Lily); b: Elsie and Eric Whittingham on wedding day; c: Whittingham family, not identified; d: Trinnie Di Giacomo (nee Whittingham) May 2014; e and f: Irene Taylor (Whittingham descendant); g: Ship "Ivanhoe" owned by Whittingham family (painting held by family member).Envelope containing 9 col. photographs of members of the Whittingham familywhittingham family

Framed dark blue tie with embroidered pattern of red Kiwi birds and white flaps with 'N' in blue. Description beneath the tie reads: The Nicholas Kiwi Limited company tie was worn by John Wicking AM and Malcolm Daubney and is portrayed in their paintings. The tie symbolises the strong bond and history that existed between them as friends and colleagues at Nicholas Kiwi Limited and as Presidents and Board Members of Vision Australia Foundation. 1 gentleman's neck tie in old gold frame vision australia foundation, john wicking, malcolm daubney

Celebrating the International Year of the Volunteer, Vision Australia Foundation wished to acknowledge the volunteers and day program members who inputted ideas into the design of the centre's banner. Special thanks to the following for their contribution to the stitching, painting, tapestry, applique and embroidery: Margit Arends, Alice Austin, Judith Edwards, Pamela Harris, Shirley Reid, Margaret Isaacs, Gwenda Johnson, Helen Malone, Catherine Newton and Mary Tams.1 cream sheet with grey and black writingvision australia foundation, volunteers

Two photos of Legacy Widows Club gathering at Legacy House for craft group in 1987. It shows one of many activities that the widows were involved in. For many years there were workshops for craft and others for painting. The timetable for activities was published in The Answer (prior to Sept 1992 it was called the Melbourne Legacy Widows' Newsletter) each month. These regular meetings and workshops provided important opportunities for widows to meet, socialise and be active.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo a widows during craft meeting at Legacy House.widows, craft, activities

Booknon-fictionAnalysis of late 19th century American and European writing, art, science and philosophy exploring cultural misogyny. Discusses the attitude to women as having only sexual and reproductive roles and being depicted as symbols of evil, passivity and sensuality, and ever dependent, while men were free to follow financially independent public and intellectual lives. painting, feminism, sexuality, violence, symbolism, mythology, motherhood, darwinism, pre-raphaelites

non-fictionAn introduction to minimalist painting and sculpture from the USA in the 1960's and 1970's.minimalism, painting, sculpture, carl andre, dan flavin, donald judd, sol le witt, robert morris, eva hess

This book contains a number of plates taken from paintings by Raphael, Poussin, Da Vinci Ferrari, Perugino and numerous engravers including J Cooper J L Williams W. Meason and H Shaw. As well as the large number of plates there is also much ornamentation on initial letters medallions and margins. It was a gift to George Rolfe who resided for many years in Warrnambool. He owned the property of Lyndoch and later purchased Shipley. A tangible link to one of the early citizens of Warrnambool.Light brown cover with red, blue and gold embellishments. Pages edged in gold. Numerous plates taken from engravings on wood, throughout the book. Bessie Wordsworth Xmas 1887from*****. George Rolfe with much love from his affectionate cousin * * Turner * 8th 1915. warrnambool, george rolfe, bessie wordsworth, new testament, wood engravings

Publicity from Diamond Valley Leader of a Community Arts Project Kim Tarpey led at Judge Book. Also includes other stories: Part of history dies, Diamond Valley News, Tuesday, October 9, 1990, p26 Paintings, drawings on show, Diamond Valley News, Tuesday, October 9, 1990, p71 Motor Service Guide, Diamond Valley News, Tuesday, October 9, 1990, p72 Newsprint; double page spread from newspaper incorporating pages 25-26 and 71-721932 premiers, advertisements, art exhibition, banner project, banners, beverly madden, eltham community centre, marj shattock, eltham football club, glad offer, harold william weidlich, joan burton, judge book village, kim tarpey, lana hosking, lyn church, obituary, painters of nillumbik

The first HMV branded store was opened by the Gramophone Company on Oxford Street in 1921, and the HMV name was also used for television and radio sets manufactured from the 1930s onwards. HMV stands for His Master's Voice, the title of a painting by Francis Barraud of the dog Nipper listening to a cylinder phonograph, which was bought by the Gramophone Company in 1899. For advertising purposes this was changed to a wind-up gramophone, and eventually used simply as a silhouette.A green mantel Radio set, 'HMV' , 'Little Nipper' c1930. The 4 tuning knobs are white, - one is missing - , the grill is white and the flex and plug are complete. Front ; HMV 'trade mark' ( dog with a cylinder phonograph' ) / " Little Nipper" hmv, his master's voice radio, gramaphones, radio broadcasts, early settlers, pioneers, market gardeners, moorabbin, cheltenham, bentleigh, london england, little nipper painting, mr biehl, barraud francis

Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). 2 colour photo of a RSL Hall Murchison, view looking west.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures, rsl hall murchison

The rotunda in the Surrey Gardens was built in 1912 and demolished in the early 1970's. The rotunda was dedicated to John Gray in appreciation of his service to the community. The watercolour was painted in 1966 by Miss Barker of Union Road. The artist may be Valerie Jean Barker of Unit 5, 246 Union Road. (REF: 1963 electoral roll). There is no knowledge of the identity of the lettering in the lower right hand corner of the painting. The medium is grey lead ink and watercolour. Framed watercolour of the rotunda in Surrey Gardens painted circa 1966. The medium is grey lead ink and watercolour.On the back: "The Rotunda in the Surrey Gardens, 1966/, Ink and watercolour by Miss Barker of Union Road, Surrey Hills/ [Could be Valerie Jean Barker, 5/246 Union Road - ref:1963 electoral roll]"

A photo of widows in the Clubrooms at Legacy House. It was published in the newsletter in April 1996 to show widows the types of activities that Legacy provided. For many years there were workshops for craft and painting and refreshments were provided during business hours. The timetable for activities was published in The Answer (prior to Sept 1992 it was called the Melbourne Legacy Widows' Newsletter) each month. These regular meetings and workshops provided important opportunities for widows to meet, socialise and be active.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo of widows at Legacy House.widows, activities

The card was produced by the Australian Comforts Fund for Christmas and New Year 1918 - 19. The first illustration is of the Capture of Villers-Bretonneaux on 8th August 1918. This is a copy of painting by War Artist Capt. Will Longstaff. The second illustration details the capture of Hamel on 4th July 1918. A. Pearse was the War Artist who produced this scene. Part of the Robert H. Baron, No. 3596, and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Colour illustrated folded card featuring battlefield scenes and written descriptions. The first illustration features actions from Villers-Bretonneaux. Inside the second illustration features action from Hamal. Text on the card is in blue ink.Handwritten at the bottom of the back page in blue ink: 'Bob'.robert h. baron, cooper collection, australian comfort fund, ww1, villers-bretonneux, hamel

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a Victorian era billiards room. An ornate billiard table is at the centre of the image. At the near end of the table, two men are crouching down and leaning over the table, examining billiard balls while holding billiard cues in their left hands. At the far end of the table, a woman is sitting on the corner of the billiard table while holding a billiard cue in her left hand, in an intimate face to face pose with a man standing behind the billiard table. All figures are depicted in Victorian era aristocratic dress. The bottom right corner of the images features the signature 'D'A. PEREZ'. Three small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.