Postcard - silver finish known as "Collotype"- view of looking north from Finders St along Swanston St with a number of cable trams and horse drawn trams in the view. In the view are Young and Jackson, St Paul's Cathedral and Stainer & Co. Card titled "Swanston St Melbourne" Postcard has a divided back with space for stamp, address and correspondence. In the top centre is a start with an "O" in the centre.trams, tramways, cable trams, swanston st, flinders st

View of Main Street Bacchus Marsh 1883, showing early notable buildings on the southern side of the street, including the Courthouse, National Bank of Australasia, Border Inn, Hall of Commerce building. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. Several horse-drawn vehicles can be seen travelling along an unmade road. Piles of excavated dirt can be seen along the side of the road. Four substantial two-storeyed buildings can be seen along the southern side of the street.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, bacchus marsh roads and streets, bacchus marsh main street 19th century

Sepia image of Pall mall, taken from just south of the Alexandra Fountain. Shows horse drawn vehicles, people walking. Women dressed in long dresses, tramline on road, tram heading up towards View Street. Poppet head and mining chimney of Royal Reserve mine on LH side of Pall Mall. Post Office and Shamrock buildings on either side in mid-ground. On back of image in biro 'Royal Reserve G.M., Hustlers line of reef, Pall Mall, Bendigo.'bendigo, streetscape, pall mall

(1) Photograph of hand drawn and coloured framed picture of Burnley Gardens which used to hang in the passage in the Administration Building (missing). (2) CD of picture. (3) Postcard of picture, "Department of Agriculture Burnley Gardens Victoria". On reverse, "VCAH Horticultural College Centenary 1891-1991 Burnley". "Name Alan Gilbert Dept Vice Chancellor The University of Melbourne Parkville Victoria 3052"burnley gardens, administration building, vcah, horticultural college, centenary, alan gilbert, a l mitchel, plan of site

Three maps mounted on green cardboard - Hand-drawn map of residential allotments off Warrandyte Road in Milne Road and Berringa Road Park Orchards. Map with acres roods and perches measurements of allotments in Canterbury Road and Miller Street Heathmont. Clipping from a land sale brochure with street names not existing together in the area - Rangeview Avenue, Press Avenue and Mountview Avenue.

Used to store tools and other assorted items associated with Maldon State Battery..1 storage box with compartments and lid, painted green, made from wood, leather and are chains attatched from box to lid, trapeze shape, .3 grooves on top of box parallel to wooden supports on lid, latch, nails and bolts attatching wood and inner compartments, leather straps on innner lid and inside main compartment for holding tools, main compartment contains torn newspapers, severed cloths, pieces of rock, pipe peices made of metal and plastic, assortment of metal pieces, paint lids, green bucket with grease, food packaging, tap/valve, metal mesh, leather and plastic pieces, 2 keys/padlocks, nails, nuts, assortment of tools, wooden pieces, wooden handle for screwdriver, broken chair, chalk, pieces of ceramic (Bendigo pottery) , pocket handle with inscription, bottle lids, plastic container, rope/belt for machines, piece of belt, broken canvas strap, peices of broken dark brown glazed textured pottery, large circular threaded joins, large elboiw threaded elbow joins .2 upper left compartment containing brush head, sandpaper and assorted rusty metal objects .3 upper middle compartment containing rusty weighing hook, rusty bolt and scrap metal .4 upper right compartment containing broken tan pottery, rusty threaded T join, unknown green paper with inscription .5 lower left compartment containing white cotton waste, assorted circular rusty metal objects, assorted rusty nails and washers, orange lid with insciption, nut and bolt .6 lower left middle compartment containing unknown assorted metal objects, peice of broken clamp and felt .7 lower right middle compartment containing large rusty nuts and unknown rusty metal objects .8 lower right compartment containing assorted threaded rusty circular metal objects, rusty nut and bolt, metal pump part, rusty mobil oil tin 20litres, old newspaper scraps,

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Frank Wright in Columbo, Ceyon, 1933 1). Black and white photograph of a man dresses in a suit sitting on a rickshaw being pulled by a man dressed in shorts, short sleeved shirt and sandals. In the background is a two storied building with arched verandahs on both levels. The man is Frank Wright and the place is Columbo, Ceylon (Sri Lanka). 2). Black and white photograph of a man dressed in a suit and carrying a light hat, standing beside two Sinhalese men, one of whom is sitting on the steps of a building whilst the other is looking down. Further along the steps a couple of other men are watching. The man is Frank Wright and the place is the 'native quarter', Columbo, Ceylon (Sri Lanka). 3). Black and white photograph of a man dressed in a suit and carrying a light hat, standing in front of the white dome and spire of a Buddist temple. The man is Frank Wright and the place is Columbo, Ceylon (Sri Lanka).1). Written in pencil on back - Frank Wright in Rickshaw drawn by Dan Barry, Columbo, Ceylon, Sept 1933 2). Written in pencil on back - Frank Wright in native quarter, Columbo, Ceylon, Sept 1933 3). Written in pencil on back - Frank Wright at Buddist temple, Columbo. Ceylon, Sept 1933frank wright, dan barry, rickshaw, columbo, ceylon, buddist temple

The two cards of nibs are retail display cards of the dip pen nibs that William Mitchell Calligraphy produced, dating back to around the 1920’s, which was the time of the Great Exhibition in the UK. At that time dip pens with steel nibs were the main writing instruments. British Pens Ltd. had recently formed as a company and its subsidiaries included the the company William Mitchell, which is why British Pens Ltd. is named on the cards as well. One card (1) has the Round Hand nib, which is widely used today for calligraphy scripts. The other card (2) has the Script nib that has round upturned points for monocline or unshaded lettering that is also used for calligraphy. The nibs also have a detachable reservoir. The pen nibs are shaped to fit into a slot in the base of a wooden or Bakelite pen holder. The hole at the front of the nib is for collecting ink from a well, which is then stored in a reservoir at the back of the nib. The nibsare stamped with their nib size and Pedigree (what type of nib it is) and maker’s details. William Mitchell Calligraphy still makes these nibs today with a slightly difference finish. (ref: Sales and Marketing Director of William Mitchell Calligraphy in 2016). HISTORY of the Ink Pen Quills and ink were common writing tools until the early 19th century when the pen trade began mass producing steel nibs and pens. The steel nibs each have a hole in the middle that acts like a well for the ink. When the nib is dipped into the ink well the writer needs to ensure that it is dipped to only just past that well. India Ink was one of the most popular inks used with the nib pens, notable for its satin-like smooth flow. This ink is composed of a particularly fine carbon mixed with water; it can also be obtained as a dry stick that is then crushed and mixed with water as required. The Jewellery Quarter of Birmingham had the largest concentration of independent jewellers in Europe. Birmingham became the centre of the world’s pen trade for many years -, during the 1800’s over 100 factories, employing 1000s of skilled workers, manufactured the ‘Birmingham Pen’. ABOUT WILLIAM MITCHELL CALLIGRAPHY LTD.* (*The following text is quoted from the William Mitchell Calligraphy website) British based William Mitchell Calligraphy has been designing and manufacturing exceptional pens for almost 200 years. The William Mitchell heritage in making pen nibs began whilst working with his brother John Mitchell in the early 1820s. William Mitchell established his own business in 1825 to become one of the leading nib manufacturers and famous for lettering pens. Almost 100 years later William Mitchell merged with Hinks, Wells & Co, another pen manufacturer, to form British Pens, employing around 1000 people in the Bearwood Road area of Birmingham. During the early 1960s British Pens acquired the pen business of other pen manufacturers Perry & Co and John Mitchell, once again reuniting the two brothers. Joseph Gillott, who were famous for their artist drawing and mapping nibs, amalgamated with British pens in 1969. William Mitchell and Joseph Gillott established in Birmingham during the early part of the nineteenth century and [their products] are still proudly made here. British Pens were subsequently purchased by its current owner Byron Head, the owner of William Mitchell (Sinkers) in 1982, and was subsequently renamed William Mitchell (calligraphy) Ltd. Established in 1827 Joseph Gillott was one of the pioneers of mass steel pen nib manufacturing. The company was particularly strong in the American market, prompting Elihu Burrit, the American consul, to write “In ten thousand school houses across the American continent between two oceans, a million children are as familiarly acquainted with Joseph Gillott as with Noah Webster” (The compiler of the famous American dictionary). The company consequently received visits from many notable Americans, including president Ulysses S Grant. The early 19th century invention and mass production of pen nibs such these in our collection had a large impact on education and literacy because the nibs could be produced in great numbers and affordable prices.Pen nibs; 2 cards of steel dip pen nibs from the 1920’s. The steel nibs are attached to cards by 2 rows of entwined cotton cord. Reverse sides of cards have some hand written marks. Manufacturer; William Mitchell, Birmingham, England. Card issued by British Pens Ltd. Nibs have shaped ends, a hole in the centre with a well on the underside, and the tops are shaped approximately quarter circle. Inscriptions are pressed into each nib. The script pens have detachable reservoirs made of a metal different to the nib. (Card 1) Round Hand Pens, 11 nibs remain from card of 12. Printed on card “Round Hand Pens for Beautiful Writing, Twelve degrees of point, Square points. William Mitchell, Birmingham, England. This card is issued by British Pens Ltd. MADE IN ENGLAND” Also printed on top left of card is a pen drawing of a person writing at a desk, background of decorative 3-paned window in brick wall. (Card 2) Script Pens; 11 nibs remain from card of 12. “Script pens fitted with detachable reservoir. William Mitchell, Birmingham, England. This card is issued by British Pens Ltd. MADE IN ENGLAND” Also printed on top right of card is a pen drawing of a person writing at a desk, background of decorative 3-paned window in brick wall. On Card 1, - each nib is stamped with its size, and “Wm MITCHELLS / PEDIGREE / ROUND HAND / ENGLAND” - hand written on front bottom of card in ball point pen “Lettering 5 times size of nib” - hand drawn on back of card in red and blue ball point pen are scribbled lines On Card 2 - each nib is stamped with its size, and “WILLIAM / MITCHELLS / SCRIPT PEN / ENGLAND” - a black circle corresponding to the nib is printed on the card above each nib. - hand written on back of card in black felt tip pen are numerals - hand drawn on back, 4 parallel lines in red ball point pen with the numbers “10” between 2 of the lines flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, william mitchell calligraphy ltd, british pens ltd., pen nib, writing implement, dip pen, round hand nib, script nib, birmingham manufacturer, communication in writing, mass produced pen nibs

In 1909, assistant Chaplain Rev. Haire presented the Mission with an 'uncommonly artistic pulpit' in memory of his mother. A plaque in memory of Jane King Haire can be found on the side next to the steps. The dedication was performed by the Archbishop of Melbourne on the 26th January (date engraves on the plaque) This pulpit was designed by Melbourne architect Rodney Howard Alsop (1881-1932) and manufactured by William John Dalziel (furniture manufacturer). It was initially used in the first Mission in Central Melbourne, Siddeley St. It is located in the Chapel of Saint Peter of the Mission to Seafarers 717 Flinders St. complex since 1917 (State Heritage listed (H1496). This complex was designed by Walter Richmond Butler in 1916, and officially opened on 11 September 1917, a day '...of unusually kind weather', by the Governor of Victoria, the Honourable Sir Arthur Stanley. According to a later article published in 1950: The pulpit is a model, built to scale, of the stern of an old ship of the line in Lord Nelson's day. This pulpit is significant as it is housed in The Memorial Chapel of Saint Peter forming part of the State Heritage listed Mission to Seafarers Victoria complex. It was built in Melbourne of Australian timbers, and is one of only two known maritime inspired pulpits, both associated with Missions to Seamen of the early 20th C. the other is held in the ANMM Collection see link. Their statement of significance is worth quoting in part as it applies equally to this pulpit "...an extremely rare and unique example of such pulpits. It is highly significant as a wonderfully preserved example of a time when religion was preached to sailors for their spiritual guidance and temperance..." Rodney Howard Alsop was an important Melbourne architect of the Arts and Crafts movement. John William Dalziel had sailed from Liverpool to Melbourne in 1862. Seventeen years later Penman and Dalziel founded the business in Lonsdale Street West, and won recognition at the Indian and Colonial Exhibition in London in 1886. Penman and Dalziel were identified in 1937 as one of Melbourne’s early ‘skilled craftsmen’ and ‘leading names’ in the manufacture of fine furniture. He died in February 1918 in a railway accident.Timber pulpit built in the form of a ship's stern including a timber step ladder for access, a timber keel and rudder, a rope fixed from the pulpit to a post mounted to the floor, and a dedication plaque on the side of the pulpit. The pulpit sits on timber legs. It's likely to be the original rope: traditionally made coir rope with twisted fibres, covered with canvas supported by a thread. At lower end the rope is secured by a monkey fist know and at the top by a turk head knot.Inside the pulpit (right) is the cardboard label with the maker details: " On an attached plaque see 0678 To the greater glory of God and in ever loving memory of Jane King Haire. This pulpit is erected by her son. Blessed are the pure in heart. For they shall see God. St. Matt. V.8. 26.1.09mission, seafarers, melbourne, victoria, chapel, saint peter, pulpit, australian timber, stern, walter richmond butler, australian maritime history, reverend w.f. haire, rodney howard alsop (1881-1932), wright's lane, william john dalziel, gifts-1917, heritage listed

Part of the Kevin John Herdman, No.397661, collection. Refer Cat No 5492P for service details.Two RAASC Officer's metal hat badges. The badges are of bi-metal construction using silver and brass coloured metals. The silver metal background features a Queen's Crown and a seven pointed star. Centre piece is brass coloured and features a Royal Cypher encircled by a blue enameled band. On the back of 1, are two pins and brass fastening clips. 2. has two loops on two threaded rods for fastening. Both brass coloured centerpieces' are loose.Stamped on brass centrepiece "ROYAL AUSTRALIAN ARMY SERVICE CORPS" Printed in gold on blue enamel circle "MONI, SOIT, QUI. MAL. Y.PENSE" Stamped at back: “STOKES, MELB”badge, uniform, royal australian army service corps, kevin john herdman

This booklet contains the favourite sayings and quotations of residents of Warrnambool and surrounding districts. The source of the sayings is listed. It was probably produced as a fund-raiser for an organization or club and sold at Christmas time, perhaps early in the 20th century. This booklet is of high interest because of the many names listed from Warrnambool, Panmure, Framlingham, Nullawarre, Nirranda, Ballangeich, Allansford, Port Fairy Grasmere and other small towns. The booklet not only lists those residents at that time in history but also tells us something about those people, their philosophies and attitudes, through which sayings they chose. Well-known names include those of Terrington, Fidler, Burnie, Uren, Tomlinson, McGinness, Peacock, Murnane and Dallimore. This is a soft cover booklet of 22 pages. It contains the favourite sayings and quotations of people from Warrnambool and surrounding areas. The cover is blue with patterns down the left side and above and under the titles which are printed in dark blue. The pages are bound with white thread and they originally had a metal staple which has been removed. The cover is a little torn and stained. The first page has a blank form which can be filled in to make the booklet a Christmas present.‘A Booklet for Xmas and the New Year From….. With the Compliments of the Season To….’ history of warrnambool, grains of gold

This pack is made from materials available at the time and was used to carry supplies & equipment for bushwalking and/or skiing. it is designed to protect the contents in all weather and to be as comfortable and practical as possible.The Bogong High Plains was a popular destination for bushwalking and cross country skiing. This backpack is an example of the equipment used for extended walks and/or cross country skiing.Orange backpack with nylon front and canvas back. The back flap has cord threaded along the sides for adjusting the shape of the pack. It has 6 pockets with zips - 2 each side and 2 across the back. There is 1 pocket with a velcro fastening on the outside of the flap. The cord enables the closing of the top. The frame is aluminium with 2 nearly straight sides and continuing across the top. There are 3 separate aluminium rods that are joined across and 1 piece of canvas.backpack; bush walking; bogong high plains; cross country skiing

British pattern steel army helmet as used in both WW1 and WW2. This example dates from the WW2 era.British pattern steel helmet, dark olive in colour. Outside of the helmet is covered in dark olive green mesh which is secured with olive green cotton cord. A bolt head is prominent on the crown of the helmet and corresponds to a nut and thread on the inside. This nut and bolt secures a black rubber pad. A sweat band in black synthetic material is secured to the inside rim of the helmet. An adjustable webbing chin strap with brass buckle is attached with clips to each side.Niluniform - army, costume - male, protective headgear

early (1940s?) hostess cap worn by Airlines of South Australia staffAirlines of South Australia hostess cap without peak. Light & dark olive green plaid pattern. Fine wool (blend?). Oval-shaped crown narrower & lower at front / broader & higher at rear. Olive green bemsilk lining & matching grosgrain sweatband. Matching fabric emblem 7cm high on left front, featuring metallic gold thread embroidery of 3mm thick initials "S" & "A " on crimson background with gold embroidered wings above. No visible evidence of manufacturer or ownersouth australian, hostess cap, wool plaid, gold wire embroidery, olive green

John Parkes avoids technology. This work expects the viewer to understand the importance of the hand and time… The blanket and the apron were gifted by friends in Germany. The apron was worn by Helen in her studio practice as a jeweller. The blanket was a find in the cellar of their Munich apartment. The red moleskin cloth was an OP shop find and originally a eucalyptic green. This cloth was discharged and overdyed. Cloth will often sit around the house, unattended, until ideas germinate. Is “Art” about “Art” or about the “Artist”?... There is a Buddhist notion of not writing in the first person, in that the Ego is not employed. There is a Japanese tradition “Boro” in which cloth is not discarded but repaired. These three cloths are now one.Wangaratta Art Gallery Collection - Winner WCTA 2017A square handsewn textile that features a white apron that has red running stitch squares, holes, hand paint stains across with initials in blue thread sewn in the bottom right corner of the apron which is in the center of the work. A brown wool cloth that features rows of white running stitches and red embroidery patches borders the apron, which is bordered by strips of red patterned fabric that has been dyed and features lines of red running stitches.wangaratta art gallery, textile, wcta, john parkes

The 1956 Summer Olympics, officially known as the Games of the XVI Olympiad, were an international multi-sport event held in Melbourne, Victoria, Australia, from 22 November to 8 December 1956, with the exception of the equestrian events, which were held in Stockholm, Sweden, in June 1956. These Games were the first to be staged in the Southern Hemisphere and Oceania, as well as the first to be held outside Europe and North America. Handkerchief produced as a souvenir for the 1956 Melbourne Olympics. Synthetic fabric. The handkerchief s bordered in red thread and divided into four squares of contrasting colours. 1. A table of main events and ceremonies, Olympic rings and symbol. 2. Map of Australia (green) with an Olympic torch and kangaroos in each corner. 3 An image of the main stadium. caption "AUSTRALIA" in white on a green background. 4. Map of Melbourne in red with connecting road and rail links to other parts of Victoria. 1956 olympics, handkerchief

The item is a representative example of previously standard issue uniform and is in excellent condition. As a set alongside 0040.2, the uniform has aesthetic significance in its design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Field shirt in disruptive pattern colours of green, khaki and browns. Long sleeve with five buttons up the front, two chest pockets with button-down flap pockets. Both sleeves are reinforced from the elbow down to the cuff; cuffs are fastened with a single plastic button. Above the right chest pocket is a patch with embroidered inscription in black thread on disruptive pattern backing. Shirt also features plain epaulette's on both shoulders, fastened by plastic button. Manufacturer's label on interior reads "ADI P/L/VICTORIA/1989/[broad arrow]/8415.66.130.0033/SIZE. 100R/NAME/SERVICE NO./MACHINE WASHABLE/DRIP DRY ONLY/DO NOT IRON/DO NOT STARCH/DO NOT BLEACH" Patch above chest pocket reads "PARKER"camouflage, uniform, australian defence force, disruptive pattern

Diamond-shaped, cream-coloured card with gold lettering. Small piece of blue ribbon threaded through hole at top of card. Ticket is for the Old Lintonians' Association 53rd reunion, and has the date "Saturday, 11th March 1966". The ticket appears to have been misprinted, as the 53rd reunion was actually held on March 11, 1967. (See notice for the 53rd reunion, registration number 1995.) Ticket has "Roy Brown" handwritten in ink on name line.Text: " OLD LINTONIANS' / ASSOCIATION / 53rd Re-union / Saturday, 11th March, 1966 / MEMBER'S TICKET / NAME Roy Brown. "old lintonians association, events, reunions, roy brown

See Item 11000.189Photograph of Hanro Knitting Room: On cream card with a silver border with *Bartlett Bros., Bendigo* as the photographers printed in brown ink. The photo is of the knitting rooms showing the machinery with spools of thread in work. The room is a large open space with Steel girders at the top with industrial lighting. The room has numerous knitting machines. The back has tape down the left hand side and hand written in black ink is *Part of Knitting Room* on the top right. Box 116ABartlett Bros., Bendigo.photograph, building, hanro, bartlett bros., bendigo

See Items 7545 & 7544Dietz Lantern Label: Orange label oval in shape with a pink cotton thread through a small hole for attaching. Red print with red border line around the label. The label reads *The bottom of every Dietz lantern is made of heavily and thoroughly coated steel especially adapted for such use. DIETZ. Trade Mark. Stamped in the metal of each genuine DIETZ lantern. Look for it. On the back DIETZ with a red oval border and how to care for the lantern. Box 625R. E. Dietz Company. Largest makers of Lanterns in the World. Founded 1840 New York. U.S.A.business, retail

Photograph of the winners of the six-men hose and reel event in Sandhurst on the 10th March 1886. There are 5 men pictured in the photograph all wearing dress uniforms and medals posing with a hand-drawn hose reel and stand pipe. Pictured from left to right: J. Scott / G. Duncan / C. Ellen / J. Anderson / F. Lloyd /. This photograph was take by James E. Bray (1832-1891).Sepia rectangular photograph printed on photographic paper and mounted on cardObverse: Winners of the six-men hose and reel event, Sandhurst, March 10th 1986 / Prize: Fifty Guinea Hose Reel/ J.E Bray Photo / J.Payne (absent) , J. Scott / G. Duncan / C. Ellen / J. Anderson / F. Lloyd / Reverse: 97.22 / 84-253-1 / BMMA3123 Members of Beechwoth Fire Brigade 1886emergency services, beechworth, sandhurst, burke museum, photograph, fire brigade, fire

The cartoon was drawn by John Nathan, one of the final year students in the first class to graduate with the diploma of Licentiate of Optometric Science from the Australian College of Optometry. His father was Bertram Nathan who played important roles in obtaining registration of optometrists in 1934 and on the Council of the College. John was to become Director of Studies from 1950 to 1964 and President of the College from 1969 to 1978. He also paints in oils.This cartoon is significant to the Australian College of Optometry as a piece of memorabilia from the class of 1944. It is one of only two drawings of optometrists in the Kett collection.Framed ink on paper cartoon drawing of final year Optometrical Science students of 1944 in Melbourne. The characters are depicted playing in an optometric consulting room. It is headed 'Final Year Optometrical Science 1944' and at the lower edge are the names of the students 'John Nathan, Tony "Craniclaw" Douglas, Vans Ovenden and Doug Allen'. Signed by the artist 'John Nathan'.This cartoon drawing depicts final year Optometry students in a contemporary consulting room of 1944. They are shown in typical optometrists' attire of dark trousers, side-buttoning short white coats and PD ruler in the breast pocket. The room has an electric instrument stand, hydraulic patient chair and internally illuminated test chart. The drawing shows the artist's name 'John Nathan' and is mounted in a black frame.Signed by the artist 'John Nathan'students, optometry, optometrical science, cartoon, drawing

A 48 page book, primarily humorous drawings that provide a lighter look at life in the trenches of France. It is missing its original cover and has a white cardboard cover to replace it. The drawings were drawn by Captain Bruce Bainsfather and published in The Bystander, a London publication and republished in Australia in 5 volumes. Unknown which volume this is from. Primarily humorous drawings that provide a lighter look at life in the trenches of France.Illustrations from World War One that would have been significant to the founding legatees who had all served in World War One.Front, white cardboard cover, with black stripe on the bottom and two vertical black and white patterns on right and left side of cover. Rear cover, white cardboard, blue stripe top and right hand side of cover. Pages and spine sewn together with white cotton, reinforced with grey tape. Pages, glossy white paper. Full of cartoon caricatures accompanied by frontline humour.world war one, souvenir, magazine

Illustration titled - "Sturt and Lydiard Streets" Shows an ESCo tram with all the blinds drawn in Sturt St just to the west of Lydiard St. Has the National Mutual building with C Marks & Co jewelers, Craigs Hotel, and the Town Hall in the view. On the rear is another view of Sturt St, not the full width of the original item, with an ESCo tram at the intersection with Armstrong St. Has Snows and Shoppee's Square in the view.Yields information about Sturt St at Lydiard St and Armstrong St.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, lydiard st, esco, armstrong st, town hall, national mutual, craigs hotel

Postcard - Bridge Sreet, Ballarat Vic showing tram tracks, a number of horse drawn carts and cabs. On the far right, a tram stop sign can be seen, along with men talking. In the view are shops, businesses or advertisements for: Junction Boot Store, Havelock Tobacco, Halls Corner, A Bregeut Ales & Butter shop, W A Stark Wines and Spirits, Velvet Soap, Thomas Dunstan? Leather Merchant.Yields infomation about the corner of Bridge Street, Main Road and Victoria Streets.Black and white postcard titled Bridge Sreet Ballarat Vic, looking west from the corner of Bridge Street, Main Road and Victoria Streets 1910c. Divided back type, published by VSM Melboune and printed in Prussia.bridge street, ballarat, stones corner, victoria street, main road, tramways, tram track, horse drawn vehicles

The 31-acre (13 ha) cemetery site was reserved in 1855 and trustees were first appointed in 1858. A site plan was drawn up by Frederick Acheson, a civil engineer in the Public Lands Office, with the layout segregated by religious denomination, a common occurrence at the time. The first burial took place in 1859. The rules were gazetted rather than published as guidelines as the cemetery was constituted under and act of parliament. Early publication about the Boroondara General Cemetery which, in addition to providing public guidelines, reflects the social and spiritual values of the period.Rules and regulations of the Boroondara General Cemetery. Published in by Sands & McDougall Ltd, Collins St. Gazetted 10th November, 1893. 24pp. The booklet includes a plan of the cemetery.rules and regulations -- cemeteries -- victoria, boroondara general (kew) cemetery