Photograph captures people assembled for a meeting of the Elaine Coursing Club at Larundel around 1923.Black and white photograph on cardboard mounting showing a large group of people on the verandah of the Elaine Coursing Club, Larundel. The verandah has wrought iron lace work. The house is made of bricks, and two large windows can be seen on either side of the large door. Many of the people are wearing hats, the women are wearing dresses and the men are wearing suits and ties. There are more women than men.There are several chairs on either side of the group.Verso (in pencil) 'Elaine Coursing Club Grandpa'elaine, elaine coursing club, coursing, larundel estate

Black and white photograph inside a white paper folder. Inside the folder on the right hand side the words: Mr. L. Hogan depot foreman, Bendigo loco from A.R.H.S. Victorian Division in grateful appreciation. The photo show the R704 at the Bendigo station with a banner at the front saying ''farewell R704''. Painted on the front of the loco ''Last run of the R704 Oct 16, 1967 A.R.H.S. Several people can also be seen around.bendigo, railways, bendigo railways

Two seated young female studio photograph. Family resemblance suggests Sisters. Right hand side. Pleated pale dress buttoned up front, closed neck with silver chain necklace and locket. Left hand side girl. Dark dress , blouse top with bow below chin and one on chest. Buttoned boots of each girl can be seen. Printed on front. Grouzelle et Cie, Melbourne. Monogram on reverse. GFC.Grouzelle et Cie Melbournephotograph, person, female

Postcard - silver colour, heavy card ? Image shows gentleman dressed in three piece suit, turn down colour, tie, monocle in right eye, leaning on basket type ledge. Written on bottom 'Rt Hon. J. Chamberlain' On rear : addressed to Miss. L. Pethard, Tarax Café, City Market, Bendigo' On top printed: this card can be sent only under cover. Write here for inland postage only'person, individual, chamberlain, j, bendigo, pethard, tarax, lydia chancellor, chamberlain

Object. Circular in shape and 22 cms in diameter. The fan has a bamboo handle 26.5 cms long. Long strands of woven cane have been machine stitched into a circular shape, with the outside round in green dyed cane. (twenty rows of woven can make up the fan). A Floral design, 15 cm long is painted on one side of the fan-leaves, petals and centre of flower in green, red, yellow. Markings as above.costume accessories, female, circular cane fan

Photograph of a two storied brick factory with the words ' Gripes Foundry' painted below the gable. To the left of this building is a wide gateway and a single story wooden building with an iron roof. Above the gateway there is a large sign with ' Gripes Timber yard Iron &c on sale ' painted twice. There are two workmen standing in the doorway of the foundry and a large pile of earth in front of them. A picket fence can be seen running off to the right of the foundry Building.Batchelderbuildings, commercial, gripes foundry, gripes foundry, gripes timber yard, batchelder

Stolen children, stolen land, stolen freedom. Enough to break the strongest spirit but that?s what these people have got, they?re Too Bloody Strong to go under. The proud cry of survival is in all these stories and you can read the future in them to, From making baskets to building fences, from nursing to law, in education and art, the Wathaurong are preparing for the brand new day when the sun rises over a land of equality.maps, b&w illustrations, b&w photographswathaurong

Awabakal is the language of the Aboriginal people from the Newcastle, Lake Macquarie and Lower Hunter region of New South Wales in Australia. As Lenny takes his walk and collects insects, we learn some words that relate to the bush, to the landscape and the little creatures that would be found there. This book has been printed with sound, which can be heard through an Audio Reader. If you have an Audio Reader, run it over the pages to hear the sound.word lists, colour illustrationsawabakal, newcastle, lake macquarie, hunter region, juvenile literature

Soldiers’ Memorial Street scene with Coffee Palace formerly Castlemaine Hotel. Two people in a horse drawn wagon are driving away from the corner on the right hand side while a man dressed in a suit is walking toward the corner. A telegraph pole is behind the memorial and a decorate pole sits on the corner.Small sepia Street scene showing Soldiers Memorial, Coffee Palace building in the background. The Soldier's Memorial is surround by a timber fence with an ornate pole possible a flagpole in front of 2 timber seats. The weigh bridge can be seen behind the memorial and Infront of the Stawell Coffee Palace. Two people in a horse drawn and cart are driving away from the corner on the right hand side while a man dressed in a suit is walking toward the corner.Coffee Palace Stawellstawell ww1

Photo of Puffing Billy coming around the horseshoe bend at Selby and beginning to cross the trestle bridge, heading away from Belgrave. The engine is only part shown. It is hauling four open-sided carriages with canvas covers, and a further six or so enclosed carriages. There appears to be no wind as the smoke is hanging above the train. Railway infrastructure (barrier fences) can be seen in the foreground, and there are wires across the left side of the photo. c. 1920

Model of Melbourne Restaurant tram No. 939 in a presentation cardboard box, made by Cooee Concepts Pty Ltd in China. Tram secured into the card box by two screws just behind the life guard. Made from plastic with trolley poles from metal (trolley poles can be moved) black roof, red sides, black No. 15 trucks, with the Skyline space marked "RESTAURANT" The box has the side on view of the tram in the background. trams, tramways, models, restaurant tram, cooee models, cuthberts 939

Yields information about the appearance of the 1964 Myer Santa Tram.Set of two Colour 27 x 27 mm slide in Kodachrome "duplicate" white cardboard mounts showing: .1 - Myer Santa Tram No. 18, at the depot in 1964 - see BTM Santa trams article at the depot. .2 - ditto with the scrubber tram alongside - can see the gold colour scheme it work when the Sebastopol Centenary at the depot. Could have been photographed at the time of the launch. Photo from the collection of Lilian Butler. on both slides in pencil "Courtesy of Mr. Balloch"ballarat, tramways, trams, depot, sec depot, decorated trams, christmas trams, myers, tram 18

Black and white photograph of a group (left to right) - Keith Kings, Bob Prentice, Les Denmead and Inspector ? at the time of the 8th AETA Convention in Ballarat, 21/4/1962. Photo taken in front of tram 1? parked in City Loop, can see main track on the right hand side of the photograph and Dickins grocery store sign in background on left. Has "Australian Electric Traction Association" sign on the tram. On AGFA Brovira paper.On rear in blue ink "Ballarat / 8th A.E.T. A. Convention / 21/4/62 and stamped in top right hand corner, in purple ink, "K.S. Kings No. N(g)(16) Copyright reserved" Number in blue ink.trams, tramways, ballarat, aeta, personnel, tours

Agfachrome Professional plastic mount (blue base, white cover) reproduction slide of a black and white photo of Geelong No. 35, at Pakington and Aberdeen St turning towards Chilwell. Photo taken early 1950's. Photographer unknown. Tram has the destination of Chilwell. Tramcar number can just be seen in the image - appears to be No. 35 - which fits the tram type. See also Reg item 4212 for the same photo - of Wal Jack. "G 20" and "1 -20" in pencil.tramways, trams, geelong, chilwell, pakington st, tram 35

Black & white postcard of the Coliseum Hall soon after catching fire - 24/3/1936. In stamp area of card, has 'Kodak Australia', printed on it. In ink has written 'Coliseum Theatre, Ballarat (seating 6000). Taken 10.35am , 24 March 1936, 5 minutes after it was first observed' If card held face up to reflect light, can see imprint of cancellation stamp and cancellation machine - the wavy marks.trams, tramways, ballarat, ballarat coliseum, fire, theatres, tram 34

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings.Former court room of the Kew Court House. By 1993 when this photograph was taken, the room had been taken over by the Kew Police Station and used for police lockers and as a briefing room. In the foreground the edge of the magistrates' desk can be seen and in the distance the railing used to separate the public gallery from the main section of the court. This railing was repositioned to the foyer during the renovations of the Court House from 2007-11. The magistrates' desk was destroyed. kew court house, public offices -- kew (vic), kew police station

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The donor, a resident of Kew, provided a handwritten provenance with the donation. "This is an heirloom dress, worn in Tasmania by a Fletcher relative c. 1860s, 1870s. It was for years, with another in the Queen Victoria Museum and Art Gallery, then borrowed for concerts. In (the) 1990s it was enlarged at the back for a Centenary reenactment. I thought you might like it for your collection."19th century white cotton day dress, photographed as accessioned, which is printed with a design in black. The front has a 3/4 length buttoned opening. The dress has wide ruffles in the same fabric at the base of the skirt. The later 1990s inserts which can be seen in the first and third images have been removed in preparation for the dress to be restored. The buttons are a later addition. Historically appropriate replacement buttons were later added.women's clothing, day dresses, australian fashion - 1870s, coralie coulston

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Black and white photo of the rear view of a man in a hat standing under a tree on a hill looking across the Yarra River (unseen) towards Melbourne. The exhibition building and the spires of St Patrick’s Cathedral can be seen on the skyline. The man may be Orlando Henry Beater Christian. If all the spires are intact it must postdate 1939 when work begun in the early 1930s on the spires began. He may be standing on the edge of the Yarra Boulevard.melbourne skyline - 1930s, yarra boulevard -- kew (vic.), christian-washfold collection

The man on the left of the photograph (in shirt sleeves and wearing apron) is identified as James Nicol, who ran the Linton bakery. The other man (wearing jacket and vest) is Thomas Mardling Wise, and the boys in the photograph are thought to be two of his sons.Black and white copy of original photograph which shows the drapery store in Sussex Street, Linton which was owned by Thomas Mardling Wise. A section of the Linton bakery can be seen on the left of the photograph. Two men and two boys are standing in front of the drapery store. They are all wearing hats of different types. The man on the left of the photograph is wearing a tradesman's apron. A dog is sitting (appears to be twisting around, as image is blurred) near the second man.james nicol, thomas mardling wise, ellington house [drapery store], shops

Printed document - headed "Legislative Assembly", first reading dated 16/11/1943, titled "A Bill to authorize the Construction by the Melbourne and Metropolitan Tramways Board of an Electric Tramway from South Melbourne to Melbourne.". Details the route: Sturt and Hanna Streets to William St via Queens Bridge St and Little Flinders Street - notes can be of open ballast construction and which authority responsible for costs. Notes part is cable tram conversion.trams, tramways, mmtb, south melbourne, hanna st, conversion, william st, queens bridge st, acts of parliament

This puzzle was used by the Parker family. You probably had a set similar to these; I know I did as a kid. While these haven't completely vanished from the toy landscape, there are still a few sets of "Puzzle Blocks" being made today. Basically, these were six puzzles in one, made up of wooden cubes, each with 1/20 of the image glued to them. Usually they came in a tray or carrying case, allowing the owner to have a place to assemble the pictures. A 20 piece Walt Disney's All Wood Blocks puzzle with 6 coloured forms or pictures on all four sides of the blocks in a yellow cardboard carry case with a 6 in 1 Puzzle. The case has a plastic see through frame on the top to see the puzzle and a white plastic closing clip and handle on one side. The puzzle can be made in the box. On the back of the box are pictures of the six puzzles of Mickey Mouse and friends to be made.Details of the manufacturer are printed on the sides of the box as swell as explanations about what the carry box contains.toys, games, leisure games, children's toys, box puzzles

Taken in 1999, the photograph depicts a section of “The Harvest” exhibition held at the Burke Museum between May 1st and June 20th 1999 as part of the Baking Industry Victoria. In the foreground is depicted a seed distributor. The grain mill, which can be seen in the background, was made by B. M. Purshouse in Wolverhampton, United Kingdom, and was of special interest during the exhibition. This photograph is of historical and research significance, connecting with various themes such as farming, adapting to diverse environments, and the promotion of settlement in Victoria. The photograph is an example of an exhibition held at the Burke Museum in 1999, demonstrating the communal interest of Beechworth in their farming history. The photograph contains a strong interpretive capacity as it demonstrates the importance of farming to Beechworth and Beechworth's history, revealing the enduring connection between the local community and the surrounding land. The historical and research value of the photograph is further enhanced by the depiction of historical farming machinery, providing a means for future generations to view historical machines used in farming.Colour rectangular photograph printed on photographic paper.Reverse: 2855burke museum, the harvest, baking industry, baking industry victoria, seed distributor, grain mill, b. m. purshouse, beechworth, exhibition

Black and white photograph of the P. S. Gem moored by the river bank. Recorded as being holed on Mildura slip. For statistical on the P. S. Gem see registration no.10 from The River trade, Wool & Steamers by G. Painter , pp.55, 66. Details of the paddle steamer can be located in The Register of Australian & N. Z. Shipping.The P. S. Gem is a large paddle steamer of historical and social significance. It has 3 levels including what appears to be many cabins.Black and white photograph of P. S. Gem moored by river bank. Recorded as being holed on Mildura slip. Copy of an original photograph taken 1954.On reverse of photo in pencil: Gem 1954, holed on Mildure slip.p. s. gem, mildura slip

A small wooden chapel was built on this site but was destroyed by a cyclone in 1948. It was immediately replaced by the present church, which has simple architecture and interior ornaments. The concrete building is a large rectangle to which is added a square tower supporting a small bell tower. From the church site you can view the Bras de la Plaine valley Photograph of a church Handwritten "Eglise du Bras de Pontho" Stamped "R. Ueberschlag"eglise du bras de pontho, church of the holy angels of bras de pontho, church, bras de la plaine valley