Soft cover brochure with an orange cover with a picture of honey being drizzled into a jar inside a hexagon. White & light orange writing. On the back is a hexagon with a phot of beehives

EARLY COLOURED PHOTOGRAPH OF CLUNES TOWN HALL AND COURT HOUSE IN BAILEY STREET, CLUNES.COLOURED PHOTOGRAPH OF CLUNES TOWN HALL AND COURT HOUSE - GAS LIGHT AND TWO SMALL LEAFLESS TREES OUT FRONT. TWO MEN IN FRONT OF COURT HOUSE.THE TOWN HALL CLUNESlocal history, photography, photographs, town hall

Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape

Mr Dmitro Nosiara was the first principal of Ukrainian Saturday School 'Ivan Franko in Sunshine. Mr. Nosiara was principal from 1953 to 1960, and again from 1963 to 1964.Black and White photo, with dates typed under photo. Photo is attached to cardboard backing,is also framed with a light blue patterned border. Photo has be laminated.dmitro nosiara, principal, ukrainian saturday school, ivan franko, sunshine

Dorothea (Dora) Both (daughter of Wilhelmina Schwerkolt) was first married to Franz Schwarzman in 1883 at the age of 17. He worked as a miner in South Africa and his wife had to write to the Australian Consulate re: his whereabouts. When he did return home Dora had little to do with him. They had four children. Franz died c.1915. Dora remarried in 1917 to Jacob Van Prooyen, a widower and a Dutchman. In 1929 they lived in Como Parade where they kept a private zoo.Sepia photograph of a wooden house with two people standing in front. The roof is corrugated iron, so is the water tank to the right. The couple are clothed in dark & light coloursvan prooyen dora (dorothea), van prooyen jacob

Two CopiesBlack and white photograph of timber Central Hotel. Chimneys with chimney pots. Horses and wagon in front of hotel. Gas light on corner of veranda. Lakes Entrance Victoriaaccommodation, animals, transport

Made by internees at camp 3, using wood sourced from under the barracks ie : stumps. Used for wood workingAwl and wooden handle with metal ferrule at end, thin metal shaft , slightly bent coming to a sharp point. Spare handle in a light wood with a brass ferrule.kazenwadel, blacksmith, wood, tools camp 3, chisels, mallets

Philips light globe with opaque glass and metal socket end (baton-type), fibre cord coming from both sides of the metal socket (on-off switch)Philips Made in Holland ( printed on glass)light globe, in-built switch,

Cypriot Bichrome Ware from Cypro-Geometric PeriodThe neck and body with horizontal dark and light black lines and bands, the body with a frieze of concentric circles between painted twin horizontal loop handles (one missing). cypriot

8/13 VMR provided sentries on Anzac Day since 1948Black and white photograph of sentries at St. Patricks Church , Albury, Anzac Day 1993 - provided by VMR Squadron, 4/9 Prince of Wales Light Horse.church, anzac day albury, st patricks

One dark blue collared sports shirt with light blue trim and one yellow sports singlet with red print on the front reading WANGARATTA HIGH SCHOOL

Mounted timber honour board. Features gold inscriptions and names of soldiers who died in WWI and WW2. Light coloured wood board with darker wood edging.

Three jeeps carrying flag bearers holding guidons of 8th, 13th & 20th Light Horse, Reserve Forces Day parade Albury 4 July 1998.military - reserve forces - albury - guidons, military, reserve forces, albury, guidons, parade

WO 2 Bob Bauerle carrying guidon of 20th Light Horse in Reserve Forces Day Parade, Albury. 4 July 1998. Driver Brian Wilson.reserve forces, parade, albury, guidon, military

Technical Support Troop provided towing and repair to broken down squadron vehiclesBlack and white photograph of three members of Technical Support Troop ( TST ) VMR Squadron 4/19 Prince of Wales Light Horse, Puckapunyal, September 1992.repair, vmr, pwlh, armour, puckapunyal

Parade was part of 150th Anniversary of City of MelbourneColour photograph of Lieutenant H. Burvill, VMR Squadron, 4/19 Prince of Wales Light Horse during parade through Melbourne 31 October 1992melbourne, parade, military, burvill

Parade was part of 150th Anniversary of City of MelbourneColour photograph of Captain L. Jackel, VMR Squadron, 4/19 Prince of Wales Light Horse during parade through Melbourne 31 October 1992.military, jackel, parade, melbourne

Under training conditions, armoured vehicles pulled alongside supply vehicles to collect water, rations, fuel and ammunition as quickly as possible and without dismounting.Colour photograph of M113 Armoured Carriers with light camouflage alongside trucks. Taken during 8/13 Victorian Mounted Rifles Annual camp at Puckapunyal, 1986.training, vmr, carrier, resupply, puckapunyal

Item used by Maj Damien Batty whilst on peacekeeping duties Bougainville Light blue rectangular flag with the United Nations Symbol centred in white. There are two small metal grommets on one end for threading rope through to a flag pole. international recognition used by military personnel employed on peacekeeping duties under the united unions umbrella

6 separates notes on the top of a photograph, the notes recorded the light moments of the members during their pre-deployment training at Pucka for TLTG-4 OP ASTUTE 2012

The 'Royal Scots Dragoon Guards' unit symbol is in the centre of the plaque. The unit symbol is an eagle with 2 rifles behind the eagle. The wood is made of light coloured wood

The Wodonga train line opened in November 1873 when the section of the train line from Wangaratta to Wodonga was completed. A goods shed was built at this time in 1873 and a permanent train station was completed in 1874. The expansion of the railways to the northeast of Victoria occurred after the Victorian Government took over the railways in 1867 and the trains serviced large towns such as Seymour, Wangaratta and Wodonga, as well as smaller towns along the way. The Tallangatta and Cudgewa train lines from Wodonga were built in stages from the 1880s to the 1920s in what is considered to be some of the most challenging landscape for railways. The Cudgewa line was opened in 1921, so the Wodonga train station sign dates from this period.The Wodonga train station sign has local and state significance due to its use in Wodonga in the late 19th and early 20th centuries, as part of the expansion of the Victorian Railways in the northeast of the state.Old painted wooden sign from the Wodonga train station with the directions for changing to the Tallangatta and Cudgewa train line in light coloured paint on a black painted background."WODONGA / CHANGE FOR / TALLANGATTA & CUDGEWA / LINE" wodonga railway station, wodonga train station, tallangatta train line, cudgewa train line, railway signs, victorian railways signs

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. Two small round badges. The NSW CWA badge has a light and dark blue design with orange. The Victorian badge has a yellow, green and gold design.On Victorian badge: "VICTORIA/CWA". On NSW Badge: "COUNTRY WOMENS ASSOCIATION N.S.W./CWA".hamilton-smith collection, hamilton-smith, ellwood, charity, volunteer, voluntering, cwa, country women's association, rural, women, women's history, domestic, cooking, food, community

Australia Post (previously known as the Post Master General department (PMG)) issued this postage stamp in 1973, on the 50th anniversary of the founding of Melbourne Legacy, September 1923. The stamp was produced in recognition of the outstanding work that Legacy has done in helping war widows and their families. The design of children playing within the silhouette of a hand, was done by George Hamori, an Australian graphic design artist (born 1918). For a biography of his life see the re:collection website.A reminder to all the people of Australia of the helping hand of kindness of Legacy, and the generosity of the people of Australia who have donated to fund the work that Legacy does.Postage Stamp issued by Australia Post x 4 copies. Stamp has perforated edges, green writing, light brown background, hand extended silhoutte.Postage stamp has been postmarked with five horizontal lines and the words "include the postcode in every address".legacy promotion, golden jubilee, 50th anniversary

Tickets - set of 23 Neighbourhood light card tickets 1983 - 1984 for various Neighbourhoods. Some have been used, rest have been stamped "Cancelled".trams, tramways, mta, neighbourhood tickets, tickets, travel cards

Met Ticket - Sports Special Ticket - light pink paper with an image of the MCG, The Met logo and availability - on one return trip on the day of purchase. Ticket No. 6103trams, tramways, the met, tickets, football, mcg

Union badge that belonged to Victorian Railways tram motorman Norman Charles Boucher - see item 7056 for biography. VR Tram crews were members of the Australian Railways Union Tramway Division. The ARU was formed in 1920 and merging with other rail and public transport unions to form the RTBU in 1993. The manufacturer's name obscurred - possibly Treloar of Sydney.Demonstrates an ARU badge.badge - brass, pressed and formed for use in a button hole. Dark and light blue enamel with a silver surround. The centre of the badge forms an image of the front of a steam locomotive.Manufacturer's name stamped on rear.n c boucher, badges, unions, vr trams, aru