The Dollar Bird is the only member of the Roller family found in Australia and can be found in forests and woodland areas. The name of this bird comes from the large white spot on the underside of each wing which resemble silver dollars. They travel to Australia each year to breed from New Guinea and the surrounding area. Their main source of food is insects which they hunt during flight. They capture these foods while displaying skillful aerial pursuits. They then return to the same perch they were upon when they left to catch their food. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This juvenile Dollar bird's feet are a faded brown and the bill is a light yellow. The colour of this specimen's head and neck are a cool grey which fades to a patch of bright purple on its upper chest. The back is grey while the underbelly and wings are a light blue-grey. The tail feathers are tipped in black. The specimen is standing on a wooden mount.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, dollar bird

The Grey Shrike-thrush is considered to be one of the best songsters in Australia, with hundreds, if not thousands, of different songs. The song has been described as glorious, pleasing and melodious, with sweet, mellow, rich and liquid notes. Whilst pleasant to humans, the song are less harmonious for nest birds, often hunted by the grey shrike-thrush. It has a varied diet consisting of insects, spiders, small mammals, frogs and lizards, and birds' eggs and young. Grey Shrike-thrushes most of Australia (with the exception of arid areas) and southern New Guinea. This specimen has been mounted in an accurate fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Grey Shrike-thrush specimen is a mostly grey coloured bird, with the plumage around the shoulders a little browner. The underside and neck is paler, off-white with a white ring around the eye. The eyes are made of glass which is a brown colour and replace the original which do not survive the taxidermy process. This specimen stands upon a wooden platform and has an identification tag tied around its leg.27a / Harmonious Shrike-Thrush / See Catalogue Page 12 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, australian birds, thrush, grey shrike-thrush, harmonious thrush, colluricincla harmonica

The family Chelidae is endemic to Australia, New Guinea, and South America and consists of some 40 species of freshwater turtle. Twenty-four described species are found in Australia and three of these occur in the Murray Darling Basin. Turtles of the genus Chelodina are distinguished by their exceptionally long necks, giving them the names long-neck and snake-neck. These turles are also referred to as side-necked turtles, so named because the neck and head, when not extended, fold under the leading edge of the carapace. They are further characterised by their relatively flattened shells and their clawed webbed feet. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Snake-Necked Turtle is stylized standing on a wooden platform. It has a long, narrow neck (the inspiration behind the name of this particular species of Turtle) and a large and relatively flat shell. The head, neck and limbs are all dark grey or brown in colour and the underside is a pale brown. The feet are webbed and have long claws. The eyes are made from pale glass and the specimen has a short tale.BMM5891taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, turtle, australian turtle, australian animal, snake-necked turtle, chelidae

The Satin Flycatcher is a small and energetic bird commonly found along the east coast of Australia from far northern Queensland to Tasmania. They are also located in south-eastern South Australia and New Guinea. These birds prefer to reside in tall forests and are fond of wetter habitats like forested gullies but not rainforests. These birds are dimorphic, meaning male and females have distinct forms. The male Satin Flycatcher is blue-black in colouring while the female are brown-grey with a distinct orange band on the chin, neck and breast. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Satin Flycatcher is stylised on a wooden platform with a paper tag attached to its leg. This specimen has small glass eyes, wings positioned to its sides and a long straight tail. The colouring on this bird is a brown-grey and cream colour. It has patch of orange feathers on the neck and chin which identify the gender of this specimen. The male has glossy blue-black colouring and lack the orange plumage.33A. / Shining Flycatcher - See Catalogue, Page 13. / 50 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, satin flycatcher, small bird, flycatcher

This photograph was with a number of others associated with Harry Holmes of Ascot, Victoria. The postcard was written on by Harry Holmes who was a member of the Australian Imperial Force based in Egypt at the time. Nurse Kirkham is Laurie Hemsley Kirkham She was admitted to the Suez Public Hospital (Abbassia) post 06 January 1916. She left Australia with a group of South Australian nurses. Egypt was a major base for the AIF from December 1914. A number of campaigns were fought in this theatre. There were two campaigns involving the AIF. Note that not all the fighting was actually geographically in Egypt. (http://www.aif.adfa.edu.au:8888/about3.html) The Nurse Kirkam mentioned by the writer is probably Sarah Alice Kirkham, Staff Nurse with the Australian Army Nursing Service. Nurse Kirkham was from North Perth, Western Australia. She was posted to the Auxiliary Hospital, Egypt on 09 November 1915 leaving for France on 23 June 1916. Samuel Gordon Spittle (8005) enlisted into the AIF on 17 July 1915, a member of the 18th Australian Army Service Corps (AASC). He left Alexandria on 15 June 1916 disembarking at Marseilles 24 June 1916. Harry Holmes was discharged from a hospital in Egypt on 15 August 1919. He was awarded the Military Medal promulgated on 11 December 1919. (NAA: B2455, Spittle Samuel Gordon) Not only does this photograph portray life in Egypt during World War War, it highlights the role played by members of the Australian Army Nursing Service in both professional and social activities in the theatre of war.Two Australian nurses and a number of Australian soldiers in Hospital Uniform pose for a photograph in Egypt during World War One. Verso: "A little group of Australians at Suez Hospital Joe F[awcett] & I [Gordon Spittle] are standing in the back row with Nurse Kirkham standing between, she is on the short side so stood on a box. Gordon S."chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, france, gordon spittle, kirkham, suez, egypt, samuel gordon spittle, joe fawcett, laurie kirkham, nurse kirkham, suez hospital, laurie helmsley kirkham, l.a. kirkham, harry holmes, nurses

Photo of an Anzac Day service in at the Australian Military Cemetery in Harefield UK. The local school children march to the cemetery to place wreaths, there is a parade of flags, a service and a choir. During World War 1 the Australian Auxiliary Hospital No.1 was stationed at Harefield Park in Harefield, UxBridge, Middlesex UK. 111 Australian soldiers and one nurse from the hospital are buried at St Mary's Church, Harefield. This became an Australian Military Cemetery with individual headstones and an obelisk and arch. The headstones which are of a scroll design unique amongst Commonwealth War Graves Commission cemeteries were chosen by the staff and patients at the hospital. The arch was erected by the CWGC. Anzac Day services are held there and the local school became involved with the headmaster, Mr Jefferies, bringing the school children to lay flowers on every grave and attend the service on Anzac Day. This started in 1921 and has continued until at least 2021. One school child who attended was Mr Alf Young, he made contact with Legacy in the 1990s and sent photos of the Anzac Day Services and the cemetery. Legacy responded by sending Australian flags for the school children and also Legatee John Cohen met with Mr Young when in London. Melbourne Legacy staff member Susie Howard also visited Mr Young and the cemetery in 1995. Mr Young provided historical photos and information of the area to Legacy. He was featured in the widows' newsletter The Answer many times and his death was announced in The Answer in April 1997, he was 85. Many of the photos he provided were labelled as coming from Mr R G Neil, Photographic historian from Harefield. He holds copyright over those photos.A record that Legacy helped support remembrance of Anzac Day and World War 1 soldiers buried in the UK.Colour photo x 4 of Australian Military Cemetery in Harefield UK.02064.1 Handwritten on reverse 'Australian Cemetery 1994'. 02064.2 Handwritten on reverse 'Church Hill Harefield 1994' and label that says 'Children on their way to the Anzac Service 1994. Somewhat different to the first parade. The church is always full' (written by Alf Young). 02064.3 Handwritten on reverse 'Australian Graves 1994 Harefield 114 in total, including nursing sister Dickinson'. 02064.4 Handwritten on reverse 'Australian Cemetery 1994'.cemetery, harefield, alf young, memorial, wreath laying ceremony

For Service History Refer Cat No. 7877.61. Jacket - white colour polyester viscose fabric, mess dress style - Summer. Collar and long lapels. Shoulder tapes for epaulettes. Gold colour plastic buttons with shank and metal pin. Raised emlem, crown and wings - RAAF. Lining - white colour polyester fabric. White cotton manufacturers label inside right side of jacket. 2. Shirt - white colour polyester/cotton fabric, dress shirt, collar, stiff front with buttonholes for studs and long sleeves with double cuff and buttonholes for cufflinks. White colour plastic buttons. White colour polyester manufacturers label, below collar inside. 3. Bowtie - black colour polyester/cotton fabric. Bowtie is prefolded and stitches on ribbon with black metal hook and ring closer.Manufacturers information - black ink print. 1. "ADI/ VICTORIA/ 1993^/ 8405-66-131. 8010/ SIZE 110R/ TO FIT CHEST 110/ SERVICE NO/ NAME/ 65% Poly 35% Visc/ Dry Clean Only". 2. "RA/ PHILIPPE ANTON/ MADE IN AUSTRALIA/ 44".uniform, raaf, mess dress, summer

"Using both official and unofficial photos, this is a powerful visual record of the ANZAC experience of the Western Front, WW1 - the scene of some of the bloodiest horrors and the greatest loss of life. Australian photographer." --Publisher's description.138 pages : illustrations, portraits, map ISBN 0733312802world war 1914-1918, australian imperial force, anzacs, military campaigns, western front

Badge received by Dorothy Kiely in 2012 on the 70th anniversary of the Australian Women's Land Army. The Australian Women’s Land Army (AWLA) was formed during the Second World War to combat rising labour shortages in the farming sector. From December 1941, when Japan entered the war, the nation’s need to build up its armed forces was placed above the needs of other industries. Agricultural labour was steadily diverted to the armed services and war industry To meet the shortfall in rural labour, State and private women’s land organisations were organised, modelled on those established in Great Britain during the First and Second World Wars. A national body was formed on 27 July 1942 under the jurisdiction of the Director General of Manpower. While policy was devised by the Commonwealth Government, the organisation of the AWLA remained State-based. An extensive recruiting campaign was undertaken for new members. Most members of the existing land armies were later incorporated into the AWLA as well. Black box containing gold star shaped badge with red crown above Australian coat of arms Badge:-Australian Women's Land Army 70th Anniversary 2012 Box:- top in gold lettering 70th Anniversary of the Australian Women's Land Armyawla, ww2, dorothy kiely

The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail

The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown. [illegible] Heron / See Catalogue, page 33. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron

The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. It is facing forwards but looking over its left shoulder. The eyes of this specimen are made from yellow glass. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron

The Dusky Woodswallow is often found in flocks which can be located in two separate populations. The Eastern population if located in Atherton Tableland in Queensland south to Tasmania and west to Eyre Peninsula in South Australia. The other population is found in south-west Western Australia. They reside in open forests and woodlands. This species is surprisingly aggressive and may fight with other Woodswallows for territory and nest sights. They will even chase raptors away from their homes. This species flies in flocks of around 10 to 30 birds which cluster together. In terms of diet, these birds eat insects and nectar from flowers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Dusky Woodswallow has largely deep brown colouring with some areas of grey on the head, neck and chest. There is a deeper brown colouring between the wings on the back of the specimen and the wings are black. This bird has a small curved bill which is grey and white. The legs are dark grey and the bird has long talons with an extra long toe in the centre. The eyes are made of brown glass with a back pupil. The bird is styalised standing on a wooden mount and has a paper identification tag attached to its right leg.[torn] / 9 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swallow, woodswallow, dusky woodswallow

Noisy Miners are native to Australia and can be found on the East Coast. Noisy Miners live in northern Queensland and all along the eastern coast to South Australia and Tasmania. Noisy Miners are found in woodlands and open forests. They have also become well adapted to suburban situations and are a common sight in parks and gardens. The Noisy Miner feeds on nectar, fruits and insects. Very occasionally they will eat small reptiles and amphibians. Food is either taken from trees or on the ground. In keeping with its highly social nature, the Noisy Miner usually feeds in large groups. The Noisy miner specimen is mounted accurately. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Noisy Miner is identified by its mostly grey body and black crown and cheeks. The bill is yellow, as are the legs and the naked skin behind the eye. The name is well suited as the common calls are uttered repeatedly by the members of the colony .Despite their moderate size, Noisy Miners aggressively attack larger birds such as hawks and kookaburras. These attacks may be so vigorous that most other birds are excluded from an area occupied by Noisy Miners.Swing tag: 65a. Garrulous Honey-Eater / See Catalogue, page 19 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, noisy miner, garrulous honeyeater, yellow beak, honeyeater, east coast

The Brown Falcon is a small to medium bird of prey which can be found all throughout Australia. These birds are raptors and typically feed on mammals, birds, snakes, insects and rabbits. The Brown Falcon are located in all but the densest forests. They typically prefer to reside in locations of open grassland and agricultural areas which have scattered trees or telephone poles which the bird can perch on. When frequenting towns located in the Australian Outback, these birds are reportedly quite tame and can be approached by humans. They may stay in the same location throughout the year or chose to move around locally in response to any changes in weather conditions. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th centuryThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Brown Falcon specimen has plumage which is mostly brown and intermixed with white. This provides the appearance of having spotted colouring on the birds back. The head is also mostly brown with white under the beak area and a characteristic brown streak under the eye area. The eye is made from dark coloured glass.3 / Brown Hawk / See Catalogue, page 2 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, brown falcon, falconidae

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. Like many species of quail, the Brown Quail is often difficult to see, as it inhabits rank, overgrown grassy areas, often in damp, low-lying patches beside wetlands. They are difficult to flush from this cover, preferring to squat among the grass or run quickly off through the vegetation rather than fly off. As is the case with many species that inhabit dense habitats, the Brown Quail may be heard more often than it is seen, with its characteristically mournful two-note call whistle often heard at dawn and dusk. The Brown Quail is found across northern and eastern Australia, from the Kimberley region in Western Australia to Victoria and Tasmania, as well as in south-western Australia. It is also found in Papua New Guinea and Indonesia, and has been introduced to New Zealand. The Brown Quail feeds in the early morning or evening, on the ground, mainly on seeds and green shoots, but also on insects. In some area, quails will readily cross roads and may be seen feeding along roadsides.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Brown Quail is a small, plump ground-dwelling bird. It is variable in colour, ranging from red brown to grey brown with fine white streaks and black barring above, and chestnut brown below. The eye is red to yellow, the bill black and the legs and feet orange-yellow. In Tasmania, this species is called the Swamp Quail and tends to be larger and darker than mainland birds, with a pale yellow eye. Female Brown Quails are larger and may be more heavily marked with black and paler below than males. Young birds are like adult females, with less distinct markings and a dark brown eye.Label: 33. / Swamp Quail / See Catalogue, page 30 / Mount: 09/taxidermy, quail, brown quail, taxidermy bird, burke museum taxidermy

Colour slide in a mount. Regional town, AustraliaMade in Australia / 15 / SEPaustralia, slide, robin boyd

Possibly WWI and WWII Historical significanceAustralian Commonwealth Military Forces hat badge. Australian Commonwealth Military Forces.

“THE AUSTRALIANS KILLED IN ACTION IN WORLD WAR II - WHILE SERVING WITH THE NATION’S DEFENCE FORCE “ The commencement and cut off dates/ approved for the Roll of Honour were September 3, 1939 and June 30, 1947Newspaper- copy of newspaper on white paper.All pages with plastic laminate. Black and white print and photograph. Pages 9 - 21. Pages secured with 4 metal split rings,newspaper, history, ww2

Front cover of "AACC Handbook No.3: Recipes and general hints on preparation of Army rations in SWPA". An example of a war time handbook issued to Australian Military Forces, and has a 'restricted' warning printed on cover. An example of a war time 'how-to' book.Digital copy of front cover of a bookaustralian army, cooking, recipes, rations

This letter, from John Worrall, Producer of University of the Air, expresses his wish to stick to the original suggestion of a series on Australian design and not expanding it to world architecture. Suggested recording dates are from November 1964.Two pages.The author adds a comment at the end of the letter.

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life. The coral display was prepared by E Grant, a fisheries research biologist.Colour slide in a mount. Coral display depicting the Great Barrier Reef, Australian Pavilion, Montreal Expo '67, Canada. Made in Australia / 17 / MAY 67M6 / 6 (Handwritten with red pen) / 10 (Handwritten)expo 67, montreal, robin boyd, slide

This passport was issued to Allan Quinn in 1949, by the Australian Consulate General, in New York, U.S.A. It expired on the 14th of September 1954. The passport contains information about Allan, such as his date of birth in N.S.W, his hair colour as brown and eye colour as blue. Several of the pages have been stamped.This passport belonged to Allan Charles Quinn and is part of a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II. It details the places Allan visited in the fifteen years it was valid.A black covered Australian passport with sixteen pages, issued in 1949. The top left hand corner of the back cover has been cut off. Front: AUSTRALIAN / PASSPORT printed in faded gold/yellow ink. Below this is the Australian coat of arms, printed in the same colour.allan-quinn, passport, 1949-1954, quinn collection, allan charles quinn, seamen, seafarers, sailors

Jacket - RAN Winter Ceremonial non-commissioned Officer's Uniform. Dark navy blue colour wool fabric, double breasted with six buttons, collar, sleeves with two buttons. one inset breast pocket and two inset pockets with flap. Buttons - gold colour metal with shank, raised emblem and lettering, Kings Crown, Anchor and "AUSTRALIA". Service ribbons above breast pocket - fabric ribbon. Blue and yellow ribbon - Korea Medal. Blue and white ribbon - United Nations Medal for Korea. Black colour cotton sateen lining with white cotton strip sleeve lining.Manufacturers inscription on back of buttons "STOKES & SONS/ MELB".uniforms, ran, korea

This photo was sent to Lizzie Packham.Black & White portrait of Australian soldiers. It is made in the form of a postcard. There are 16 soldiers in the group. There is a wooden fence in the background. On the rear is written the names of soldiers. G. White -Tarnagulla, Keith Bramley - Arnolds Bridge, Geo Riordan - Arnolds Bridge, Fred Jackson - Tarnagulla, George Clark - Llanelly. Allan Mitchell - Llanelly, Sgt Anderson - Laanecoorie, Jack Mitchell - Llanelly, Will Kilgour - Tarnagulla, Harold Speding - Laanecoorie (NB. 'Speding' is probably Spedding), Hewie Speding - Laanecoorie, Jack Greyham - Murpins green, Fred Akers - Tarnagulla, George Corrie - Tarnagulla, Jim Brownbill - Arnolds Bridge.On rear as well is written - To Lizzie with love from Jack, 1 Sep 1917.ww1, tarnagulla, soldiers

Magazine 40 page, with pink page cover and plain white paper inside cantered stapled - "The Tramway Record December 1987" - with title in black ink and Australian Tramway and Motor Omnibus Employees Association logo on the front cover and a photo of No. 1 cable tram set and hand Witten note "These contraptions are slow compared to the car! Features history of the Union, list of office bearers, President page noting the opening of the St Kilda Beach Light Rail, extract from the MMTB Instruction to Motormen in Electric car driving for the Eastern system and general news from the depots. trams, tramways, unions, melbourne, mmtb, instructions, drivers, motormen

These trousers are part of a winter mess dress uniform belonging to Bernard Farley during service with the Australian Airforce. Worn in 1978, this trouser style was first developed in the 1950s and continues to be worn as mess uniform in the present day.This item has aesthetic significance and is a representative example of uniform design from the 1950s to present day. This item has clear provenance, having been donated by RSL member and Secretary (2019), Bernard Farley after its use during Bernard’s service in the Airforce. As a former member of the Australian Airforce and member of the Warrnambool ex-service community, Bernard’s uniform has great social significance, telling a broader story of life after service.Dark navy blue dress trousers with cream coloured lining on waistband and pockets; dark synthetic material rectangles are sewn on interior of pants hem on pressed edge. Seven buttons, coloured black, are present on the interior of the waistband and were likely used as attachments for suspenders; reverse of pants rise into two points either side of the spine. Pants are fastened with a black plastic zip and a hook and eye at the top of the fly. Two pockets are present on both left and right hips and one small pocket on the front right hand side near the pelvic bone. Fabric is pleated twice on the front and has two darts on the reverse. Label on interior collar reads “A.G.C.F./VIC. 1978/(arrow symbol)/NO./NAME” Inscription on interior left hand pocket lining reads “992”dress uniform, airforce, commonwealth government clothing factory, uniform