‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

John Alexander Young V82835 DOB 14.10.1899 LieutenantAustralian War Medal 1939-1945 The medal is cupro-nickel with the crowned effigy of King George VI on the obverse. The reverse has a lion standing on a double-headed dragon. The top of the reverse shows the dates 1939 and 1945. The stripes signify the dark blue of the Royal Navy and Merchant Navy, red to represent the service of the Army and the light blue of the Air Force J.A. Young V82835

an historical look at military intelligence mishapsIn this controversial, eye-opening book, a long-serving professional military intelligence officer examines and analyzes the mistakes in military judgment that have resulted in some of the major catastrophes in the air, at sea, and on the battlefield since the crushing defeat of Napoleon at Waterloo in 1815. Colonel John Hughes-Wilson not only explores how events have conspired to cause disasters in modern military history but also demonstrates why -- and the reason more often than not lies in the failure of politicians and seasoned generals alike to understand and appreciate fully the value of crucial intelligence information. Hughes-Wilson shows how, for one instance, American bureaucratic bungling and inter-service rivalries collaborated with the Japanese in their devastating attack on Pearl Harbor -- despite the fact that the US was monitoring Japan's top-secret radio traffic -- and he reveals why, for another, the Viet Cong's Tet Offensive of 1968 took the world's most technologically advanced army completely by surprise. In Hitler's Berlin as in Saddam Hussein's Baghdad, this book discloses the lapses, errors, miscalculations, and under-estimations of military intelligence that have shaped our wars and defined our timessoft cover non fiction book

To celebrate the 2001 International Year of the Volunteer, each Vision Australia Foundation site constructed a wall hanging. These were proudly displayed in the various offices until refurbishments and reduction of physical office space reduced the ability to do this. Various hangings have been stored by volunteers or former staff members, however digital images were secured where possible. Ballarat's wall hanging shows Lake Wendouree and the Ballarat area around it. Mildura's wall hanging shows paddleboats on the Murray River, with grapes, a hot air balloon and a large sun.Cloth banner made by volunteers to celebrate 2001vision australia foundation, volunteers

This photograph shows Port Fairy from the air looking down on Douglas House across the rail lines showing Bank Street, Sackville Street, Cox street and to a lesser extent surrounding streetsThis photograph depicts the Streets and river during the 1940's and the buildings that were present at that time some no longer in existenceBlack and white PhotographALEX WILKINS PHOTOGRAPHER WARRNAMBOOL O.G.Powell Chemist Phone 88 Port Fairybank street, sackville street, railway

This telegram was sent from the Royal Netherlands Airways, Sydney, to the manager of ABC Radio Station 2CO, Corowa, New South Wales. This telegram relates to the 1934 London to Melbourne Air Race. The telegram records the Royal Netherlands Airways' thanks to ABC Radio 2CO radio staff for their efforts in broadcasting an emergency message to the residents of Albury after the Dutch airliner ‘Uiver’ became lost at night in bad weather. As requested local radio listeners drove their cars to the Albury racecourse and illuminated an emergency landing ground using their vehicle headlights. This allowed the lost airliner to land safely.This item relates to the London to Melbourne Air Race of 1934, a significant event that shaped Australia's history as it proved travelling to and from Australia could be done within a reasonable time by air, thereby making the country less isolated. Up to that time Australia was three weeks away from Europe by steam ship. The Air Race was dreamt up by the Lord Mayor of Melbourne, Harold Smith, to commemorate the centenary of Victoria's statehood and was sponsored by the Melbourne chocolate manufacturer Sir MacPherson Robertson. The Royal Netherlands Airways entered a Douglas DC2 plane 'Uiver' - the largest aircraft in the race, and the only one to carry passengers as well as crew, to show that a commercial passenger service to Australia was possible. But in the last leg of the race, the Uiver lost its way in an electrical storm over the Riverina town of Albury. Several communication methods were used to land the plane safely, including the signalling of the word "Albury" in Morse code using the town's street lights. Local ABC Radio station 2CO also made a call for locals to light up a makeshift landing strip for the plane at the town's racecourse. The plane landed safely and the next morning with the help of the townspeople who pulled it out of the mud, took off and finished the race in second place. The story of the Uiver points to the importance of communication in its various forms: two-way and broadcast radio, Morse, and light signals. The survival of the Uiver is a reflection of the ingenuity of Australian communications and the solutions that can be found through the sharing of ideas of information. The landing of the Uiver was an important moment in Albury's social history, as residents participated in the rescue of the plane and its passengers, helping the Uiver to continue on its journey and finish second in the Race. When the Uiver crashed in the Syrian Desert in December 1934, Albury residents contributed to a memorial which honoured those who were killed. Beige paper telegram printed with black ink and overwritten with typewriter. Telegram split into sections designating details of the telegram, details of the recipient and a space for the transmitted message. A small section of paper is missing from bottom left corner."Extend to you my warmest appreciation for your most valuable / assistance rendered to Netherlands machine by continuously keeping your / wireless organisation available during a period of extremely difficult / air navigation stop I assure you that in Holland and in Java your action / is most deeply appreciated Bakker chief representative in Australia for / Royal Netherlands airways. / 6 18pm"telegrams, telegraphic messages, communications, radio, uiver, royal netherlands airways, albury, london to melbourne air race, morse code

This digital image is taken at the home of a Melbourne District Nursing Society (MDNS) patient, and depicts a MDNS Sister attending to a lady who is lying in a wicker bed pram in the rear garden of her home. The wicker bed pram enabled the lady to enjoy fresh air and to be moved about easily. The image shows the MDNS uniform of a grey cotton frock with white collar, and a grey brimmed hat with a red Maltese cross in the centre of the hatband. In 1885, 50 years after Melbourne was founded, it was recognized that nursing care was needed for the sick poor in inner Melbourne. The Melbourne District Nursing Society (MDNS) was founded in February 1885 with one Trained nurse, known as 'Nurse' in those days, and a second employed six months later,. The two Nurses worked in the now CBD, ie from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bags containing lotion, ointments, powders, liniment, bandages, dressings, a case of spirits, and the Nurse's own clean apron, soap and small towel. They supplied equipment on loan, such as earthenware hot water bottles, splints, urinals, bed pans, bed cradles, feeding mugs, and air-cushions as well as providing blankets and clean bed linen, and nightdresses as necessary. From its inception the Society was at the forefront of health care and liaised with Doctors. They provided high quality nursing care to a range of people, often in destitute situations, some lying on rags on the floor as they had no bed, others with just a bed and maybe a thin blanket, a chair and nothing else. Their ages ranged from babes, children, adults to the elderly. The Nurses gave medications as ordered, dressed wounds e.g. to the injured, and surgical cases, and to those with leg ulcers; attended to patients with ‘surgical ailments’ such as ‘hip disease’; gave care to those with acute illnesses such as bronchitis, pleurisy, pneumonia, measles, and scarlet fever, as well as those with chronic illnesses such as consumption (tuberculosis), heart disease, arthritis, cancer, debility, neuritis and paralysis. This image shows a Melbourne District Nursing Society (MDNS) Trained nurse (Sister) wearing a grey uniform with white collar, and a grey brimmed hat, which has a hatband with Maltese cross applied, standing behind and attending an elderly lady patient laying in a wicker bed pram outside her home. The Sister has her right hand resting on the pram and is looking down at the lady, and the lady, who has short grey hair, is smiling and looking toward the camera. Her body is covered with a floral cover. To the left, part of the horizontal weatherboards of a wooden house can be seen, and to the right and rear, a brick, tiled hip roof, building can be seen. The wicker bed pram has four spoked wheels and a metal frame that bends up to form a handle on its right hand side.melbourne district nursing society, mdns, mdns nurses, mdns patient care, mdns uniforms, rdns, royal district nursing service

Legacy have many programs to send young junior legatees on activities, camps and outings. The photos show preparations for a balloon ride. There are several balloons in the field and in the air. There are more photos of the event, a note with the photos say it was 'Ballooning weekend at Benalla 2003'.A record of a Legacy providing experiences for the junior legatees.Colour photo x 2 of balloons being prepared for take off in a field.Printed on the back 'No.6A' to '7A' which are the image numbers.junior legatee outing, ballooning

Legacy have many programs to send young junior legatees on activities, camps and outings. The photos show a balloon ride over Benalla. There are other balloons in the air. There are more photos of the event, a note with the photos say it was 'Ballooning weekend at Benalla 2003'.A record of a Legacy providing experiences for the junior legatees.Colour photo x 3 of a balloon ride over Benalla.Printed on the back 'No.8A' to '10A' which are the image numbers.junior legatee outing, ballooning

One of a series of four boards of mounted replica medals of the Australian Defence Forces. This board shows medals pertaining to World War 1. Replicas include the 1914 Star, 1914-1915 Star, British War Medal, Victory Medal, Mercantile Marine War Medal, 80th Anniversary of Armistice Remembrance Medal. Also a WW1 Memorial Plaque and Anzac Commemorative Medal. There is a cloth patch embroidered 'H.M.A.S.' and one with embroidered Air Force wings from the Australian Flying Corps. The text reproduced at the base accompanied the WW1 memorial plaques. The boards were on display in the Melbourne Legacy Foyer cabinets until June 2017.A record that Legacy holds some war memorabilia as Legatees were once solely returned servicemen.Replica medals from World War 1 mounted on silk inserts into green boards plus additional badges and medallions.Title inscribed in brass plaques say World War 1, 1914 Star, 1914-1915 Star, British War Medal, Victory Medal, Mercantile Marine War Medal, 80th Anniversary of Armistice Remembrance Medal, WW1 Memorial Plaque and Anzac Commemorative Medal. Cloth badge embroidered 'H.M.A.S.' and one 'AFC'.world war one, medals

All Saints Estate is a family-owned winery established in 1864 and located on the banks of the Murray River in Wahgunyah, Northeast Victoria. Original owners George Sutherland Smith, and John Banks, arrived from Caithness, Scotland in 1852. After being involved in a range of enterprises, they established the vineyard, including a castle based on the design of The Castle of Mey in Scotland, which was built in 1864. In 1873 in London, Sutherland Smith became the first Australian winemaker to win an award at an overseas wine show. Banks died in 1876 and All Saints remained in the hands of G. Sutherland Smith and his family, until after some variable fortunes in the late 1980s, it fell into the hands of a syndicate in 1989. After being passed in at a receiver’s auction in 1991, All Saints was acquired by Brown Brothers of Milawa in 1992. It is now owned and operated by the children of Peter R. Brown. During the early 1980s, All Saints took bulk orders for different corporations such as Ansett Air Freight, packaging them in jugs as this for special occasions or functions.This jug is representative of an historic and continuing leading Australian Winemaker located in Northeast Victoria.A pottery wine jug of tradition colours featuring a lower half of natural earthenware colour and a brown glazed top section. It has a loop handle and a cork closure. Originally it also had a wax seal closure. Company information and logos are featured on each side.On side 1: "All Saints / WAHGUNYAH, NORTH EAST VICTORIA/ Tawny Port / G. SUTHERLAND SMITH & SONS / 17.5% ALC/VOL. PRODUCE OF AUSTRALIA 750 ML" On reverse side: Below an image of an Ansett Airfreight Aeroplane: "We offer to you our warmest, / best wishes for the Christmas Season/ and a year of continued/ peace and prosperity. / Merry Christmas, / from Ansett Air Freight." Underneath the jug: " Elischer / AUSTRALIA" all saints estate, australian wine industry, north east victoria wineries, viticulture australia

Princes Court was an amusement park in Melbourne, located on St Kilda Road. Established in 1904, it closed its doors in 1909 after poor ticket sales due to Melbourne's temperamental weather. The park featured a toboggan ride and water chute ride where patrons inside open carriages were plunged down sloping structures from a height at great speeds. The park's other facilities and activities included a rifle range, a tug of war game, a Japanese tea house, a wine bar, a variety show, an open air cinema, and roller skating and bicycle races.This item contributes to our understanding of social life and recreation in early twentieth century Victoria. A souvenir booklet for Princes Court, an amusement park in Melbourne, printed for the years 1904-5. The booklet features photographs of the park's attractions, and advertisements for local businesses in Melbourne. wodonga, melbourne, princes park, amusement park, rides, fair, fairground, japanese tea house, st kilda

This publication has a hard cover with a dust jacket. It consists of 191 pages, including 85 black and white and 12 coloured images.This book includes biographies of 16 different airmen with whom the compiler has come in contact. They have had their own uniques experiences in aviation. 12 of them served in the Royal Australian Air Force (RAAF). One of the aviators featured in this publication is Joe Drage, Born on 10 July 1931 in Walwa, Joseph Gordon (Joe) Drage operated a timber mill and earthmoving business, but his great passion was aviation. After obtaining his pilot’s licence at the age of 19, Mr. Drage set about buying vintage aircraft that he feared would be sold overseas. He bought his first aircraft, a Tiger Moth in 1965. In 1972 he established Drage Historical Aircraft Museum on about 60 ha of land in Wodonga, with 5 planes. Over time this grew to 21 planes which Joe maintained so that they were all in flying order. His museum was the location for several air shows which included fly-ins by members of the Antique Aeroplane Association. The land occupied by the Museum was compulsorily acquired by the Albury-Wodonga Development Corporation and Wangaratta council bought the aircraft collection for about $2 million. They opened Drage Airworld in 1984. The cost of maintaining the collection became too much for the council which closed it down in 2002. Joe Drage died on 9 August 2017.air pilots australia, aviation history, joe drage, joe drage airworld

Air King won 1936 Champion Pacing Stallion award at the Charlton A&P Society Show. Owned by Thos AllenTwo Handled Cup Shaped Trophy with a Lid on a Wooden BaseCharlton A & P Society Show / 1936 / Champion Pacing Stallion / Won by / Thos Allen's / "Air King"trophy, harness horse, air king, 1936, charlton a&p society show, champion pacing stallion, thos allen

A document summarising events significant to Legacy in the year 1946. With the return to peacetime the question of eligibility arose. The fundamental rule on which Legacy was based 'that of honourable service overseas' was clear cut in the case of the 1914-1918 war 'but much more difficult to define in the many and varied fields of service in the war which commenced in 1939'. Discussions were continued through the war at Annual Conferences. Many members believed that membership should be open to 'any male person who served as a member of the Forces of the British Empire irrespective of whether or not overseas service was involved'. And a resolution was passed at the 18th Annual Conference in Adelaide in 1946. Similar discussions of eligibility of Junior Legacy benefits was also discussed and definitions evolved. There was an increased need to help young widows with young children. First mention of the need to have a 'toddler home' for children from age 3 to 8. A property was acquired in Balcombe road with donation from the Trustees of 'Blamey House' - a war time hostel for servicemen which was being wound up and balance of funds being donated to Legacy. (Property acquired was 'Mossgiel' in Balcombe rd but renamed Blamey house due to the terms of the donation). Also the former Red Cross property of 'Stanhope' was made ready for the first residents welcomed in December 1946. Dureau House was under 'constant consideration'. (It seems the Dental Clinic was transferred here and there other part made available to the Melbourne Technical College - but in the 1950s it was still not suitable for Legacy's headquarters and sold). Classes during the war had been difficult to find suitable halls, and 43 Market St was still being used by the Air Force. A superannuation scheme was instituted for the Legacy staff. The notation H18 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A report covering the main work of Legacy in 1946.White foolscap paper with black type x 5 pages of the achievements of Legacy in 1946.Handwritten 'H19' in red pen.history, annual summary

A copy of an address given to a Legacy luncheon by Legatee Frank Doolan. He speaks of the 24th Battalion and their role at Gallipoli and in France. The story of the withdrawal from Gallipoli is interesting. Legatees Savige and HC Brinsmead were two of the three last lieutenants on the peninsula. Both were foundation members as was John Anderson who was also mentioned. He digresses to relate a story of an evening when he was with a 'VC mate' (assumed to be L/ Donovan Joynt) and they decided to speak to the editor of the Argus, Allan Spowers, about the newspaper's stance against the building of the Shrine of Remembrance. He related the paper published an article two days later in favour of the Shrine project and shortly after so did 'The Age'. The address also relates the return to war in 1939 and the formation of the 2/24th and it fighting in Tobruk. It was absorbed into the 9th division and later a new 2/24th was formed to wear the 'Red and White Diamond'. 'This unit consisted of younger men who had served with the CNF between the wars and included several sons of Legatees and several Junior Legatees. Our President Don, was attached for a short time.' (referring to L/ Don Simonson who was president in 1970). It went on to fight in New Guinea. Legatee Doolan's aim had been to link the 24th battalion with Legacy and suggests the book about the history of the 24th Battalion by Bob Serle was worth reading. He then introduced two other speakers, Squadron Leader Hicks, Conductor of the Royal Australian Air Force Band and Mr John Anderson of AWA. From the speakers record this event was in June 1970. The notation H27 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Legatee Frank Doolan was part of the archive project around the 1970s.A significant account of the withdrawal from Gallipoli and other experiences of the 24th Battalion retold at a Legacy luncheon. Speakers at Legacy luncheons were from very different walks of life and the subjects spoken on were many and varied. White foolscap paper with black type x 5 pages of a speech by Legatee Frank Doolan.Handwritten H27 in red pen.history, battalion, speakers, speech, gallipoli, frank doolan, 24th battalion

A regular event for the widows was the annual open air concert in the Fitzroy Gardens. This event was held on the 4th March 1990 and the 3rd Military District Band performed. The concert was held in March for many years. Over 600 ladies from metropolitan and country Victoria attended. The label says that the bandleader was Major Malcolm Bell and Donald Cant was the singer. Donald was a Lance Corporal and member of the 3rd Military Band but was on leave to be the understudy for Anthony Warlow in Phantom of the Opera. The photos show the widows sitting in the sunshine and enjoying the band. Photos were taken by Susie Howard, the publicity officer, and Legatee Melican. Photos were in a scrapbook of photos spanning 1983 to 1991. A record of regular events for widows to attend and enjoy together.Colour photo x 7 of a concert in Fitzroy Gardens in 1990 and an article in the newsletter.widows, concert, activities

An outing by the widows club to visit a memorial to servicemen and women from the Woodhouse-Nareeb area. The photos show a group of ladies who attended and the plaques and memorial board. The plaque says 'These trees were planted by district people in memory of servicemen and women who died serving their country in the 1939-45 war, including nursing sisters who lost their lives in the java seas and on Banka Island. Dedicated 1978, Sister Jeffery 'Lest We Forget'. The memorial board says 'World War 2 Soldier Settlement Woodhouse-Nareeb area. The settlers served with Navies, Armies, and Air Forces of the British Commonwealth, many of their wives served with the Womens' Auxillaries and nursing services.'A record of the types of activities Legacy provided as a physical and social outlet for widows.Colour photo x 5 of an outing to a memorial in 1988.Photos are marked as 4 December 1988.widows, widows outing, memorial, daytrip

A sculpture of an Australian air force man that was produced as a commemorative piece by a Melbourne firm called Ceramic Innovations. It is filled with Tawny Port and is part of a wider set of bar pieces. The three pieces held at Melbourne Legacy are tributes to the three armed forces and are called 'Digger', 'RAAFie' and 'Jack Tar'. They were once in the comradeship room and now stored in the archive. An advertising flyer for 'Digger' shows the RRP was $110 with $5 of each 'Digger' being donated to Legacy Australia.A record that the items were souvenirs as tributes to the three armed forces.Ceramic sculpture of the head of a airforce person that is made as a bottle, with a separate hat, and contains Tawny PortGold inscription under the hat says 'Bullocks Tawny Port. Bar Piece No 14. Produced by Ceramic Innovations Pty Ltd.'souvenir, bottle, sculpture

A promotional event where Ron Barassi and Daryl Somers did a parachute jump to promote Legacy. Photos show Daryl and Ron in Fawkner Park in Melbourne and some Legatees giving scores on cards of their jump - similar to the scores given on 'Red Faces' a segment of Daryl Somers TV show 'Hey Hey it's Saturday'. The Legatees with President Brian Luscombe, George Logan and Peter Stokes. Photos of the event were published in the Herald Sun on 21/8/97 with the headline 'Jumping into thin air for a worthy cause'. And also in The Answer in October 1997. Ron Barassi was a Legacy boy after his father died at Tobruk in 1941. Daryl Somers was Legacy personality of the year in 1997 as published in The Answer.A record of a way celebrities used their media profile to promote Legacy.Colour photo x 4 of Ron Barassi and Daryl Somers parachuting to promote Legacy and an A4 photocopy of newspaper article.Printed on the back "legacy promotion, answer, ron barassi, daryl somers

Photo of Fred Bush on Anzac Day 1987. His medals include the Distinguished Flying Cross and the Distinguished Flying Medal. It is assumed Fred Bush was a Legatee. Was found in an envelope marked "For Melbourne Legacy. Anzac Day Parade featuring Legacy Lads.' From his medals it appears he served in the RAF in UK during World War 2 as he has the Europe Air Crew Star. He has a New Zealand War Service medal (on black and white ribbon on far right of photo), which implies he might have originally been from New Zealand. According to Forces War Records UK, the Distinguished Flying Cross (DFC) is awarded to Officers and Warrant officers for "an act or acts of valour and courage or devotion to duty performed whilst flying in active operations against the enemy". The Distinguished Flying Medal was the other ranks' equivalent to the Distinguished Flying Cross.A record of Legatees marching on Anzac Day and that their medals show a history of distinguished service.Photo of Fred Bush with his medals on Anzac Day 1987.Handwritten on the back 'Fred Bush Anzac Day '87 DFC, DFM' in black pen.anzac day, march, fred bush

briefings: mig 1.44 mfi testbed, xian jh-7/fbc-1 flying leopard, china’s new missiles for the harbin z-9, seoul show 1998, av-8b vma-513 nvg operations, air power update: venezuela, focus aircraft: mil mi-24 ‘hind’ (48 pages), 366th wing usaf photo feature, variant briefing: dassault mirage 2000, air power analysis: us navy

kfor – nato helicopters in kosovo, briefings: slovak live-fire exercise, project wedgetail, usn sh-3h retirement, french navy in allied force, new sukhois at maks ’99 show, rockwell b-1b upgrade feature, afghanistan today feature, vc-8 ‘redtails’ last a-4 unit feature, vt-7 retires a-4 feature, focus aircraft: mcdonnell f-4 phantom (33 pages), usmc ah-1 cobra feature, epner french test pilots school feature, variant briefing: westland lynx part 2 – navy versions, canadian armed forces photo feature, air power analysis: united kingdom

tblisi – soviet supercarrier, briefings: rutan ares, amx trainer, ayres v-1-a vigilante, vought a-7 lana and ya-7f, atlas xh-2 rooivalk, boeing mh-47e, lockheed p-7a, rockwell/mbb x-31a, hawk 100, hawk 200, english electric lightning, lockheed f-117a feature, uss forrestal cvw-6 feature, royal jordanian air force photo feature, focus aircraft: bombers of strategic air command (60 pages), variant briefing: sukhoi su-7/17/20/22 ‘fitter’, edwards afb show photo feature, air power analysis: uk air arms

The successful dropping of supplies to remote fire crews involved a great deal of experimentation. The result was a large heavy-duty cardboard container being developed in 1964 by Athol Hodgson from the FCV Fire Research Branch which employed fold-out wings and was called the “helibox”. It was suitable for supplies weighing less than 9 kg and best dropped from about 300 feet and became a standard technique. It was adopted Australia wide, but the wider availability of helicopters made the helibox eventually redundant.Unique to Victoria but adopted across Australia.Large cardboard box with "wings" to cause it to rotate when dropped from the air. With cut away sections to show how contents were packed Wings held in place by means of string office "Ty-Tite" fasteners.forests commission victoria (fcv), bushfire aviation, bushfire, camping equipment