Poster with information about Pte DA Griffin 210685 V2 1RNZIR. He made models out of bone and stone becasue he felt rejected on his returnposter, new zealand, pte da griffin

Commemorative engraved silver trowel in a black leather box with a blue silk and velvet lining. Trowel is decorated and has an inscription and hallmark on the front. It has plain bone handle. "Presented to Mrs S.G.King on the occasion on the laying of the memorial stone of the Hotham Hill Wesleyan Church Dec 16th 1872"

Black and white photograph taken at Baby Show fundraiser for Bone Marrow Registry, Champion Baby Tiah Guillot, holding trophy, with mother Wendy. Lakes Entrance Victoriacharities, clubs, fundraising

The Thomas splint is still used in war zones today. It was invented in the late 19th Century by pioneering surgeon Hugh Owen Thomas, often described as the father of British orthopaedics, born in Anglesey to a family of "bone setters". He created the so-called 'Thomas Splint', which would stabilise a fractured femur and prevent infection. This item was used for a child with a broken thigh bone.This item is an example of an early piece of medical equipment.Thomas splint is a leg splint consisting of two rigid rods attached to an ovoid padded ring that fits around the thigh.splint-thomas orbost-hospital medicine-nursing

When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called pan bone and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas This scrimshaw work is done on a sperm whale's tooth. It is one of two pieces by artist Gary Tonkin in Flagstaff Hill’s collection. Sperm whales can live for 60 or even 70 years, so the tooth could be quite old. It came from the whaling station in Albany, Western Australia, which ceased processing whales in 1978 and is now a whaling museum. The two works were commissioned by Flagstaff Hill in the 1980s. Tonkin could spend from a few days to a few months in intensive work on each piece of scrimshaw. He is a world-renowned Master Scrimshander and a Fellow of the Australian Society of Marine Artists (FASMA), and lives in Albany, Western Australia. Gary Tonkin, FASMA – Tonkin was born in 1949 in Portland, Victoria, and grew up there with a history of whaling and related industries. He moved to Albany in southwest WA in 1971 and worked as an Export Meat inspector for the Federal Government. This small town also had a historical connection to whaling. The Cheynes Beach Whaling Station was still operating, and there were even three whaling ‘chaser’ vessels at the old jetty. In 1975, his employment now permanent, Tonkin bought an old cottage near the bay, purchased some whales’ teeth, and began learning the sailors’ art of scrimshaw, combining this with his artistic skills and knowledge of history. His job gave him access to buy as many whale teeth as he could afford, straight from the whaling station. Tonkin gained further marine knowledge as he sailed on the schooner ‘Esperance’ from Fremantle to Mauritius in 1988. He watched the sailors at work and experienced the rough and stormy sea conditions first-hand. Tonkin later visited whaling museums, galleries and libraries in England and America to gather reference materials and information on all aspects of whaling and scrimshaw. In 1993 he was Commissioned to engrave six large whale teeth, from the Albany whaling station, for the USA Gallery at the Australian National Maritime Museum in Sydney. This work is now in the museum’s permanent collection. From that time, Tonkin began working full-time as a Scrimshander. Tonkin’s work is now in galleries and museums in America and Australia, as well as in private collections. He is the founder of the Albany Maritime Heritage Association and was the inaugural President. In the 1990s he actively and successfully campaigned for the preservation of the Cheynes Beach Whaling Station in Albany, which is now Whale World, an open-air whaling museum. His continuing work as a Scrimshander contributes to the preservation of the art of scrimshaw and the history of whaling. This scrimshaw represents the ancient craft of scrimshaw, associated with mariners in the whaling trade in the early 19th century. The work is also Nationally significant for being created by world-renowned Scrimshander, Gary Tonkin, from Albany, Western Australia. Scrimshaw; whale tooth carved with an image of two whaleboats hauling a dead whale back to the mother ship. Inscribed Title and signature of artist Gary Tonkin.Inscribed "Bringing in the whale". Signature "G Tonkin"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, maritime museum, flagstaff hill, perth, whaling, whales, australia, scrimshaw, scrimshander, gary tonkin, g tonkin, bone, tooth, craft, albany, western australia, cheynes beach whaling station, whale world, portland, engraving, maritime art, sperm whale's tooth, albany whaling station, albany whaling museum

This skull has been on exhibition in various displays at the National Wool Museum from 1988 when the museum opened, and removed from display in 2024. Horned sheep skullCarved into horn: MD 1 - 68sheep, skeleton, skull, bone, horn, animal

Colour photograph of a scrimshaw on a container.scrimshaw, nautical, lighthouse, ship, sailing, bone

Photograph: black and white photo of soldier in uniform. Head/shoulders portrait. Framed with glass and wooden frame. Bone mat. Signed with pencil on bottom of photo : ' L. Keith Dammatt ? 'Surbiton & Wokingorganization, military, male portrait, army, ww1

Bone coloured sheet music with green printed Gothic script lettering on cover. Title "Jesu, King of Joy and Gladness" Music by J.S. Bach, Arranged for Piano by Frederic Fifield

Huey helicopter carved out of bone mounted on a stone plinth. There ia a heart shape with v2 in red letters (standing for Victor 2company IRNZIR) over dates 67, 68V2 67 68model, nz, 'tribute 08'

Three Dunlop 'All States' Heavy Duty tennis balls with different coloured seams (bone .1; brown .2; and, black .3). Materials: Rubber, Felt, Ink, Cordtennis

Letter from Resident Surgeon of the Bendigo Hospital mentioning that William Salter was admitted to the hospital on 28 September for a fracture of bones of his leg. Letter dated 6 October 1865.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, bendigo hospital, william salter, prince of wales hotel moonta

Black satin top with lining. Inbuilt corset with three sections of boning in front, one in back. Black pattered material around neckline and sleeves. Fastens at back with hook and eyes.No visible markingscostume, female, top, satin, black, clothes

Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Edition of 4 + A/P. Pigment print by Hound & Bone Studio, screen printed and assembled by the artist and Trent Walter at Negative Press. public art, australian first nations art, printmaking

Main Street Scene Bone Saddlers and Harness Maker Times Newspaper Office. Whiteside's building at centre and Town Hall Hotel on Rightstawell

Owned by James and Ada Brimblecombe, Heywood. Later owned by Merle Lewis.Shell shaped china butter dish with gold edging. On base of bowl is a colour transfer of a scene of a bay with 3 jetties, a bath house and a road in the foreground.Front: The Harbour, Portland, Vic: (Black, lower centre) Back: Guaranteed/English bone china/made in England Royal/ Stafford (stamped logo, brown)

This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment.Used for nibbling bones during operations. In sterilised bag. Look like pliers. Handle bowed with ribbed pattern. Gripping end has egg shaped hollow before meeting to grip.medical equipment. hospital equipment. tawonga. mt beauty. bones. rongeur. operation

This plate was painted for Ray and Joyce Uebergang by Helen McNaughton in 1985. The McNaughton family were sharefarmers on Tooram Park during this period. It was given to Cheese World Museum as part of the collection belonging to the Ray and Joyce Uebergang Foundation.This plate provides an image of Tooram Park at a given period.Bone china plate with a hand painting of "Tooram Park" homestead and cheese factory, Allansford. The roof of the house is red, the walls are green and there is a picket fence in front of the house. The cheese factory is cream. H.McNaughton, 1985 - on the back of the plate 'TOORAM PARK'/ALLANSFORDtooram, tooram park, h mcnaughton, uebergang, allansford, china plates, china painting

Two piece brassiere set, from a bride's trousseau (1900)A cream two piece brassiere set. Cotton bustier with lace trim, bone/plastic stiffeners, lace up cord and cotton ties. Camisole with lace insertions, and mother of pearl buttons. brassieres, camisoles, underwear

Bernie Lamers, a much loved pioneer of the Greensborough area, passed away on Friday, January 31 2020. Bernie was a founder of the Australian Bone Marrow Register.News article 1 page, black text, colour image.greensborough pioneer, bernie lamers

Were Street Montmorency hosts musical groups each month in the 'Music in the Park' program. Groups mentioned are Black Cat Bone and Jack Nicholson Trio.News clipping, black text, colour image.were street montmorency, music in the park, montmorency traders association

Letter written on white paper and dated 21 Oct 1865. Letter refers to administration regarding Bro Salter who was in the hospital with fracture of bones in the leg. Signed by Jas Thos Holl, Sec.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, commercial hotel, court foresters home, jas thos holl

Document. Light brown booklet. Memorandum and Rules of Golden Age Gold No Liability. Certificate of Incorporation of Company. Printer: W. H. Bone & Co. 6 Deans Place, Sydney. List of names.McColl, Rankin & Stanistreetorganization, business, golden age gold n/l, mccoll, rankin & stanistreet, red white & blue extended mine, golden age gold n/l, gold mining, p browne, a harris, l harris, g harris, grey mare gold n.l, n cowey, c o'connor n conomos, c liu, r pullan, f kline, g patterson, r paisley, c hutcherson