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Brighton Historical Society
Earrings, circa 1956
These earrings were given to Marlene Austin, nee Trenberth by members of the Thai Olympic delegation when she drove them around Melbourne during the 1956 Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as an official driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.Six-sided bell-shaped silver screw-back earrings for non-pierced ears. Each of the six sides features a vine pattern with black inlays. Each earring has a hollow interior containing a small metal bead dangling on a chain, causing the earrings to jingle when the wearer moves.marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, earrings, jewellery -
Brighton Historical Society
Flag, Pennant, circa 1956
This Venezuelan 1956 Olympic pennant was souvenired by Marlene Austin, nee Trenberth in 1956 when she was working as an official driver for the Melbourne Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as a driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.White triangular pennant with a blue border. The pennant features the image of the Olympic rings, with the central ring replaced by the image of the Olympic flame burning in a cauldron atop a Grecian pillar. Inside each of the four remaining rings are images of athletes competing in sporting events: a hurdler, a shooter, two boxers and a cyclist.Above the Olympic flame, the word "MELBOURNE" is printed in black. To the right of the image, printed in yellow, red and blue, is the text "VENEZUELA A LOS / XVI / JUEGOS OLIMPICOS" At the far right is the year "1956" in yellow text on a black background.marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, pennant, venezuela -
Brighton Historical Society
Bag, Bookmaker's bag, circa 1960s-1990s
Bags such as this one were used by bookmakers to collect and securely hold punters' bets at racing events. This bag belonged to Charlie Cox, a second-generation Australian bookmaker. His father, George Gordon Cox, ran bookmaking operations primarily during the 1920s and 1930s. After serving in the Air Force during the Second World War, Charlie entered the business during the 1940s, initially fielding at greyhound, trots and gallop meetings. In the early 1960s he moved to Melbourne, where he got his first big financial break when he was offered an interstate license to operate on the rails at all city tracks. He was a leading Melbourne bookmaker on the interstate rails racing circuit from the 1960s to the 1990s, from which period this bag originated.White painted leather bag with metal fastening mechanism. A short painted leather handle is joined to the bag by metal fastening clips.Painted on one side of the bag in black letters: "C.C. COX / INTERSTATE RAILS".bookmakers, horse racing, charlie cox, c. c. cox, interstate rails -
Brighton Historical Society
Bag, Bookmaker's bag, circa 1960s-1990s
Bags such as this one were used by bookmakers to collect and securely hold punters' bets at racing events. This bag belonged to Charlie Cox, a second-generation Australian bookmaker. His father, George Gordon Cox, ran bookmaking operations primarily during the 1920s and 1930s. After serving in the Air Force during the Second World War, Charlie entered the business during the 1940s, initially fielding at greyhound, trots and gallop meetings. In the early 1960s he moved to Melbourne, where he got his first big financial break when he was offered an interstate license to operate on the rails at all city tracks. He was a leading Melbourne bookmaker on the interstate rails racing circuit from the 1960s to the 1990s, from which period this bag originated.White painted leather bag with metal fastening mechanism. A short painted leather handle is joined to the bag by metal fastening clips. A long painted leather strap is joined to the bag by metal fastening clips.Painted on one side of the bag in black letters: "C.C. COX / INTERSTATE RAILS". "C.C. COX" is also painted in black at either end of the shoulder strap.bookmakers, horse racing, charlie cox, c. c. cox, interstate rails -
Federation University Art Collection
Sculpture, 'Fire Pit' by Glenn Romanis, 2004
My visual stories seek to inform about the natural and cultural histories that attribute to the experience of country (place), in order hat the audience gains respect, understanding and a sense of belonging to the place. My practice involves various mediums in two and three dimensional form, which include permanent and ephemeral installation, paving, stonework, woodwork, metal work, lighting design, illustration, mural painting and mosaic work. I am competent in using all these mediums, but do have a preference to stone and wood. Having been involved in public and community art as a designer and sculpture/maker in both individual and collaborations for the past fifteen years, I have been fortunate to work with and partake in various collaborations and project teams; working with council organizations, landscape designers, art practitioners, artisans and arts workers. (https://www.glennromanis.com/biography, accessed 08 June 2022)Glenn ROMANIS Wurundjeri/woi wurrung and Boonwerrung This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A fire pit with sculpted redgum seats in the shape of a gum leaf. It was created for the Arts Victoria 'Artlands' Conference held in Horsham in 2004. Artlands is a national event designed to reflect and respond to emerging trends and shine a spotlight on arts in regional Australia. It is designed to showcase new thinking, present contemporary work, and generate exchange and conversations. The programming champions best practice and strengthens a national network of artists and practitioners working in regional, rural and remote Australia. Presented and delivered by Regional Arts Australia, Artlands is positioned as a multi-art, cross-industry and inter-generational. It presents a critical survey of the contemporary regional cultural landscape; and provides much-needed opportunities for artists to gather, present work and enter into meaningful exchange.art, artwork, aboriginal, glenn romanis, sculpture, campsite, camp fire -
Federation University Art Collection
Artwork, other, 'Eel Trap with Emu Feathers' by Bronwyn Razem, 2013
"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available -
Vision Australia
Programme - Text, 3KZ Carols by Candlelight program 1948, 1948
Carols by Candlelight is a Christmas concert held at the Sidney Myer Music bowl. Programs and candle holders were sold, and collections made during the event to raise money for the Austin Hospital and the Red Cross. 3KZ also recorded the concert, which was played on radio on Christmas Day with a phone number to ring to donate. Prior to the Carols program at 10pm, the Red Cross organised an International Peace Pageant of various cultural groups as a prelude to the event.1 volume with photographs and illustrationscarols by candlelight, austin hospital, red cross, margot sheridan, melbourne aboriginal choir, max balderson, ann boulton, robert simmons, robert payne, mary miller, joan arnold, rex barber, university string orchestra, lawrence warner, coburg girls choir -
City of Greater Bendigo - Civic Collection
Decorative object - Corporate Gift :: Pewter Tankard, The Bendigo Bicentennial Community Committee, 1988
The bicentenary was celebrated on the 26th of January 1988 by many Australians to mark the arrival of the 11 ships of the first fleet in Botany Bay and Sydney Cove on Bidjigal and Gadigal Country. The Australian Bicentennial Authority (ABA) was set up to plan, fund and coordinate projects that emphasized the nation's cultural heritage. State Councils were also created to ensure cooperation between the federal and state governments. Engraved pewter tankard with handle.Engraved on front; Image of tall ship with text The Australian Bicentenary / 1788 - 1988 Engraved on back; Presented to the / City of Bendigo / For it's Valued / assistance to / The Bendigo Bicentennial / Community Committee / 1988 - 89 Base; Kirra Pewter Australiacity of greater bendigo events -
Canterbury History Group
Book, Fiona Poulton et al, Boroondara Remembers: Stories of World War I, 2015
This brings to life the stories of the Boroondara residents who were impacted by WWI, both at home and overseas, by evocatively capturing the stories of Boroondara families and individuals whose lives were irreversibly changed by WWI. It follows the Boroondara ANZACs and their passage to war and details life at the time on the Home Front. The publication acts as a lasting legacy and provides a valuable resource for future generations.Includes photographs, notes, bibliography, archival sources and index. 211 pagesnon-fictionThis brings to life the stories of the Boroondara residents who were impacted by WWI, both at home and overseas, by evocatively capturing the stories of Boroondara families and individuals whose lives were irreversibly changed by WWI. It follows the Boroondara ANZACs and their passage to war and details life at the time on the Home Front. The publication acts as a lasting legacy and provides a valuable resource for future generations. world war 1914-1918, boroondara, oral history, personal histories, australian society -
Hymettus Cottage & Garden
Magazine, Life Australia
This is volume 1 of 45 held in the library at Hymettus cottage and bound in covers as a book, one of three volumes incorporating every edition in the series.. Life Australia was produced at Melbourne Victoria in 1967 and ran to 45 volumes when closed by the parent company in the USA in 1968. Although very American in the views espoused it was a significant step in attempting to produce a magazine of international focus in Australia. The brief period was also significant in Australia and the magazine covered events such as the Beatles visit to Australia, the seven day war in Israel, the conflict in Vietnam and the drowning of Prime Minister Harold Holt.The magazine, Life, was cosmopolitan and sophisticated in the USA and the Australian edition was identical in format, although fussing on local perspectives. it concentrated on serious current affairs and more profound cultural and political analysis, as well as a strong focus on fashion, lifestyle and nature. It was known for its striking front covers and high quality, stylized photography. and the local product lasted through 1967-68 producing 45 editions before ceasing and reverting to the International product.harold holt, vietnam war, australia, life australia magazine, melbourne, the beatles -
Kadimah Jewish Cultural Centre and National Library
Photograph - Scanned photographs: Danielle Charak in 1973 and 1986
Danielle Charak was a key figure in Yiddish Melbourne and a Kadimah committee member. The photos show Danielle at some of the many Kadimah events she participated in.danielle charak, moshe ajzenbud, kadimah events -
Headquarters 3rd Division, A.I.F. Historical Society
Digital Photograph, Emily Grant, 25 April 2017
... . It represents and shows a tradition and an important cultural event ...Photograph of the ANZAC DAY March in Melbourne, Swanston Street, 25 April 2017. Taken before the step off of the Headquarters 3rd Division corner of Flinders Street and Swanston Street outside Young and Jackson pub. Includes Tim McClure holding banner (son of William McClure, WWII), and World War II veterans visible in wheelchairs Ray Scales (left) and Alec McClure (right). Veterans are surrounded by family members.A photograph of the 2017 ANZAC Day March, including World War II veterans marching. It represents and shows a tradition and an important cultural event.Colour digital photograph of 2017 ANZAC Day March, Melbourne. 3.5 MB JPEG file, unknown DPIanzac, anzac day, ww2, wwii, world war 2, world war ii, headquarters third division, march -
Parks Victoria - Gabo Island Lightstation
Bottle
The clear, green tinged bottle with lip, collar and high shoulder, has raised embossed information on the body indicating that this is an Irish whiskey bottle from Mitchell & Co., of Belfast. It formerly had a cork stopper. The Kiewa Valley Historical Society has one of the same bottles in its collection and estimates its date of manufacture to be the 1890s.Whatever their provenance, they have an association with an event or activity on Gabo Island and for this reason have second level contributory significance for their potential to yield information relating to the cultural history of the lightstation.Clear green glass bottle, narrow neck, rounded shoulders of body of bottle."Irish Whiskey / Mitchell & Co of Belfast Ltd" Trade mark picture of crown on front. -
Parks Victoria - Gabo Island Lightstation
Bottle
This dark brown bottle with lip, collar, neck and gently sloping shoulder, was made by the Bottle Co. of Victoria P/L for Melbourne Bitter. The Parks Victoria inventory indicates that the bottle dates to 1925. Still brewed today, Melbourne Bitter has been made since 1904, when the Melbourne Cooperative Brewery in Abbotsford was formed by well known pub owners that included Henry Young of Young & Jacksons, and future Lord Mayor Sir Stephen Morrell. They made four beers – Abbotsford Stout (which became Abbotsford Invalid Stout in 1909), Abbots Lager, Melbourne Bitter and Abbotsford Sparkling Ale. Of those, Melbourne Bitter and the Invalid Stout remain largely unchanged and both are now brewed by the South African owned CUB. The bottle was found in the sea or on the island.Whatever their provenance, they have an association with an event or activity on Gabo Island and for this reason have second level contributory significance for their potential to yield information relating to the cultural history of the lightstation.Dark brown glass bottle, tall with gradual tapering to a narrow opening. Slightly misshapen. White coating on one side.Within a club motif, "M.B.C.V" "The property of the manufacturers. / Bottle co of Victoria Pty Ltd" "6 1925" -
Parks Victoria - Gabo Island Lightstation
Bottle
Embossed information on the side shows it to be the property if H.M. Leggo (1869-1938), a Bendigo merchant and manufacturer of grocers’ sundries that included pickles, sauces and condiments. In the 1920s the company expanded into chemicals such as arsenic, rabbit poison and pest sprays. Leggo’s bottles for condiments and preserves tended to be made of clear glass. The square base and tapered body is similar to the J Kitchen & Son brown phenyl bottle, and the Leggo bottle may have also contained a household chemical substance. It was found in the sea or on the island.Whatever their provenance, they have an association with an event or activity on Gabo Island and for this reason have second level contributory significance for their potential to yield information relating to the cultural history of the lightstation.Brown bottle with four flat sides. It tapers up, beginning with a small square base widening out and tapering to a narrow neck with a thread for a screw top. The bottle has a screw rim top, collar, short neck, four shoulders and a tapered body leading to an edged base.On side, "THIS BOTTLE IS THE PROPERTY OF H.M.LEGGO & CO LTD." On the side,"Reg.No 9376" -
Parks Victoria - Gabo Island Lightstation
Bottle
Found on Gabo island or in the sea or on the beach. This is identified as a typical nineteenth century rum bottle.Whatever their provenance, they have an association with an event or activity on Gabo Island and for this reason have second level contributory significance for their potential to yield information relating to the cultural history of the lightstation. Thick dark green glass bottle. Scratches over surface of bottle. It has a lip (for a cork), slightly bulbous neck, rounded shoulders and a tall tapered body. -
Parks Victoria - Gabo Island Lightstation
Jar
The glazed stoneware pot is an oyster jar made by Powell potteries, Bristol, probably between 1860 and 1880. Pickled oysters were a regular food of the poor in England in the 19thc. Sam Weller, Charles Dickens’ character in Pickwick Papers (1836-37) commented that ‘Poverty and oysters always seen to go together’. In England, pickling oysters for transport to inland towns and long voyages became an industry. The jar was found in sand near the jetty in 1999.Whatever their provenance, they have an association with an event or activity on Gabo Island and for this reason have second level contributory significance for their potential to yield information relating to the cultural history of the lightstation.Ceramic jar. Squat shape, body of jar is cream coloured. Spots of mildew on side. The jar has a pronounced lip, short neck, sloping shoulders and rounded body. Just below the shoulder, the glaze colour changes from brown to stone."POWEL &DB Stol" -
Wodonga & District Historical Society Inc
Functional object - Thomas Chubb Shield, C. 1936
The Baranduda and District School Sports Association held its first interschool sporting competition in 1936. Schools included in this association were Allan’s Flat, Bonegilla, Baranduda, Leneva, Mitta Junction, Staghorn Flat and Wodonga West. This commemorative trophy, The Thomas Chubb Shield, was donated to the Sports Association by Mr. Albert John Chubb, in memory of his father. Mr. Thomas Chubb was a successful businessman in Albury and an active supporter of many institutions and community organisations in the Albury Wodonga area. Mr. Albert Chubb actively supported school sports carnivals across the district, including being the official starter at many events.This trophy has local social and cultural significance as it provides evidence of sporting and social interaction between the small schools in the Wodonga and surrounding communities,A wooden shield presented to recognise winners of the Baranduda and District School Sports Association from 1936 to 1949. A metal hanger is attached to the top.On top metal banner "THE THOMAS CHUBB SHIELD" . On central shield "BARANDUDA /AND/DISTRICT/ SCHOOLS/ SPORTS ASSN. On small shields from top to bottom, "LENEVA 1936/ BONEGILLA 1939/ LENEVA 1941/ LENEVA 1949/ LENEVA 1948/ LENEVA 1947/ ALLANS FLAT 1940/ MITTA JUNCTION 1937"baranduda sports association, school sports, wodonga district, thomas chubb -
City of Kingston
Photograph - Colour, 31 July 2000
The Olympic Games were held in Sydney in 2000. The Olympic torch progressed through Australia and prominent sporting or cultural identities were invited to carry the torch through their local areas.Colour photograph depicting Craig Kimberley of Just Jeans (retail store) surrounded by people, including a boy wearing a paper bandana that says "I saw the torch". The photograph has been taken outside Westfield Shopping Centre (Southland) and the event was part of the torch relay for the 2000 Olympic Games.Handwritten in black ink on reverseL Craig Kimberley / Just Jeansolympics, torch relay -
Melbourne Tram Museum
Photograph - SW5.758 on Macarthur Street, Michael McLeod, c. 1980s
... ., trolley poles) and livery representing a culturally important ...Photograph shows SW5 No. 758 on Macarthur Street. Trolley poles are visible and in use. The Hotel Windsor in Spring Street is visible in the background. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Michael Johnson, sponsored by the State Insurance Office. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.758 on Macarthur Streettrams, tramways, sw5 class, art trams, transporting art, public transport, tram 758 -
Melbourne Tram Museum
Photograph - SW5.802 on Victoria Parade, Michael McLeod, c. 1980s
... (i.e., trolley poles) and livery representing a culturally ...Photograph shows SW5 No. 802 (with "Special" indicated on the route banner) on Victoria Parade, between Nicholson Street and La Trobe Street. Trolley poles are visible and in use. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Kim Donaldson, sponsored by Challenge Bank. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.802 on Victoria Paradetrams, tramways, sw5 class, art trams, transporting art, public transport, tram 802 -
Melbourne Tram Museum
Photograph - SW5.829 on Victoria Parade, Michael McLeod, c. 1980s
... a culturally important event in Melbourne's transit history. Trams ...Photograph shows SW5 No. 829 on Victoria Parade, between Nicholson Street and La Trobe Street. Trolley poles are visible and in use. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Eve Glenn and Megan Evans. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.829 on Victoria Paradetrams, tramways, sw5 class, art trams, transporting art, public transport, tram 829 -
Melbourne Tram Museum
Photograph - SW5.806 at Flinders Street Station, Michael McLeod, c. 1980s
... ., trolley poles) and livery representing a culturally important ...Photograph shows SW5 No. 806 (with "Special" indicated on the route banner) on Victoria Parade, on Flinders Street with Flinders Street Station in the background. Trolley poles are visible and in use. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Elizabeth Gower, sponsored by Canon Australia. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.806 at Flinders Street Stationtrams, tramways, sw5 class, sw5 class tram, art trams, transporting art, public transport, tram 896 -
Melbourne Tram Museum
Photograph - SW5.682 on Swanston Street outside the City Baths, Michael McLeod, c. 1980s
... (i.e., trolley poles) and livery representing a culturally ...Photograph shows SW5 No. 682 on Swanston Street. Trolley poles are visible and in use. The Melbourne City Baths is visible in the background. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Merrin Eirth, sponsored by the Australian Broadcasting Corporation Radio. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.682 on Swanston Street outside the City Bathstrams, tramways, sw5 class, art trams, transporting art, public transport, merrin eirth, city baths, tram 682 -
Melbourne Tram Museum
Photograph - SW5.723 on Swanston St/City Baths, Michael McLeod, c. 1980s
... ., trolley poles) and livery representing a culturally important ...Photograph shows SW5 No. 723 on Swanston Street. Trolley poles are visible and in use. The Melbourne City Baths is visible in the background. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Bob & Lorraine Jenyns, sponsored by Wattyl Paints. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.723 on Swanston St/City Bathstrams, tramways, sw5 class, art trams, transporting art, public transport -
Melbourne Tram Museum
Photograph - SW5.738 on Spencer St Bridge/World Trade Centre, Michael McLeod, c. 1980s
... ., trolley poles) and livery representing a culturally important ...Photograph shows SW5 No. 738 on the Spencer Street Bridge. Trolley poles are visible and in use. The Melbourne World Trade Centre is visible in the background. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Jeffrey Makin, sponsored by Dulux Australia. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.738 on Spencer St Bridge/World Trade Centretrams, tramways, sw5 class, art trams, transporting art, public transport, tram 738 -
Melbourne Tram Museum
Photograph - SW5.731 on Peel St/Queen Victoria Market, Michael McLeod, c. 1980s
... (i.e., trolley poles) and livery representing a culturally ...Photograph shows SW5 No. 731 on Peel Street. Trolley poles are visible and in use. Queen Victoria Market is visible in the background. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Lesley Dumbrell, sponsored by Carlton & United Breweries Ltd. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.731 on Peel St/Queen Victoria Markettrams, tramways, sw5 class, transporting art, public transport, tram 731, arts trams -
Kadimah Jewish Cultural Centre and National Library
Programme, Mirele Efros. Front cover advertising of 2 forthcoming events; 1938
Play in 3 acts produced by N. Ginterdovid herman theatre, s. ginter, s. oliver, p. jedwab, e. silman, i.ginter, a. mrocki (mortski), n. ginter, r. oliver, l. jedwab