Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Raschel Area Spools on machinesRaschel Areaindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male Employee in warehouse on computer.industry, aunde

Photographs were most likely used for promotional purposes. Black and white photograph of a spinning machine in landscape format.textile machinery, wool manufacture, wool, spinning

Colour photograph a cross in front of a burnt landscape at Kinglake.bushfire, black saturday, kinglake

Colour slide in a mount. Landscape, possibly Montreal, CanadaMade in Australia / 7 / MAY 67M6slide, robin boyd

Colour slide in a mount. Huts in landscape, unknown locationDate: / Subject / Encircled 33F (Handwritten)slide, robin boyd

Photograph of the fundraising committee, and social function for The Most Popular Conductress Competition award, held on 30/9/1944 at the Ballarat City Rowing Club, after the formal announcement on 31/8/1944 at the Melbourne Town Hall ball.Demonstrates a photograph of the fundraising committee.Calendar - A4 landscape - wire bound produced for 2015.most popular conductress, sylvia mitchell, tramways, red cross, ballarat

Painting of a wooden building with brick fireplace and wagon in the landscape. Signed (L.r) 'Clifton Jan 52'clifton pugh, painting, landscape, dunmoochin

Painting depicting an old man with pipe painting in the landscape. Signed (L.r) 'Howley 79'. On reverse: Label (L.r) '37 Out painting with Clif Pugh by John Howley'. john howley, painting, portrait, clifton pugh, landscape, dunmoochin

Gouache painting of a reclining female nude in landscape with banksias.Dated (L.r) '11.8.76'clifton pugh, painting, gouache, female nude, banksias, landscape

Helen BURGESS (c.1927 - 08.03.2018) Born Sydney, New South Wales Helen Burgess gained a Diploma of Design and Craft, and instructed Craft in the Occupational Therapy Departments of Repatriation and Rehabilitation. In 1957 she came to Victoria, gaining a Technical teachers Certificate from the Bendigo School of Mines. Soon after moving to Ballarat in 1973 she joined the newly formed Ballarat Embroiders Guidance Group (later Embroiders Guild). She lectured in Craft at the Ballarat Institute of Advanced Education from around 1974. She retired from the Ballarat College of Advanced Education in 1982. Helen Burgess was also an office bearer with the Ballarat Field Naturalists Club. Helen retired from BCAE in 1982 as Lecturer in Art and Craft, having commenced at BIAE approx. 1974. This work was possibly exhibited at the Embroiderers Guild, Victoria - Ballarat Branch. In 2015 Helen Burgess was considered one of the guild's longest members, at it was thought she was a foundation member of the Ballarat Branch.Textile landscape featuring applique, and hand and machine embroidery.Signed verso 'H. Burgess'.artwork, artist, helen burgess, textiles, embroidery, applique, landscape, ballarat field naturalists club, embroiderers guild

Entrance to Port Fairy Botanical Gardens. The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Sepia landscape of the gates to the Botanical Gardens (taken on a slant)Post card - correspondence-Addressbotanical, garden, park, griffith street, gates

This photograph shows a young boy hand-milking a cow in the Animal Nursery at the Royal Melbourne Show, unknown year. From the early 1990s, the Animal Nursery introduced programs where visitors could see more farm experiences, such as milking cows, sheering sheep, and an ewe birthing centre.Black and white photograph, landscape, printed on glossy paper.[annotations on reverse] Pg 27 67% / W.F.08 1.55 / 3 / DOUBLE TAKE / 18 CARLYLE ST. ASHWOOD / VICTORIA, 3147. 25 7635 / 0 1192-C29 / P. 11/ 33% /children, kids at show, farm experiences, cow, dairy cow, milking, animal nursery

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Photographs show and extension devise for a standard folding metal ladder. This addition allows for a person to go higher up the ladder with the advantage of having something to hold on to when free standing or leaning against a wall or fence. 5 colour photographs - 4 portrait, 1 landscapeviosh, victorian institute of occupational safety and health, graduate diploma in occupational hazard management, ballarat college of advanced education, ladder extension, warrnambool, 1988

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Photographs show spray unit. Demonstrations are at Traralgon (.1 to .4 plus .7), Bendigo (.5) and Ouyen (.6) 7 colour photographs - 2 portrait, 5 landscapeviosh, victorian institute of occupational safety and health, graduate diploma in occupational hazard management, ballarat college of advanced education, spray unit, traralgon, bendigo, ouyen

The countryside in this photograph was completely burnt out in February when a severe grassfire raged across the land in February 2024. This is a photograph of the same area taken in the following September 2024 after welcome rain brought growth back on the paddocks.A coloured digital photograph of a green landscape with hills in the background.springtime, grassfires, riddell road, riddells creek

WOOD FRAMED WATERCOLOUR LANDSCAPE OF CLUNES.PAINTED BY A. C. COOKE.local history, illustrations, watercolour

Sepia toned oil landscape in a brown wooden frameSticker marked 27landscape, oil painting

This photograph was taken during a bus excursion to Tatong in North East Victoria, held by the Wooragee Landcare Group in September 2004. The purpose of the excursion was to look at land use on small farms. As part of this, the excursion included a visit to Samaria Farm, run by Sue and Don Matheson. In this photo, taken at Samaria Farm, Don Matheson is discussing the management of his commercial rose garden. Events like this meet Wooragee Landcare's organisational goals of promoting best land management practices, cooperating and engaging with landowners, and providing information on plant management and care. This object is significant as a record of Wooragee Landcare's activities and community involvement. Landscape colour photograph printed on gloss photographic material. Reverse: "WAN NA E0NA2N2 NNN+ 1 4240/ don matheson, sue matheson, matheson, tatong, excursion, bus trip, wooragee landcare, wooragee, landcare, wooragee landcare group, samaria farm, roses, commercial rose garden, rose growing, education, activity, 2004, rose, farm, small farms, land use

Western Aranda artist, Gerhard Inkamala. Born in 1917, Gerhard was the nephew of Albert Namatjira and grew up being inspired by his artwork and the surrounding landscapes. He became a skilled artist and during the 1940s was one of the founders of the famous Hermannsburg School of Art. In the 1950s Gerhard and his brother Adolf were included in a group exhibition in Alice Springs at the home of Rex Battarbee who was the Warrnambool-born art teacher of Albert Namatjira. He died in 1977.A landscape scene showing the Australian outback. Trees and shrubs in the foreground with rocky hills in the background. The foreground is an ochre/orange colour and the hills and rocks in the background are a blue/grey colour. The sky is clear and blue. Signed bottom right. The work is mounted on cream mountboard and framed in a white timber frame under glass.'Gerhard Inkamala' signed bottom right hand side of the painting.