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Flagstaff Hill Maritime Museum and Village
Lithograph, The Schomberg
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oak with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck, The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Lithograph of the Schomberg. The vessel is partially rigged with a buoy in the foreground. Behind the vessel are a number of small boats. The writing on the lithograph states "The Schomberg, GALOP Dedicated to Mrs Charles Schomberg (of Liverpool) by Chas D'Albert" Two names BRANDARD and M & N HANHART.IMP on bottom of lithograph.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, brandard, lithograph, m & n hanhart.imp -
Federation University Art Collection
Work on paper - Lithograph, Ballarat in 1852.(Looking North West from Mt Buninyong), 1887
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed chromo-lithograph depicting a landscape with deep slopes. The lithograph is from Withers 'History of Ballarat'.art, artwork, s.t. gill, samuel thomas gill, f.w. niven, buninyong, ballarat, landscape, available -
Flagstaff Hill Maritime Museum and Village
Artwork, other - Lithograph, Cedric the Saxon
Lithograph of "Cedric the Saxon" Lithograph from the painting by Jack Spurling. Frame 12" x 10"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cedric the saxon, lithograph -
Brimbank City Council Art Collection
Off-Set Lithograph, River Landscape
Off-set Lithograph -
Brimbank City Council Art Collection
Off-Set Lithograph, John Powell, Rowers and birds
Off-set Lithograph -
Gippsland Art Gallery
Print, Forbes, Rodney, Your Song, 1996
Artworks Gallery Collection. Donated by Norman & Petah Creighton, 2018Coloured lithograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Von Guerard, Eugene, Junction of the Buchan and Snowy Rivers (Gipps Land), c.1866-68
Purchased with the assistance of the Caltex Victorian Government Art Fund, 1982Coloured lithograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Von Guerard, Eugene, Moroka River Falls (Foot of Mount Kent) (Gipps Land), c.1866-68
Purchased with the assistance of the Caltex Victorian Government Art Fund, 1984Coloured lithograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Von Guerard, Eugene, Moroka River Falls (Foot of Mount Kent) (Gipps Land), c.1866-68
Purchased with the assistance of the Gippsland Art Gallery Society, 2008Coloured lithograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Macqueen, Mary, Nullarbor, c.1983
Donated by Charles Nodrum, 2019Colour lithograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Macqueen, Mary, Untitled (Jetty at Cowes, Phillip Island), c.1970
Donated by Charles Nodrum, 2019Colour lithograph on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, ROSE, William b. 1929 Newcastle, New South Wales d. 1997, Untitled, 1968
Three colour lithographSigned and dated lower right beneath image, pencil "W Rose 68" Edition 17/50 lower left corner under printed image. -
Latrobe Regional Gallery
Print, ROSE, William b. 1929 Newcastle, New South Wales d. 1997, Untitled, 1968
Three colour lithographSigned and dated 'W Rose '68' lower right corner of printed image. Edition 26/50, lower left of printed image. -
Latrobe Regional Gallery
Print, COLEING, Tony b. 1942, Dollars 39, 1979
Two coloured lithographSigned and dated 'T. Coleing '79' in lower right under printed image. Edition 11/22 lower left under printed image. -
Latrobe Regional Gallery
Print, COLEING, Tony b. 1942, Drawing for Sculpture, 1970
Two colour lithographSigned and dated 'Coleing 70' lower right corner of print. Edition 14/25 lower left corner of print. -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - The Devil's Punchbowl near Mt Schanck, George French Angas
Near Mt Schanck 1822-1861Hand coloured Lithograph -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Waungerri Lake and the Marble Range 1846 - 1847, George French Angas
England, New Zealand, Australia 1846-47Lithograph, hand coloured -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Portraits of the Aboriginal Inhabitants in their Various Dances, George French Angas
Australia 1846-1847Hand coloured Lithograph -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Der wandernde Tod (The Wandering Death), Ernst Barlach
German 1870-1938Lithograph (Schult 225)Signed l.r -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Leaning Narcissus 1978, Arthur Boyd
Australian 1920 - 1999Lithograph 71/90Signed -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Image of Lear 2 1977, Noel Counihan
Australia 1913 - 1986Lithograph s.97Title, edition, signed and dated, Signed on reverse on plate -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Moon Turtle 1978, Leonard French
AustraliaLithograph 156/300 -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Chac-mool 1967, Lorenzo Guerrero
Mexican 1835 - 1904Lithograph 1/10Signed, dated and edition -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Nude 1992, Louis Kahan
Australia 1905 - 2002Lithograph 8/50Signed. dated and edition -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Reflections on the Bashevis Singer 1968, Franz Kempf
1926 -Lithograph 156/300 -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Bust of Working Woman with Blue Shawl 1903, Kathe Kollwitz
German 1867 - 19453-colour Lithograph -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Fallen in Battle [Gefallen] 1921, Kathe Kollwitz
German 1867 - 1945Second version lithographSigned -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Rousing Orator [Der Agitationsredner], Kathe Kollwitz
German 1867 - 1945Lithograph K.224Signed and illeg.inscriptions. -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Bound Trophy and After Image 1978, Les Kossatz
Lithograph 156/300 -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Bush Scene, Illawarra 1851, Conrad Martens
Hand coloured lithographTitled and initialled l.r