Black & White studio Photograph. Young woman in graduation gown. Mortar board on knee. Printed Front. Duryea 158a Rundle Street Adelaide. Reverse. From the Studio of F Duryea, artist in Photography, No 158a Rundle Street Adelaide.F Duryea Adelaidephotograph, person, female

Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century. This object forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.Box of dry glass negative plates for developing photographs. In pencil on face of box "MR PHIL GEEPER/46 THOMAS MITCHELL DRIVE WOD"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Before true aerial photography became possible, photographers such as J.F.C. Farquhar were compelled to shoot their images from the highest vantage point. Here, it is presumed to be the roof of Xavier College, from which the panoramic view extends west towards the rise of Studley Park. The houses in the foreground face the southern end of Gellibrand Street. Wellington Street is at an angle to the camera with the Queen Street intersection on the near right. The wooden building behind the large horse paddock on the other side of Gellibrand Street is the Kew Recreation Hall, built 1888, demolished 1960. It was reputed to have one of the finest dancing floors in or around Melbourne. The Bowling Green at the rear of the Hall belonged to the Kew Bowling Club. Further west is the Kew Railway Station on Denmark Street, opened to the public in 1887. At this period, much of Studley Park was locked up in large landholdings, dominated by large mansions such as ‘Byram’. Bird's Eye View Looking Westkew illustrated, kew where we live, photographic books, henry kellett, denmark street, kew recreation hall, kew bowling club, wellington street

A copy of an early black and white photograph of Marysville in Victoria taken by Nicholas John Caire.A copy of an early black and white photograph of Marysville in Victoria taken by Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. Photography - Caire, N.J. Town of Marysville In: Victorian Views 1905 - Album 224. P.24 National Library of Australiamarysville, victoria, nicholas john caire

Black and white photograph. Jersey bull standing in the Bull Paddock.On reverse, "Selsey Spotted Prince 2 yr old 1939," and, "Photography by W.R. Garrett Phone Hawthorn 3685 No. 4170."selsey spotted prince, 1939, w.r. garrett, bull, jersey bull, bull paddock

Emily Ann Hanson Stitfold was born in Ballarat in 1866 to Thomas Stitfold and Sarah Stitfold (Hanson). There were six children, one boy and five girls. Emily attended photography classes at Ballarat School of Mines in 1896 (Grade !) and 1898. Photography was a new course offered and she was one of the first students to attend. She became a member of the Ballarat Amateur Photographic Association. Emily died in 1948 and is buried in the Ballarat Old Cemetery. (BN Section 19 Grave 9). Her parents, Thomas and Sarah are also buried in the Old Cemeterywomen of note, ballarat school of mines, emily stitfold, photography, student, ballarat amateur photographic association, ballarat old cemetery, thomas stitfold, sarah stitfold

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.High Street West, Tower Place on the left. Businesses shown include Wodonga Warehouse Centre, Rob Lacey Photography, Vid Hire and East West Airlines . Tower Place was built by Arthur Dunstan, owner of A. Dunstan & Sons Hardware and timber mills. On sign above building "Tower Place", on front of building on left "WODONGA WAREHOUSE CENTRE"wodonga businesses, high st wodonga, wodonga warehouse centre, tower place

Percy Fairlam was an early 20th Century photographer living and working in Cheltenham. Fairlam captured important social and landscape scenes in and around the Cheltenham area including cliff faces, sea baths, and rock pools. With the outbreak of World War I (WWI), Fairlam began training in Seymour and documented preparations for war, comradeship and the voyage to France and war. Shrapnel to the shoulder, on 4 January 1917, saw Fairlam evacuated to England and resulted in him being separated from his personal possessions. As such, all these images have been lost. After the war, Fairlam moved into the family business and no longer pursued professional photography. However, he continued to take an interest in the art form capturing intimate family moments as well as continuing to capture social and landscape scenes.Black and white photograph of a Richard William Percy Fairlam (Percy Fairlam) standing in the doorway of a small wooden building. Above the doorway is a painted sign advertising it as the photography business of R.P. Fairlam. In the large window at the front of the shop a number of photographs can be seen.Handwritten in red ink on reverse: 115% Black printed text on a white round sticker on reverse: 71

Black and white photograph: image shows woman dressed in dark coloured dress, holding book in right hand. On bottom of image : ' extra copies, 1s. Academy of photography, Send number. Hansen Bendigo. Enlargements from this or any photo from 5s. To 25s.'Hansen, Bendigoperson, individual, female portrait, bendigo, sandhurst, hansen, academy of photographersz

Colour photo of a statue of Simpson & his donkey carrying a soldier wounded in action. Statue is mounted on a granite pier. Guilded timer frame with cream coloured cardboard mount & glass.Printed label on back: “Man with the Donkey Melbourne, Victoria Natural Beauty Photography by Val Morris (03) 5443 4088 16”photography - photographs, frame accessories, simpson

Group photo of 9 employees. Bendigo works part crew, August 1973. On rear of photo is a stamp that reads I.A.P. Member Rick Altman Photography Suite 5, 564 St Kilda Road Melbourne, 3004 PH. 519343, Ref. No. 341.F12.lbusiness, retail, gas and fuel

Sepi print mounted on cardStamped on reverse: A.J. Spark Collection Photos 1900-1930 Photography Late Albert Jones Diamond Valley Tel: 83 - 3561henley bridge, yarra river, row boat, uniden, unidentified

Written on back of photograph, 'Banquet to institute the fund-raising efforts of Scots Church, Ringwood'. Stamped on back of photograph, 'John Gallagher Photography'.

Written on back of photograph, 'Mr. Burgess, President Ringwood Jaycees welcoming new Australians'. Stamped on back of photograph, 'John Gallagher, Photography...'

Photo of the new Ringwood North State Bank premises, opened 23 January 1983At the corner of Dickson's Cresent and Warrandyte Road, Ringwood North. Photographer - Les Gorrie Photography, 28 Waldemar Road, Heidelberg. Negative #82335

The new Ringwood North State Bank premises, November 1979 on the north-east corner of Dickson's Cresent. Exterior view.At the corner of Dickson's Cresent and Warrandyte Road, Ringwood North. Photographer - Les Gorrie Photography, 28 Waldemar Road, Heidelberg. Negative #2389

The new Ringwood North State Bank premises on the south-east corner of Dickson's Cresent. Showing customer service area. Opened 23 August 1982At the corner of Dickson's Cresent and Warrandyte Road, Ringwood North. Photographer - Les Gorrie Photography, 28 Waldemar Road, Heidelberg. Negative #82334

Black and white photograph. Female student, Elspeth Newman, empyting pears out of canvas bag, attached to her with a harness, into wooden packing case. Pear tree and wooden ladder behind her.On reverse, Athol Shmith Studio Illustrative Photography 125 Collins Street, Melbourne, C.1. Cent 27. No. 17701 Position E.elspeth newman, pears, canvas bag, packing case, athol shmith studio, students working outside, orchard, pear tree, ladder, publicity

Is on the site of the Oriental Bank Corporation, but in a different building. 18cm x 12.5cm black and white photograph of the Senior Citizens Club Rooms at 7 Sydney Street Kilmore. Single story brick building with an access ramp on the south side of the building. Two cars are parked on the street, one on each side of the road. Printed on glossy standard photo stock. Possibly the same cite as the Oriental Bank Corporation. Stamped on the back of the item: John Squire Photography 633 Rathdowne Street N. Carlton - Phone 347 4922 NEG No. B4049-16banks

Copy of a newspaper article titled Colonial Bendigo on display. Date written at the top of the page Dec 1 - 1984. Article mentions an exhibition organised by the Bendigo Art Gallery of the early photographers on the gold field. Wet plate photography was used. Other mediums were also used such as engraving, artists drawings, lithography, water colours and diorama. Artists mentioned are George Rowe, S T Gill, Alex Fox, Nicholas Caire, Wet Plate Photography, Thomas Ham, Edwin Stocqueler and Ludwig Becker. There is also a photo by Nicholas Caire, taken 1875. showing the excavation of quartz reef and mine buildings near Iron bark Hill.bendigo, history, long gully history group, the long gully history group - community focus - colonial bendigo on display, bendigo art gallery, george rowe, s t gill, alex fox, nicholas caire, wet plate photography, thomas ham, edwin stocqueler, the advertiser, ludwig becker, burke and wills expedition, mine buildings near ironbark hill, victoria hill

Rare copy of E C JOSHUA and Captain LARKIN work."Albert Park from the Gasworks to the Lagoon" Copy of aerial photography 1921 of former lagoon area taken by E C JOSHUA (photographer) and Captain H J LARKIN (pilot). "Views from an Aeroplane" black and white copy. Plus separate sheet giving brief description of photographtransport - aviation and aerodrome, sandridge lagoon, natural environment, recreation, built environment, parks and gardens, e c joshua, h j larkins, gasworks, schumaker mill furnishing works, pump house, sugar shed, joshua bros distillery

Magazine - 116 pages + light card cover, perfect bound, titled "Ballarat Lifestyle Magazine - Autumn 2017", featuring an article on Cuthberts939. Featuring photographs of the tram and a Q&A session with Peter Waugh - all type of odd questions. Words by Eliesha Rae, photos William James Photography.trams, tramways, cuthberts 939, ballarat, tourism, lake wendouree, btm

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.High Street West, Tower Place on the left and Highpoint on the right. Tower Place was built by Arthur Dunstan, owner of A. Dunstan & Sons Hardware and timber mills. Businesses shown include Wodonga Warehouse Centre, Highpoint Furniture, Rob Lacey Photography, Vid Hire, East West Airlines and Retravision.On sign above building "Tower Place", on front of building on left "WODONGA WAREHOUSE CENTRE"wodonga businesses, high st wodonga, tower place, highpoint wodonga

Four page entry form for Portland Camera Club's 7th exhibition of photography, 26th and 27th October 1967. Contains information on classes, judges, general conditions of entry etc. Back page is actual entry form. White paper, green print, Portland Camera Club logo on front.Front: 'Impact, composition, colour' - handwritten, blue biro. Back: 'Name of Exhibitor 'Miss B. Vivian' and details of exhibits - handwritten, blue biroportland camera club

Photograph of Cooper sheaing machinery display at the Royal Melbourne Show, c1951.Photograph of Cooper sheaing machinery display at the Royal Melbourne Show, c1951.Wolfgang Sievers Photography 9 Collins Street Melbourne C.I. Display Cooper shearing gear and engines Royal Melbourne Show circa 1951shearing machinery, cooper engineering company pty ltd wolfgang sievers photography