Showing 1985 items
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Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled (Early Pastoral Industries), n.d
Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting a man bent over to shear a sheep. His shirt sleeves are rolled up and he is bent toward the viewer.sculpture, industry, rural, copper, bas-relief, shearing, sheep, shearer -
Stawell Historical Society Inc
Memorabilia - Realia
Stawell Sheep breeders Association Stawell Sheep Show Champion Prize Medalstawell -
National Wool Museum
Photograph - Drover, Boonoke Station, 1960s
One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing a man riding a horse drawn cart with sheep in front. A dog follows the cart in the foreground.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W48 / W48. Drover, Boonooke Station.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool -
Wodonga & District Historical Society Inc
Negative - Haeusler Glass Negatives Collection - Harry Schuster blade shearing
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The Schuster family were also of German migrant background. Johannes Edward Schuster was born in Hoyles Plains, South Australia and with his wife Johanna and young family moved to Victoria circa 1882. He took up farming land in Wodonga West. The St John’s Lutheran Church Sunday school hall was erected from part of the proceeds of the sale of some 41 acres of land at Wodonga West, which had been bequeathed to the Wodonga congregation by the late Johannes Edward Schuster. This land was the original home site of the Schuster family on arrival from South Australia. Shearing - Although the first mechanised sheep shearing machine was created by James Higham, from Melbourne in 1868, the use of blade shears were more common well into the early 20th century. Pastoralists on smaller holdings continued to either shear their own sheep or employ blade shearers rather than outlay the cost of machines. In large sheds, professional shearers worked as they travelled the country. They would earn around 17 to 20 shillings per day in the early days of the wool industry. However mechanisation continued and by 1915 most sheep shearing sheds in Australia contained sheep shearing machines. The original machines were powered by steam and later combustion engines were used. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. Harry Schuster shearing sheep using blade shears. wodonga pioneers, haeusler family, glass negatives, dry plate photography, blade shearing, schuster family -
National Wool Museum
Taxidermy Sheep, Booka, c1980
The ‘Wanganella’ merino sheep stud was established by the Peppin brothers in the Riverina in 1861. The introduction of a single French ‘Rambouillet’ Merino ram, called Emperor, is now widely acknowledged as one of the most important events in the development of the Peppin stud. As many as 70% of today’s Australian Merinos are said to be directly descended from the Peppin-developed sheep. Its heavy fleece falls in the mid-range of Merino wool qualities (20 to 23 microns) and is protected from the excesses of the environment by a comparatively high content of natural wool grease, which can be seen in the creamy colour of Booka’s wool. Fred Peppin said [of the sheep breed] "We were satisfied with the type of wool that the country would grow, instead of endeavouring to produce what the climate and soil continually fight against. Thus we developed all its good natural tendencies and after that the flock had a character of its own.”Peppin merino stud. Has a large body and long legs. Two horns protruding from its skull.sheep, wanganella -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Live sheep being loaded onto live sheep transport ship from trucks, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Live sheep being loaded onto live sheep transport ship from trucks, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Live sheep being loaded onto live sheep transport ship from trucks, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Live sheep being loaded onto live sheep transport ship from trucks, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Live sheep being loaded onto live sheep transport ship from trucks, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
National Wool Museum
Tarndwarncoort Sheep Coats, 1975-2013
Used at Tarndwarncoort by Wendy Dennis and family. Small blue Lambs coat made in Australia, Yellow and white coats made in Australia by ?Goblin? Company in Australia about 35 years ago with rheem material polypropylene. Both Green coats are large sizes (Korean Made) Current Coats used now by Tarndwarncoort are made in China from Nylon material. These coats were decorated by year 12 students at Colac High School for Fashions on the field (no sign of this is visible on the coats. The coats come along with several articles written by Wendy Dennis about her methods of producing coloured wool and growing sheep. A series of photographs are also provided which add to the provenance and significance of the items. Used by the Dennis Family at Tarndwarncoort. Prominent woll growing pastoralist and settler family at the historic Tarndwarncoort homestead. These types of coats are used to protect fine grade and high quality wool while still on the sheep's back. These coats were made in Australia, and while these types of coats are still used, they are now made in China and Korea. 5 small sized lamb coats. shaped to fit a sheep with leg straps or holes in the rear, and joins, shashes and ties at the front. Light Green Dark Green White Yellow Grey letter from Wndy dennis of Tarndwarncoort Article titled 'Breeding Coloured Sheep and using Coloured wool' by Mrs. W. S. Dennis. Article Titled 'Coloured Sheep and Wool: Exploring Their Beauty and Function' by Mrs. W. S. Dennis. Article Describing the Tarndwarncoort property and its history. A4 Black and white photograph of Tarndwarncoort sheep wearing coats such as the ones in this collection -
National Wool Museum
Textile - Wool Samples, CSIRO, Matilda's Wool Samples, 2005
Matilda was a Merino ewe who went missing for over 5 years on cattle country just outside of Hamilton. When she was found she had over 30 kgs of fleece that needed to be shorn. She was shorn in Melbourne's Federation Square in 2005. Her fleece was then processed into fabric by CSIRO. The fleece made enough fabric for six jackets. The jackets were auctioned at Crown Palladium Ballroom in March of that year. The winners had their jacket tailored to their measurements by Blazzer. All profits from the auction went to Celebration of Life, a fund established to support Victoria's Royal Children’s Hospital neonatal unitFour samples of wool in the different stages of process. The first two are of the raw fleece from the sheep, the second has been washed and combed, the third a fabric sample created from the wool.wool, sheep, merino wool, missing sheep, maltilda, fleece, csiro -
Flagstaff Hill Maritime Museum and Village
Furniture - Bench, c. 1950s
The stamp on this bench depicts a sheep hanging from its waist. This logo is on the Warrnambool City's coat of arms. It is also on the Bank of Australasia's coat of arms. However, there is no further information about the history of tis bench is currently available, it is believed to be homemade from around 1950s.Item at this time cannot be associated with an historical event, person or place, provenance is unknown.Bench, wooden, painted black. Made of planks. Inscription stamped onto wood.Depicts an imprint of a sheep hanging with back mid section. The words "Highly Inflammable" "H" (section missing) "GH"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, wooden bench, bench made of planks, bench, workbench, hanging sheep logo, suspended sheep -
National Wool Museum
Certificate
Certificate used to accompany sale of pure merino rams sold by Sturgeon family to certify that sheep are descendants of His Majesty George III's Flock.Certificate used to accompany sale of pure merino rams sold by Sturgeon family to certify that sheep are descendant of His Majesty George III's Flock. Black print on cream coloured paper, Gray's Hall address.For details...Wool from this flock No 625merino sheep - history, sturgeon merino, sturgeon, mr t. b. sturgeon, mr glen -
Hume City Civic Collection
Photograph, c1955
A black and white image of Miss Uraina Cullinan and William Clark drenching sheep in a yard at her farm "Bayview" in Diggers Rest.on back: Wm Clark / Uraina Cullinancullinan, uraina, eileen, chris, farming, farms, bayview farm, clark, william, sheep, drenching, george evans collection -
Federation University Bookplate Collection
Work on paper - Bookplate, ex libris Ralph Moran
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. Framed image of a sheepSigned Rhyll Plant in pencil below image.bookplate, australian bookplate design awards, kieth wingrove trust, international bookplate design, ex libris -
Linton and District Historical Society Inc
Photograph, O'Beirne's skin drying racks, Linton
Black and white copy of original photograph showing lines of sheep skins hung out to dry. Three in wearing hats and overalls and a boy standing in front of the skins. Trees in the background.o'beirne, skin, sheep, farming, drying racks, linton, business, wool -
Glenelg Shire Council Cultural Collection
Print, Are we falling off the sheep's back?, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of: a sheep transport boat; sheep truck; abattoir; sheep and protestors. The background is blue, green and silver, and features large silos. The text "Are we falling off the sheep's back?" is at the top of the work, as well as a simple map of the "Persian Gulf" with "Kuwait" marked.Front: RBR 28 (lower right image, printed) 30/50 (lower right) (pencil) Back: 35 -
Hume City Civic Collection
Equipment - Animal Ear Marker
Used on Sheep Farm in Coleambally, NSW to mark sheeps ears with that particular farms brand. Used approximately 1960.Steel spring handle with one side having brand cut out and other side brand protruding to fit together when squeezed. Hole in one handle."W.JNO BAKER" "BAKER"farm implements, farming, george evans collection, 1960s, sheep, farms -
Orbost & District Historical Society
ledger, 1911-1914
This ledger was used by the Shire of Orbost from 1911 - 1914. It was used to record fees paid for Dairy Registration, Dog Registration and Sheep dipping. At that time dairy farmers were required to register all milking cows. Dogs, too, were to be registered and there were strict laws on sheep dipping. Every sheep-owner was to dip all his sheep immediately after shearing and directly from the shearing-board in every year and also at the time of dipping his sheep dip all his lambs. In case the sheep couldn't be conveniently dipped directly from the shearing board they were to be placed and kept in a securely fenced paddock to be dipped within sixty days after shearing. Sheep-owner who neglected or failed to comply with any of these directives were liable to a penalty of not less than One pound nor more than Twenty pounds. The shire covered an area of 9,347 square kilometres and existed from 1892 until 1994 when it became part of the East Gippsland Shire Council. Orbost was at first included in the Bairnsdale Shire from 1882 and was later part of the Tambo Shire. Because of travelling distances the Croajingalong Shire was created in 1892 (name changed to Orbost Shire 17.2.1893 with James Cameron as the first Shire President. In 1994 it amalgamated to become part of East Gippsland Shire Council. The item was donated to Orbost & District Historical society from P.R.O.V. as a Place of Deposit (POD) item for safe keeping by a local history group or museum. The shire covered an area of 9,347 square kilometres and existed from 1892 until 1994 when it became part of the East Gippsland Shire Council. This item is a record of local council accounting. The Shire of Orbost no longer exists as it was absorbed by the East Gippsland Shire Council.A dark blue, leatherette covered ledger cash book with tan spine, stitched marbled end covers. Records are handwritten in blue and red ink and blue pencil. It contains records of Dairy Registration fees, Dog Registration fees and Sheep Dipping fees.Inside the front cover is a list of contents.ledger orbost-shire-council sheep-dipping dairy-registration accounts -
National Wool Museum
Sculpture - Bollard, Jan Mitchell, The Lost Bollards, 1999
Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell -
National Wool Museum
Drench Gun
C Victor Roberts' drenching gun for sheep.PATENTED/ No106-154/9-6-38/ C Victor Roberts VICTOR RD/DEE WHY NSW FOR COROSIVE MIXTURES/ BLUESTONE ARSENICNICOTINE /ALSO PHENOTHIAZINE/ NOT OIL K406 Victor BLUESTONE SHEEP DOSERanimal health, sheep diseases, sheep parasites, sheep stations management, sheep - diseases, sheep - parasites, sheep stations - management -
Linton and District Historical Society Inc
Certificate, Lismore A. & P. Society Annual Show, P. Howell
Fleece was entered in the show by Percy (Ronald Percival) Howell who farmed Corriedale and Merino sheep on his property at Mannibadar. His sons were Ray, Ron and Mervyn (who was killed in action in the last days of World War II).Cream cardboard certificate with black printed text. Used to document items on display at the Lismore A. & P. Society Annual Show in the 1950s. Provides name of exhibitor, description of sheep fleece on display, and judge's remarks.Text: " Lismore A. and P. Society / ANNUAL SHOW, SATURDAY, NOVEMBER , 195-. "lismore a. & p. society, percy (ronald percival) howell, rural activity, lismore a & p show -
National Wool Museum
Slide, Strong Merino ram
Slide of a strong Merino ram. Strong merinos are usually grazed in the semi-arid areas of the inland where the annual rainfall is below ten inches. Formerly stored in presentation folder as part of "Merino & Australasian Breeds of Sheep Set No. A866" series by the Audio Visual Education Centre, Education Department of Victoria.Slide of a strong Merino ram.Merino & Australasian Breeds / of Sheep / Set No. A866 / No. 4 / Strong Merino Ram VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAmerino sheep -
National Wool Museum
Slide, Super Fine Merino Ram
Slide of a superfine Merino ram. A superfine merino produces the finest and best wool in the world. Found in higher rainfall areas. Formerly stored in presentation folder as part of "Merino & Australasian Breeds of Sheep Set No. A866" series by the Audio Visual Education Centre, Education Department of Victoria.Slide of a superfine Merino ram.Merino & Australasian Breeds / of Sheep / Set No. A866 / No. 1 / Super Fine Merino Ram VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAmerino sheep, wool superfine, slide, wool - superfine -
National Wool Museum
Shearing Handpiece
Wolseley No. 3 type shearing handpiece. Serial no. 52039.Wolseley no. 3 shearing handpiece.THE / WOLSELEY / SHEEP / SHEAR / 52039shearing, wolseley sheep shearing machine co. ltd -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Ramp to load sheep onto ship, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Ramp to load sheep onto ship, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Protests against live sheep transport, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Livesheep export/ protest (blue pen, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Protests against live sheep transport, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives