Drawing - titled - "Carlton - Proposed new control room and remodelling of existing control room", coloured with a water colour brush, showing the proposed extensions to the Carlton control room, drawing Number S842, dated 9-5-1961. Shows the ground and first floors, mess room, offices, stairs and control room layout. Has the external elevations and sections.Has some pencil notations front and back re lights and sketch.trams, tramways, carlton, control centre, power supply, electrical engineering, electrical switching

Sketch of a man wearing a suit jacket, shirt and tie. Hair is roughly sketched above a high forehead and heavy eyebrows.Front: K.S. Anderson (signature, lower right) (blue pen). 13 November 1981 (lower right). Jenny Ward (signature, lower left in image) (pen). Back: 1996 (upper left) (pencil)

Photographic copy of sketch: Fire at the Victoria Sugar Co. Australian Sketcher 12 July 1875 (digital image on database)'B2' and '13' on backfire and fire services, built environment - industrial, victoria sugar co

This is the art work of Hans-Wolder von Gruenewaldt and relates to his time when incarcerated as a Refugee in Camp 13 Murchison during World War 2. His personal story covering the years 1939 to 1947, was written by the author in March 1961 and translated into English by his son Axel von Gruenewaldt. His artwork, images and supporting material, was compiled and formatted by Kay Ball, President, Murchison and District Historical Society IncOblong book. Colourfui sketch of Hans-Wolter von Gruenewaldt on cover as he sketches scenes from Camp 13.Hans- Wolter von Gruenewaldt .Prisoner of War Camp 13 Murchison: his story and his art.hans-wolder von gruenewaldt

Reference book. Fawn card cover Sketches of various scenes in brown. the title also in brown. Sketches by John Glover (Local Artist).R A Blachfordstawell

A programme of an art exhibition of 77 pieces of artwork by Lieutenant Daryl Lindsay in 1919. The Introduction was written by the war correspondent CEW Bean. Mr Lindsay's connection with Legacy is not known. A legatee Ray W___ donated this copy of the exhibition programme and the original of the cover print and a watercolour 'The road to Poperinghe' to Legacy in October 1984. At one stage they were in the Comradeship Room. As at December 2019 the original of the cover print is on loan to the Shrine of Remembrance and on display. The caption at the Shrine reads," 'Soldier'1918 by Daryl Lindsay (1889-1976). Daryl Lindsay was appointed an official war artist in 1917. He had worked as a batman for his brother-in-law Will Dyson, also an official war artist, from the end of 1916. Lindsay's sketches documented the facial injuries of soldiers, in order to assist then plastic surgeons undertaking facial reconstruction at Queen Mary's Hospital in Sidcup, Kent. His artistic skills led to his appointment as an official medical artist at the hospital in 1918." The notation H34 in red pen shows that it was part of an early archive project that was trying to capture the history of Legacy. A soldier put together artwork about World War One and exhibited it in Melbourne in 1919. Later two of his artworks were donated to Legacy.Dark brown cover with cream insert of a sketch of a solider. Coffee coloured pages x 6 with navy text held in place by a bronze colour thread.Handwritten H34 in red pen. Handwritten inside front cover a note added in 1984 about the donation of a original artwork to Legacy. "Presented to Melbourne Legacy by Legatee Ray W___ on Founders Day 25 Sept 1984 with the original of the cover print and water colour "The Road to Poperinghe", both hung in Comradeship Room October 1984."history, world war one, daryl lindsay

BHS CollectionPhotocopy of sketch book belonging to George Harris. There are 15 photocopies, mostly depicting landscapes sketches, Only one is dated 1872.drawing, pencil, george harris sketches

Print of ink sketch on (Christmas) cardThree holes at top marginart, artists, bill caldwell, montsalvat, the grand hall montsalvat

Thelma Morton studied at the Ballarat Technical Art School.Pen sketch of a girl wearing a shawl.alumni, portrait, dorothy woolcock, ballarat technical art school

Sketch of pier and Pacific Hotel at lorne

Postcard reproductions of two ink sketchesarden, c.j. dennis, toolangi

Sketch of Butchers Shop in Patrick Streetbutchers, cooper bros

Photograph published in the Australasian Sketcher of Daylesford.daylesford, wombat hill

RMIT University's first ceremonial mace was commissioned by Professor David Beanland, Vice-Chancellor, Royal Melbourne Institute of Technology in 1992, and designed by Ian Wong, a lecturer in Industrial Design. It was the result of a collaborative effort, with staff from industrial design, gold & silversmithing, sculpture, engineering, applied physics, and optical technology working on its production. Materials used include carbon fibre, optical fibres, computer chips, honeycomb aluminium, gold, titanium and crystal. This design drawing shows how the University's distinctive pixel log (that conveys a sense of being at the forefront of technology) was incorporated into the design of the top element of the mace. Michelle Novacco, 2017Sketches of designs for RMIT ceremonial maceSigned bottom right corner, 'IAN WONG / iw / 1992 'ceremonial mace, industrial design

Sketch featuring bedhead for Lipshut housepencil, paper, cardboard

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Pen and ink sketch of two magpies.Signed lower left "Neville M. Bunning"art, artwork, watercolour, neville bunning, magpie, birds, unframed

Edwin (Ted) CANNON Ted Cannon was a student of the Ballarat Technical Art School, and a cartoonist with the local Ballarat newspaper.Pencil sketch of a barber working on a client.ted cannon, edwin cannon, cartoon, caricature, hairdresser, barber

The Staughton Memorial on High Street, Melton, is a memorial to Captain S.T. Staughton, D.S.O, M.L.A., scion of the locally prominent Staughton family who died at a young age. Sketch of the lamp and design for the restoration of the memorial pioneer families