Textiles. Oval in shape, with a scalloped edge trimmed with a fine picot edged braid. The floral ''needle weaving'' embroidery comprises two petalled flowers, with raised bulliow stitch embroidered centres. Leaves and buds on either side of the flowers are also fine examples of needle weaving. Eight tiny buds complete the centrepiece.textiles, domestic, needle weaving embroidered doyley

Textiles. Black cotton crocheted handbag with black xylonite or celluloid frame with push clasp. Chain link carrying handle. Circular crochet pattern decorated with 1 cm bobbles. Bottom edge trimmed with 10 cm black cotton fringeing. Unlined but has remnants of black satin lining around opening.textiles, domestic, black cotton crocheted handbag

Textiles. Black clutch style handbag with strap ( 1.5 cm wide). Front fold over flap decorated with embroidered pattern of stripes and circles on black cotton fabric. Inside lined with black polished cotton. Two internal side pockets. Gold coloured metal press-stud fastener on front flap.Label stitched inside 'Made by Jack Eaton' Handbags Pty Ltd NSWtextiles, domestic, ladies clutch style handbag

Textiles, yellow cotton cushion cover. One side overlayed by tapestry weave fabric. Drawn thread work has created an all over 12 X 12 pattern of 3 cm squares. Each square has an embroidered wheel spoke pattern of yellow embroidery cotton. Machine made. Unfinished.textiles, domestic, cushion cover

At Mayoral Ball, Crowning of Queen of Textiles, 1951 To Mr Fairnie/ with best wishes/ from ADA Carmel Lourey/ or/ Elsie Bonetextile mills - staff textile mills - history textile mills, returned soldiers and sailors mill, kidman, mr g. l., textile mills - staff, textile mills - history, textile mills

One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.Yarn sample card: card wound with four samples of woollen yarn, each yarn sample is the same design but in a different colourway. The card is printed with the label COL: and handwritten with the colour names.NOIR/PURPEL/ STELL/WILLOWtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history

Photograph shows the installation of the new Sulzer weaving looms in the early 1970s, they replaced the old Hattersley looms that were in use at the time. The gentlemen in the suit overseeing the procedure was Jack St Quentin, maintenance manager at the time. - Greg AldridgeColour photograph of textile machinery being installed at Foster Valley Mills. Image shows Elliots Mobile Cranes, Geelong supporting machinery being guided through mill doorway.woollen mills, textile mills, foster valley mill pty ltd valley worsted mill, sulzer weaving looms

Thirty six page book with black and white text and graphics. Front and back cover feature colour graphics, with the front showing a detail of brown and yellow textile with green text. front: [printed] CRAFTS / IN / WOOL / BY JESSE JENKINS / A WOMAN’S WORLD PRODUCTION / 1’3fashion, women, knitting, crochet, home life, patterns

Textiles. Woven thread design, edged with a 2.5 cm fringe. A deep coffee coloured linen, with a woven deign in the centre 8 cm square, surrounded with a 2 cm wide border, woven in a different texture. This in turn is edged on each side, with a slanted woven thread, then a .7 cm band of a separate texture before the outer fringe.textiles, domestic, square linen doyley

Textiles. Grey cotton gloves. Fastened at wrist with dark grey plastic button (1.4 cm) and button hole. Three pin tucks on back of glove. Three other pairs still inside cellophane sleeves. 2 X size 10; 1 x size 9 1/2. Stapled. Beehive labels removed , uncatalogued.Label inside RH glove ''Dent's cotton Made in England''.Cardboard label-removed and stored separately, ''The Beehive 4R 13/11''. Printed on Cellophane sleeves, 'Dents gloves'. 'Hand in Glove with the World'. Made in England'. Picture of a Gloved hand holding a world glove.textiles, domestic, grey cotton gloves

Textiles. Black leather handbag with gold metal fittings (brass) flap with rectangular press button fastener. Mirror inset underneath front flap. Three sections inside with leather lined coin purse inside centre section. One inside pocket lined with light brown cotton fabric. Double strip leather strap.textiles, domestic, black leather handbag

The members pictured had served in the 58th Bn, the Essendon Rifles.Large wooden fram with 22 photographs of members of the 58th Bn stuck onto a red textile background. On many of the photos are the names of the members pictured there position in the unit an whether they were K.I.A5/6 rvr, 58th battalion, ww1

Samples of woollen yarn mounted on a board. From the Collins Bros' Mill, used by textile designs for creating patterns and design for sale to the publicSample display. Numbered cards of woollen yarn mounted on a wood display board. The woollen yarn is multi-coloured. yarn production, collins bros mill pty ltd

This textile is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Cabin Trunk Cover, white with knitted lace fringe on all sidesNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, flagstaff-hill-maritime-village, trunk cover, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods, textile

Blackened Khaki cotton webbing ammunition pouch, Pattern 1937 W.E. – accessory for pistol holster (see item #0242). On back of pouch: brass clips for attaching to webbing belt and cotton sleeve for attaching to (above) pistol holster.Inside flap cover: "ZL & T Ltd" (refers to ... Zephyr Looms & textiles) On snap fastener: UNITED CARR CANADA (on snap fastener)

Textiles. Possibly Brussells linen lace. Oval in shape, very fine net is overlaid with a floral design of linen lace. A spray of 16 x 1.5 cm diameter flowers, and 1.0 cm leaves are attached. Clusters of the flowers edge the net, with fillers of filligree type lace. Outer edge has a scalloped effect of linen woven lace.textiles, domestic, net and lace oval doyley

Textiles, pink cotton fabric handkerchief bag. Front has an overlay of cream coloured tapestry fabric embroidered with cross stitch and lines of pattern. Bag has a 4 cm cream coloured frilled lace edge on all sides. One side is hemmed and open. Decorative 2 cm pink ribbon bow in one corner. Hand made.textiles, domestic, pink handkerchief bag

Textiles. A war time souvenir from Palestine. Pale gold silk, embroidered with a depiction of the''Mosque of Aman (?) Souvenir of Palestine, 1942, floral emblems and a bow. A 4cm long silk fringe in gold and reddish colours borders the cushion. Back of the cushion is gold coloured cotton. Machine and hand stitching. Possibly machine embroidery, in a ''chain-stitch'' pattern.Souvenir of palestine 1942. Mosque of Aman (?) (Omar).textiles, domestic, pale gold cushion from palestine.

Textiles. Diamond shaped pieces-five X 3.5 cm pieces of velvet, and mixed fabrics in shades and patterns of brown, cream, blue,russet and green. Crushed velvet backing in mid brown colour. Some evidence that the insert has been embroidered(Possibly a recycled cushion). Some diamond shapes are severely worn, while two are completely missing.textiles, domestic, velvet and mixed fabric cushion

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. These three bolts of fabric come from the same run of fabric used to tailor Suit Jacket 8045. All fabrics were designed by Nino Corda while he was working at the Foster Valley Mill. The bolts of fabric have an attached swing tag. This swing tag details information such as composition of the fabric, total amount of fabric and the design number.Three bolts of fabric with repeating pattern in 100mm grid. All three bolts have frayed edges, indicative of their need to be sent for finishing. The dominant colour in all three fabrics is grey. 8044.1 has red and green lines running vertically and horizontally and an attached swing tag. 8044.2 has red and orange lines running vertically and horizontally and an attached swing tag. Fabric bolt has yellow label attached to one edge of fabric, depicting the fabric’s number. 8044.3 has orange and blue lines running vertically and horizontally. No swing tag is attached.8044.1. Swing tag. Typed wording. Front. foster / valley / Pty / Ltd. / (Incorporated in Victoria) 8044.1. Swing tag. Typed and handwritten wording. Reverse. JONO TAILORING / CALL NO……………. / DESIGN 6302-49-5 / PIECE NO 9528 / METERS 3.5 STRINGS…………… / NET METERS…………… / COMPOSITION / 70% WOOL 30% POLYESTER 8044.2. Swing tag. Typed wording. Front. foster / valley / Pty / Ltd. / (Incorporated in Victoria) 8044.2. Swing tag. Typed and handwritten wording. Reverse. left over (?unknown handwriting?) / CALL NO…………… / DESIGN 6302-49-2 / PIECE NO…………… / METERS 6.0 STRINGS…………… / NET METERS…………… / COMPOSITION / 70% WOOL 30% POLYESTER.textile design

Textiles. Calico flour bag with the following printing in red and blue with blue chequer board pattern ( 18.5 cm X 11 cm). ''O-SO-LITE. Super fine plain flour, saifted through silk, 10 lbs net when packed. O-So-Lite Products Pty. Ltd. Lennon Street, South Kensington, Victoria,3302, 61.textiles, domestic, o-so-lite flour bag

Textiles. Calico bag printed on one side, ''Three Bears Porridge'' Rolled Oats. Jas. F. McKenzie & Co. Pty.,Ltd., Australia - 7lbs net. Background picture in red, yellow and black of The Three Bears holding porridge bowls. Baby bear is crying. Printed below ''Somebody's been tastin' my porridge an' they've eaten it all up''.textiles, domestic, jas.f.mckenzie calico flour bag

This tabard is one of a small number that were produced/woven by Japanese master weaver Jun Tomita during the period that he was resident artisan at the Jam Factory in Adelaide. The tabard incorporates Ikat/Kasuri woven central panels. Tomita was born in 1951 in Toyama prefecture, and is based in Kyoto, the textile centre of Japan. The technique he uses kasuri (the Japanese term for ikat) is selectively pre-dying yarns before weaving to create pattern. The other decorative features of this garment are based on Japanese family crest designs (kamon). The pointed shoulders of this garment are reminiscent of the stiffened shoulders of kataginu, the upper part of the kamishimo ensemble that was formal wear for samurai men. Tomita was at the Jam factory from 1976-78 and he has works in numerous public collections, including: - Stanthorpe Art Museum, Art Gallery of South Australia / Australia - Oslo National Gallery / Norway - National Museum of Israel / Israel - Stedelik Museum, Museum of Rotterdam / The Netherlands - Denver Art Museum, St. Louis Art Museum, Long House Foundation - Cooper-Hewitt Museum of Art/USA - Victoria and Albert Museum, UK - Toyama Prefectural Museum of Art, Japan The donor purchased this tabard from an exhibition held at Wool House in Parkville Victoria, which was sponsored by the Australian Wool Board to promote the use of Australian Wool in textiles and fashion at that time, around April/May in 1977. At that time (1976-1977) the donor owned and run a retail/display shop for craft products such as ceramics, artworks and jewellery. The donor subsequently retained this in storage with some other items since the business closed.Double sided reversible tabard featuring woven centrals panels. One side is navy blue with white and blue detail panels, one side is grey with green, brown and cream central panel detail.textile, tabard, japan, art, clothing, weaving, fashion, design, ikat, kasuri

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo:Desks, Computor, telephone, Yarn, Second desk - sample designAUnde Australia Ltd. logoindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Shelving with wire containers of yarn, plastic over open topsAUnde Australia Ltd. logoindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Office, 2 Women, 2 Men, planning calanders, file, computers, clock 1.50 PM.AUnde Australia Ltd. logoindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Dyer in lab coat using glassware to mix dye. Open cupboard with dyes Glassware racked above sink, glassware drainingAUnde Australia Ltd. logoindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Machinery in Dye HouseDye Houseindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male worker turning machine on/off - manuals on side of machine. Information on wallAUnde Australia Ltd. logoindustry, aunde