Collection of photographs of 19th and early 20th century Melbourne.35 p. black and white illustrationsmelbourne, james flood

Article celebrating the Tower Hill State Game reserve and the new Natural History Centre, designed by Robin Boyd.Double page, p 34-35walsh st library

Yields information about the tram line near the Sebastopol terminus, the tram liveries in 1963.Black and white print on heavy matt photographic paper of No. 35 leaving the Sebastopol terminus heading back into the city. In the photograph is the telephone line along the road, passengers waiting at the next stop, trees along Albert St and shows the arrangements of the tram line in association with the street itself. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "35 Sebastopo1963" 2nd copy has label "Reference 6/113/9 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, sebastopol, tram 35

Original bell from the first Eltham Fire Station in Arthur Street erected on a tower in November 1928, the station opened in January 1929. In 1988 the bell was mounted beneath a wooden sign of Country Fire Authority, Eltham Fire Station, 909 Main Road, Eltham. As of September 2023 the bell is in the same location, with the signboard gone, suspended in a steel metal tower-like frame. The bell has seen service at the original Eltham Fire Station in Arthur Street (1928-1931), Henry Street beside the Rechabite Hall (1931-1935), Main Road (east side, site of present-day Coles 1935-1965) and 909 Main Road (1965-present). Samantha Robertson 1988 Entrant No. 1 Ref: Series 34 Items 1, 2, 42-45 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, country fire authority, eltham, eltham community photographic survey, eltham fire station, eltham photographic survey exhibition, film - ilford xp1 400, fire bell, main road, samantha robertson, scan - 35mm negative, series 34, series 35

Yields information about Ballarat's trams during crossing at the Gregory St loop during 1965.Agfa blue/white mount, colour slide of trams 35 southbound to Sebastopol and 35 northbound in Lydiard St North, crossing at the Gregory St loop, 27-4-1965. No. 35 has a dash canopy advert for Dancing at the Civic Centre."27-4-65" in ink.tramways, trams, lydiard st north, gregory st, tram 35, tram 37

A small A5 size 35 page booklet.

small booklet 35 pages of drugs and protocols for mobile imtensive care unit personnel and coronary care unit staff 3rd edition 1978

Local scene, Keilor, Margaret, cowling, watercolourKeilor Pioneer. Watercolour, 35 x 54cm

The Victorian Centenary Book 1834-35 1934-35. The Story of the Marong Shire from its inception, contains black and white photographs. Torn coverbook, rural, marong shire

1957, 35, city of heidelberg repertory group, heidelberg theatre company inc, directed by elaine robinson

Photograph of No.43 without trolley poles being moved by No. 35 at Wendouree Depot 13-4-1956. Photo by Wal Jack, Negative T234. Note the "Belmont" destination. See item 9600 for a copy negative. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeYields information about bogie trams prior to entering service in Ballarat.Digital image from the Wal Jack Ballarat Album. On rear of photograph in ink "SEC Ballarat No. 43 without poles. No. 35 on rear, outside Wendouree depot 13-4-56" with W. Jack stamp in the top right hand corner and number "T234". trams, tramways, bogie trams, depot, wendouree parade, new trams, tram 43, tram 35

This book covers the period 1939-45, which was the most momentous period in the history of the tank. Includes 160 pages of coloured drawings with descriptive text. The book is divided into two sections - Book 1 dealing with 'Blitzkrieg Era' of 1939-41, and Book II covering the years 1942-5, in which some of the greatest tank battles of all time took place. ISBN 0 907408 35 4world war 2, military history, tanks, armour, armoured fighting vehicles, b t white, world war 2, military history, tanks, armour, armoured fighting vehicles, b t white

Colour slide in a mount. Watt House (c. 1949), 2901 Point Nepean Road, Blairgowrie, Victoria, Australia. (Architects: Mockridge Stahle & Mitchell)Made in Australia / Encircled 35 (Handwritten)slide, robin boyd

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Possibly Honolulu, Hawaii, USAMade in Australia / 35 / JUL 69M6slide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Rooftop, Secretariat Building, Chandigarh, India, 1953. (Architect: Le Corbusier.)Made in Australia / 35 / AUG 64Mindia, slide

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. London, EnglandMade in Australia / 35 / MAY 69M2slide, robin boyd

Robin Boyd travelled to Malaysia, Macau and Singapore in 1970, after a visit to Expo 70 in Osaka, where he was Exhibits Architect of the Australian Pavilion.Colour slide in a mount. Probably SingaporeMade in Australia / 35 / MAY 70M3slide, robin boyd

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Golden Gateway Development project, San Francisco, USAMade in Australia / 35 / JUL 65Mcalifornia, slide, robin boyd

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. USSR Pavilion, Expo '70 Osaka, JapanMade in Australia / 35 / MAY 67M6expo 67, montreal, robin boyd, slide

Colour slide in a mount. Magazine image of wallMade in Australia / Encircled 35 (Handwritten)slide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Gallery, in former US Embassy building (1960) in Grosvenor St, Mayfair, London, England. (Architect: Eero Saarinen.)Made in Australia / 35 / AUG 64Mslide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. The State Hermitage Museum, St Petersburg, RussiaMade in Australia / 35 / AUG 64Mrussia, slide