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Villa Alba MuseumPhotograph - Arched entrance to portico, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched entrances to the portico on the ground floor with the main entrance door. Above this raised portico is the central tower at the front of the house. villa alba museum, conservation photographs, victorian architecture, porticos, towers, romanesque revival arches -
Villa Alba MuseumPhotograph - Arched entrance to portico, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched entrances to the portico on the ground floor with the main entrance door. The cement render is detailed to resemble stone block work.villa alba museum, conservation photographs, victorian architecture, porticos, towers, romanesque revival arches, cement render -
Villa Alba MuseumPhotograph - Ground and first floor windows, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched, rendered widows with later additions such as exterior drain pipe and gate.villa alba museum, conservation photographs, victorian architecture, cement render, windows -
Villa Alba MuseumPhotograph - Slate roof and guttering, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one corner of the slate roof with evidence of slipped slates, rusted and blocked galvanised guttering and encroaching trees. This section of the roof is in the north west corner of the house.villa alba museum, conservation photographs, victorian architecture, slate roofs, gutters -
Villa Alba MuseumPhotograph - Rendered chimney, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one chimney on the south west corner of the house. The distinctive rendering of the chimney cornets with the welsh slates used on the roof. This chimney services the fireplaces in the dining room and the second and third bedrooms. villa alba museum, conservation photographs, victorian architecture, slate roofs, chimneys -
Villa Alba MuseumPhotograph - Third Bedroom Fireplace, Villa Alba, c.1882
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the third bedroom of Villa Alba. The original 1880s black stone mantel, obliquely positioned in the southwest corner of the room (one of two examples in the house) is painted with a central group of three white roses. These are surrounded by flowers and foliage of jasmine that extend along the upper panel and down the sides of the mantel. It is believed that the addition of the painted flowers was completed by a freelance artist working for the Paterson Brothers; probably Ulysses Rizzi. The mantel is inset with two-tone surround tiles and decorative polychrome hearth tiles that incorporate a green ivy pattern which climbs up pieces of bamboo. Each tile is separated by a white and black border. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom -
Ballarat Tramway MuseumPhotograph - Black & White Photograph/s, Doug Colquhoun, 15/05/1971 12:00:00 AM
Yields information about Ballarat's trams in the early 1970's and the Drummond St streetscape near the Mill St loop, Yields information about Ballarat's trams in the early 1970's and the Drummond St streetscape near the Mill St loopBlack and white print of Ballarat 33, in turning from Lydiard St Nth into Sturt St, with the Commonwealth Bank and buildings on the south side of Sturt St.. Two copies. Photo by Doug Colquhoun, 15/5/1971. Trams has the destination of Sebastopol and has a "Twin Lakes" sign on the dash panel. In the photograph is signage for Dickins, Neptune, Commonwealth Bank and Patersons. Has two young ladies walking across the street and the ESCo electrical cabinet. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "SEC Ballarat / 33 / 15/5/71 4164 / Lydiard St @ Sturt St / D.A. Colquhoun" . Copy 2 "DAC" in ink, bottom right hand corner.trams, tramways, sturt st, fashions, lydiard st nth, tram 33 -
Sunbury Family History and Heritage Society Inc.Photograph
The post card features a view of the two storey Rupertswood Mansion which was built in Sunbury by Sir William Clarke in 1874. It had 50 rooms as well as a cellar and outbuildings ands built of bluestone. The tower is 100'(38.5metres) high. The card was sent by Waddy Paterson to his sister, Gladys, who was living at 89 Stirling Street, Perth in WA. He wrote the following message: "Dear Gladys, Keith and Waddy are having a grand time and we are here with Grandma and Auntie Anne in Sunbury we will be home soon now we leave by the SS Caroola on Wednesday 7th Dec. So be good until we come home your loving Waddy & brother Keith." Rupertswood Mansion is an important historic building in Sunbury and has had many functions over the years. A sepia photograph in post card format of a large mansion with a tower in a garden setting. A message has been hand written on the back of the card.RUPERTSWOOD/ SUNBURYrupertswood mansion -
Southern Sherbrooke Historical Society Inc.Information folder - Helen Gibson
Material formed part of estate of Helen Gibson and was acquired by the society.A4 folder containing documents pertaining to Helen Gibson. Contents: -letter of reference for Helen Gibson, handwritten, from William L. McSpeddon, Vicar, Drouin, Victoria, "To whom it may concern", dated 16th March 1944, A4 sheet folded in half -letter of reference for Helen Gibson, typed, from Ethel O. Matthews, ex-Sister-in-charge of [Infant Welfare] Centres in Dandenong Shire, "To whom it may concern", dated February 1952, 20.5 x 25.5 cms -letter of reference for Helen Gibson, handwritten, from A. Corcoran (?) Cleveland, Sister-in-charge, Port Melbourne Baby Health Centre, "To whom it may concern", dated 16th Aug 1946,16.5 x 19.5 cms -letter of reference for Helen Gibson, handwritten, from A. M. Adams, Sub-head, Correspondence School, Blackfriars, Sydney, dated 14th July 1931, 20 x 25 cms -Certificate of Competency as a Pre-School Play Leader, Department of Health, Victoria, No. 20, for Helen Alice Gibson, examiners Madeleine [illegible] & Gillian Henriques, signed N. Narbara Meredith & Helen W. Paul & [illegible], 27 x 21.5 cms -certificate, St John Ambulance Association, certifying that Helen Gibson has attended a course of instruction in home nursing. signed Arthur Sherwin, James Paterson, [illegible] Loomis, Enid Paterson, dated 25th Sep 1939, 23.5 x 17 cms -certificate, St John Ambulance Association, certifying that Helen Gibson has attended a course of instruction in rendering First Aid to the Injured, signed Rupert M. Downes, James Paterson, Henry Smith, Enid Paterson, dated 1st May 1939, 23.5 x 17 cms -letter of reference for Helen Gibson, typed, from Nobel Park Pre School Play Group, signed F. A. McGregor & F. B. Jenkins, undated but post-December 1951, 26.5 x 20.5 cms -letter of reference for Helen Gibson, typed, from Correspondence School, Blackfriars, Sydney, signed W. Finigan, dated 9th Feb 1032, 26.5 x 20.5 cms -letter of reference for Helen Gibson (labelled 'Copy" at head), typed, from Harry S. Needham, Archdeacon & Rector of Orange, NSW, dated 24th Feb 1932, 26.5 x 20.5 cms -letter of reference for Helen Gibson, typed, from G.W.S. Anderson, District Censor, Victoria Lines Of Communication Area, Melbourne, dated 26th July 1945, 21 x 18 cms -letter of reference for Helen Gibson, handwritten, from Enid Paterson, President, Garfield Country Women's Association, undated, 20.5 x 26.5 cms -letter of reference for Helen Gibson, typed, from W. Finigan, Headmaster, The Correspondence School, Blackfriars, Sydney, dated 16th Sep 1943, 20.5 x 26 cms (last three items held together with rusted pin) -also in back of folder is envelope containing the following items: -notebook, black, 16 x 10 cms, "Plots, Ideas, Bird Diary 1925" inside front cover, handwritten contents include story ideas and extracts copied from Joan Aiken's "The Way To Write For Children", extract from Wm. Temple's commentary on John's Gospel, a list of aboriginal names, and reminiscences by Miss Balmer -brown business-sized envelope with "References" written in pencil -brown A4 envelope with "Certificates P. L. St John Ambulance" written in ink and "Miss Helen A. Gibson" typed in blue ink, containing blue certificate stating that Helen Gibson has passed examinations and is entitled to receive the medallion, signed [illegible], General Secretary, dated 29th June 1942, 13 x 10 cms -cardboard certificate of baptism into the Church of God, for Ian Harold Gibson, born 13th May 1915, signed Edwin Dodd, St John, Nar-nar-goonhelen alice gibson, ian harold gibson, st john ambulance, pre-school centres, melbourne -
Ballarat Tramway MuseumPhotograph - Black and White photograph/s - mounted, John Phillips, late 1960's or early 1970's
Yields information about the vicinity of the Sturt St city loop and the buildings on the south side of Sturt St.Black and White photograph mounted on heavy cardboard backing. Photo of Ballarat No. 14 and possibly No. 12 in the City Loop, Sturt St., near Grenville St. Ballarat. no. 14 showing "CITY". On left is Gas and Fuel Corporation of Victoria building, Patersons, T&G Life Assurance and other buildings on the south side of Sturt St. Taken by John Phillips late 1960's or early 1970's. Has 4 Velcro black squares on rear and marks where mounting devices have been removed on the rear. Note image scanned in two runs through a scanner, resulting in the shading in the image file. Second copy added - 8/11/2005 to box 01-01-70.trams, tramways, city loop, sturt st., tram 14 -
Ballarat Tramway MuseumPhotograph - Digital image, Wal Jack, c1952
Yields information about one of Ballarat's bogie trams prior to its conversion to a one-man-type car.Digital image from the Wal Jack Ballarat Album of Ballarat 38 prior to conversion to a one-man type tram in Sturt St climbing the hill to Lydiard St. No details as to photographer and date. The tram was converted to one man operation in 1953, but was banned as such by the union at the time. Photo taken between October 1951 when the tram arrived in Ballarat and late 1952 when work would have started to convert it. See Reg Item 5296 for a Feb. 1953 photo of it service post conversion. Has in the photo Patersons building, Taylor and Taylor Chemists, McNultys dry cleaners, McNultys dry cleaners. See item 7739 for the negative by Wal Jack See image i2 for rear of photograph.trams, tramways, sturt st, conversion, one man trams, bogie trams, tram 38 -
Orbost & District Historical Societyplaque, 1918
Jessie Irene ROWE, daughter of John ROWE and Annie (nee PATERSON), married Joseph McKay ABERDEEN (a Technical School teacher) at Orbost in 1918. Her father was one of the first vestrymen of St James Church of England and her mother was a prominent church worker. It would seem an appropriate time of her marriage for Jessie to receive such a badge at the time of her marriage. John Rowe died 28-9-1920 and it is noted that Annie left Orbost in 1922. (ref. John Phillips) This badge was presented to Miss Rowe by pupils and staff of St Andrew's Church Kindergarten on April 9 1918. Miss Rowe was a Sunday school Teacher and pianist / organist? at the church. The Presbyterian Church in Orbost was officially opened in 1898. For many years the Presbyterian people of Orbost enjoyed the fellowship of the church and the children, in particular, were socially and spiritually involved. This item is reminiscent of that time.An oval shaped badge made of copper metal. It has a square washer and screw on the back.In block letters: Presented to Miss Rowe by the Pupils and Staff of the St Andrew's Presbyterian Church Orbost April 9 1918st-andrew's-church-presbyterian-orbost -
Vision AustraliaAdministrative record - Text, Radio club papers, 1967-1988
The RVIB Radio Club was established initially as an entertainment for the RVIB 18th Box Hill Scout group, however anyone who was interested was welcome to join. In 1966 a licence application was submitted and approved, with the call sign allocated initially being VA1277 and used by the group in their initial transmission of September 25, 1967 . An appeal was made to change this to VK3VIB however this was rejected. An alternative call sign of VK3AVI was approved however, and first used on October 23, 1967. The club fostered an interest in radio communications and some later obtained licences of their own. The Radio Club lasted for 20 years and eventually concluded on November 16, 1988 with the equipment donated to the Kooyong Radio Club. A potted history of the club has written by Alex Paterson.3 log books and various loose papers including a brief history, radio licences, rosters and Wireless Institute of Australia Victorian Division membership cards.royal victorian institute for the blind, rvib burwood school, esme dunnell, alex paterson -
Vision AustraliaAdministrative record - Text, Seventeenth Annual Report of the Association for the Advancement of the Blind 1912, 1912
Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including membership of 333, with the support of Mrs W.H. Edgar and the Lady Mayoress of Melbourne, 'Woodburn' was purchased and there were sufficient funds to reconstruct a wing to the present brick building, and plans are being drawn up under the supervision of Mr Paterson for some necessary extensions, the North Melbourne and Essendon Electric Tramway and Northcote Cable Tramway were added to the Railway Pass concession scheme, a successful concert tour was made of the Goulburn Valley from Alexandra down to the Murray, the loss of Mr Bacon - who was the first Blind Collector appointed by the Association - and Mrs May Harrison, VABW secretary who tirelessly promoted the welfare of the blind.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
Vision AustraliaAudio - Sound recording, Paterson Hall Story: an oral history told by the people who were there, 2002
Paterson Hall Story is told through the reminiscences of 23 people who played an active part in the life of a popular recreational and entertainment hub from 1929 to 1999. They relate how a simple concrete structure in Glenferrie Road, Kooyong became a 'home away from home' for people who were blind or vision impaired, their families and friends. The hall was originally built as a clubhouse for blind cricketers in 1927, but by 1929 it had been extended to include a social hall and other facilities including a verandah where spectators could watch the cricket. Over the years the hall was used for activities as diverse as square dancing, singing, craft classes, ball games, art and craft shows, drama groups and annual meetings.60 MP3 sound files of oral history interviews and book excerptsNarrated by Maurice Lockie, Bill Charles and Norah Tooheypaterson hall, association for the advancement of the blind, victorian blind cricket association -
Bendigo Military MuseumPhotograph - PHOTOGRAPH, FRAMED, BDSC 1979, Bendigo & District Servicemen's Club, C. 1979
BDSC - Bendigo & District Servicemen's Club. The Servicemen's Club 73 - 75 Havilah Rd was a Co - Operative of the 3 Bendigo RSL's being Bendigo, Kangaroo Flat & Eaglehawk Sub Branches. In 1977 the Bendigo, Eaglehawk, Kangaroo Flat RSL Co operative Society Ltd was formed with Mr Des Paterson as Chairman and Mr Jack Barnes as Secretary. The Co op owned the facility and the Bendigo & District Servicemen's Club was formed to operate the facility. It was built in 1978 and a liquor license was finally granted in August 1979 and opened. It was officially opened on December 19th 1979 by the Hon R.J. Hamer premier of Victoria. In the year 2000 the premises became the Bendigo District RSL Sub Branch Inc. Des Paterson was also on the of the BDSC Committee until 1984. He was heavily involved in the establishment of the BDSC. With the Bendigo RSL Sub Branch he was elected to Committee in 1973, Jnr Vice President 1974, Snr Vice President 1975, President 1976. Jack Barnes first Secretary refer Cat No 8040. Photograph BDSC. Roy Tayor was Bar Manager, refer Cat No 5687, Arthur Harridge Secretary 1979, Bill Nichols (William Bona) was President from 1978 - 80, he was made a Life member of in 1981. He was acknowledged as the driving force behind the establishment of the Club. With the Bendigo RSL Sub Branch he was elected to Committee 1961, 1966 - 68, 1970 - 72, 1974 - 81 (14 years) He was President 1968, 1972, 1979, 0ne year as Jnr Vice and 4 as Snr Vice President. Refer Cat No 149.Photograph B & W framed brown timber, photo shows 3 x men in suits with beer in hand, they are standing behind a bar, rear has hand written notes on.On rear, " BDSC - Roy Taylor Bar Manager - Arthur Harridge Secretary (79) - Bill Nichols Liquor Licence - formed 77 (Co op) built 78, licence 79 - 8621" brsl, smirsl, bdsc, servicemen's club -
Vision AustraliaPhotograph - Image, Howard Murray (Pat) Lightfoot, 1969
Howard Murray (Pat) Lightfoot (1904-1991) served as President for the Association for the Blind in 1952-1954 and 1964-1972 respectively. He joined the Association in 1938 as a sighted member of the General Committee, and was part of the group that dealt with the breakdown of a uneasy financial agreement that existed between the RVIB and AAB, the incorporation of the AAB under the Charities Act and the development of a rehabilitation centre at Kooyong for those who wished to have support without a residential component. After losing his father at an early age, Pat Lightfoot began working as an office boy for Nicholas Pty Ltd, later studying and becoming an accountant - such skills highly needed by the newly incorporated Association. According to 'No Sight, Great Vision', he was a highly skilled communicator, whose friendly and approachable manner won over most of those who opposed his presence on the general committee due to his sight. His support for and recognition of the work done by Mr Paterson led to him standing aside for the position of President and nominating his friend until the Committee overrode him in 1952. His appointment signaled a change in how the organisation was run, and introduced John Wilson as Secretary as well as Stan Horsfall as Treasurer in 1953, which helped move the administration style from social volunteering to business thinking. Health concerns caused him to resign in 1954, however when his health improved he rejoined the Committee in 1958 and again became a key worker in keeping the organisation financially healthy. The "H.M. Lightfoot Centre" - a two storey building attached to Paterson Hall was named after him. This image was provided when J Balmain was approached to paint a portrait of Mr Lightfoot, for the centenary celebrations of the AFB, as per the letter.1 portrait photograph of Howard (Pat) Lightfoot and 1 associated letter regarding usage for a portrait by Balmain.Mr H.M. (Pat) Lightfoot - (Past President) 1" Deep (No. 2) Association for the Blind 7 Mair Street Brighton Beach, 3188 Please return to PR Department (arrow pointing to left) 14 ems (arrow pointing to right) 1.95 .1 100# Ticket No: 5230 Client: Abaris 100# Wanted: Tues 19th AM Mounted: as layout and sticker 43 1/4% Please Quote No: BA 9105 Laurie Richards 4 Tower Ave, Alphington 3078 489-8528 48-5541h.m. lightfoot, association for the advancement of the blind, association for the blind -
Vision AustraliaPhotograph - Image, Pat and Beth Lightfoot, 1985
Howard Murray (Pat) Lightfoot (1904-1991) served as President for the Association for the Blind in 1952-1954 and 1964-1972 respectively. He joined the Association in 1938 as a sighted member of the General Committee, and was part of the group that dealt with the breakdown of a uneasy financial agreement that existed between the RVIB and AAB, the incorporation of the AAB under the Charities Act and the development of a rehabilitation centre at Kooyong for those who wished to have support without a residential component. After losing his father at an early age, Pat Lightfoot began working as an office boy for Nicholas Pty Ltd, later studying and becoming an accountant - such skills highly needed by the newly incorporated Association. According to 'No Sight, Great Vision', he was a highly skilled communicator, whose friendly and approachable manner won over most of those who opposed his presence on the general committee due to his sight. His support for and recognition of the work done by Mr Paterson led to him standing aside for the position of President and nominating his friend until the Committee overrode him in 1952. His appointment signaled a change in how the organisation was run, and introduced John Wilson as Secretary as well as Stan Horsfall as Treasurer in 1953, which helped move the administration style from social volunteering to business thinking. Health concerns caused him to resign in 1954, however when his health improved he rejoined the Committee in 1958 and again became a key worker in keeping the organisation financially healthy. The "H.M. Lightfoot Centre" - a two storey building attached to Paterson Hall was named after him. In these three photographs Pat and his wife Beth look or stand next to the portrait painted of Pat Lightfoot, for the centenary celebrations.3 coloured photographs of Pat and Beth Lightfooth.m. lightfoot, association for the blind -
Orbost & District Historical Societymagazine, Aussie, March 18, 1918
Alexander Butters enlisted on 12 November 1914 as a gunner. He was awarded a Meritorious Service medal for his "determination and courage .....setting a splendid example to his men..." on the SOMME. 'Aussie' (1918- circa 1929) was a commercial magazine of opinion, review and entertainment. It was edited by Phillip Harris and published in France 1918 - 1919 on a small printing press that Harris brought with him to France. Initially the print run was only 10,000 copies, but soon it reached 60,000 and later 100,000. The magazine celebrated a distinctive 'Aussie' identity through language, humour and imagery. It distributed news, provided light-hearted ways of seeing the war experience and gave soldiers an outlet to express dissent or dissatisfaction. It also provided a voice for Australian authors such as Banjo Paterson, C.J. Dennis and Bernard O'Dowd. (Ref Museum Victoria)This magazine provides an Australian soldiers' view of the political and world climate during World War I, and also represents the bond between Australian soldiers. The magazine celebrated a distinctive ?Aussie? identity, through language, humour and their assertion of what it meant to be an Australian. It allowed news to be distributed, gave the soldiers an outlet to express any dissent or dissatisfaction, thus preventing any greater form of rebellion and promoted Australian authors like Banjo Paterson, C.J. Dennis and Bernard O'Dowd. (Ref. Museum Victoria)A thin black and white paper magazine called "Aussie". This is Volume 3. The magazine contains stories, illustrations, songs and poetry from the First World War. On the front cover the title is printed across the centre, with a drawing of a soldier in uniform standing sideways, and holding a gun. Four drawings within circles are positioned in each corner, joined by a wreath and ribbons bearing the names of the war fields. His head is in the shape of the map of Australia. On front cover - From Alexandy Butters with best wishesmagazine ww1 aussie military -
Warrnambool and District Historical Society Inc.Document, Indenture A Bostock Esquire to Messrs Aitkin & Bostock( Ernest), 1865
The Bostock, Manifold and Aitkin families were all pioneering families in the Western District of Victoria almost from the time of settlement. They leased and owned vast tracts of land and operated businesses around the district, often associated with the farming industry. This document is dated 5th July 1865 and is an assignment of stock by way of mortgage. Augustus Bostock is the mortgagor with James William Manifold Aitkin and Ernest Bostock as mortgagees. At various times they were involved in running businesses together, in particular the Aitkin and Bostock store and flour mill. Three of the Bostock men were married to three of the Aitkin sisters. The amount in question is £2157/3/2 and surety is 8000 sheep and their increase, presently running at Coomete. The penciled in details on the document refer to Robert Brand Paterson who was later in business with Aitkin This is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. The document itself is indicative of its time and provides an insight into the details and terms of such documents at the time.Large grey coloured, lined hand written document over four pages. Folded in four with date and details on one section. Red wax seal on page 3. There are extra entries written in black lead pencil in areas relating to the money and surety of the agreement.Signed by the following George Barber Warrnambool, Thomas Sunderland Deputy Registrar General, and Augustus Bostock. Hingston & Co, Chancery Lane Melbourne hand written in top left hand corner. warrnambool, bostock,augustus bostock james william manifold aitkin,robert brand paterson, coomete, -
Villa Alba MuseumAlbum - Exhibition photographs, Textiles in Bloom, 2021
As part of the National Trust's Australian Heritage Festival 2021, the Kew Historical Society and the Villa Alba Museum collaborated to mount a fashion and design exhibition. The theme of the exhibition took its focus from the year-long program at the Museum featuring the use of flowers in design. The walls and ceilings of the house are notable for their use of floral and narrative painted decoration produced, in the early 1880s, for William and Anna Maria Greenlaw by the Melbourne art decoration firm the Paterson Brothers. The examples of fashion and design from the collection of the Kew Historical Society were located on the ground floor of the house: in the drawing room, dining room, morning room and in the vestibule, or ballroom as it was sometimes described in nineteenth century newspapers. The exhibition was supported by the City of Boroondara through Triennial Operational Grant funding for the Kew Historical Society and the Villa Alba Museum.Series of photographs taken by Mitchell Luo Photography of exhibition pieces in situ at the Villa Alba Museum in May 2021.textiles in bloom, exhibitions — villa alba museum, australian heritage festival 2021 -
![[Section] Drawing room ceiling , 'Villa Alba', Walmer Street (Kew)](/media/collectors/550653872162f11fb04854aa/items/658d13590f23e8f1e738caea/item-media/658d13c20f23e8f1e738ce30/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph - Drawing room ceiling , 'Villa Alba', Walmer Street (Kew), c. 1965
"Villa Alba is of significance for the outstanding late Victorian painted decoration throughout its interior. The consistently high standard of design in the decoration, and high, and at times, superb quality of its execution, the variety of illustrative techniques, the variety of illusionist effects and the hierarchy of treatments between the rooms of the house all contribute to the significance. The decorative scheme is also of significance as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration.." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original print monochrome photograph of a section of the drawing room ceiling in 'Villa Alba', Walmer Street (Kew)Annotation on reverse: "Villa Alba ceilings. [Stamp - The Royal Women's Hospital, 212 Cardigan Street, Carlton. With Compliments of Public Relations Office]"dorothy rogers, villa alba museum, paterson bros, interior decoration -- 1880s -
![Entrance hall ceiling , 'Villa Alba', Walmer Street [Kew]](/media/collectors/550653872162f11fb04854aa/items/658f7b159239cf6fd436bc33/item-media/658f7b569239cf6fd436bd23/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph - Entrance hall ceiling , 'Villa Alba', Walmer Street [Kew], c. 1965
"Villa Alba is of significance for the outstanding late Victorian painted decoration throughout its interior. The consistently high standard of design in the decoration, and high, and at times, superb quality of its execution, the variety of illustrative techniques, the variety of illusionist effects and the hierarchy of treatments between the rooms of the house all contribute to the significance. The decorative scheme is also of significance as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration.." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original print monochrome photograph of a section of the entrance hall ceiling in 'Villa Alba', Walmer Street (Kew)Annotation verso: "Villa Alba, Walmer Street (Kew)"dorothy rogers, villa alba museum, paterson bros, interior decoration -- 1880s -
![Ceiling , 'Villa Alba', Walmer Street [Kew]](/media/collectors/550653872162f11fb04854aa/items/658f7c189239cf6fd436c0b0/item-media/658f7c3f9239cf6fd436c4d4/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph - Ceiling , 'Villa Alba', Walmer Street [Kew], c. 1965
"Villa Alba is of significance for the outstanding late Victorian painted decoration throughout its interior. The consistently high standard of design in the decoration, and high, and at times, superb quality of its execution, the variety of illustrative techniques, the variety of illusionist effects and the hierarchy of treatments between the rooms of the house all contribute to the significance. The decorative scheme is also of significance as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration.." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original print monochrome photograph of a section of a ceiling in 'Villa Alba', Walmer Street (Kew)Annotation verso: "Villa Alba, Walmer Street (Kew)"dorothy rogers, villa alba museum, paterson bros, interior decoration -- 1880s -
![Photograph - Exhibition Textiles in Bloom [Series], 2021](/media/collectors/550653872162f11fb04854aa/items/60c533f73954ecd6d0c727f7/item-media/60c5550b3954ecd6d0c78acd/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph - Exhibition Textiles in Bloom [Series], 2021
As part of the National Trust's Australian Heritage Festival 2021, the Kew Historical Society and the Villa Alba Museum collaborated to mount a fashion and design exhibition. The theme of the exhibition took its focus from the year-long program at the Museum featuring the use of flowers in design. The walls and ceilings of the house are notable for their use of floral and narrative painted decoration produced, in the early 1880s, for William and Anna Maria Greenlaw by the Melbourne art decoration firm the Paterson Brothers. The examples of fashion and design from the collection of the Kew Historical Society were located on the ground floor of the house: in the drawing room, dining room, morning room and in the vestibule, or ballroom as it was sometimes described in nineteenth century newspapers. The exhibition was supported by the City of Boroondara through Triennial Operational Grant funding for the Kew Historical Society and the Villa Alba Museum.Series of photographs of exhibition pieces in situ at the Villa Alba Museum in May 2021.fashion & design, exhibitions -- kew historical society, exhibitions --- villa alba museum, textiles in bloom, fashion - nineteenth century, fashion -- twentieth century, textiles - nineteenth century, headwear -- twentieth century -
Vision AustraliaSign - Object, Caroline Smith, World's First Sports Ground for Blind Cricketers, 11/6/2020
The Federation Markers project, jointly funded by the Commonwealth Government and Stonnington Council, was intended to commemorate the centenary of Federation by means of a series of plaques to be erected around the municipality. Following public consultation, 50 historically significant themes were identified On the 7th April 1928 this playing field was inaugurated as the world's first permanent sports ground for blind cricketers when the first ball was bowled at a competition between the Victorian Blind Cricket Association and interstate teams. Mr William Paterson, a volunteer worker and advocate for blind people for over 60 years, was instrumental in acquiring and developing this sports ground and clubhouse on behalf of the Association for the Advancement of the Blind (now called Vision Australia Foundation). - text copied and edited from Stonnington History Centre record, accessed 26/5/2022.1 plastic sign with images and wordingvictorian blind cricket association, association for the blind, william paterson -
Vision AustraliaAdministrative record - Text, Twenty Fifth Annual Report of the Association for the Advancement of the Blind 1920, 1920
Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including the amendment of the Constitution to admit sighted officers to take up Committee positions and the election of the first sighted President Mr G A Mexwell, who had been with the Society since its beginning, the provision of wool from the Department of Defence at wholesale rates for blind knitters as well as the distribution of clothing surplus to need, a social evening held to farewell Mr D Blackely (one of the founders of the Association) as he moves to Western Australia, the new pass issued by the Metropolitan Tramways Board covers all lines and allows free travel for blind persons, and W.H. Paterson has stepped down from the Home Committee due to business and health reasons, however will still continue as a Trustee.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
City of KingstonPhotograph - Digital image, c.1918
Roderick William Mills, known as Saltbush Bill, was the inspiration for several poems by A.B. Paterson. Born at Balnarring in 1869, Mills earned the title of Saltbush Bill whilst working on a cattle station in Queensland. On these long droving trips, he learnt the art of cracking stock whips of many different lengths and sizes, a skill that earnt him £100 after a Melbourne saddler, J.K. Jennings, suggested that no man could crack a 65-foot stock whip in three tries. Saltbush Bill succeeded on his first attempt and decided to make a career in entertainment with his skill. Over his career he performed for royalty, travelled and performed extensively overseas and lent his skill to fundraising efforts, particularly during the war. His last concert was given in the Boomerang Hall in Dandenong in 1926.A local resident of the City of Moorabbin, Saltbush Bill was an ambassador for Australia and a literary inspiration to A.B. (Banjo) Paterson. Saltbush Bill, his wife Hannah Louise Porter and their 11 children lived in Old Dandenong Road, Heatherton, where Saltbush Bill and Hannah conducted a market garden for many years. Saltbush Bill is buried in Cheltenham's Pioneer Cemetery.Black and white digital imageheatherton, banjo paterson, saltbush bill, stock whip, entertainment -
Blackburn Cricket Club1st Ladies - Great women of the Blackburn Cricket Club, Women of Blackburn
There are many outstanding woman who have made significant contributions to the success of our club. Phyllis Sloan (second row white pants) and Lisa Robertson (nee Paterson - front row brown dress) are just two of these women. Phyllis recieved her life membership in 1986-87 and was the clubs first female life member. Phyllis is also the only club memeber to win 3 Best Clubperson awards winning in 1982-83, 1983-84 and 1987-88. Lisa received her life membership in 2001-02. Lisa has served the club in many varied capacities over a sustained period and has also won the club's Best Clubperson award in 2000-01. Barb Schumacher (Best clubperson 2007/08) is also present. -
Federation University Historical CollectionBook - Book - Prospectus, The Working Men's College Melbourne, Prospectus,1900, 1900
The Working Men’s College was founded in 1881 by a prominent grazier and philanthropist, The Hon. Francis Ormond, who donated £5000 towards the establishment of the college. The Council of the Melbourne Trades Hall then matched Ormond's initial donation by rallying its members. On 4 June 1887, the college opened in its purpose-built building on the corners of Bowen Street and La Trobe Street in Melbourne, with a gala ceremony. It became the third official provider of higher education in the new Colony of Victoria (the Melbourne Athenaeum was founded in 1839 and the University of Melbourne in 1853). The college was the predecessor to the current-day Royal Melbourne Institute of Technology (RMIT University). Adjoining the college in the 1890s were the Supreme Court of Victoria (later the Melbourne Magistrates' Court) and the Melbourne Gaol - both which are now part of RMIT today. A list of Scholarship Governors and Life Governors is included. The former have donated 250 Pounds Sterling and upwards, the later have donated 20 Pounds and over but less than 250 Pounds Sterling. The Patron of The Working Men's College was His Excellency The Right Honourable Lord Brassey. The President of the Council was Professor W C Kernot. The majority of classes were at night and on Saturdays. Tan soft covered book of 112 pages. The thirteenth edition of the Working Men's College (later Royal Melbourne Institute of Technology [RMIT]). It inlcudes the following photographic images: Main Building, Assaying, 1899 council (W.C. Kernot, W.H. Embling, Thomas smith, F.H. Bromley, John Reid, R.H. Solly, E. Findley, D. McIvor, James Robb, John Hancock, C.E. Oliver, A.J. Arnot, James Smith, Joseph Nixon, R.L.Jellery. C.S. Paterson), UNveiling the Ormond Statue, Victorian Lead and Shot Works, Francis Ormond, Telegraphy room, Lecture Theatre, photography, painting class, wool sorting, plumbing, Remington typewriter, W. Ison, H.D. Evans, library, Verdon prize, Denton Hat Mills. working men's college melbourne, rmit, w.c. kernot, w.h. embling, ormond statue, f. ormond, electricity, surveying, architecture, photography, assaying, dressmaking, veterinary science, plumbing, letterpress printing, w. ison, h.d. evans, library, denton hat mills, literary and commercial department, typewriting department, languages, telegraphy, department of music, department of mathematics, department of engineering, 'department of architecture, department of art and applied art, department of mining and metallurgy, department of chemistry, department of household economy, department of agriculture and rural industries, woodworking, carpentry and joinery, turning and fitting, coachbuilding and carriagedrafting
