Hardcover. Cover is brown with the title in gold lettering. Underneath the title is a symbol of a solid wreath surrounding the head of a ram. Three fold-out maps are included; Railway Postal and Telegraph Map of South Australia, 1888; Railway Postal & Telegraph Map of Queensland, 1888; Railway, Postal, Telegraph and Rainfall Map of Tasmania 1889. non-fictionThe Picturesque Atlas of Australasia-Volume 2atlas, australasia, history

Hardcover. Cover is brown with the title in gold lettering. Underneath the title is a symbol of a solid wreath surrounding the head of a ram. A fold-out map is included; Railway Postal and Telegraph Map of the North Island of New Zealand, 1889. non-fictionThe Picturesque Atlas of Australasia-Volume 3atlas, australasia, history

A book of photographs taken by John William Lindt of locations and scenery throughout the world.A book of photographs taken by John William Lindt of locations and scenery throughout the world. John William Lindt (1845–1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist. John Lindt was responsible for a folio of photographs of the Fernshaw and Watts River area and he sold over 25,000 images of the Black Spur from his original negatives. In 1895 he was able to purchase land on the North East side of the Black Spur and subsequently built his home and guesthouse "The Hermitage" from where he continued his photographic career. In 1913 he collaborated with Nicholas Caire to produce a tourist booklet on the area. In 1925 the Argus reported that Lindt "continues to produce remarkable and most artistic pictures of the beauties of mountain landscape. He is not a believer in the blurred effects favoured by many ... instead he is a master of detail." Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.Hardcover. Front cover photograph-Log Bridge at the Hermitage c1910photography, artistic, john william lindt, la trobe collection, shar jones

A number of images for this journal were supplied by the University of Ballarat Historical Collection,Brown and Black soft covered book of 200 pages. Chapters include and introduction (Geoffrey Blainey); Eureka: gathering the 'Oppresed of all Nations (Anne Beggs-Sunter); The 'Southern Cross': a radical legacy (Drew Cottle); Ballarat of Eureka (Keith McKenry); 'Men of Colour' John Joseph and the Eureka Treason trials (Jeffrey Atkinson); 'Blood, Sweat and Tears': Women of Eureka (Dorothy Wickham); 'Why should they pay money to the Queen?: Aboriginal Miners and Land Claim (Fred Cahir); Raffaello Carboni's Perception of Australia (Gaetano Rando); Democracy, Political Rhetoric and the Conservative Response to manhood Suffrage in Colonial New South Wales (Gregory Melleuish); 'Foreign to their feelings as freemen': Liberal politics in a goldfields community, Bendigo 1853-1883.ballarat, bendigo, eureka, aborigines, southern cross, women, charles hotham, australian democracy, agitation

The Ballarat School of Mines is a predecessor institution of Federation University Australia.Certificate with red seal of the Ballarat School of Mines.ballarat school of mines, mining management, quartz mines, andrew anderson, jonathan rankine, certificate, mining, mining alumni, alumni, fred martell

Soft covered book of 32 pages. Includes information of Victoria's mineral water springs.spa coutnry, mineral water, mineral springs, bottles, bottling, cans, ballan, blackwood, daylesford, central springs, sailor's falls, deep breek, glenlyon, woolnoughs crossing, hepburn springs, locarno spring, pavilion spring, swiss and italians, argyle spring, geology, kyneton, taradale, leitches creek, spargo creek, carroll's mineral spring, vaughan, glenluce, geelong, eastern beach mineral spring, hepburn democratic club, macaroni factory

non-fictionA collection of essays from various critics, activists and artists on the phenomenon that is pop-icon Madonna.susie bright, pat califia, cathay che, bell hooks, kirsten marthe lentz, carol a. queen, queer theory, popular culture

Ill., map, ports, 124.p.non-fictionworld war 1914-1918 - campaigns - gallipoli, gallipoli campaign - naval operations

p.247.non-fictionAustralian veterans of the Second World War who fought against the Japanese share their feelings about the war in the sixtieth anniversary of its close.world war 1939-1945 - prisoners of war - japan, world war 1939-1945 - veterans - attitudes

bib, ill, maps, p.144.non-fictionRelates the experiences of RAF bomber squadron 101 to illustrate their social and operational conditions world war 1939-1945 - aerial operarions - britain, royal air fore - 101 squadron

The photographer took these night photos from his home in Bungaree, on close proximity to Mount Warrenheip.A bushfire on Mount Warrenheip, near Ballarat, photographed at night.warrenheip, fire, bushfire, bungaree

A bushfire broke out on Mount Warrenheip in May 2013.Eight photographs of Mount Warrenheip, near Ballarat, with clouds of smoke caused by a bushfire. The photos were taken from Bungaree.warrenheip, fire, bushfire, smoke

Ill, p.286.non-fictionDescribes events in Melbourne and Victoria during World War II.australia 1939-1945 - social conditions, australia - politics and government - social conditions

Framed photgraph of a Corporal in jungle greens walking through long grass. CPL is armed with an SLR and has two bandoliers of ammo around his neckCPL Chevronsphotograph, jungle patrol, slr

LL: Proof; LC: "The Last Supper"; LR: Southall '79table, glass, etching, work on paper

Purchased through the Horsham Art Gallery Trust Fund, 2006

Purchased through the Horsham Art Gallery Trust Fund, 2006

Purchased through the Horsham Art Gallery Trust Fund, 2006

Purchased through the Horsham Art Gallery Trust Fund, 2006

Purchased through the Horsham Art Gallery Trust Fund, 2006

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Robert Salzer Foundation, 2008

Purchased through the Horsham Art Gallery Trust Fund, 2018