This glass plate photograph shows good detail of members of the Warrnambool Garrison posing for their photograph in front of a young township. There are other well-dressed citizens behind them. The three men with frogging on their sleeves were commanders were likely to be commanders. The men are facing north with Cannon Hill and the fortification area in the background. It dates from the 1860s. The firearms held appear to be 1853 pattern Lee Enfield muskets used by the British army in Crimea at this time and in Australia, rather than the later Martini Henry cartridge rifles. The uniforms match other photos of the Warrnambool Garrison Militia and Band in our Collection, taken up until the 1880s. The three storey building in the photograph is likely to be the Manifold & Bostock flour mill, built in 1854 near the ‘cutting’ in Merri Street, which was one of the main streets at the time; if one faced the building’s front from a vantage point and looked south to south-east, the hills around Flagstaff Hill and Cannon Hill would be behind that mill, and the Harbour behind the hills. This is the area of the Fortifications. The glass plate method of photography was widely used during the mid-19th to early-20th century. The donor and maker of the photograph are unknown. Around this time the citizens of Victoria were prospering from the gold rush but felt isolated and uneasy about their security in the colony. In 1854 the Volunteer Act was passed to provide some military defence. In 1858 the Warrnambool Volunteer Rifle Corps was established, disbanded in 1863, then a new Warrnambool Detachment was formed in September 1866. Legislation was passed in 1884 that replaced the volunteers’ corps with a partly paid, permanent Militia Defence Force. The batteries manning the coastal forts of Victoria were termed Garrison Artillery Companies. When the Army was federated in 1901 there were eight Militia Companies in Victoria. Warrnambool and Port Fairy together were known as 8 Coy AGA (Australian Garrison Artillery). Changes to formation and name continued into the 20th century.This photograph is a record of the very early local defence force, circa 1866. The photograph signifies the connection of the colony in Victoria to the growing need for security due to the unrest in Europe at that time. The photograph is also locally significant to the industry of the young township of Warrnambool, showing what is likely to be one of the first flour mills in the town. The photograph is also the only example of the early methods of glass plate photography in our collection. Photograph, rectangular glass plate, positive sepia image. Photograph has brass framed edges that fold over to the back, with mitred corners. The front edges are pressed with a decorative floral pattern. The photograph shows a group of thirty military men, standing or kneeling, in dark uniforms with pillbox forage caps, round-collared jackets with light buttons, light sashes worn from top left shoulder to bottom right side of waist belt, and long, straight-legged trousers. Three of these men have light braid around the buttons on the front of their jackets, light frogging on their sleeve cuffs and stripes on the outside seams of their trousers. The other twenty-seven men have plain uniforms and are holding firearms in their right hands, steadied with their left hands. Other figures are standing behind this group of soldiers, including three or four men wearing top hats, jackets and ties. In the background is a row of buildings. The central building is three stories high. Bare hills are in the far background. The foreground is uneven ground with patches of short grass. Photographer looking towards the south east and Cannon Hill, with the Warrnambool Garrison facing north, ca.1860s.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glass plate, photography 19th century, colonial forces, military defence, volunteer act 1854, volunteer rifle, garrison artillery, volunteer corps, militia, militia garrison band, pillbox forage caps, helpmann, manifold and bostock, 1853 lee enfield musket, tintype, warrnambool garrison, 1860s, cannon hill, manifold & bostock, flour mill, 3-storey building

Set of two Colour slides, Kodak, white cardboard of trams of trams at the Victoria St / Swanston St shunt. 21-7-59. .1 - W2 340 showing East Malvern Darling road opposite the signal box followed by W2 showing route 4. Has a large number of men and school boys at the stop. In the view is a "No Entry" sign. In the background is the Ansett ANA building and a building advertising Havelock Tobacco. The tram has a Pimms No. 1 advert. .2 - W2's 550 (with a Castrol sign), 340 - as above and 358 (route 8, Toorak - Glenferrie Road) in the Victoria St shunting area. Has the Army hall behind the trams.Hand writing on rear in ink; "21-7-59 - KFB2 - TRACK - KEV - Swanston St near Victoria St Melbourne" "21-7-59 - KFB3 - TRACK - KEV - Trams in Victoria St Melbourne" Both slides have the speed and the f reading on the left hand side.trams, tramways, victoria st, swanston st, signal box, route 4, route 8, route 4d, east malvern, tram 550, tram 358, tram 340

On the afternoon of 18th August 1966, just five kilometres from the main Australian Task Force Base at Nui Dat, a group of Viet Cong soldiers walked into the right flank of Detla Company, 6 RAR. Under a blanket of mist and heavy monsoon rain, amid the mud and shattered rubber trees, a dispersed Company of 108 men held its ground with courage and grim determination against a three-sided attack from a force of 2,500 Viet Cong and North Vietnamese Army Troops vietnam, 1966, major general john cantwell, major harry smith mc, battle of long tan, australian task force base, nui dat, viet cong soldiers, delta company, 6 rar, north vietnamese army

From 1851 the Victorian government required all men on Victorian Goldfields to carry a Gold License. The fee was one pound per month, and was payable in advance. There was agitation surrounding the gold license which was thought to be an excessive fee and did not give the bearer right to representation. On 03 December 1854 the gold diggers on the Eureka Lead fought a short battle against the army and police troopers. A few months later a new system of taxing gold diggers was introduced - the Miner's Right.The Victorian Gold Licence was issued from 1851 until early 1855. Every man on a Victorian goldfield had to carry a valid gold license, so few survived the harsh treatment of being carried around a working goldfield. There was much dissatisfaction about what was thought to be an unfair mining tax (or gold license). On 29 November 1854 Ballarat miners burnt their licenses on Bakery Hill. On 3 December 1854 the Eureka Stockade Battle took place, resulting in the Goldfields Commission. The first Miner's Right was issued in late June 1855, and in July the first Local Courts were elected by miner's right holders. The two Fitnall Gold Licenses are important because they were issued on either side of the Eureka Stockade, and are in very good condition. The Gold Licenses were donated to the Ballarat School of Mines by John Wilson in 1921. Two gold licenses issued by the Colony of Victoria. The licenses are printed onto blue paper with a Colony of Victoria logo at the top. The licenses were issued on either side of the historic Eureka Stockade in Ballarat East which took place on 03 December 1854. .1) No 219 - Made out to [H?] Fithall on 16 April 1854 and signed by Commissioner R.C. Mackenzie. The license was valid until 31 July 1854. .2) No. 214 - Made out to [H?] Fithall on 1 May 1854 and signed by Commissioner J. Johnston. The license was valid until 15 May 1855.On the backing card "Given to the School of Mines, October 6 1921, by John Wilson Errard Street, Ballarat."mining, gold license, gold licence, mining license, mining licence, mackenzie, johnston, fitnall, gold commissioner, eureka

Vietnam's Forgotten Army chronicles the lives of Pham Van Dinh and Tran Ngoc Hue, two of the brightest young stars in the Army of the Republic of Vietnam (ARVN). both men fought with valor in a war that seemed to have no end, examplifying ARVN bravery and determination that is largely forgotten or ingnored in the West.vietnam war (1961-1975) - biography, vietnam (republic). quan luc - history, army of the republic of vietnam (arvn), pham van dinh, tran ngoc hue, u.s. silver star, general creighton abrams, u.s. bronze star, capt joe bolt

Soft cover book, Soft cover, light weight cardboard, dark brown print on front, spine and back. Dark yellow colour background, illustrated on front in colour. 1914-15 medal and ribbon. 297 pages, cut plain, white, illustrated black and white photographs and maps. Biography."The First Lot - 7th Battalion" The first men of the Bendigo district to volunteer for service in the First World War. Biography.books, biography, ww1, army

This book is about the men who made up 4 Platoon, B Company, 7 Battalion.australia. army. royal australian regiment. battalion, 1961-1975 -- participation, 1961-1975 -- personal narratives, soldiers -- australia -- biography., john ' bunda' walker, ken weightman, 4 platoon, b company, 7 battalion, 7 rar, operation finschafen, australian task force base, nui dat, pte robert hughes, cpl allan aldenhoven, pte john walker

McKenzie Family CollectionGroup photograph of the staff of G.W. Jenkins (a tailor of Eaglehawk) who participated on aa float Empire Day (date unknown). The group photograph of (3) men, (7) women and (9) children of a presentation in support of Australia on Empire Day at Eaglehawk. The group is supporting the Australian Army, Navy and Airforce, each man dressed in support of one of these services, children dressed as an individual character, while the women each dressed in white street clothes and hats. A sepia print mounted on card; no photographer is credited with the photograph. Refer 10824.18 a photo of the store's float showing support of the empire.Jenkins Taylors EAG, Ma x Bray (McKenzie) second from right back row.history, social event

One of the great joys of being a soldier are the great men and women with whom you are privileged to serve, especially when that service was at war.soldiers - victoria - biography, vietnam war, 1961-1975 - personal narratives, general peter cosgrove, 3 rar, b company, 9 rar, 1 atf, battle of balmoral, d platoon, e platoon, bob hannah, barry wakefield, terry james, terry godde, laurie smillie, jeff strawbridge, harry birrell, john leahy, lyle orreal, brian 'bluey' mccabe, eric hardgrave, stan sutherland

'Fulling', the half-hectare property at Pitt Street, Eltham was the home of landscape designer Gordon Ford and his wife Gwen. Ford bought the property in 1948, originally part of an orchard. The garden encapsulates the major trends of Australian garden design in the second half of the 20th century. The garden design is based on mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informality and attraction to native wildlife. The mud brick house and designed and built by Ford commenced in 1948. Several extensions were added up to 1970 and were built by Graham Rose (Source: information panel for exhibition, n.d.) Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p147 A narrow timber gate opens onto a garden that has had a huge impact on natural garden development in Australia since the 1950s.1 Fulling, the half-hectare property at Pitt St, Eltham, was the home of the landscape designer, Gordon Ford, who died in 1999. The garden ‘encapsulates the major trends of Australian garden design in the second half of the 20th century...and epitomises the Eltham style of garden’.2 It in turn, was influenced by several Victorian major landscape designers of the mid 20th century – Ellis Stones, Peter Glass and Edna Walling. The gate opens onto a sandy gravel path, one of several, which wind around dramatic pools and what appear to be natural bush, but on close inspection are carefully integrated native, indigenous and exotic plantings. Retaining walls and steps of rock through the garden link different terrace levels. Lichen-covered boulders serve as steps across a pool, leading to the triple level mud-brick house. Ford bought the property, which was originally part of an orchard, in 1948. As the son of a Presbyterian minister, Ford received a good education, which included learning Latin. This was advantageous when he worked in plant sales for the Forestry Commission, before the Second World War. In the late 1940s, however, Ford turned to building and landscape gardening. He worked on the Busst house, an early mud-brick building designed by Alistair Knox and at the same time, Ford was employed by Ellis Stones. Knox described Ford as, ‘one of the funniest men of the district. ...Rocky’s (Ellis Stones) Depression stories and Gordon’s memory and quick tongue made the jobs the most enjoyable of all those hysterical times that made Eltham the centre of the eternal laugh, between the years of 1945 and 1950’.3 Ford’s house, like so many after the war, was built progressively, as more space was needed and formerly scarce materials became available. It began with an army-shed of timber-lined walls, now used as the kitchen. Ford then built what is now the lounge room, and the house grew ‘like topsy and on a shoestring,’ says his widow Gwen. A lot of second-hand materials such as window frames were used, a style made famous particularly with their extensive use at Montsalvat, the Eltham Artists’ Colony. The house was constructed as a joint venture with friends, including artist Clifton Pugh, who built Ford’s bedroom for £10. The polished floorboards and solomite (compressed straw) ceilings, interspersed with heavy beams, exude warmth. The result is a home of snug spaces, with soft light and garden vistas. Several other mud-brick buildings were constructed as needed, including a studio and units for bed-and-breakfast clients. The garden, which has been part of the Open Garden Scheme since the mid 1980s, is based on a balance of mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informal ethos and attracts native animals. Wattlebirds, scrub wrens, pardalotes, currawongs, owls and even kangaroos, have been seen at Fulling. Gwen, a former English teacher who has worked on the garden since around 1970, urged and helped Ford write his book, The Natural Australian Garden.4 Several of Ford’s favourite trees are in the garden, including the native Casuarina or She-Oak. In spring, the garden is dusted with the purple Orthrosanthus multiflorus or blue native irises and rings with the calls of birds attracted to plants like the callistemons, correas and grevilleas.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, fulling, gordon ford garden, pitt street, eltham mud brick buildings, mud brick house

This book is dedicated to those men of 4RAR/NZ(Anzac) Bn who died fighting for a free South Vietnam.australia. army. royal australian regiment. battalion, australia. army. field battery, 4rar/nz, 4 rar/nz (anzac), new zealand - deaths in vietnam

This book is dedicated to those men of 4RAR/NZ(Anzac) Bn who died fighting for a free South Vietnam.australia. army. royal australian regiment. battalion, australia. army. field battery, 4 rar nz, 4 rar/nz (anzac), new zealand - deaths in vietnam

Memoirs of General, Prof. Hoany Minh Thao.General Prof. Hoang Minh Thao belongs to the generation of military men who took part in the building of the Vietnamese People's Army from the time of its inception.vietnam war, campaigns, central highlands, general hoang minh thao, vietnamese people's army

Item in collection of "William John SULLIVAN", VX57829. Refer Cat. No. 9523P for his service details. From book cover; THE WARRIOR POETS, AN ANTHOLOGY: POETRY OF THE AUSTRALIAN ARMY 1901-2001.Hard cover book with a dust cover. Hard cover - cardboard, with adhered orange colour buckram, gold colour print on spine. Dust cover - paper, gloss finish. Brown, pale yellow and white print on front, spine and back. Front illustration - sepia tones drawings of two men, poet and soldier, with Bren Gun. Back illustration sepia tone drawing of AWAS Typist. 435 pages - cut, plain white paper. Illustrated black and white, sepia and colour photographs, paintings, sketches and line drawings. End papers - back - CD in clear plastic pouch adhesive taped to page.books, army, anthology, william john sullivan

Ill, p.56.Chapter 1: Point Cook and Mesopotamia Chapter 2: The desert war Chapter 3: The eyes of the Army Chapter 4: The first fighter unit Chapter 5: Last but not least.world war 1914-1918 - aerial operations - australia, world war 1914-1918 - australian flying corps

Higginson's menswear store was located in High Street Wodonga. Mr. Higginson first worked as a grocery boy at Farmer and Sons in Wodonga. He later moved to Rudines in Dean Street, Albury. He worked at this store, which sold clothing for both men and women for several years until he joined the army in 1942. After the war, he went back to school for a while, but then returned to Rudines. This was followed by 2 years at Stiff and Gannon's in Wodonga. He set about saving to have his own business, spending 5 years as manager at Trim's in Albury. Lionel Higginson met his future wife, Dulcie, at a social dance a few years after returning from the war at a social dance. They both worked in menswear and were engaged 6 months later and started building their dream. This included building their own business. The business, L. A. Higginson's Menswear opened on 10 October 1958 and around 12 months later added a women's clothing line, Dee Gals. This became so popular that in 1995 Dee Gals moved in to its own shop in the arcade. When Lionel passed away in 1999, his eldest daughter Pauline, who supported the business from the time she was 15, helped her mother progress the business. At this stage managing 2 stores was very demanding so Dee Gals was closed. In 2000, Dulcie's daughter Michelle Williams and husband Phil took over the business. Due to changing shopping approaches and demands of online shopping, the business closed on June 2023 after 65 years serving the community.A coloured image of Higginson's Menswear in Wodonga.Above Shop : L. A. Higginson's Menswear / Dee Gals Lingerie Hosietyhigginson's wodonga, wodonga businesses, l. a. higginson wodonga

B & W photo of lower deck of HMAS Sydney first trip 1965. Army vehicles tied down on upper deck. 2 men on lower deck.photograph, hmas sydney

Willan Gray And Arthur ChandlerTwo Men in uniform in front of a brick wall and windowWilliam Gray, Arthur Chandler

B/W. Photograph of two men on Construction site one with crowbar other with tape.Work on Citadel - Shifting the Old Hall 1934 Don Reeve on Rightreligion

Ted Shepherd, Ben Nicol and Spencer Grigg, who all grew up in Linton, enlisted in the army during World War II. Spencer died as a prisoner of war.Small black and white copy of original photograph, which shows three young men in Australian army uniform.ted shepherd, ben nicol, spencer grigg

Audacity means extroardinary boldness of courage. This book tells the stories of just some of he Australian men and women who have shown audacity during wartime from 1899 to today.australian army, royal australian navy, royal australian air force, nurses, vietnam

Audacity neabs extraordinary boldness or courage. This book tells the stories of just some of the Australian, men and women who have shown audacity during wartime from 1899 to today.australian soldiers, australian army, royal australian navy, royal australian air force, nurses, vietnam

Back Row: Brd.Joe Clark, Sister Flora Gray, Jack Clark, Lizzie Weber Katies Dow, Mrs Bonney, Sis J Fraser, Sis Hannah Wells, Sis Mrs Hambly, Mary DowTwo Men & Eight Women in Salvation Army Uniform. Front Five Seated Studio Portrait Drapes behind.Stawell Photographic Co Close railwayway Station E. Hewitt Managerreligion

This item contributes to an understanding of the experience of Australian society and attitudes to the war in Vietnam.Yellowed newspaper Army recruitment article from The Sun 20/01/1969. Photo of 3 young men in Australian Army uniform a Sioux helicopter with a kangaroo emblem. Beneahan article are the words 'Go Army Now" and a coupon to be detached, filled and posted.The Sun newspaper Jan 20 1969. Careers/in Australia's modern army/changed almost 100%. Picture of Australian helicopter with pilot inside and two soldiers beside the helicopter. Flying kangaroo on the side of the helicopter.careers, army, recruitment, vietnam